ISO Sensitivity / Noise levels
ISO equivalence on a digital camera is the ability to increase the sensitivity of the sensor. The works by turning up the "volume" (gain) on the sensor's signal amplifiers (remember the sensor is an analogue device). By amplifying the signal you also amplify the noise which becomes more visible at higher ISO's. Many modern cameras also employ noise reduction and / or sharpness reduction at higher sensitivities.
To measure noise levels we take a sequence of images of a GretagMacBeth ColorChecker chart (controlled artificial daylight lighting). The exposure is matched to the ISO (ie. ISO 200, 1/200 sec for consistency of exposure between cameras). The image sequence is run through our own proprietary noise measurement tool (version 1.5 in this review). Click here for more information. (Note that noise values indicated on the graphs here can not be compared to those in other reviews.)
Fuji FinePix F30 vs FinePix F10 vs Canon PowerShot G7
Fuji FinePix F31fd n/a |
Fuji FinePix F30 n/a |
Canon PowerShot SD800 IS ISO 80 |
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Fuji FinePix F31fd ISO 100 |
Fuji FinePix F30 ISO 100 |
Canon PowerShot SD800 IS ISO 100 |
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Fuji FinePix F31fd ISO 200 |
Fuji FinePix F30 ISO 200 |
Canon PowerShot SD800 IS ISO 200 |
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Fuji FinePix F31fd ISO 400 |
Fuji FinePix F30 ISO 400 |
Canon PowerShot SD800 IS ISO 400 |
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Fuji FinePix F31fd ISO 800 |
Fuji FinePix F30 ISO 800 |
Canon PowerShot SD800 IS ISO 800 |
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Fuji FinePix F31fd ISO 1600 |
Fuji FinePix F30 ISO 1600 |
Canon PowerShot SD800 IS ISO 1600 |
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Fuji FinePix F31fd ISO 3200 |
Fuji FinePix F30 ISO 3200 |
Canon PowerShot G7 n/a |
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Like the F30 before it the F31fd offers amazingly low noise at ISO 100-400, and at ISO 800 / ISO 1600 it is miles ahead of the competition, offering lower noise and better detail retention. It's interesting to see the difference between the F31fd and the F30 at ISO 1600 and 3200, where the processing has been tweaked very slightly, reducing the amount of noise reduction (and producing a noisier, but less processed looking image). Forget ISO 3200 - it's a stop too far, but ISO 1600 is, in my opinion, a better balance of noise and NR than it was with the F30.
Luminance noise graph
Cameras compared:
Fujifilm FinePix F31fd, Fujifilm FinePix F30, Canon SD 800 IS
Indicated ISO sensitivity is on the horizontal axis of this graph, standard deviation of luminosity is on the vertical axis.
As seen in our real-world tests, the F31fd has marginally higher luminance noise at most ISO settings, particularly at ISO 1600 and 3200. Both cameras offer lower noise than the 7.2MP Canon, but more importantly they do so with considerably less destructive noise reduction.
RGB noise graph
Indicated ISO sensitivity is on the horizontal axis of this graph, standard deviation of each of the red, green and blue channels is on the vertical axis.
The same story for chroma noise; a little higher than the F30 throughout the range (reflecting a very slight tweak of the processing), but still a lot better than the competition despite the less aggressive NR.
Low contrast detail
What the crops and graph don't show is the effect of noise reduction on low contrast fine detail such as hair, fur or foliage. An inevitable side effect of noise removal is that this kind of detail is also blurred or smeared, resulting in a loss of 'texture'. In this test the crops below show the effect of the noise reduction on such texture (hair) as you move up the ISO range.
100% Crops |
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ISO 100 | ISO 200 | ISO 400 |
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ISO 800 | ISO 1600 | ISO 3200 |
As these crops show there is a gradually increasing smearing of of low contrast detail as you move up the ISO scale, but even at ISO 800 there is some texture preserved (more than many cameras manage at ISO 200!), and there is little - if any - visible noise. Once you get to ISO 1600 - and 3200 in particular - the loss of fine detail is significant enough to restrict the kind of subjects you can expect to shoot with any fidelity.
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