FujiFilm FinePix S1 Pro Review
Review based on a production FinePix S1 Pro (Firmware v1.00)
Back on January 31st FujiFilm
announced the S1 Pro, people ooh-ed and ahh-ed at the specifications,
6.13 megapixels, accepts Nikon F-mount lenses, ISO from 320 to 1600 support
for CF Type II and SmartMedia with an estimated street price of just US$3,500.
A lot of time has passed since then, in that time we've
learned that the CCD in the S1 Pro is in fact 3.4 megapixels (3.07 million
effective) but because it's of the SuperCCD layout it produces a 6.13
megapixel output image (in the same way FujiFilm's 4700Z produces a 4.3
megapixel image from a 2.4 megapixel sensor). Also that the S1 Pro is
based on Nikon's F60 (known as the N60 in the US) with about another inch
added to the base to contain the batteries for the "digital portion"
of the camera and (we assume) digital processing electronics. It's also
become apparent that lens compatibility could be an issue, because the
camera is based on the F60 it doesn't support certain lenses (full list
of supported lenses is available further into this review).
Putting that behind us nobody can ignore the price, for
a Digital SLR with this much resolution just can't be ignored...
SuperCCD
|
The major difference between a SuperCCD and standard
CCD is the orientation of the CCD pixels. In a SuperCCD they're
orientated in a diamond formation (or honeycomb as Fujifilm like
to call it), turning this into a square image requires processing
which generates a higher pixel count (because of the missing pixels
between odd rows).
The Fujifilm S1 Pro has a 3.4 megapixel SuperCCD
which outputs 3.07 million pixels which is processed to generate
a 6.13 megapixel image (3040 x 2016). This means that the cameras
internal systems are processing those diagonally orientated pixels
to generate the image... Debate still rages as to whether this is
a good thing or not.
The SuperCCD design does lend itself to higher
sensitivity thus the S1 Pro has a lowest sensitivity of ISO 320
(it was rumored that production cameras would be capable of ISO
160 however that doesn't appear to have come to fruition) and highest
of ISO 1600.
|
 |
|
|
|
|
|
Aug 5, 2003
|
Aug 5, 2003
|
Aug 9, 2000
|
Feb 22, 2001
|
|
Our
good friends Dave and Mike over at Imaging Resource have had a busy few
days recently, first off is their "almost full review" of a
pre-production Canon D30. Then comes a review of Fujifilm's S1 Pro, a
comparison of the S1 Pro, D30 and Nikon's D1 and finally a full review
of Toshiba's PDR M70.. Just when I thought I was working hard ;) | |
And
$200 rebate off the following lenses: Tamron's SP AF14mm F/2.8 Aspherical
(IF) Rectilinear, SP AF20-40mm F2.7-3.5 Aspherical (IF) or SP AF28-105mm
F/2.8 LD Aspherical (IF) lenses. There will be a $100 rebate for the purchase
of the SP AF90mm F/2.8 1:1 macro lens. We'd actually heard of several
people receiving their pre-ordered S1 Pro's before this announcement but
this kind of puts an official slant on proceedings. | |
Steve
Sanders over at Steves-Digicams has just posted a first look at Fujifilm's
S1 Pro Digital SLR. So far he seems fairly happy with the camera and notes
"...had a fun day shooting sample photos and getting used to this
camera. The image quality is excellent, there's no fear of "interpolated"
resolution not living up to the claims -- it does!" | Fuji
rattle the sabre in the Professional Digital Camera market (and pro-sumer
too) with this blockbusting 6.13 megapixel (3040 x 2016 - oh yes) professional
SLR with a D1-killing street price of US$4,000. Kodak DCS560 / 660 anyone?
Best of all that CCD is HUGE.. 1.1" (APS size).
The GFX 50R is a 50MP rangefinder-style mirrorless camera. It borrows heavily from the existing 50S model but in a smaller body and at a lower price. How does it differ?
The Everyday Sling might just be the perfect pack for not carrying too much gear, combining comfort with Peak Design's signature modern style.
When the Fujifilm X-T2 arrived, it was more than just a modest upgrade to the already impressive X-T1. While the new X-T3 hasn't changed the overall design of the camera, this model is way more than an upgrade; rather, it's a quantum leap.
The Movie Maker is a compact, motorized slider designed for phones, action cams and small mirrorless cameras. We think it's a fun little kit and a good value proposition for the cost, provided you can work around a few of its weak points.
Nikon's Z7 is the first camera to use the all-new Z-mount, the company's first new full-frame mount since 1959. We've put together our first impressions based on quality shooting time with a pre-production camera - check out what we've found.
The instant camera market is heating up, and with four formats and 15+ cameras to choose from, we felt it was high time to examine them all and pick our favorite.
Whether you're hitting the beach in the Northern Hemisphere or the ski slopes in the Southern, a rugged compact camera makes a great companion. In this buying guide we've taken a look at seven current models and chosen our favorites.
What's the best camera for a parent? The best cameras for shooting kids and family must have fast autofocus, good low-light image quality and great video. In this buying guide we've rounded-up several great cameras for parents, and recommended the best.
What's the best camera for shooting landscapes? High resolution, weather-sealed bodies and wide dynamic range are all important. In this buying guide we've rounded-up several great cameras for shooting landscapes, and recommended the best.
What’s the best camera costing over $2000? The best high-end camera costing more than $2000 should have plenty of resolution, exceptional build quality, good 4K video capture and top-notch autofocus for advanced and professional users. In this buying guide we’ve rounded up all the current interchangeable lens cameras costing over $2000 and recommended the best.
Comments