Fujifilm X-A3 Review

I don't know what "requires RAW" has to do with anything. Even a child can push Import button in Lightroom and get great results. Also, people often have multiple cameras. You can take this one to any social gathering without anybody thinking about you as a dork or a creep if you bring a large camera or glass.

No, X-E3 with this sensor would be a perfect camera ;)

Unfortunately, X-E3 will have hyped and overrated X-Trans that renders colour unnaturally and artifically. X-A line does it much better.

A Bayer sensor will always deliver more organic files than the X-Trans. Just as the old 12mp X100 was better than the S and T versions.

That's not true of some subjects though, like finely textured fabric, distant architectural details etc. X-Trans generally renders both subjects much more 'organically' than Bayer.

What's your definition of "organic" in this context? I thought that label applies to food :)

I would say more real, more film-like.

Besides, when I had an X-E1 the files always look flatter than those from my Leica X1, especially the BW conversions. (BUT maybe it was my mistake).

I bought a Panasonic GF7 with the 12-32 kit lens for 370 Euros (new) about 2 years ago. Beats cell phone cameras for very well under 600 bucks. Other than that, it's pretty similar to the GX850 listed above, just without the 4K video.

Do you want to switch out of Canon and go to Fuji? Difficult to tell who is here just because X-Trans is an easy target and fun to knock. I am not sure why you have such trouble and grief and get so excited about X-Trans if you do not shoot it.
It is interesting how scathing people are about those that are not having any trouble with it.
Methinks you protest too much.

Try being critical of things you care about.
I'd like to switch to something better than Canon, but I can't find any reasonable candidates. Fuji is not even on the list and it will never be (with Fuji's attitude and without a FF). I did work on hundreds of xTrans RAW (RAF) files. Nothing spectacular there. It's just a quirky APS-C crop with overpriced optics. No advantages. None.

I beg to differ. A canon full frame is a thing of beauty - for some kinds of work. My Fuji gets me street and concert, journalistic etc shots where discretion or inobtrusive handling is vital.
Its recording moments.. thats not in the files.
If you do landscape etc.. by all means. use Canonikon!

Well, it doesn't matter what I use, if the tool works fine for all the tasks. Canon, Nikon, Sony, Pentax, etc. What I'm talking about is the system. Canon, as a system of tools, is really good, while considerably cheaper than the competition in my segment of interest. Of course there are bad things to say about Canon. And others do some things better, some things worse. I'm just allergic to lies and dishonesty, which became synonyms to Fuji, in my opinion. There are no personal truths for everyone. Truth is not something that you like. It's the objective fact, which, these days, nobody cares to check or test.

Lost me there. Its a maker of cameras. Academic discussions about
Thruth have no room in this post.

Ecka...you really are showing everyone that you are clueless...

Olympus e-m10 mark ii is as well.

However the A6000 still defines a line at that price level.

Maybe they can come up with the X-E3 in Bayer and redefine it as upper entry level. I would be happy (if AF and performance is right).

So to be more precise: that sensor but with PDAF capabilities.

@TRON: Acutally, does X-Trans offers better and clever image quality: less moiré, better noise performances, etc.

X-Trans makes the differences towards Fuji..

Because this camera does not feature X-Trans, one would prefer hight-end body, especially landscape/archi

"X-Trans makes the differences towards Fuji.."

Exactly. X-Trans is plain great. No Bayer crap in future Fuji bodies please.

xTrans is crap. Not any better, but with extra quirks and BS.

I use Fuji xtrans for 3 years now and I see a lot of troubles not being worth it. In addition I am stuck at 16MP xtrans for the next 3 years because of the the purple grid issue in the 24MP xtrans sensors which really is totally annoying for my everyday wide angle work.

To me PERSONALLY xtrans makes the difference AWAY from Fuji ESPECIALLY for landscape and architecture.

I understand that other people have a different view on this. I hope that these people can accept that I do have 3 years of experience with xtrans and my own photographic applications and I have my own experiences.

I use adobe but I have a lot of experience with about 6 other tools for Fuji RAF development alone. For several reasons I have to and I want to stick to Lightroom. To me (and that is purely my personal opinion) xtrans is not worth the trouble. I was willing to implement all kind of workarounds for Fuji however the purple grid issue much more present in the 24MP xtrans generation is a massive showstopper for my kind of work. Again, that is my experience for my kind of work.

Since I learnt these things the hard way, I am invested into Fuji and I like the system in general I would like to keep using it but being limited to 16MP sensors for the next years is a lot of compromise to me.

I do not want to start a heated discussion. I understand different perspectives on this topic. As explained above I would very much like an upmarket Fuji with a Bayer sensor. I guess some will agree and others don't (with a pretty good chance that xtrans will stay). That's fine.

Btw. I do not agree that xtrans defines Fuji. The Fuji Bayer has the Fuji colors as well. It's image quality is great. And the Fuji cameras have a certain style and user interface which is unique to Fuji. These are much more defining values to me. YMMV.

Sensor doesn't make colors. Software does. Adobe can do Fuji colors too (with proper presets). And these sensors in Fuji cameras are not Fuji, they are Sony. But, yes, the in-camera color processing is programmed by Fuji. Imaging sensor's job is to gather data. More correct data - better image quality. The rest is just BS, superstition, folklore myths and marketing propaganda. You can shoot Sony and have Fuji colors, no problem. Actually, even less problems than shooting Fuji colors on Fuji cameras :)). Plus you can have FF for the same price and adapt Canon lenses too.

@ecka84: Different cameras have different CFA and collect different data about the colors. The rest is BS, superstition, folklore myths and marketing propaganda.

Good luck getting Fuji color with a Sony.

@J A C S
Thanks, but I don't care about Fuji colors and the rest of their BS.
xTrans CFA is crap. Different CFA puts your generated colors in different places, wrong places in the case of xTran. Which is why there are problems with it.
"... getting Fuji color with a Sony" - ironically, that's what Fuji cameras (which are based on Sony sensors) are all about :)).
I shoot Canon, but I don't worship it like fujivangelists do with their toys. Get over it. I'm not a fanboy.

I do not like X-trans, either but this is a separate issue.

Fuji (and Nikon, etc.) sensors a Sony based but their CFA 's are not.

Torn/Bouvier/Ecka ➡➡➡ three people whose opinion should not be taken seriously...

Basically, a Triplet of clowns who escaped the circus...

I was actually going to remove Torn from this list, but then I read this ⤵⤵⤵

"I understand that other people have a different view on this. I hope that these people can accept that I do have 3 years of experience with xtrans and my own photographic applications and I have my own experiences."

There is "to much" evidence out there by pro's & enthusiasts alike to show that X-Trans is worth it...

I've used bayer apsc, bayer m4/3s & 4/3s and X-Trans...

The only gripe you can possibly have was the issues of p.p. in lightroom...

I have experienced the purple grid flare...but...only shows up with the sun in the frame plus you have to crop the balls out of it to see the grid...it really is no biggie...
When you crop the life out of all images across differing sensors you will find all soughts of defects...you just enjoy bashing X-Trans...

I understand TORN. I have similar experience with Fuji XTrans. I use a XT10 because I like the Fuji lense lineup and usability of their cameras but I don't buy the XTrans marketing. XTrans strength has a lot of weekness. No RAW converter is able to eliminate the artefacts that the XTrans sensor produces. It produces false detail that could be clearly seen in small texts. The resaon is simply the interpolation that is needed by the RAW processors to render an image from the scattered color pixels of an XTrans sensor. Bayer needs no interpolation, so no false details and no backed in chroma noise reduction.

I would like to see a AA-less Bayer sensor from Fuji. I think moire is no real issue. The amount of detail compared to XTrans is equal. Compare for yourself the RAW images of a Sony A6500 (weak AA-Filter) with a X-T2 RAW (with a converter of your choice). The A6500 wins this battle.

Many will disagree with you there RM...
Plenty of evidence out there that those who know what their doing produce gorgeous images from X-Trans, in fact - a real feel look without that "digital feel" you get from bayer (sony especially)...

I said the same as TORN. This sensor inside an X100 body: Perfection.

@ecka84
Never ending circles. :) I sometimes feel that the mainstream in DPR is I only want stuff made the way I like it. Lets ban anything else. I actually enjoy the differences between the particular way everything is done. It is impossible to say which is better as X-Trans will have its plus features and Bayer its advantages. People just nit pick the bit they like and argue it.

@KeepCalm
How is that Fuji retro style and old film colors seem innovative and "refreshingly" different to you? I don't get it.
I don't want to ban anything except dishonesty. I just want the truth. Fuji propaganda like - "APS-C is better than FF" or that "xTrans is superior to Bayer" - is absolute BS. I just don't trust them anymore, not a single word of what they are trying to preach. It is very sad that there are so many "blind" people in photography, promoting overpriced luxury toys, instead of asking for better tools. These artsy-fartsy hipster trends are throwing us back on technological scale. It's like that silly Pentax camera with LEDs on the handle. Pointless, useless, crazy ... Like the new 6D2 feature of shooting 4K time lapse videos. Jeez, I can shoot 5.5K RAW time laps videos on my old 6D with a bit of effort. They really think we are idiots. Unfortunately, they are not wrong, they are 90% right. Because, metaphorically speaking, 90% of consumers are mindless zombies.

Astia and Pro Neg Soft are what I use. I changed to Fuji for weddings from Canon and Nikon because of the superior color right out of camera.

Yes, Richard, I was. The reviewer still seems to blame the camera without foundation. For zone focus too, the user positions the zone. The Exif for the JPEG in the Conclusion states:
AF Point Set : Unknown (256)
Focus Pixel : 3491 1641
It appears that the part of the pillar as well as the face were both in the focus zone. The pillar just to the left of the face is sharp. The fact that the grass came out sharp too is incidental to what happened. If the user includes areas at different distances in the focus zone, how can the camera know which one is desired?
The worst you can say is that in zone focus mode the camera does not discern and choose the shortest distance in the zone. That is hardly a blanket condemnation of the auto focus system.

I wouldn't want the lower quality sensor here over the X-Pro2 sensor

Mirrorless, by definition, do not have a prism and mirror which moves. They were a reaction to DSLRs. The first one had an optical rangefinder viewfinder and the ones which followed were half with and without viewfinders.

An EVF does not define mirrorless since the Sony SLT cameras have a mirror and EVF.

In regards to Fuji, since the XA is the same mount as any of their viewfinder cameras it is fair to call it a mirrorless camera.

No, a term "mirrorless" is not dependent on EVF or OVF. It's any ILC where the light path has a straight shot to the image sensor without a reflex mirror in the way.

We all know that m4/3 is a "mirrorless" system. And Olympus's first m4/3 camera did not have a viewfinder.

https://www.dpreview.com/reviews/olympusep1

The only "provision" for a viewfinder was a plain old fixed-field-of-view optical viewfinder that fit onto the hotshoe, not an EVF.

https://www.dpreview.com/files/p/articles/4833551011/images/whatsnew/vf4.jpeg

Nevertheless, that was still a "mirrorless" camera.

Maybe you are confused with the EVIL cameras (electronic viewfinder interchangeable lenses)?

Everyone - Thank you for your input, it's greatly appreciated! So, now I am going to go out and shoot my Leica M3, since it has even more appeal as a modern mirrorless camera.

The term "mirrorless camera" began to be used after the introduction of the m4/3 system, and referred to ILCs with no mirror in the light path between the lens and sensor. Whether they use an eye-level EVF or just the screen on the back, doesn't change the fact that they are electronic live view cameras with no reflex mirror, which is what is usually meant by "mirrorless". And basically all review sites, not just DPR, use this definition. I have never seen anyone exclude, say, the A5100 or X-A3 from the mirrorless category.

Even though digital rangefinders existed before m4/3, they weren't called mirrorless cameras back then. They have been included in that category afterwards. And I think that very few people extend the category to include film rangefinders.

@WGVanDyck

Humor is a tricky thing in internet forums. I've tried it myself a few times, but rarely with success.

In what aspect are they better than the X-trans sensor cameras?

I know for a fact that the low light performance is still better on the X-Trans (for RAW files, at least - for JPEGs the difference is less visible due to Fuji's heavy handed noise reduction).

Please don't say Lightroom demosaicing issues.

@both of you... the Sony A6000 and kit lens puts the Fujifilm X-A3 to shame with its features (EVF, video, superior IQ, etc...) and its kit lens for any price. Sorry Fuji, but this is one very low budget IQ type camer/lens combo, no matter what the cost is. Not an impressive camera release.
Why would Fuji even release such a worthless POS camera?!
BTW, that is a great link from Ken Rockwell, a very good review, thanks!

style = appearance

Whether this camera had an evf or not, it would look the same from the front. And from the front it basically looks like a rangefinder (Nikon S1, Ricoh 500, Zeiss Ikon) and not a dSLR (Canon AE-1, Spotmatic).

That's all "rangefinder style" means: a brick-shaped camera with a notched top plate, classic lines, and traditional dial placement.

The two main reasons why X-A3 got a bad review are poor AF and hard to see LCD. If not those two issues the X-A3 would have been my most used camera. It does surpass any other Fuji in image quality though.

Again Father Bov...trying to be funny not your best trait...

Ohh...lay of the drink to before you enter the internet...

An EVF port is practically free.

Tedolph

What good is an EVF port if Fuji doesn't make an accessory EVF?

Leica uses the Olympus VF-2 optional EVF and just re-brands it. It is made by Epson. Fuji could do the same.

tEdolph

Sure but at that point you are at the cost of the XT20 and upcoming XE3 so you might as well buy one with the built in EVF. If Fuji didn't make an EVF for the X70, they wont for this camera either.

It doesn't cost anything to add an EVF/accessory port. Panasonic did so for some time with their GF series and didn't drop it until the GF3 I think.

Olympus uses one one their entry level camera, Canon does on some of the M series cameras, Leica does on some models, etc.

tedolph

I disagree that there is no appreciable cost associated with developing a data port. The other manufacturers not only have several bodies the EVF could be used on but also have their own EVFs. That port is also used for more than just the EVF. Fuji has one or two bodies the EVF could be used on.

Now I agree that a data port would be good because Fuji could also have an OVF with the X-Pro's data overlay. But they really don't have enough bodies it could be used on.

Leica also has a partnership with Panasonic, Panasonic and Olympus share the MF3 ecosystem. It's not like a some random company adapted another companies EVF to their camera. Those 3 are in it together and have been for a long time.

Fuji would have to develop the whole thing from the ground up.

jabez - it's the negative adjective (aging) applied to the a6000 that CCD is objecting to. Depending on interpretation it makes the a6000 sound like it's unworthy of consideration.

I think it's more flattering that an aging camera is still competitive. I write it as a "pro" for the a6000, rather than a "con".

That's what I thought. After all this time the a6000 is still being mentioned in reviews?!?

You know a camera is ground breaking when it's still being used as the guide other cameras are measured against even after it's replacement is released.