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The Everyday Sling might just be the perfect pack for not carrying too much gear, combining comfort with Peak Design's signature modern style.
This year marks Leica's 100th birthday as a camera maker and, to celebrate, the venerable German manufacturer has launched an all-new camera system. Perhaps unexpectedly, though, Leica hasn't taken the obvious route and embraced the current fashion for 'retro' design with an interchangeable-lens version of its X Vario APS-C compact. Instead the Leica T is an innovative camera that combines photographer-friendly twin-dial control with a bang-up-to-date touchscreen interface.
Before we go any further, though, let's get the pricing out of the way. The Leica T is going to set you back £1350 for the body alone - a fraction more than the original X1. Two lenses will be available at launch; the 18-56mm f/3.5-5.6 zoom (27-84mm equivalent) will cost £1250, and the 23mm f/2 prime (which offers a 35mm equivalent angle-of-view) will be £1350. This places it in the same price bracket as the 36MP full frame Sony A7R as one of the most expensive mirrorless camera systems on the market, and means that only well-heeled photographers are likely to get their hands on one. Leica exists in a particularly rarefied space and, while the T is designed to appeal to a different type of buyer than either the X compacts or the M system, it is not in any way intended as a mass-market product.
This is a pity, because the Leica T turns out to be a really attractive camera. Its body is hewn from a single block of aluminum, which makes it an extraordinarily tactile, and rather beautiful object. It has five controls on its top plate - shutter button, video record button, power switch and two dials - but absolutely everything else is controlled via the large 3.7", 16:9 touchscreen. This, you can't help but feel, is the kind of camera that Apple might make, if it were so inclined.
The back of the T is dominated by its large, 16:9 aspect ratio touchscreen, with no physical buttons whatsoever. The main exposure settings are controlled by a pair of top-plate dials, but almost everything else (settings and menus, playback and so on) is operated though a generally well-thought-out touch interface. The back of the camera also proudly proclaims 'Leica Camera Wetzlar Germany', celebrating the company's recent return to its spiritual home. The lenses, by the way, are made in Japan (apparently because Leica doesn't have sufficient capacity in Wetzlar), although contrary to pre-launch internet rumor, they're not made by Panasonic.
The T uses a 16MP APS-C CMOS sensor, with an ISO range from 100-12500. It offers 5fps continuous shooting, and Full HD movie recording with stereo sound. The camera uses an all-new, fully electronic 'T mount', but Leica will also be offering an adapter to allow use of M mount lenses. This has an optical sensor to read the 6-bit code used to identify modern lenses, and electronic contacts to pass this information to the camera.
Naturally the camera has built-in Wi-Fi; this allows both image transfer to a smartphone or tablet, and remote control of shooting (complete with live view feed). It has 16GB of built-in memory, meaning you don't even have to buy an SD card if you don't want to. The battery can be charged internally via the camera's micro USB port, but Leica includes an external charger in the box too, giving the best of both worlds.
Leica is very proud of the T's unique 'unibody' design. Most cameras are built around an internal chassis, with all of the electronics fixed to it and a body skin finally added over the top. Leica has done something completely different; instead the body is formed from a solid block of aluminum, with all of the electronics attached to it directly. The result is an extraordinarily tactile, solid-feeling object.
|The Leica T's body is formed from a 1.2kg block of aluminum, which is machined down to 94g at Leica's factory in Wetzlar, then subjected 45 minutes of hand-polishing. The camera has no separate internal chassis; instead everything is attached to this shell. Now you know why it costs so much...|
The Leica T launches with two lenses, a zoom and a prime. The Vario-Elmar-T 18-56mm f/3.5-5.6 is a compact zoom that offers a 27-84mm equivalent range, while the Summicron-T 23mm f/2 ASPH is a small prime that offers a classic 35mm equivalent moderate wide-angle view. Both use a thoroughly modern design approach, with a fully-electronic mount, near-silent internal focusing, and electronically-coupled manual focus.
|The first two lenses for the T system are the Summicron-T 23mm f/2 ASPH (left) and Vario-Elmar-T 18-56mm f/3.5-5.6.||The Vario-Elmar-T 55-135mm f/3.5-4.5 ASPH telezoom and Super-Vario-Elmar-T 11-23mm f/3.5-4.5 ASPH wide-angle zoom are both scheduled to appear in time to be shown in September at photokina 2014.|
Not unexpectedly these lenses are seriously pricey, at around $1500 / £1300 each (or roughly half the price of the camera / lens kit). The zoom doesn't even have optical image stabilization - Leica says it imposes too large a compromise on the optical design - which means the T is about the only system on the market with no image stabilization at all.
There's also a new optional electronic viewfinder, the Visoflex (Typ 020), which slides onto the hotshoe. It uses a new interface on the hot shoe itself, meaning that that it's not cross-compatible with the unit used for the X2, X Vario and M (Typ 240). Leica will also be offering a range of straps and covers in two distinct styles; either traditional-looking leather, or brightly-colored silicone rubber. We'll look at these in more detail later.
The T will be available in either a natural aluminum finish, or anodized black. Prices are as follows:
Leica has released firmware version 1.5 for the Leica T, adding Wi-Fi Direct functionality for transferring images wirelessly. After updating, Leica T owners can set up a mobile hotspot through which images are shuttled between the camera and an iOS mobile device running the Leica T app. In addition, firmware 1.5 speeds up the camera's wireless reconnection with known networks and improves reconnection reliability. Read more
Leica has released a major firmware update for its T (Typ 701) APS-C mirrorless camera. Firmware 1.4 promises to make autofocus twice as fast, and improves touchscreen responsiveness by three times. The company has also announced plans to release two new prime lenses for the T in 2016. Read more
It's been a busy few weeks around the DPReview office. Alongside full-length reviews, we've been busy making sure our camera roundups are up to date as well as preparing seasonal content like our holiday gift guides. We know you've been busy too, and you might have missed some of the most recent additions to our studio test scene. Read more
It's not a surprise that Leica's first autofocus mirrorless system camera is a thing of beauty - nor that it's wildly expensive. The Leica T (Typ 701) uses a 16MP APS-C CMOS sensor, and its operation is almost entirely dependent on a couple of dials and a large touchscreen. It may be beautiful, but a camera can't get by on its looks alone. See how it fared in our field testing. Read more
When the Fujifilm X-T2 arrived, it was more than just a modest upgrade to the already impressive X-T1. While the new X-T3 hasn't changed the overall design of the camera, this model is way more than an upgrade; rather, it's a quantum leap.
The Movie Maker is a compact, motorized slider designed for phones, action cams and small mirrorless cameras. We think it's a fun little kit and a good value proposition for the cost, provided you can work around a few of its weak points.
Nikon's Z7 is the first camera to use the all-new Z-mount, the company's first new full-frame mount since 1959. We've put together our first impressions based on quality shooting time with a pre-production camera - check out what we've found.
What's the best camera for a parent? The best cameras for shooting kids and family must have fast autofocus, good low-light image quality and great video. In this buying guide we've rounded-up several great cameras for parents, and recommended the best.
What's the best camera for shooting landscapes? High resolution, weather-sealed bodies and wide dynamic range are all important. In this buying guide we've rounded-up several great cameras for shooting landscapes, and recommended the best.
What’s the best camera costing over $2000? The best high-end camera costing more than $2000 should have plenty of resolution, exceptional build quality, good 4K video capture and top-notch autofocus for advanced and professional users. In this buying guide we’ve rounded up all the current interchangeable lens cameras costing over $2000 and recommended the best.
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The X-T3 is our first opportunity to analyze what's likely to be Fujifilm's next generation image sensor. Take a look at how it performs next to the competition in our studio test scene.
Canon's new normal is seriously sharp wide open. After shooting with it for a few days, we've prepared a gallery of real-world sample images.
Nikon will cease offering Brazil-based customer service and technical support, though the company stresses that it will still offer technical assistance and warranty repairs for valid warranties.
Two years ago, CatLABS of JP announced a plan to save Packfilm from the dead. Now, it's announced it's giving up its efforts to better focus its resources elsewhere.
The GoPro Fusion is designed to make it easy to capture 360-degree video and stills. We took it out recently on a typically hot Seattle summer day to see what it can do.
We've got our hands on a full-production Nikon Z7 camera and have updated our gallery with additional samples.
A new Kickstarter campaign seeks funding for Chroma Chrono, a programmable RGB camera flash that emits multiple colors during long exposures.
Think Tank Photo has launched a new lineup of six dual-access, water-resistant protective lens cases it calls Lens Case Duo.
Canon and Nikon finally entered the full-frame mirrorless market this summer with the brand-new RF and Z mounts. Now that we've had some time with the cameras, we wanted to revisit our earlier predictions and take stock.
The devices' camera specs look pretty much identical to last year's iPhone X but under the hood a number of important improvements have been made.
Blackmagic Design has announced the public beta of its new Blackmagic RAW video codec. The company says the new format combines the benefits of shooting Raw video with the ease of use and smaller file sizes usually associated with non-Raw video files.
Serif, the company behind the Affinity suite, has announced the latest update for its mobile Photoshop competitor Affinity Photo for iPad.
The Atomos Ninja V external video recorder and monitor will be ready to ship at the end of this month. The 5.2in Ninja V is designed to provide a smaller option, while still offering many of the features of the larger 7-inch models.
Having shot with the camera, spoken to Canon and read the tea leaves, here's what DPR Technical Editor Richard Butler thinks the EOS R tells us about Canon and the RF's mount's future.
After last week's teaser, lighting manufacturer Profoto has announced its 'small big' new product. The B10 is designed to be used as studio flash head but in a very small body, and has a powerful continuous light source for videographers as well.
Konseen has launched Photo Studio, a new light box tent large enough to photograph people, as well as objects.
Seagate has introduced new high-capacity hard drives for Network Attached Storage (NAS) devices: the 14TB IronWolf and 14TB IronWolf Pro HDDs.
The case was first announced earlier this year as a Kickstarter campaign and comes with a range of features aimed at iPhone photographers.
Manfrotto has introduced a new two-in-one tripod to its Befree lineup. Called the Befree 2N1, this new addition is both a tripod and monopod in one and is available with both of Manfrotto's locking mechanisms.
This new high dynamic range editing software comes with an AI-powered Quantum HDR Engine for improved photo merging.
Apple has unveiled the next generation of its iPhone X in the form of three variants: the 5.8" iPhone XS and 6.5" iPhone XS Max with OLED screens, and the 6.1" iPhone XR with an LCD and single rear camera.
Ahead of the launch of the CamRanger II the company has announced a mini version of its wireless remote control system that it says has a longer range than the original in a body half the size.
Lens manufacturer Sigma has announced a trio of fast cinema lenses for full-frame camera systems, that it says will also be available in the future in the LPL mount for Arri’s large format camera system.
LumaPod is a a new tripod being funded on Kickstarter that takes just four seconds to set up and uses patented tension technology to keep your shots steady in a compact design.
X-Rite ColorChecker Video XL is an oversized color target for wide-angle, long distance, and aerial shooting.
ExperimentalOptics has launched a Kickstarter campaign to fund its second lens design, a 35mm F2.7 lens it claims is the world's 'smallest fastest pancake lens.'
The new XF 8-16mm F2.8 R LM WR and XF 200mm F2 R LM OIS WR are aimed at enthusiasts and professionals, and add considerable versatility to Fujifilm's growing XF lens lineup. We've been taking a look.
The Getty family is working to regain control of stock photo agency Getty Images, according to multiple reports published late last week.
The Phoneslinger line, a modular bag system for mobile photographers, has been launched on the Indiegogo crowdfunding platform.