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The Tamron 50-400mm F4.5-6.3 Di III VC VXD boasts an impressive zoom range in a relatively compact package. How does it perform? We took a look.
Note that because of the similarities between the X-E1 and X-Pro 1 in many of its key systems and specifications, some of the material in this review is adapted from previously-published content on the X-Pro 1.
When Fujifilm launched the X system in January 2012, it did so with an unusually high-end body: the X-Pro1. With its unique hybrid optical/electronic viewfinder, solid metal body and analogue dial-led control philosophy, it was clearly targeted at professionals and enthusiasts looking for an updated take on the classic rangefinder concept. The X-Pro1 was generally well-received, but its price was always likely to limit its appeal. Fujifilm's X-E1 aims to broaden the line's appeal to wider range of enthusiasts, and will compete directly with the likes of the Sony Alpha NEX-7 and Olympus OM-D E-M5.
The X-E1 is in essence a slimmed-down X-Pro1, with the large, complex and expensive hybrid finder replaced by a purely-electronic viewfinder. Not any old EVF though - it uses a 2.36M dot OLED unit, out-speccing the X-Pro1's 1.44M dot LCD finder. In return its rear screen is slightly downgraded in terms of both size and resolution, to a still-respectable 2.8" 460k dot LCD - according to Fujifilm this is necessary to keep the camera's size down. The result is a compact body that's broadly similar in size to both the much-loved FinePix X100, and its most obvious competitors like the E-M5 and NEX-7.
|The X-E1 joins a developing family of unique cameras that truly stand apart from the pack. The major omission from the X-E1 is the hybrid optical viewfinder found in the X100 and X-Pro 1. Left to right are the Fujifilm X100, X-E1 and X-Pro1.|
The X-E1 gets a few new features relative to the X-Pro1, commensurate with its class. There's a little built-in pop-up flash, a 2.5mm stereo microphone socket for movie recording, and the ability to use an electronic shutter release cable in addition to the signature threaded shutter release button. But otherwise it's nearly identical to the X-Pro1, using the same 16MP X-Trans CMOS APS-C sensor and EXR Pro image processor, and almost exactly the same control layout and interface.
It's not just new hardware that Fujifilm has been working on; it's made some significant tweaks under the hood that promise better performance. The good news for existing X-Pro1 owners is that they'll benefit equally from this, with the co-announced firmware version 2 offering all the same updates. File write times have been halved, and the camera can now enter playback to check focus and composition within about two seconds of shooting a single frame. Auto ISO now allows use of ISO 6400, but sadly there's still no way of influencing the minimum shutter speed. The most significant changes, though, have been made to focusing, both auto and manual.
The Fujifilm X-E1 uses a new autofocus algorithm and different sensor drive mode, which promises significantly-improved speed, especially with the XF 60mm F2.4 R Macro lens or when shooting in low light. Indeed Fujifilm claims the X-E1 and X-Pro1 now offer AF speeds competitive with benchmark cameras such as the Olympus OM-D E-M5. The 'feel' of the electronically-driven manual focus has been improved, and critically the camera now sets the aperture wide open in manual focus mode, finally allowing truly accurate focusing using the EVF. There's also a new 3x magnification mode to assist manual focus, which should be less prone to problems with shake when using long lenses.
Overall, this makes the X-E1 on paper a very strong competitor to other high-end EVF-equipped mirrorless models. Its traditional control layout means it should appeal strongly to stills photographers, although its movie capabilities still lag behind the competition (you can manually set the aperture, but have no control over the shutter speed the camera will use).
|Here's the X-E1 compared for size against its most obvious rivals, the Sony Alpha NEX-7 on the left and Olympus OM-D E-M5 on the right, all fitted out with their respective kit zooms. All feature built-in EVFs and multiple control dials; the NEX-7 and E-M5 both have tilting rear screens. The E-M5 also has in-body image stabilization that works with all lenses, but on the other hand lacks a built-in flash.
The X-E1's 'kit' zoom offers the same 18-55mm (~28-80mm equivalent) range as the NEX-7's, but a rather faster aperture, which should be good for both low-light shooting and providing a degree of background blur for portraits. The E-M5's 12-50mm F3.5-6.3 kit zoom offers a wider range, a choice of manual zoom or power zoom for video, and a useful macro setting, but at the expense of maximum aperture.
|This is the X-E1 with its 18-55mm kit zoom, alongside its big brother the X-Pro1 equipped with the lovely XF 35mm F1.4 R lens. The X-E1 is substantially smaller due to the elimination of the optical viewfinder, but the two cameras' overall family resemblance is striking.|
Fujifilm has released a number of firmware updates for several lenses and camera bodies. Changes and firmware versions vary based on model, but most camera body updates simply add support for a focus limiter function on the XF 100-400mm F4.5-5.6. Read more
Update: Firmware updates are now available - click through for a download link. Fujifilm has unveiled two macro extension tubes for its X-series interchangeable lens cameras, as well as a launch date for the previously-promised Fujifilm X-T1 firmware. More firmware updates are also announced for the X-E2, X-E1, X-Pro1 and X-30, as well as the introduction of tethering software for PC. Read more
In amongst the product releases of the past few months, Fujifilm announced a pair of accessory grips for its X-E and X-Pro cameras. The MHG-Xpro and MHG-XE improve on the original HG designs by providing continued access to the cameras' battery/card compartments. In addition they reposition the tripod mount so that it's in line with the optical axis. The MHG-XPro and HMG-XE are available now priced at $150 and $130 respectively.
Fujifilm has announced forthcoming firmware updates for its X-Pro1, X-E2 and X-E1 mirrorless interchangeable lens cameras, and for the X100S fixed-lens large sensor compact. Features promised include customizable Auto ISO, exposure preview in manual exposure mode, improved workflow for in-camera Raw conversion, and the ability to edit filenames in-camera. The update for the X-Pro1 will be available on 5th December; those for the X-E1, X-E2 and X100S on 19th December. Click through for full details.
Fujifilm has given more details about its upcoming firmware updates for the X-Pro1 and X-E1 (Versions 3.00 for the X-Pro1, and 2.00 for the X-E1). In addition to the existing promise to improve autofocus speed, it says that focus accuracy will be improved with difficult subjects. The updates will also add a 'focus peaking' function to aid manual focus, and improve image stabilisation during movie recording with the 18-55mm F2.8-4 lens. They are due to be available for download on 23rd July.
What’s the best camera for around $2000? These capable cameras should be solid and well-built, have both speed and focus for capturing fast action and offer professional-level image quality. In this buying guide we’ve rounded up all the current interchangeable lens cameras costing around $2000 and recommended the best.
What's the best camera for shooting landscapes? High resolution, weather-sealed bodies and wide dynamic range are all important. In this buying guide we've rounded-up several great cameras for shooting landscapes, and recommended the best.
If you're looking for the perfect drone for yourself, or to gift someone special, we've gone through all of the options and selected our favorites.
Most modern cameras will shoot video to one degree or another, but these are the ones we’d look at if you plan to shoot some video alongside your photos. We’ve chosen cameras that can take great photos and make it easy to get great looking video, rather than being the ones you’d choose as a committed videographer.
Although a lot of people only upload images to Instagram from their smartphones, the app is much more than just a mobile photography platform. In this guide we've chosen a selection of cameras that make it easy to shoot compelling lifestyle images, ideal for sharing on social media.
|The graduate 4 by Jill Hancock|
from University Graduation Day
|On the Catwalk by Lee8282|
from Invisible wind
|Tree swallow babies by kk2011|
from A Big Year - Birds 2022
|Lumière croisée by AM91210|
from My Best Photo of the Fortnight
The Canon FD 24mm F1.4 S.S.C. Aspherical was the fastest 24mm lens when it launched in 1975. Despite being mass-produced, the lens is quite rare today and remains highly sought-after due to its image quality and utility for cinema.
Blackmagic Design says the price reductions, which see the ATEM Mini Pro and ATEM Mini Pro ISO now retailing for $295 and $495, respectively, have ‘been made possible by efficiencies in manufacturing.’
Google's latest flagship smartphones may look quite a bit like their predecessors, but thanks to the latest Google-built chip, the phones pack in improved performance and features.
Great Joy's new 35mm T2.9 1.8x anamorphic lens is designed for full-frame sensor cameras, and offers a view as wide as 19mm, but its unique anamorphic design makes it stand out from the low-cost crowd in more than a couple of ways.
Pricing photos is hard. Zenfolio wants to make it easier with a new data-driven tool, Smart Pricing. The feature uses historical sales data to suggest a price for your product based on genre, business location and more.
The latest version of DxO PhotoLab 6 includes a new DeepPRIME XD technology that promises even better clarity, especially when editing high ISO images. The software includes numerous new tools and features, like a new working color space.
The Hasselblad X2D 100C has arrived in Canada! With Chris sick, it's up to Jordan and special guest Ryan HK to fill you in on this fascinating mirrorless medium format camera.
Western Digital's new Pro-G40 SSD is its most rugged to date and offers read and write speeds up to 2530MB/s and 2717MB/s, respectively, in our testing.
Photographer Douglas Kirkland, known for his portraits of icons including Marilyn Monroe and Andy Warhol, passed away on Sunday at age 88.
An FPV drone video gives viewers behind-the-scenes access through Chicago's iconic Wrigley Field.
Xiaomi has announced a pair of 12T-series smartphones, including the 200MP 12T Pro. It's Xiaomi's first 200MP smartphone.
Neither company has specified camera announcements during the events, but their dates align with rumored a7R V and OM-5 camera launch dates for Sony and OMDS, respectively.
Copy That for Mac features integrated checksum verification, detailed reporting, presets, thumbnail support, file renaming and automated error detection.
The winners and finalists have been announced for the Siena Drone Photo Awards. We've rounded them up into a photo gallery for your viewing pleasure.
The $150 lens is fully manual and is available for Canon EOS-M, Fujifilm X, Micro Four Thirds and Sony E-mount camera systems.
The Lumix S family of full-frame primes keeps growing. The 18mm F1.8 is the newest member of Panasonic's lens lineup. Check our our sample gallery to see what it's capable of.
Peep some pixels from the hefty 100 megapixel files created by the new Hasselblad X2D 100C, as we prepare our DPReview TV review of the camera.
About 95% of Earth's oceans haven't been observed. Researchers at MIT have built a battery-free, wireless underwater camera that may help scientists explore more of the oceans.
Drone manufacturer DJI has moved its staff into an innovative and masterfully-designed new building in Shenzhen, China. Here is a first look.
We (metaphorically) sat down with Brandon Faith of Baggen Photos to ask him a few questions about what it's like to photograph motorsports events with his Crown Graphic large format camera.
Sony's new 320GB and 640GB 'Tough' CFexpress Type A cards are due out next month and while the 640GB card will offer the most storage of any Type A card to date, it doesn't come cheap.
Adobe's Photoshop and Premiere Elements apps make editing photos and videos easy for users of all skill levels. The latest versions add more editing tools, more AI features and improved performance.
The Sony FX30 is an explicitly video-focused camera, but could its technology herald a refresh of the company's APS-C stills line-up? We have a look at what that might mean.
The lens offers a constant F2.8 aperture through a rather unique focal length range for full-frame camera systems. It’s expected to be available starting October 27, 2022 for $699.
Can AI overcome the physical limitations of smartphone sensors and lenses? A Qualcomm executive thinks so, thanks in large part to improvements in processing power, hardware and artificial intelligence.
We're starting to see cameras offering 'open gate' video recording, so what is this tool and when is it useful?
The Sony FX30 is a 4K/120p-capable Super35 / APS-C cinema camera that wants to take the battle to the likes of Panasonic's GH series.
Sony's FX30 Super35/APS-C Cinema Line camera is effectively a crop-sensor version of the company's full-frame FX3 camera with sensor-based image stabilization, oversampled 4K/60p capture and '16-bit' Raw output and more.
If you've ever wanted to become an action figure, Hasbro is providing you the opportunity with its new 3D-printed Selfie Series action figures.
When you store photos on the cloud, you expect them to remain safe for a long time. However, some Google Photos users were scared over the weekend when they realized that their photo libraries had become corrupted.