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We reviewed three of the more popular 'pocket printers,' the Canon Ivy, Fujifilm Instax Share and Polaroid ZIP. Here's the one we recommend...
Standard Test Scene
The S3 Pro provides two JPEG compression levels (Fine and Normal) in combination with four image sizes (12, 6, 3 and 1 megapixel) as well as RAW mode. The RAW file size (.RAF) depends on the dynamic range mode selected, in standard mode file will be approximately 12.5 MB, in wide dynamic range mode the file will be approximately 25 MB (as twice the data is recorded). Because of the honeycomb layout of the SuperCCD sensor there is no real 'native' direct pixel-for-pixel output, however the six megapixel (3024 x 2016) should be seen as the nearest size to the input pixel count.
Below you will find crops of the same 240 x 180 portion of the center of a sequence of images taken at some of the available combinations of image size and quality. Crops shown are at 100%, saved as extremely high quality JPEG. The RAW file was converted to a TIFF using Fujifilm Hyper-Utility 2 (ver 2.3). All shots below were taken in Wide dynamic range mode.
|4256 x 2848 CCD-RAW (Uncompressed), W-Dyn
25,049 KB .RAF (not for download)
|4256 x 2848 JPEG (12 MP) Fine
4,532 KB .JPG
|4256 x 2848 JPEG (12 MP) Normal
2,262 KB .JPG
|3024 x 2016 JPEG (6 MP) Fine
2,861 KB .JPG
3024 x 2016 JPEG (6 MP) Normal
2304 x 1536 JPEG (3 MP) Fine
With such large image sizes and fairly small crops it's quite difficult to see artifacts, a closer inspection (a 'pixel peep') of the entire image revealed no JPEG artifacts with the Fine setting but some in Normal (as well as a slight softening / JPEG smearing of image detail). We would therefore recommend everyone sticking to the Fine setting unless they wish to shoot RAW (disadvantage: very big files).
The S3 Pro provides independent selection of output color space, you can select from sRGB or Adobe RGB. Images taken in the Adobe RGB color space have their filename prefixed with an underscore (_) which complies with DCF 2.0 (Exif 2.21). *
As you can see from the samples below (switch between the two by moving your mouse over the labels) Adobe RGB mode doesn't affect the gray balance of the image but does deliver a very different color response, most notably deeper blues and paler reds (although greens remain unaffected). This is a fairly dramatic difference, the only thing we can conclude is that in sRGB mode the camera is applying some additional color mapping (for that Fujifilm 'pop') which doesn't happen in Adobe RGB mode. Anyone who finds the S3 Pro's standard sRGB color too saturated could perhaps try Adobe RGB.
|sRGB||Adobe RGB (converted to sRGB)|
* This DCF naming convention makes it difficult to keep your images in the correct order if you don't routinely rename them by date/time. A suffix would have been far better.
Note that in these samples the Adobe RGB image has not been converted to sRGB and so to view it correctly you will have to load it into a color space aware photo application and assign the Adobe RGB color space. Below each sample is the CIE u'v' Color Distribution chart; larger gray triangle approximately represents the range of color which the human eye can resolve, the inner triangle the available gamut in each color space (sRGB or Adobe RGB).
Again you can clearly see the difference between sRGB and Adobe RGB in the CIE charts, while blues and greens remain close to the limits of gamut reds are paler.
Following testing of the Panasonic Lumix DC-LX100 II, we've added it to our Pocketable Enthusiast Compact Cameras buying guide as joint-winner, alongside Sony's Cyber-shot RX100 VA.
If you're looking for a high-quality camera, you don't need to spend a ton of cash, nor do you need to buy the latest and greatest new product on the market. In our latest buying guide we've selected some cameras that while they're a bit older, still offer a lot of bang for the buck.
What's the best camera for under $500? These entry level cameras should be easy to use, offer good image quality and easily connect with a smartphone for sharing. In this buying guide we've rounded up all the current interchangeable lens cameras costing less than $500 and recommended the best.
Whether you've grown tired of what came with your DSLR, or want to start photographing different subjects, a new lens is probably in order. We've selected our favorite lenses for Sony mirrorlses cameras in several categories to make your decisions easier.
|Skating by robbertleopold|
from ice skating
|Alcedo atthis by rrybicki|
from A big year - birds 2019
|Dundee, Scotland by Kivi|
from -2019: In The Modern City- (Street-photography in Full Colours Only)
Panasonic is well known for including impressive video features on its cameras. In this article, professional cinematographer Jack Lam explains one killer feature the company could add to its S series that would shake up the industry – and it all comes down to manual focus.
Lens manufacturer Irix has announced it's expanding its product lineup into the Japanese market.
Full-frame cameras get a lot of attention lately, but Technical Editor Richard Butler thinks that APS-C makes the most sense for a lot of people – and there's just one company consistently giving the format the support it deserves.
The 12th International Garden Photographer of the Year winners have been announced. We've gathered the top photos from each category and rounded them up into a slideshow.
Kosmo Foto has announced the release and opened pre-orders for its new Mono 120 black-and-white film.
Uber software engineer Phillip Wang has created a website that shows a portrait of a person that doesn't actually exist by using AI to merge multiple faces together.
The Atomos Shinobi is a compact, lightweight monitor that features the same display found inside the much more expensive Ninja 5 monitor/recorder.
Want to know more about the Canon EOS RP? Dying to ask a question that hasn't been addressed anywhere else online? Join the editors of DPReview for a live Q&A about this new camera next Tuesday, Feb. 19 on our YouTube channel. Click through for details.
Got a couple of minutes? Then you have all the time you need to learn about Canon's second full-frame mirrorless camera body – and why it's a compelling option for someone stepping into full-frame for the first time.
NASA's Curiosity rover captures a 360 panorama from its Vera Rubin Ridge 'Rock Hall' drill site before moving on to greener...er...redder pastures.
Xiaomi's new flagship Android smartphone is expected to be launched on February 24 at the Mobile World Congress in Barcelona.
A quick glance at the spec sheet doesn't make the Canon EOS RP look that exciting. But having shot with it, we've become oddly fond of this little full framer.
Pixelmator Pro has received an update with new and improved features, including support for Portrait Masks with images captured by the iPhone's Portrait Mode.
Alongside the EOS RP, Canon showed us mockups of the six lenses it says are in development for 2019. There's a distinct high-end flavor to the options in the works.
The new X-T30 may not be Fujifilm's flagship model, but it arrives with some very impressive features and specifications. Chris and Jordan have been shooting it for a few days and share their first impressions, along with a look at an iconic new building in their hometown of Calgary.
We don't often get excited about $900 cameras, but the Fujifilm X-T30 has really impressed us thus far. Find out what's new, what it's like to use and how it compares to its peers in our review in progress.
The Fujifilm X-T30 is equipped with the same 26.1MP X-Trans sensor and X-Processor 4 Quad Core CPU as the X-T3, along with some autofocus improvements. The new camera arrives in March for $900 body-only.
Fujifilm's new XF 16mm F2.8 R WR is a compact, weather-resistant lens that weighs just 155g/5.5oz. It'll be available starting in March for $399.
Fujifilm's XF 16mm F2.8 is one of the widest lenses in the company's lineup of compact primes for its X-series interchangeable lens cameras. We've been up and down the streets of snowy Seattle - a rare sight - to see just what our pre-production copy of this petite prime is capable of.
Firmware version 2.00 brings two new shooting modes and one new setting to its X-T100 and X-A5 camera systems.
Fujifilm has announced its upcoming rugged point-and-shoot, the FinePix XP140.
Get a closer look at Canon's second full-frame mirrorless body and its unique combination of features, capability and price point.
Canon has unveiled its second full-frame mirrorless camera: the entry-level EOS RP. Touting its compact size and approachability for beginners, the RP uses a 26.2MP sensor and will sell for $1300 body-only this March.
A pre-launch event gave us a chance to shoot a sample gallery to show what sort of image quality you can expect from the least-expensive digital full frame camera ever launched.
Nikon has taken the wraps off a new standard zoom lens for mirrorless, the Z 24-70mm F2.8 Z. The new 24-70mm has been on Nikon's Z-series roadmap since the mount was announced last August, and it will ship in spring for $2299.
Canon has announced the development of six RF lenses, including the incredibly compact RF 70-200mm F2.8L IS USM, two variations of an RF 85mm F1.2L USM, plus a 15-35mm F2.8L IS USM, 15-35mm F2.8L IS USM and 24-240mm F4-6.3 IS USM.
Nikon has announced more details of firmware in development for the Z6 and Z7. As previously reported, firmware is being planned that will add Eye-detection AF, CFexpress support and Raw video over HDMI.
Tripod manufacturer Three Legged Thing has developed a new L-bracket designed to fit a wider range of cameras and allow users to mount their camera in a variety of ways.
Some user information, including names, usernames and email addresses was compromised in the incident.
The FAA has announced drones will soon need aerial license plates of sorts to fly their UAVs in the United States.