Latest sample galleries
Latest in-depth reviews
The Everyday Sling might just be the perfect pack for not carrying too much gear, combining comfort with Peak Design's signature modern style.
The DCS-14n has two dials, both of which are mounted horizontally in the body. The dial at the rear of the camera ('under your thumb') is called the main command dial. The dial at the front of the camera is called the sub command dial. It's important to remember which is which when reading the next few pages of this review.
|Main command dial (rear)||Sub command dial (front)|
Top of the camera on the left side of the viewfinder are situated the mode / settings and drive dials. The mode dial is free to move, the drive dial is 'locked', this means you must hold down the small locking pin to move this dial.
Once more we find ISO on the mode dial, which would mean switching out of the current exposure mode to change ISO sensitivity. Luckily the DSC-14n offers a second option, that is to hold the STATUS button on the rear of the camera and cursor to change ISO, not neat but a little quicker.
|AF Area Mode
Single Area AF
Dynamic Area AF
Programmed Auto (Flexible)
The DCS-14n remembers the selected offset from default metering, the only way to reset this is to quickly turn the camera off and on again.
Shutter Priority Auto
30 seconds - 1/4,000 sec (in 1/2
Aperture Priority Auto
Range depends on lens max. and min.
apertures (in 1/2 EV steps)
|M||Full Manual Exposure
In this mode you select the aperture and the shutter speed from any combination of the above. Main command dial selects shutter speed, sub-command dial selects aperture. The meter on the viewfinder status bar and top LCD will immediately reflect the exposure level compared to the calculated ideal exposure, if it's outside of +/- 2EV the indicator bar will add an arrow '<' or '>' on the end of the meter. Bulb shutter release can only be accessed when enabled by a custom setting.
Just like Fujifilm's S2 Pro the DCS-14n is limited by the exposure system upon which it is based, that from the F80 (N80). This means that you are limited to making exposure adjustments only in 1/2 EV steps. This can at times feel limiting, especially when trying to pick an aperture in aperture priority mode or select an exposure compensation that isn't 'too much'.
|Single frame shooting
One frame is taken when shutter release is pressed. You can take another shot almost as quickly as you can re-press the shutter release.
Camera takes a single frame after a predefined delay, this delay can be set to 2, 5, 10 or 20 seconds via a custom function.
Switching to this special mode locks exposure settings such as selected aperture in aperture priority mode, exposure compensation in all modes. However it doesn't stop you from changing ISO sensitivity etc.
Top of the camera on the right side are the two sub and main command dials (front and back), the power switch, shutter release, exposure compensation, flash compensation and LCD illumination button.
Switches camera on, although the 'photographic side' of the camera comes on instantly (meaning you can change photographic settings, auto focus) you can't take a shot until the 'digital side' has also finished its startup sequence. This means a wait of approximately x seconds at startup.
+/-3EV in 1/2EV steps
+/1EV in 1/2EV steps
This button illuminates the top LCD panel and rear LCD panel in green. A single press of this button toggles the backlight on or off.
When the Fujifilm X-T2 arrived, it was more than just a modest upgrade to the already impressive X-T1. While the new X-T3 hasn't changed the overall design of the camera, this model is way more than an upgrade; rather, it's a quantum leap.
The Movie Maker is a compact, motorized slider designed for phones, action cams and small mirrorless cameras. We think it's a fun little kit and a good value proposition for the cost, provided you can work around a few of its weak points.
Nikon's Z7 is the first camera to use the all-new Z-mount, the company's first new full-frame mount since 1959. We've put together our first impressions based on quality shooting time with a pre-production camera - check out what we've found.
What's the best camera for a parent? The best cameras for shooting kids and family must have fast autofocus, good low-light image quality and great video. In this buying guide we've rounded-up several great cameras for parents, and recommended the best.
What's the best camera for shooting landscapes? High resolution, weather-sealed bodies and wide dynamic range are all important. In this buying guide we've rounded-up several great cameras for shooting landscapes, and recommended the best.
What’s the best camera costing over $2000? The best high-end camera costing more than $2000 should have plenty of resolution, exceptional build quality, good 4K video capture and top-notch autofocus for advanced and professional users. In this buying guide we’ve rounded up all the current interchangeable lens cameras costing over $2000 and recommended the best.
|walkersons fields by George Veltchev|
from -Waiting for Autumn- (in Full Colours Only)
|A smile is worth a thousand words by alberto_b|
from Fill the frame
The 'I'm Back' is now available for a range of old film-SLRs, such as Nikon's F-Series, the Olympus OM10 or the Canon AE-1.
IRIX has announced its latest lens, the 150mm F2.8 Macro 1:1. IRIX claims the lens features 'close to zero' distortion and stands out with its 150mm telephoto focal length.
The RF 24-105mm F4L IS USM is one of four lenses to launch with Canon's new full-frame mirrorless system, and it boasts the longest reach of the range. Take a look at some of the samples we've gathered thus far as our EOS R testing continues.
Nikon's Sendai factory in the Tōhoku region North of Japan has been churning out cameras and lenses since 1971. We had the opportunity recently to visit Sendai during events to mark the launch of Nikon's new Z mount.
There's no mistaking the Nikon Coolpix P1000 – with a 24-3000mm equivalent zoom, it really is in a class of its own. It's a conspicuous-looking superzoom with one main job: getting you really close to far away subjects. We've put together a gallery showing the kind of results you can expect from it.
A new report from The Verge claims Instagram is currently testing a feature that allows users to re-share posts to their own account feeds.
GoPro has announced its HERO7 camera lineup. The updated action cameras feature new HyperSmooth and TimeWarp modes, as well as improved video and photo specs.
The latest Samsung midrange smartphone offers a super-wide-angle lens in its triple-camera setup.
The Sony 24mm F1.4 is the latest lens to join the company's premium G Master lineup. We've been shooting with one for a couple of days - here's what you need to know.
Apple released iOS 12 a few days ago and some iPhone X users are less than happy with how the new operating system has made their phones look.
Camera bag manufacturer Lowepro has introduced mark II backpacks for its ProTactic AW range with models that are said to feature an improved handling experience as well as a collection of accessories that can be attached to the outside.
Canon has announced its latest superzoom camera, the PowerShot SX70 HS. Compared to the SX60 that came before it, the SX70 has the same lens but offers a higher resolution EVF, 4K video capture and support for Canon's new CR3 Raw format.
Cosina has announced its eighth lens designed specifically for Sony's E-mount system. The Voigtlander 21mm F3.5 lens is due out October 2018.
Sony has taken the wraps off of its new 24mm F1.4 GM full-frame lens, which the company claims is the lightest in its class. Despite its fast aperture, the 24mm F1.4 is remarkably light, weighing just 445 grams (15.7 ounces). The lens will set you back $1400 when it ships next month.
In this episode of DPReview TV we take a look at Sony's brand new 24mm F1.4 GM lens, a desirable focal length for many photographers. How does it perform? Chris and Jordan give us their first impressions.
We've had a little time to shoot with Sony's new wide/fast prime, both close to home and on the water in San Francisco. Check out our initial sample images.
Fujifilm released a firmware upgrade for its X-T3 mirrorless camera that addresses issues with distortion compensation and the mechanical lock on SD cards.
The app's algorithms have been trained using using 200 million cropping data points from real photographers.
Thanks to a software update, the Loupedeck+ editing console can now be used for video editing.
British photographic engineer MTF Services is claiming the world’s first third-party lens adapters for the new Nikon Z system with a collection of four units designed to allow cinema lenses to be mounted on the mirrorless full frame bodies.
Think Tank Photo has updated its line of heavy-duty rain covers and introduced a new, compact version for emergency situations.
The X-T3 is our first opportunity to analyze what's likely to be Fujifilm's next generation image sensor. Take a look at how it performs next to the competition in our studio test scene.
Canon's new normal is seriously sharp wide open. After shooting with it for a few days, we've prepared a gallery of real-world sample images.
Nikon will cease offering Brazil-based customer service and technical support, though the company stresses that it will still offer technical assistance and warranty repairs for valid warranties.
Two years ago, CatLABS of JP announced a plan to save Packfilm from the dead. Now, it's announced it's giving up its efforts to better focus its resources elsewhere.
The GoPro Fusion is designed to make it easy to capture 360-degree video and stills. We took it out recently on a typically hot Seattle summer day to see what it can do.
We've got our hands on a full-production Nikon Z7 camera and have updated our gallery with additional samples.
A new Kickstarter campaign seeks funding for Chroma Chrono, a programmable RGB camera flash that emits multiple colors during long exposures.
Think Tank Photo has launched a new lineup of six dual-access, water-resistant protective lens cases it calls Lens Case Duo.
Canon and Nikon finally entered the full-frame mirrorless market this summer with the brand-new RF and Z mounts. Now that we've had some time with the cameras, we wanted to revisit our earlier predictions and take stock.