FujiFilm FinePix S1 Pro Review
Review based on a production FinePix S1 Pro (Firmware v1.00)
Back on January 31st FujiFilm
announced the S1 Pro, people ooh-ed and ahh-ed at the specifications,
6.13 megapixels, accepts Nikon F-mount lenses, ISO from 320 to 1600 support
for CF Type II and SmartMedia with an estimated street price of just US$3,500.
A lot of time has passed since then, in that time we've
learned that the CCD in the S1 Pro is in fact 3.4 megapixels (3.07 million
effective) but because it's of the SuperCCD layout it produces a 6.13
megapixel output image (in the same way FujiFilm's 4700Z produces a 4.3
megapixel image from a 2.4 megapixel sensor). Also that the S1 Pro is
based on Nikon's F60 (known as the N60 in the US) with about another inch
added to the base to contain the batteries for the "digital portion"
of the camera and (we assume) digital processing electronics. It's also
become apparent that lens compatibility could be an issue, because the
camera is based on the F60 it doesn't support certain lenses (full list
of supported lenses is available further into this review).
Putting that behind us nobody can ignore the price, for
a Digital SLR with this much resolution just can't be ignored...
SuperCCD
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The major difference between a SuperCCD and standard
CCD is the orientation of the CCD pixels. In a SuperCCD they're
orientated in a diamond formation (or honeycomb as Fujifilm like
to call it), turning this into a square image requires processing
which generates a higher pixel count (because of the missing pixels
between odd rows).
The Fujifilm S1 Pro has a 3.4 megapixel SuperCCD
which outputs 3.07 million pixels which is processed to generate
a 6.13 megapixel image (3040 x 2016). This means that the cameras
internal systems are processing those diagonally orientated pixels
to generate the image... Debate still rages as to whether this is
a good thing or not.
The SuperCCD design does lend itself to higher
sensitivity thus the S1 Pro has a lowest sensitivity of ISO 320
(it was rumored that production cameras would be capable of ISO
160 however that doesn't appear to have come to fruition) and highest
of ISO 1600.
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Aug 5, 2003
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Aug 5, 2003
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Aug 9, 2000
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Feb 22, 2001
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Our
good friends Dave and Mike over at Imaging Resource have had a busy few
days recently, first off is their "almost full review" of a
pre-production Canon D30. Then comes a review of Fujifilm's S1 Pro, a
comparison of the S1 Pro, D30 and Nikon's D1 and finally a full review
of Toshiba's PDR M70.. Just when I thought I was working hard ;) | |
And
$200 rebate off the following lenses: Tamron's SP AF14mm F/2.8 Aspherical
(IF) Rectilinear, SP AF20-40mm F2.7-3.5 Aspherical (IF) or SP AF28-105mm
F/2.8 LD Aspherical (IF) lenses. There will be a $100 rebate for the purchase
of the SP AF90mm F/2.8 1:1 macro lens. We'd actually heard of several
people receiving their pre-ordered S1 Pro's before this announcement but
this kind of puts an official slant on proceedings. | |
Steve
Sanders over at Steves-Digicams has just posted a first look at Fujifilm's
S1 Pro Digital SLR. So far he seems fairly happy with the camera and notes
"...had a fun day shooting sample photos and getting used to this
camera. The image quality is excellent, there's no fear of "interpolated"
resolution not living up to the claims -- it does!" | Fuji
rattle the sabre in the Professional Digital Camera market (and pro-sumer
too) with this blockbusting 6.13 megapixel (3040 x 2016 - oh yes) professional
SLR with a D1-killing street price of US$4,000. Kodak DCS560 / 660 anyone?
Best of all that CCD is HUGE.. 1.1" (APS size).
No Nikon camera we've tested to date balances stills and video capture as well as the Nikon Z7. Though autofocus is less reliable than the D850, Nikon's first full-frame mirrorless gets enough right to earn our recommendation.
Nikon's Coolpix P1000 has moved the zoom needle from 'absurd' to 'ludicrous,' with an equivalent focal length of 24-3000mm. While it's great for lunar and still wildlife photography, we found that it's not suited for much else.
As a stills camera the Fujifilm X-T3 is a pleasant update to one of our favorite APS-C cameras, significantly improving the autofocus. If you're interested in stills and video, though, it's knockout.
The Nikon Z7 is slated as a mirrorless equivalent to the D850, but it can't subject track with the same reliability as its DSLR counterpart. AF performance is otherwise good, except in low light where hunting can lead to missed shots.
The Canon EOS R is the first full frame mirrorless camera to use the new RF mount. We're well underway putting it through our range of standard tests – take a look at how it compares to the competition and our thoughts on using it so far.
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Whether you've grown tired of what came with your DSLR, or want to start photographing different subjects, a new lens is probably in order. We've selected our favorite lenses for Canon DSLRs in several categories to make your decisions easier.
Whether you've grown tired of what came with your DSLR, or want to start photographing different subjects, a new lens is probably in order. We've selected our favorite lenses for Nikon DSLRs in several categories to make your decisions easier.
What’s the best camera for less than $1000? The best cameras for under $1000 should have good ergonomics and controls, great image quality and be capture high-quality video. In this buying guide we’ve rounded up all the current interchangeable lens cameras costing under $1000 and recommended the best.
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