Latest sample galleries
Latest in-depth reviews
The Everyday Sling might just be the perfect pack for not carrying too much gear, combining comfort with Peak Design's signature modern style.
The X-E2 is the mid-range model in Fujifilm's X system of mirrorless interchangeable lens cameras, sitting between the relatively affordable X-M1 and X-A1 twins, and the unashamedly high-end X-Pro1 and X-T1. It's an update of the X-E1, which we liked a lot for its combination of 'old school' handling and excellent image quality, giving it our Gold award in our review.
The X-E2 is superficially very similar to the X-E1, with the same basic body design and control layout; at a quick glance it's almost impossible to tell them apart. It keeps the same top-plate layout, including analogue shutter speed and exposure compensation dials, and has the same 2.36M dot OLED electronic viewfinder. The rear of the camera is still covered in buttons in much the same places as the X-E1, but their functions have been rearranged.
The headline updates are the sensor and processor: the X-E2 sports the same X-Trans CMOS II sensor as we first saw in the X100S, which includes on-chip phase detection elements for autofocus, and in concert with the EXR Processor II promises much improved autofocus speed. It also gains Fujifilm's rather basic but easy-to-use Wi-Fi system for sharing images. There's also a much nicer rear screen: a 3", 1.04M dot 3:2 aspect ratio unit, and a whole host of further tweaks and improvements. The net result is a camera that retains all the best bits of its predecessor, but has also been improved in many respects.
Alongside the most obvious changes, the X-E2 adds a wide array of improvements and refinements compared to the X-E1, including a sensibly-revised control layout. The top-plate shutter speed and exposure compensation dials have been tweaked, with the latter now offering a range of +/-3 stops in 1/3 stop increments. Instead of a combined AE-L/AF-L button the X-E2 has separate controls for each, whose behavior can be user-defined. The rear plate controls have been rearranged, and four buttons are now user-customizable. There's also a number of small changes in response to user feedback, including the ability to specify a minimum shutter speed for Auto ISO, and live view exposure preview in manual exposure mode.
|The back of X-E2 is slightly rearranged compared to the X-E1 (right), with some of the the buttons serving different functions. It's dominated by the 3" 3:2 1.04M dot screen - a big improvement over the X-E1's 2.8" 4:3 420k dot LCD.|
The result may not be enough to tempt existing X-E1 owners to trade in their year-old cameras and upgrade, but that's not necessarily the point. In general, the days when photo enthusiasts could expect significant advances in speed and image quality with each year's new model are long gone. Instead the X-E2 is designed to keep the line up-to-date against the current competition, to draw new users into the system, and it does that pretty well. Impressively, Fujifilm has extended many of the firmware-based improvements to X-E1 customers - the company seems determined to be seen to support its existing customers.
The list below summarizes changes relative to the X-E1 - some more significant than others (Fujifilm says there are more than 60 in total). Many of these reflect users' requests for operational changes and new features; some of them count more as bug fixes than anything else. But Fujifilm has to be given huge credit for listening and actively responding to such feedback.
At launch, Fujifilm proudly claimed that the X-E2 offers the 'world's fastest autofocus' of 0.08 sec - an attention-grabbing statement designed to dispel the reputation the X system gained in its early days for slowish performance. The small print is revealing though - Fujifilm's tests used the XF 14mm F2.8R wideangle lens and the camera's 'High Performance' mode, which is disabled by default and has to be turned on in the menus. As tends to be the way with these things, you're not quite going to see that speed in day-to-day shooting.
The X-E2's tracking autofocus is substantially improved too - on paper at least. With the camera in its 3fps 'Continuous Low' speed and the focus switch set to AF-C, the camera can re-focus between frames, and show a live view display too. The focus point for AF-C is no longer limited to the centre of the frame, but can be moved around freely. Strangely though the live view feed doesn't show up during continuous shooting in other focus modes - the camera plays back your just-taken shots between frames instead.
The X-E2 is Fujifilm's first interchangeable-lens camera to offer its 'Lens Modulation Optimizer', as previously seen on the X100S and X20. This uses Fujifilm's knowledge of each lens's characteristics to adjust the in-camera processing and sharpening, in an attempt to combat diffraction and lens aberrations. The idea is to give sharper out-of-camera JPEGs when shooting at large or small apertures. The concept isn't exactly new - Raw developers such as DxO Optics Pro and Canon Digital Photo Pro do much the same thing - but it's only just starting to find its way into in-camera JPEG processing engines.
The Lens Modulation Optimizer function is compatible with all of Fujifilm's X-mount lenses, although it appears the camera firmware will need updating when new lenses are launched to fully understand their characteristics. It can be turned on or off in the menu, so you don't have to use it all the time if you don't want to, and it can also be applied to individual images during in-camera Raw conversion.
The X-E2's movie mode still feels like something of an afterthought on what is primarily a stills camera (there's no record button, so it's accessed as a drive mode), but Fujifilm has added some extra capabilities. It's now possible to choose a Film Simulation mode, and adjust exposure compensation during recording. You also get a choice of framerates, but this is limited to 30fps or 60fps.
The X-E2 uses Fujifilm's X-Trans CMOS II sensor, which employs a novel color filter array to suppress color moiré. This in turn means it doesn't need an anti-aliasing filter, and can therefore (in principle) offer higher resolution compared to other cameras with the same 16MP pixel count but conventional Bayer-type sensors. You can read more about the technology behind this in our in-depth review of the X-Pro1.
When the X-Trans CMOS sensor it first appeared, third-party Raw support was patchy at best, with even the mainstream converters struggling to deliver sharp, artefact-free results. Since then, though, much has changed, and recently we've both seen a wider variety of choices, and a general improvement in results. Most recently, in a hugely welcome development, Adobe has started to add support for Fujifilm's Film Simulation modes.
The X-E2's sensor also includes phase detection pixels to assist autofocus, as previously seen on the X100S. There are 86,000 of these all told, arranged across 36% of the sensor's area in the centre of the frame.
The X-E2 is available in a choice of silver and black finishes, either body only at a list price of $999 / £799.99 or bundled with the premium XF 18-55mm F2.8-4R LM OIS zoom for $1399 / £1199.99. These are the same as the X-E1 at launch.
Aug 9, 2016
Mar 1, 2017
Jun 14, 2016
May 25, 2016
Fujifilm has released its promised firmware update for its X-E2 mid-range mirrorless camera. The firmware update adds a host of feature and operational improvements, bringing it into line with the X-E2S. The improvements include the AF upgrades from the recent X-T models, as well as a revised user interface and multiple AutoISO settings. Read more
Update: Firmware updates are now available - click through for a download link. Fujifilm has unveiled two macro extension tubes for its X-series interchangeable lens cameras, as well as a launch date for the previously-promised Fujifilm X-T1 firmware. More firmware updates are also announced for the X-E2, X-E1, X-Pro1 and X-30, as well as the introduction of tethering software for PC. Read more
Fujifilm has announced firmware updates for a number of X-series and FinePix cameras. Full details of the firmware updates were announced on the company’s blog, and the new firmware versions are now available for download from the global Fujifilm site. Included in this round of updates are the X-T1, X-Pro 1, X-E1, X-E2, X-M1, X-A1, XQ1, FinePix S1, FinePix XP70 and FinePix XP200. Read more
We've been shooting with the Fujinon XF 56mm F1.2 R - the fast 85mm equivalent prime lens for Fujifilm's X mount mirrorless cameras. Its F1.2 aperture means it gives similarly shallow depth-of-field to an 85mm F1.8 lens on a full frame body, making it an useful portrait or low light lens. We also spent time using the X-E2 with an advance version of firmware v2.0 while putting this gallery together. See gallery and read about our experience with the update
Fujifilm has released a firmware update for its X-E2 mirrorless camera, bringing its viewfinder performance up to the standard set by the X-T1. Firmware 2.0 also adds a choice over the color of focus peaking and the ability to apply Face Detection and EVF/LCD Setting to one of the customizable buttons. A 'Suppressed Flash' option has also been added. The viewfinder now operates with a lag of just 0.005 seconds and maintains its faster refresh rate in low light. The firmware is available for download from the company's website.
The Canon EOS R is the first full frame mirrorless camera to use the new RF mount. We're well underway putting it through our range of standard tests – take a look at how it compares to the competition and our thoughts on using it so far.
The Everyday Sling might just be the perfect pack for not carrying too much gear, combining comfort with Peak Design's signature modern style.
When the Fujifilm X-T2 arrived, it was more than just a modest upgrade to the already impressive X-T1. While the new X-T3 hasn't changed the overall design of the camera, this model is way more than a minor refresh: it's a major leap forwards.
What's the best camera for a parent? The best cameras for shooting kids and family must have fast autofocus, good low-light image quality and great video. In this buying guide we've rounded-up several great cameras for parents, and recommended the best.
What's the best camera for shooting landscapes? High resolution, weather-sealed bodies and wide dynamic range are all important. In this buying guide we've rounded-up several great cameras for shooting landscapes, and recommended the best.
What’s the best camera costing over $2000? The best high-end camera costing more than $2000 should have plenty of resolution, exceptional build quality, good 4K video capture and top-notch autofocus for advanced and professional users. In this buying guide we’ve rounded up all the current interchangeable lens cameras costing over $2000 and recommended the best.
|Dubai by Nilesh Trivedi|
|Hummingbird Tight by Dennis Bayer|
from -Vivid Purple- (in Full Colours Only)
After shaking up the Lightroom ecosystem with Lightroom CC last year, Adobe has released version 2.0 of the cloud-centric photo organizer and editor. We look at new features like People View, how far Lightroom CC has come in its first year, and where Lightroom is headed.
Today, at Adobe MAX 2018, Adobe previewed Photoshop CC on iPad, a full-featured, desktop-class version of Photoshop for iOS.
The weather and has most definitely taken a turn toward fall here, and our shooting opportunities have followed suit. We brought the Canon RF 35mm F1.8 along to a harvest festival of sorts and a few of our usual haunts.
Pennsylvania Governor Tom Wolf has signed House Bill 1346 into effect, which imposes a fine upwards of $300 to drone operators who invade the privacy or harm the physical wellbeing of citizens.
Sigma is a company in flux, but CEO Kazuto Yamaki is undaunted by the upcoming prospect of developing lenses for eight lens mounts. The challenge will be keeping the company's identity along the way.
If you've been meaning to convert all of your old photos, video, and audio to digital formats, but simply lack the time or willpower to get through it all, a new service from Kodak will help you get the job done.
Almost all new cameras include impressive video features, but for the best results you'll often need an off-camera recorder. Chris and Jordan take a look at the brand new Ninja V from Atomos, and explain why it might just be one of the most useful tools you can add to your camera.
Collect allows you to transform 360-degree into a more easily digestible format by transforming it into directed traditional videos.
Sick of using your plain ol' keyboard to edit your photos in Lightroom and Photoshop? TourBox is hoping to expedite your post-production workflow using a clever combination of dials, buttons, and knobs.
Bag and accessory manufacturer Hex has launched two bags as part of its latest collection: the Clamshell Backpack and DSLR Sling.
Crank out instant photos with Holga Digital's new analog printer, currently being funded on Kickstarter.
We got some hands-on time with Leica's new S3 medium format camera, which boasts a new higher-res sensor as well as other improvements.
Luna Display started its life as a crowdfunding project on Kickstarter. Now, it's available to purchase directly online.
We sat down with the Google Pixel camera team to learn about key new camera features on the Pixel 3 and Pixel 3 XL, and an explanation of the sophisticated software advancements that power them.
A lawsuit filed on Tuesday claims the cameras in Apple's iPhone 7 Plus and newer dual-camera models infringe on a patent that was granted in 2003.
Nikon's Coolpix P1000 has moved the zoom needle from 'absurd' to 'ludicrous,' with an equivalent focal length of 24-3000mm. So far, it's a fun camera to shoot with – if a bit over the top.
Like the LG V40 ThinQ the A9 combines a super-wide-angle, regular wide-angle and tele camera, but adds a depth-sensor to the mix as well.
The FAA has issued a warning to drone pilots in anticipation of disaster response following Hurricane Michael, noting that fines for interfering with emergency operations can exceed $20,000.
According to a report from Fortune, Apple acquired Danish masking technology startup Spektral in December 2017 for "more than $30 million."
Insta360's latest model comes with a range of features that allow for the creation of unique action cam footage.
The Photogrip can be used as a camera grip, mini tripod or phone stand and comes with a detachable remote.
At a time when manufacturers are adding triple and even quad-cameras to their flagship smartphones, Google is sticking with one main camera. But given the sophistication of the company's computational efforts, we think it's the right approach for now.
DPReview is hiring! We're seeking three Software Development Engineers at a range of experience levels to join our Seattle-based team.
The University of Dayton Research Institute created a video detailing what damage is caused when a drone strikes the wing of an airplane.
Lenovo's upcoming high-end smartphone will be the first model to feature four cameras on the back.
The Pixel 3 and Pixel 3 XL offer a second front-facing camera and a host of improved computational features such as digital zoom based on super-resolution capture, better depth mapping and a fill-light effect for low light portraits.
Canon has ported a large chunk of its Digital Photo Professional (DPP) Raw processing software's feature set to iOS and launched the DPP Express app.
The Panasonic LX100 II offers a higher-resolution sensor over its predecessor, but it's the addition of a touchscreen that makes the Mark II so gosh-darn enjoyable to shoot with. We've got some fresh samples from Panasonic's new premium compact camera.
Sony has announced a new "Alpha Female" program, a creator-in-residence opportunity that will award six-month grants to five female filmmakers and photographers.
The new 490, 492 and 492LCD are targeted at amateur photographers and come with a 4kg/8.82lbs payload.