Fujifilm FinePix S3 Pro Review
Output image file quality / JPEG artifacts
Standard Test Scene
Below you will find crops of the same 240 x 180 portion of the center of a sequence of images taken at some of the available combinations of image size and quality. Crops shown are at 100%, saved as extremely high quality JPEG. The RAW file was converted to a TIFF using Fujifilm Hyper-Utility 2 (ver 2.3). All shots below were taken in Wide dynamic range mode.
With such large image sizes and fairly small crops it's quite difficult to see artifacts, a closer inspection (a 'pixel peep') of the entire image revealed no JPEG artifacts with the Fine setting but some in Normal (as well as a slight softening / JPEG smearing of image detail). We would therefore recommend everyone sticking to the Fine setting unless they wish to shoot RAW (disadvantage: very big files).
The S3 Pro provides independent selection of output color space, you can select from sRGB or Adobe RGB. Images taken in the Adobe RGB color space have their filename prefixed with an underscore (_) which complies with DCF 2.0 (Exif 2.21). *
As you can see from the samples below (switch between the two by moving your mouse over the labels) Adobe RGB mode doesn't affect the gray balance of the image but does deliver a very different color response, most notably deeper blues and paler reds (although greens remain unaffected). This is a fairly dramatic difference, the only thing we can conclude is that in sRGB mode the camera is applying some additional color mapping (for that Fujifilm 'pop') which doesn't happen in Adobe RGB mode. Anyone who finds the S3 Pro's standard sRGB color too saturated could perhaps try Adobe RGB.
|sRGB||Adobe RGB (converted to sRGB)|
* This DCF naming convention makes it difficult to keep your images in the correct order if you don't routinely rename them by date/time. A suffix would have been far better.
Color space: CIE u'v' Color Distribution chart
Note that in these samples the Adobe RGB image has not been converted to sRGB and so to view it correctly you will have to load it into a color space aware photo application and assign the Adobe RGB color space. Below each sample is the CIE u'v' Color Distribution chart; larger gray triangle approximately represents the range of color which the human eye can resolve, the inner triangle the available gamut in each color space (sRGB or Adobe RGB).
Again you can clearly see the difference between sRGB and Adobe RGB in the CIE charts, while blues and greens remain close to the limits of gamut reds are paler.
- Canon EOS M58.8%
- Panasonic G85/G803.3%
- Panasonic FZ2500/FZ20001.9%
- Panasonic LX10/LX151.2%
- Panasonic GH5 development3.6%
- Sony a99 II15.9%
- Nikon KeyMission 170 and 801.0%
- Fujifilm GFX 50S development28.3%
- Olympus E-M1 II development18.7%
- Olympus E-PL80.1%
- Olympus 25mm F1.2 Pro1.5%
- Olympus 12-100mm F4 IS Pro1.9%
- Olympus 30mm F3.5 Macro0.1%
- Sigma 85mm F1.4 Art3.6%
- Sigma 12-24mm F4 Art2.6%
- Sigma 500mm F4 DG OS HSM Sport2.4%
- YI M12.2%
- GoPro Hero50.8%
- GoPro Karma drone2.2%
|Sunflower Field by GrannyMeg|
from An impressionist piece
|Flag from Staten Island Ferry by wam7|
|SAND SCULPTURE by duskman|
from Landscape - Black and White #4