Fujifilm X-M1 Review
When Fujifilm introduced its X-system back in January 2012, it took the unusual step of starting out with a top-end professional model - the retro-looking but technologically innovative X-Pro1, which features the company's unique 'hybrid' optical/electronic viewfinder. Nine months later it followed this up with the enthusiast-orientated X-E1, which offers much the same feature set in a smaller body, but makes do with a purely electronic viewfinder. Now, nine months on again, comes the latest model: the distinctly mid-range-looking, miniaturized X-M1.
On the face of it, the X-M1 is a very different camera to its higher-end siblings. Gone are the traditional shutter speed and exposure compensation dials from the top-plate, along with the aperture ring from the new XC 16-50mm F3.5-5.6 OIS kit zoom. Instead the camera uses a conventional exposure mode dial, along with twin electronic control dials on the top and rear to set exposure parameters. The X-M1 is also the first in the X system to feature a direct movie record button on the back of the camera to initiate recording at any time. In essence it's a thoroughly contemporary design.
Fujifilm X-M1 specification highlights:
- 16MP X-Trans CMOS APS-C sensor, EXR Processor II
- ISO 200-6400, expandable to 100 - 25600
- Up to 5.6 fps continuous shooting
- 0.5 sec startup time
- 1920 x 1080 Full HD movie recording at 30 fps with stereo sound
- Twin control dials, top and rear
- Focus peaking (for setting focus before shooting)
- 920k dot 3-inch 3:2 LCD display - tilts 120° upwards and 80° downwards
- Built-in Wi-Fi for image transfer to mobile device or PC
|The X-M1 uses the same 16.3 megapixel X-Trans CMOS sensor found in Fujifilm's other X system cameras. That's good news, since this sensor has drawn praise from DPReview and photographers alike.|
One thing that the X-M1 has in common with its more expensive siblings is its sensor. We've been impressed with this 16 megapixel X-Trans APS-C CMOS sensor in our reviews of cameras like the X-E1 and X100S, with JPEG quality so high that you rarely need to use Raw. If you want to learn how X-Trans sensors work, head on over to our X-E1 review.
Unlike the other X-system cameras, the X-M1 has no eye-level viewfinder at all, nor any option for a plug-in electronic viewfinder. Instead it uses an articulating rear screen, which is a 3-inch, 3:2 aspect ratio unit with 920k dot resolution. It can tilt to face almost directly downwards for overhead shots, or upwards for waist-level shooting. The X-M1 also has a 'focus peaking' feature that highlights high-contrast edges to assist manual focus.
Fujifilm says the X-M1 is designed to attract a broader range of users than the enthusiast photographers targeted by the X-E1, and it gains an array of features to reflect this. So it offers a full set of scene-based automatic exposure modes, 'Advanced filter' image processing options, along with face detection and subject-tracking autofocus modes. It also offers built-in Wi-Fi for remote control, geotagging, and image sharing with mobile devices. Overall, the X-M1's feature set and form factor places it squarely up against cameras like the Sony NEX-5T and Olympus PEN E-PL5.
The X-M1 is still an X-system camera, of course and retains many of X-E1 and X-Pro1's best features. Most importantly it includes Fujifilm's 'Film Simulation' modes, which we think offer among the most attractive JPEG color rendition of any brand. However it doesn't have as many options as the higher-end models (the ProNeg and filtered monochrome options are omitted).
The X-M1 also offers Fujifilm's 'Super Intelligent Flash', which adjusts flash output according to the shooting situation. This is good news as Fujifilm's cameras have gained a reputation among users of offering especially good flash exposure, particularly for balanced fill-in flash. The built-in flash can also be used as a wireless remote commander for compatible external units.
Other features on offer include Fujifilm's excellent Q-menu for quickly changing key settings, and in-camera Raw conversion (which helps get the most out of the excellent JPEG engine). But inevitably a few features are missing - for example there's no microphone input for movie recording, and disappointingly no electronic level display.
The X-M1 comes in three color schemes; black, silver and brown. The brown version will be available a bit later than the other two - and in some markets will be exclusive to certain retailers. In addition, the two lenses announced at the same time - the XC 16-50mm F3.5-5.6 OIS and the XF 27mm F2.8 - will be available in black or silver, with the latter color providing a better match to the brown X-M1 in particular.
|The X-M1 comes in brown, black and silver options|
Kit options and pricing
The X-M1 will be sold as a kit with the XC 16-50mm F3.5-5.6 OIS (described on page 3) in all regions, with an MSRP of $799 / £679 / €799. In the US and Europe, the X-M1 will be also be available body-only for $699 / €679. In some regions other lenses may also be offered as kits, for example the tiny XF 27mm F2.8 or the XF 18-55mm F2.8-4.0 R LM OIS.
If you're new to digital photography you may wish to read the Digital Photography Glossary before diving into this article (it may help you understand some of the terms used).
Conclusion / Recommendation / Ratings are based on the opinion of the reviewer, you should read the ENTIRE review before coming to your own conclusions.
Images which can be viewed at a larger size have a small magnifying glass icon in the bottom right corner of the image, clicking on the image will display a larger (typically VGA) image in a new window.
To navigate the review simply use the next / previous page buttons, to jump to a particular section either pick the section from the drop down or select it from the navigation bar at the top.
DPReview calibrate their monitors using Color Vision OptiCal at the (fairly well accepted) PC normal gamma 2.2, this means that on our monitors we can make out the difference between all of the (computer generated) grayscale blocks below. We recommend to make the most of this review you should be able to see the difference (at least) between X,Y and Z and ideally A,B and C.
This article is Copyright 2013 and may NOT in part or in whole be reproduced in any electronic or printed medium without prior permission from the author.
Aug 9, 2016
Jun 14, 2016
May 25, 2016
Feb 24, 2016
|Home from first day. by Frank LoPriore|
from Back to School
|Hummingbird in Flight by Lensmate|
from A Big Year - birds
|Green turtle in the shallows by gcachon|
|Bruce Green by George Veltchev|
from -Yuge and Nasty-
PDN sat down with Ahmed Fakhr, director of photography at RollingStone.com, to talk about how the famed publication is adapting to the changing photo and video needs of the modern era and how he 'evaluates the skills of potential contributors.'
Kudos to Canon. Earlier today, the camera giant announced that it had produced its 90 millionth EOS camera and 130 millionth EF-series lens.
The ROV Slider is a portable, motorized slider that promises to bring 'beautiful cinematic video and time-lapse' shooting to anybody with a smartphone, GoPro or DSLR that weighs less than 5lbs.
The new Surface Book 2 laptops come with Intel's 8th generation quad-core processors and NVIDIA GeForce GTX 1050 and 1060 GPUs. In other words: they pack a serious punch.
Leica is resurrecting a portrait lens from the 1930s: the Thambar-M 1:2.2/90. This lens features just 4 lens elements, and was famous for its spherical aberration that creates extremely soft images.
Google's Visual Core is an Image Signal Processor designed to power and accelerate HDR+ processing and other imaging tasks in the new Pixel 2 devices (and beyond).
The Google Pixel's camera is among the best we've reviewed, and its successor has already been hailed as class-leading. With expectations set high, the Pixel 2 has nonetheless left a very good first impression on us as we shot some initial sample images.
Leica is one of the oldest names in photography, and has long been one of the most prestigious. Recently, we had the opportunity to visit Wetzlar, to see for ourselves how Leica's lenses are put together.
Canon went and put an APS-C sensor in a G series compact. The result is a mighty tempting camera for travel.
Google Photos is adding a few pet-friendly features that will make it easier to find photos of your favorite pooch. Now, you can organize your pet photos by facial recognition, and you can even search your library by breed.
Colorful tripod maker MeFOTO has launched a new tripod... and a whole new brand name. Meet the GlobeTrotter travel video tripod, the first product to be released under the MeVIDEO brand.
If you own a Moto Z, you'll soon be able to attach a Polaroid instant printer to it. Check out the unreleased Moto Mod, which was leaked earlier today.
DJI has developed a technology called AeroScope that allows law enforcement to identify and track airborne drones that are breaking UAV regulations, while simultaneously addressing privacy concerns.
The Nikon D850 is a 45.7MP full-frame DSLR with an autofocus system lifted wholesale from the pro-sports focused D5. 4K capture, continuous shooting at 7 or 9 frames per second make it sound like the ultimate all rounder. Is it all that these specs suggest?
The Mate 10's Kirin 970 chipset with integrated AI processing allows for object recognition, motion detection and automatic scene selection in the camera app.
DxO has announced version 3.0 of the iOS app for its 'One' connected camera. It adds support for multi-camera Facebook Live broadcasting and both time-lapse still and video capture. Android users will be pleased to hear that a One for their platform is on the way, as well. Several new accessories are available, including a battery pack.
Canon has introduced the PowerShot G1 X Mark III, which borrows the 24MP APS-C sensor and Dual Pixel AF system from the company's recent mirrorless and DSLR cameras, adds a 24-72mm equiv., F2.8-5.6 lens and puts them into a lightweight body – but it'll cost you quite a bit.
It's not often that we see a genuinely interesting compact camera, and the Canon PowerShot G1 X Mark III is one such beast. We've pulled out the top features of the camera and tell you why they matter – and put the Mark III up against the competition.
Apple's HDR effect in the iPhone 8 Plus is on by default and more aggressive than in previous generations. It's also good enough to convince DPR contributor Jeff Carlson to leave it on all the time.
Canon's 28mm F2.8 IS USM may be small in size, but it's big on fun. We wrote about our experience using it as our only lens in Big Sur, California, but in case you missed out on our full gallery, take a look to see what this little lens can do.
Travel photographer Elia Locardi tells the story behind this gorgeous (and rare) panorama of the Dubai cityscape draped in fog.
Bison, drift cars, horseback riders, antelope – from the beach to the race track, the Sony 100-400mm G Master is one versatile piece of kit.
"Wildlife photography in Yellowstone National Park is an incredible opportunity, yet some bad photographers are giving all photographers a bad name by not following the rules."
Casio's bionic-looking new action camera, the GZE-1, is built with extreme sports in mind. The little camera is drop-proof, freeze-proof, dust-proof, and waterproof to 50 meters.
Yashica recently released the digiFilm Y35: a camera that tries to simulate the "experience" of shooting film... and it's just the worst.
Western Digital has revealed some interesting new technology that, it claims, will allow them to develop 40TB hard drives by the year 2025.
Photographer Micael Widell wanted to see just how affordable it could possibly be to get into digital photography—so he bought a full DSLR kit with battery grip and 50mm lens on eBay for just $80.
Confused about DxOMark's scoring system? This straightforward video by Marques Brownlee breaks down how DxO gets its scores, and why you should always look beyond that "overall" number.
It's not exactly a revolutionary device, but the iPhone 8 Plus does promise some evolutionary updates in the camera department. DPR contributor Jeff Carlson has been putting the 8 Plus to the test in some everyday shooting situations – take a look at how it fared.
This week in Hollywood, DJI introduced its new Zenmuse X7 camera, a Super 35 format cinema camera of its own design that can also capture 24MP still images in APS-C format. Is it time to start thinking of DJI as a camera company?