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The Everyday Sling might just be the perfect pack for not carrying too much gear, combining comfort with Peak Design's signature modern style.
The actual sensitivity of each indicated ISO is measured using the same shots as are used to measure ISO noise levels, we simply compare the exposure for each shot to the metered light level (using a calibrated Sekonic L-358), middle gray matched. We estimate the accuracy of these results to be +/- 1/6 EV (the margin of error given in the ISO specifications). Note that these tests are based on the sRGB JPEG output of the cameras, in accordance with ISO 12232:2006, the standard used by camera manufacturers.
By our tests, the X100's measured sensitivities are about 1/6 stop lower than indicated (i.e. images are fractionally darker than expected for any given set of exposure values), which is within the tolerance allowed by the ISO specification.
Note: this page features our new interactive noise comparison widget. By default, we show you the default noise reduction settings of the camera tested, and three other models of the same class. You can select from all available NR options, and from other cameras. The 'tricolor' patches beneath the familiar gray/black/portrait images are taken from the same test chart, and show how noise impacts upon blue, green and red areas of a scene.
The X100 does extremely well in these tests, giving remarkably detailed, low-noise images across almost all of the ISO range. Image detail only starts to visibly deteriorate at ISO 3200, and even at ISO 6400 the results are pretty impressive. At the maximum JPEG-only sensitivity of ISO 12800, detail and colour saturation are both visibly degraded.
In comparing to the other cameras in this group, it's important to bear in mind that the Nikon D7000's ISOs are underrated by about 1/3 stop, making a total half stop difference compared to the X100 (the X1 and E-PL2 are, however, within 1/6 stop of the X100). Despite this the X100 holds up extremely well against the competition, producing cleaner, more detailed results than the Leica X1 at all ISOs, and pulling visibly ahead of the Olympus E-PL2 in terms of fine, low-contrast detail at ISO 800 and above. It's at least a match for the Nikon D7000 across the range too, despite its older sensor design. Very, very impressive.
The X100 has five JPEG noise reduction settings - here we compare the weakest and strongest to the default 'Normal' setting. There's little visible difference at ISO 100 and 200, but at ISO 400 and above the NR settings have a progressively larger impact. The settings on offer cover a useful range of tradeoffs between fine detail and visible noise: we actually think that the Normal setting is very well-judged, but if you want less noise at the expense of fine detail, or more detail but a grittier, noisier image, the option is there.
The X100 has two dynamic range expansion settings to increase its highlight range; DR200 (200%) adds a stop of information in the highlights, and DR400 (400%) adds two stops. However because of the way they work these expanded DR settings can't be used across the full range of ISOs; DR200 is only available at ISO 400 and above, and DR400 at ISO 800 and above. We'll dissect this in detail later, but in this section we'll first take a quick look at their effect on JPEG noise levels.
What's striking on looking at these tests, either the graphs or the crops, is that the expanded DR settings have to all intents and purposes no noise penalty at any given ISO; all the available DR settings measure identically, and more importantly the image crops are visually indistinguishable. For chroma and grey noise at least this is absolutely expected; for black noise it's a sign that Fuji has got read noise (i.e. the noise added to the image by the camera's electronics) under good control.
This isn't quite the whole story, though. Because noise inevitably increases with ISO, it's still the case that using DR100 at ISO 200 will a result in cleaner image than DR200 at ISO 400 or DR400 at ISO 800. Free lunches, as always, are in short supply.
Here we look at the RAW files processed through Adobe Camera Raw (in this case version 6.4). Images are brightness matched and processed with all noise reduction options set to zero.
Adobe does a degree of noise reduction even when the user-controlled NR is turned off. The amount of NR applied 'under the hood' is not high, but it does vary by camera (Adobe is attempting to normalize output across different sensors), so inevitably we are still looking at a balance of noise and noise reduction, rather than pure noise levels. However, the use of the most popular third-party RAW converter is intended to give a photographically relevant result, rather than simply comparing sensor performance in an abstract manner.
The similarity of both the figures and the appearance of these crops suggests they tell us as much about Adobe's ability to normalize the various cameras' outputs as about the cameras themselves. The X100 won't record raw files at ISO 100 and 12800, but across the available ISO range it's producing excellent results, with impressively low visible noise and high levels of detail retention. It does notably better than either the Olympus E-PL2 or Leica X1, producing results to rival the Nikon D7000. Switching to graph view simply confirms its low-noise credentials.
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The first Fujifilm X-series camera, the FinePix X100, debuted in 2010 with handsome looks, great image quality and a swath of technical glitches that many photographers were happy to ignore. With numerous updates over the years, the X100 has truly become a modern classic. Read more
First published in 1991 at the age of 23, portrait photographer Alfie Goodrich has been shooting primarily in Japan since 2007. His eye as a photographer as well as a fluency in both English and Japanese has brought him a diverse portfolio of commercial and editorial clients. He commands an impressive online following with a daily blog and popular Google+ page. See his work and find out more about him in our Q+A. Read more
When the Fujifilm X-T2 arrived, it was more than just a modest upgrade to the already impressive X-T1. While the new X-T3 hasn't changed the overall design of the camera, this model is way more than an upgrade; rather, it's a quantum leap.
The Movie Maker is a compact, motorized slider designed for phones, action cams and small mirrorless cameras. We think it's a fun little kit and a good value proposition for the cost, provided you can work around a few of its weak points.
Nikon's Z7 is the first camera to use the all-new Z-mount, the company's first new full-frame mount since 1959. We've put together our first impressions based on quality shooting time with a pre-production camera - check out what we've found.
What's the best camera for a parent? The best cameras for shooting kids and family must have fast autofocus, good low-light image quality and great video. In this buying guide we've rounded-up several great cameras for parents, and recommended the best.
What's the best camera for shooting landscapes? High resolution, weather-sealed bodies and wide dynamic range are all important. In this buying guide we've rounded-up several great cameras for shooting landscapes, and recommended the best.
What’s the best camera costing over $2000? The best high-end camera costing more than $2000 should have plenty of resolution, exceptional build quality, good 4K video capture and top-notch autofocus for advanced and professional users. In this buying guide we’ve rounded up all the current interchangeable lens cameras costing over $2000 and recommended the best.
|The Lone Photographer by ed rader|
from My Best Photo of the Week
|_ERN9064 by ernesto juarez|
from Shoot yourself ! (with your camera)
|Neighbourhood Watch by Stevie Boy Blue|
from Zoo trip ~ Cute...
The Sony 24mm F1.4 is the latest lens to join the company's premium G Master lineup. We've been shooting with one for a couple of days - here's what you need to know.
Apple released iOS 12 a few days ago and some iPhone X users are less than happy with how the new operating system has made their phones look.
Camera bag manufacturer Lowepro has introduced mark II backpacks for its ProTactic AW range with models that are said to feature an improved handling experience as well as a collection of accessories that can be attached to the outside.
Canon has announced its latest superzoom camera, the PowerShot SX70 HS. Compared to the SX60 that came before it, the SX70 has a longer lens, higher resolution EVF, 4K video capture and support for Canon's new CR3 Raw format.
Cosina has announced its eighth lens designed specifically for Sony's E-mount system. The Voigtlander 21mm F3.5 lens is due out October 2018.
Sony has taken the wraps off of its new 24mm F1.4 GM full-frame lens, which the company claims is the lightest in its class. Despite its fast aperture, the 24mm F1.4 is remarkably light, weighing just 445 grams (15.7 ounces). The lens will set you back $1400 when it ships next month.
In this episode of DPReview TV we take a look at Sony's brand new 24mm F1.4 GM lens, a desirable focal length for many photographers. How does it perform? Chris and Jordan give us their first impressions.
We've had a little time to shoot with Sony's new wide/fast prime, both close to home and on the water in San Francisco. Check out our initial sample images.
Fujifilm released a firmware upgrade for its X-T3 mirrorless camera that addresses issues with distortion compensation and the mechanical lock on SD cards.
The app's algorithms have been trained using using 200 million cropping data points from real photographers.
Thanks to a software update, the Loupedeck+ editing console can now be used for video editing.
British photographic engineer MTF Services is claiming the world’s first third-party lens adapters for the new Nikon Z system with a collection of four units designed to allow cinema lenses to be mounted on the mirrorless full frame bodies.
Think Tank Photo has updated its line of heavy-duty rain covers and introduced a new, compact version for emergency situations.
The X-T3 is our first opportunity to analyze what's likely to be Fujifilm's next generation image sensor. Take a look at how it performs next to the competition in our studio test scene.
Canon's new normal is seriously sharp wide open. After shooting with it for a few days, we've prepared a gallery of real-world sample images.
Nikon will cease offering Brazil-based customer service and technical support, though the company stresses that it will still offer technical assistance and warranty repairs for valid warranties.
Two years ago, CatLABS of JP announced a plan to save Packfilm from the dead. Now, it's announced it's giving up its efforts to better focus its resources elsewhere.
The GoPro Fusion is designed to make it easy to capture 360-degree video and stills. We took it out recently on a typically hot Seattle summer day to see what it can do.
We've got our hands on a full-production Nikon Z7 camera and have updated our gallery with additional samples.
A new Kickstarter campaign seeks funding for Chroma Chrono, a programmable RGB camera flash that emits multiple colors during long exposures.
Think Tank Photo has launched a new lineup of six dual-access, water-resistant protective lens cases it calls Lens Case Duo.
Canon and Nikon finally entered the full-frame mirrorless market this summer with the brand-new RF and Z mounts. Now that we've had some time with the cameras, we wanted to revisit our earlier predictions and take stock.
The devices' camera specs look pretty much identical to last year's iPhone X but under the hood a number of important improvements have been made.
Blackmagic Design has announced the public beta of its new Blackmagic RAW video codec. The company says the new format combines the benefits of shooting Raw video with the ease of use and smaller file sizes usually associated with non-Raw video files.
Serif, the company behind the Affinity suite, has announced the latest update for its mobile Photoshop competitor Affinity Photo for iPad.
The Atomos Ninja V external video recorder and monitor will be ready to ship at the end of this month. The 5.2in Ninja V is designed to provide a smaller option, while still offering many of the features of the larger 7-inch models.
Having shot with the camera, spoken to Canon and read the tea leaves, here's what DPR Technical Editor Richard Butler thinks the EOS R tells us about Canon and the RF's mount's future.
After last week's teaser, lighting manufacturer Profoto has announced its 'small big' new product. The B10 is designed to be used as studio flash head but in a very small body, and has a powerful continuous light source for videographers as well.
Konseen has launched Photo Studio, a new light box tent large enough to photograph people, as well as objects.
Seagate has introduced new high-capacity hard drives for Network Attached Storage (NAS) devices: the 14TB IronWolf and 14TB IronWolf Pro HDDs.