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The Everyday Sling might just be the perfect pack for not carrying too much gear, combining comfort with Peak Design's signature modern style.
The X100S sees Fujifilm revisiting the concept, but while the external design is essentially unchanged, it's a very different camera inside. It uses a 16.3MP X-Trans CMOS sensor similar to that seen in the interchangeable lens X-Pro1 and X-E1 models, but now with on-chip phase detection promising much-improved autofocus speed. This is supported by a new processor, the 'EXR Processor II', which includes a new 'Lens Modulation Optimizer' function. According to Fujifilm this 'overcomes' lens aberrations such as diffraction and peripheral aberrations, and should give improved image quality at the largest and smallest apertures. The electronic viewfinder has been upgraded to a higher-resolution 2.35M dot display (from 1.44M dot); however this isn't the OLED unit used in the X-E1, but an LCD instead.
Two additional manual focus aids are available when using the EVF or LCD - a focus 'peaking' display that outlines in-focus elements, and an all-new 'Digital Split Image focusing' display that uses phase detection data from the sensor, and is designed to offer a similar experience to manual focus film cameras. In addition, the movement sensor on the manual focus ring has been upgraded to detect movement with greater precision - which Fujifilm says will make it more responsive.
The user interface gains all the improvements Fujifilm has made in its X-series cameras over the past few years, including an onscreen 'Q' menu to access major settings, and a much-improved tabbed menu system.
Aside from these headline features, Fujifilm is promising a whole host of smaller tweaks and improvements covering every aspect of the camera's design and operation - no fewer than 70 in total. Many of these address bugs and quirks highlighted by users and reviewers, demonstrating once again Fujifilm's laudable desire to listen to feedback and learn from it. Some controls have been subtly tweaked, movie mode is much improved, and small but important operability issues have been addressed.
Here's the X100S side-by-side with the X20 that Fujifilm announced at the same time (we reviewed it earlier this year). The two cameras are very different beasts, of course, but share a lot of common features, and the family resemblance is obvious.
|Here's the X100S alongside the co-announced X20 zoom compact. Both cameras feature X-Trans CMOS sensors with on-chip phase detection AF, optical viewfinders with detailed information overlays, and lots of external controls. Their on-screen user interfaces and menu systems are very similar too. The big difference is that the X20's fast (F2-2.8) 28-112mm equivalent zoom is coupled to a much smaller, 2/3"-type sensor.|
The X100S's most natural peer (forgetting the massive price difference) is Sony's RX1R, which offers a full-frame 24MP CMOS sensor and a similar 35mm (equivalent) F2 lens as the X100S.
|The X100S is slightly taller and wider, but on the plus side, it has a better-defined grip, and of course that unique Fujifilm built-in hybrid viewfinder. Given that the RX1R is packing a full-frame sensor inside it though, the Cyber-shot is impressively compact.|
|From behind, its the X100S's viewfinder that represents the main difference between the two cameras. The rear control cluster on both models is pretty standard, but the RX1R does have a larger display (which partly makes up for the lack of a finder).|
|From the top, it is very obvious just how big the RX1R's lens is compared to the almost pancake design of the Fujifilm's 23mm F2. Both cameras have manual aperture rings, and external exposure compensation dials, but the X100S also offers a manual shutter speed dial. The RX1R features an exposure mode dial, in the same position.|
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DPR reader Philip Ewing found he had little time outside of long hours at the office to spend on photography, so he turned his commute into a time to exercise some creativity. Each day he brings his camera along with him on Washington D.C.'s Metrorail system, where he photographs the Brutalist-style architecture, morning rushes and evening light of the Metro subway. Read more
Gene Smirnov is a regular DPR reader and a working photographer based in Philadelphia. As a music photographer he's photographed over 300 bands, and now mainly shoots portraits for magazines. He's got years of professional experience under his belt, but it all began with a Nikon FM10 and a portrait gig for his college newspaper. See his work and learn more about him. Read more
When he learned that he had a hearing condition that would make continuing his work in music production difficult, Greg Krycinski picked up photography. His stark black-white-landscapes and street scenes resonate in their simplicity. See a sample of his work here and find out more about him in our Q&A. Read more
We're at the CP+ show in Yokohama Japan where Fujifilm is showing off its latest camera, the weathersealed X-T1. Yesterday the show was cancelled due to heavy snow and today the line of people waiting to get in is formidable. Editor Barnaby Britton finagled an exhibitor's pass to get in early and beat the crowds. Click through to read our report from the Fujifilm stand.
We're at the CP+ show in Japan, where Fujifilm is showing a new teleconverter for the X100S. Attached in the same way as the existing WCL-X100, the new TCL-X100 increases the X100S's effective focal length to 50mm, without effecting the minimum aperture. Details are scarce but unofficially we understand that the new converter will be available later in spring, for around $300. Click through for some hands-on impressions.
When the Fujifilm X-T2 arrived, it was more than just a modest upgrade to the already impressive X-T1. While the new X-T3 hasn't changed the overall design of the camera, this model is way more than an upgrade; rather, it's a quantum leap.
The Movie Maker is a compact, motorized slider designed for phones, action cams and small mirrorless cameras. We think it's a fun little kit and a good value proposition for the cost, provided you can work around a few of its weak points.
Nikon's Z7 is the first camera to use the all-new Z-mount, the company's first new full-frame mount since 1959. We've put together our first impressions based on quality shooting time with a pre-production camera - check out what we've found.
What's the best camera for a parent? The best cameras for shooting kids and family must have fast autofocus, good low-light image quality and great video. In this buying guide we've rounded-up several great cameras for parents, and recommended the best.
What's the best camera for shooting landscapes? High resolution, weather-sealed bodies and wide dynamic range are all important. In this buying guide we've rounded-up several great cameras for shooting landscapes, and recommended the best.
What’s the best camera costing over $2000? The best high-end camera costing more than $2000 should have plenty of resolution, exceptional build quality, good 4K video capture and top-notch autofocus for advanced and professional users. In this buying guide we’ve rounded up all the current interchangeable lens cameras costing over $2000 and recommended the best.
|The Lone Photographer by ed rader|
from My Best Photo of the Week
|Neighbourhood Watch by Stevie Boy Blue|
from Zoo trip ~ Cute...
Sony has taken the wraps off of its new 24mm F1.4 GM full-frame lens, which the company claims is the lightest in its class. Despite its fast aperture, the 24mm F1.4 is remarkably light, weighing just 445 grams (15.7 ounces). The lens will set you back $1400 when it ships next month.
In this episode of DPReview TV we take a look at Sony's brand new 24mm F1.4 GM lens, a desirable focal length for many photographers. How does it perform? Chris and Jordan give us their first impressions.
We've had a little time to shoot with Sony's new wide/fast prime, both close to home and on the water in San Francisco. Check out our initial sample images.
Fujifilm released a firmware upgrade for its X-T3 mirrorless camera that addresses issues with distortion compensation and the mechanical lock on SD cards.
The app's algorithms have been trained using using 200 million cropping data points from real photographers.
Thanks to a software update, the Loupedeck+ editing console can now be used for video editing.
British photographic engineer MTF Services is claiming the world’s first third-party lens adapters for the new Nikon Z system with a collection of four units designed to allow cinema lenses to be mounted on the mirrorless full frame bodies.
Think Tank Photo has updated its line of heavy-duty rain covers and introduced a new, compact version for emergency situations.
The X-T3 is our first opportunity to analyze what's likely to be Fujifilm's next generation image sensor. Take a look at how it performs next to the competition in our studio test scene.
Canon's new normal is seriously sharp wide open. After shooting with it for a few days, we've prepared a gallery of real-world sample images.
Nikon will cease offering Brazil-based customer service and technical support, though the company stresses that it will still offer technical assistance and warranty repairs for valid warranties.
Two years ago, CatLABS of JP announced a plan to save Packfilm from the dead. Now, it's announced it's giving up its efforts to better focus its resources elsewhere.
The GoPro Fusion is designed to make it easy to capture 360-degree video and stills. We took it out recently on a typically hot Seattle summer day to see what it can do.
We've got our hands on a full-production Nikon Z7 camera and have updated our gallery with additional samples.
A new Kickstarter campaign seeks funding for Chroma Chrono, a programmable RGB camera flash that emits multiple colors during long exposures.
Think Tank Photo has launched a new lineup of six dual-access, water-resistant protective lens cases it calls Lens Case Duo.
Canon and Nikon finally entered the full-frame mirrorless market this summer with the brand-new RF and Z mounts. Now that we've had some time with the cameras, we wanted to revisit our earlier predictions and take stock.
The devices' camera specs look pretty much identical to last year's iPhone X but under the hood a number of important improvements have been made.
Blackmagic Design has announced the public beta of its new Blackmagic RAW video codec. The company says the new format combines the benefits of shooting Raw video with the ease of use and smaller file sizes usually associated with non-Raw video files.
Serif, the company behind the Affinity suite, has announced the latest update for its mobile Photoshop competitor Affinity Photo for iPad.
The Atomos Ninja V external video recorder and monitor will be ready to ship at the end of this month. The 5.2in Ninja V is designed to provide a smaller option, while still offering many of the features of the larger 7-inch models.
Having shot with the camera, spoken to Canon and read the tea leaves, here's what DPR Technical Editor Richard Butler thinks the EOS R tells us about Canon and the RF's mount's future.
After last week's teaser, lighting manufacturer Profoto has announced its 'small big' new product. The B10 is designed to be used as studio flash head but in a very small body, and has a powerful continuous light source for videographers as well.
Konseen has launched Photo Studio, a new light box tent large enough to photograph people, as well as objects.
Seagate has introduced new high-capacity hard drives for Network Attached Storage (NAS) devices: the 14TB IronWolf and 14TB IronWolf Pro HDDs.
The case was first announced earlier this year as a Kickstarter campaign and comes with a range of features aimed at iPhone photographers.
Manfrotto has introduced a new two-in-one tripod to its Befree lineup. Called the Befree 2N1, this new addition is both a tripod and monopod in one and is available with both of Manfrotto's locking mechanisms.
This new high dynamic range editing software comes with an AI-powered Quantum HDR Engine for improved photo merging.
Apple has unveiled the next generation of its iPhone X in the form of three variants: the 5.8" iPhone XS and 6.5" iPhone XS Max with OLED screens, and the 6.1" iPhone XR with an LCD and single rear camera.