Fujifilm X-E2 Review
The X-E2 is the mid-range model in Fujifilm's X system of mirrorless interchangeable lens cameras, sitting between the relatively affordable X-M1 and X-A1 twins, and the unashamedly high-end X-Pro1 and X-T1. It's an update of the X-E1, which we liked a lot for its combination of 'old school' handling and excellent image quality, giving it our Gold award in our review.
The X-E2 is superficially very similar to the X-E1, with the same basic body design and control layout; at a quick glance it's almost impossible to tell them apart. It keeps the same top-plate layout, including analogue shutter speed and exposure compensation dials, and has the same 2.36M dot OLED electronic viewfinder. The rear of the camera is still covered in buttons in much the same places as the X-E1, but their functions have been rearranged.
The headline updates are the sensor and processor: the X-E2 sports the same X-Trans CMOS II sensor as we first saw in the X100S, which includes on-chip phase detection elements for autofocus, and in concert with the EXR Processor II promises much improved autofocus speed. It also gains Fujifilm's rather basic but easy-to-use Wi-Fi system for sharing images. There's also a much nicer rear screen: a 3", 1.04M dot 3:2 aspect ratio unit, and a whole host of further tweaks and improvements. The net result is a camera that retains all the best bits of its predecessor, but has also been improved in many respects.
Fujifilm X-E2 key features
- 16MP X-Trans CMOS II sensor
- EXR Processor II
- ISO 200-6400, plus 100 - 25600 expanded (JPEG only)
- 7 fps continuous shooting; 3 fps with continuous AF
- Lens Modulation Optimizer (for sharper JPEGs when shooting at large or small apertures)
- 2.36M dot OLED electronic viewfinder
- Top-plate analogue shutter speed and exposure compensation dials
- 3" 1.04M dot 3:2 fixed LCD (non-tilting, not touch-sensitive)
- Built-in Wi-Fi for image transfer to smartphones or computers
- Full HD movie recording (1920x1080/60p, ~38Mbps bitrate), with built-in stereo microphone
- 2.5mm stereo microphone socket, also accepts electronic remote releases
- Available in silver or black
The X-E2 - not revolutionary, but distinctly evolved
Alongside the most obvious changes, the X-E2 adds a wide array of improvements and refinements compared to the X-E1, including a sensibly-revised control layout. The top-plate shutter speed and exposure compensation dials have been tweaked, with the latter now offering a range of +/-3 stops in 1/3 stop increments. Instead of a combined AE-L/AF-L button the X-E2 has separate controls for each, whose behavior can be user-defined. The rear plate controls have been rearranged, and four buttons are now user-customizable. There's also a number of small changes in response to user feedback, including the ability to specify a minimum shutter speed for Auto ISO, and live view exposure preview in manual exposure mode.
|The back of X-E2 is slightly rearranged compared to the X-E1 (right), with some of the the buttons serving different functions. It's dominated by the 3" 3:2 1.04M dot screen - a big improvement over the X-E1's 2.8" 4:3 420k dot LCD.|
The result may not be enough to tempt existing X-E1 owners to trade in their year-old cameras and upgrade, but that's not necessarily the point. In general, the days when photo enthusiasts could expect significant advances in speed and image quality with each year's new model are long gone. Instead the X-E2 is designed to keep the line up-to-date against the current competition, to draw new users into the system, and it does that pretty well. Impressively, Fujifilm has extended many of the firmware-based improvements to X-E1 customers - the company seems determined to be seen to support its existing customers.
Changes/improvements compared to X-E1
The list below summarizes changes relative to the X-E1 - some more significant than others (Fujifilm says there are more than 60 in total). Many of these reflect users' requests for operational changes and new features; some of them count more as bug fixes than anything else. But Fujifilm has to be given huge credit for listening and actively responding to such feedback.
- Exposure compensation dial offers expanded range of +/-3
- Shutter speed dial adds 1/180sec X-sync position, and increases separation of 'A' position
- Separate AE-L and AF-L buttons
- AF point selection moved to 4-way controller (reflects recent X-E1 firmware revisions)
- Old AF point selection button is now customizable Fn2 - sets white balance by default
- Four customizable buttons in total (Fn1, Fn2, AF, AE)
- Repositioned 'Q' button (less likely to be pressed accidentally)
- View mode button removed (now a menu setting)
- Low-speed (3 fps) continuous shooting mode, with focus tracking and live view between frames
- AF-C no longer limited to centre of frame - uses same 49 point array as AF-S
- Configurable Auto ISO (max and min ISO, minimum shutter speed)
- Exposure preview in Manual exposure mode (can be disabled in menu)
- Three manual focus aids (magnified view, peaking display, digital split-image)
- Face detection autofocus/autoexposure available (enabled as menu setting)
- JPEG-only bracketing modes hidden when shooting RAW
- 'Advanced Filter' creative shooting modes (JPEG-only)
- Multiple exposure mode moved to drive menu, grouped with panorama mode
- 14-bit Raw recording
- 1.8x faster file write times
- Improved EVF framerates in low light (60 fps vs 20 fps)
- Zoomed-in focus check view available in AF mode (by clicking rear dial)
- Conventional playback and file naming of images shot in continuous drive mode
- Images can be deleted when viewing them zoomed-in
- Exposure settings can be changed when AE-L is engaged
The world's fastest autofocus?
At launch, Fujifilm proudly claimed that the X-E2 offers the 'world's fastest autofocus' of 0.08 sec - an attention-grabbing statement designed to dispel the reputation the X system gained in its early days for slowish performance. The small print is revealing though - Fujifilm's tests used the XF 14mm F2.8R wideangle lens and the camera's 'High Performance' mode, which is disabled by default and has to be turned on in the menus. As tends to be the way with these things, you're not quite going to see that speed in day-to-day shooting.
The X-E2's tracking autofocus is substantially improved too - on paper at least. With the camera in its 3fps 'Continuous Low' speed and the focus switch set to AF-C, the camera can re-focus between frames, and show a live view display too. The focus point for AF-C is no longer limited to the centre of the frame, but can be moved around freely. Strangely though the live view feed doesn't show up during continuous shooting in other focus modes - the camera plays back your just-taken shots between frames instead.
Lens Modulation Optimizer
The X-E2 is Fujifilm's first interchangeable-lens camera to offer its 'Lens Modulation Optimizer', as previously seen on the X100S and X20. This uses Fujifilm's knowledge of each lens's characteristics to adjust the in-camera processing and sharpening, in an attempt to combat diffraction and lens aberrations. The idea is to give sharper out-of-camera JPEGs when shooting at large or small apertures. The concept isn't exactly new - Raw developers such as DxO Optics Pro and Canon Digital Photo Pro do much the same thing - but it's only just starting to find its way into in-camera JPEG processing engines.
The Lens Modulation Optimizer function is compatible with all of Fujifilm's X-mount lenses, although it appears the camera firmware will need updating when new lenses are launched to fully understand their characteristics. It can be turned on or off in the menu, so you don't have to use it all the time if you don't want to, and it can also be applied to individual images during in-camera Raw conversion.
Movie mode updates
The X-E2's movie mode still feels like something of an afterthought on what is primarily a stills camera (there's no record button, so it's accessed as a drive mode), but Fujifilm has added some extra capabilities. It's now possible to choose a Film Simulation mode, and adjust exposure compensation during recording. You also get a choice of framerates, but this is limited to 30fps or 60fps.
Fujifilm X-Trans CMOS II sensor
The X-E2 uses Fujifilm's X-Trans CMOS II sensor, which employs a novel color filter array to suppress color moiré. This in turn means it doesn't need an anti-aliasing filter, and can therefore (in principle) offer higher resolution compared to other cameras with the same 16MP pixel count but conventional Bayer-type sensors. You can read more about the technology behind this in our in-depth review of the X-Pro1.
When the X-Trans CMOS sensor it first appeared, third-party Raw support was patchy at best, with even the mainstream converters struggling to deliver sharp, artefact-free results. Since then, though, much has changed, and recently we've both seen a wider variety of choices, and a general improvement in results. Most recently, in a hugely welcome development, Adobe has started to add support for Fujifilm's Film Simulation modes.
The X-E2's sensor also includes phase detection pixels to assist autofocus, as previously seen on the X100S. There are 86,000 of these all told, arranged across 36% of the sensor's area in the centre of the frame.
Kit options and pricing
The X-E2 is available in a choice of silver and black finishes, either body only at a list price of $999 / £799.99 or bundled with the premium XF 18-55mm F2.8-4R LM OIS zoom for $1399 / £1199.99. These are the same as the X-E1 at launch.
Aug 9, 2016
Mar 1, 2017
Jun 14, 2016
May 25, 2016
|2014_1211_140657AA by old shutter bugger|
from The Bride
|Overloaded by NZ Scott|
from Your City - Delivery Boy
|Barley by Will B Milner|
|APPLE & ROACH by TX Photo Doc|
from Delicious - Unpalatable
Equivalence is much-discussed, but still often misunderstood. Here's a simplified explanation of the concept of equivalent apertures, which is just another way of talking about light received by your camera.
Try your hand at this blind portrait shootout between the Canon 1DX Mark II, Nikon D5 and Sony a9. With all bias removed, you might just rank your favorite camera brand worst.
Photo sharing site 500px has just added support for wide-gamut color profiles such as AdobeRGB and ProPhotoRGB, even allowing users to filter their searches by color profile.
DJI just released a mandatory firmware update for the DJI Spark. If you own a Spark and don't update your firmware by September 1st, DJI will remotely ground your drone.
Affordable flash manufacturer Godox has updated its smartphone app so that it can be used to control all of its wireless X flash units, not just the A1 smartphone flash.
Western Digital's new My Book Duo external desktop storage system offers up to 20TB of storage capacity, and comes with RAID-optimized WD Red hard drives.
Version 1.04 of the Sony a6500 firmware can be downloaded from the Sony Support website now.
Not sure how to choose your first drone? In this article, the second of a 3-part series, we discuss what factors you should consider when deciding what drone is right for you.
NASA photo editor Joel Kowsky didn't just capture the solar eclipse from his vantage point in Wyoming, he also managed to capture the ISS buzzing across what remained of the sun.
In these videos, talented photographer and filmmaker Daniel DeArco breaks down several tips that will help flash photography newbies start experimenting with artificial light.
Photographer and master potter Steve Irvine makes incredibly intricate, functional ceramic pinhole cameras that look like robots and monsters.
Chinese gimbal manufacturer Gudsen has released a firmware update for its Moza Air that lets you control the direction and angle of the head remotely just by moving a small handlebar-mounted control unit.
Curious how the Sony a9 performs underwater? Our friends at Backscatter took the camera diving off the Baja California coast, to find out how it handled shooting great white sharks.
While most of the DPReview crew put away our cameras and just watched the celestial event, Rishi decided last-minute to hack together a rig and capture a few shots.
Defunct Russian camera maker Zenit is making a comeback, and they're planning to release a full-frame mirrorless camera in 2018.
The days where you're more or less locked into premium or first-party flash units has gone. They're less than $50 now, so there's one less excuse not to get one. Here's our case for adding one to your kit, and a few pointers to get you going.
If you're shooting the solar eclipse here's a hint: don't fry your camera's sensor. Use a proper solar filter that offers at least 16 stops of light filtration, along with UV and IR filtering. More important? Don't look at it unless you've got solar filters. Sensors can be replaced, your retinas can't.
Photographer Rick Wenner recently captured an odd event called the Race of the Gentlemen with a rather odd camera: The Phase One XF IQ3 Achromatic, the world's only 101MP black-and-white digital back.
Buying used is a good way to save some dough, and with the right precautions you can protect yourself from falling victim to a scam.
This two-part video series takes a deep dive into the world of dynamic symmetry and geometric composition, using iconic photographer Henri Cartier-Bresson's brilliant photographs as a guide.
Award-winning photographer Jeremy Cowart tells the moving story behind this drone photograph, captured in the aftermath of the devastating wildfire in Gatlinburg, TN in 2016.
Happy 2017 World Photo Day! We asked everyone on staff at DPReview to share one photo that they took within the last year that makes them jazzed on photography. Here's what we chose.
French President Emmanuel Macron has lodged a legal complaint against a paparazzo who snuck onto the president's private vacation property to take pictures.
Ever wonder what the difference is between compressed, uncompressed and lossless compressed Raw files? Photography Life's Nasim Mansurov breaks it down for you in this informative article.
The oldest known portrait of a US president was just discovered after over a century in storage. It's going up for auction in October, where it's expected to fetch between $150,000 and $250,000.
If you're using the popular Sigma 24-70mm F2.8 Art lens with Sigma's MC-11 converter, listen up: you'll want to update your lens and converter firmware ASAP.
If you've heard it once, you've probably heard it a thousand times: never check in your camera gear when flying. This shattered $11,000 lens is what can happen when you do.
Lensrentals just did its first Cine lens comparison, pitting five top-notch 35mm primes against each other: the Zeiss CP.2 35mm T2.1, Canon CN-E 35mm T1.5, Sigma 35mm T1.5 FF, Rokinon Xeen 35mm T1.5 and Schneider Xenon 35mm T2.1.
A team of Google researchers have found that slightly warping watermarks when embedding them into images can help prevent automatic removal.
You don't have to empty your savings account to take your photography to the next level. These cheap buys cost about $50 or less, and come with outsized benefits for your photography.