DxOMark Mobile report: Samsung Galaxy S6 / S6 Edge
DxOMark Mobile Report: Samsung Galaxy S6 / S6 Edge
The Galaxy S6 and Galaxy S6 Edge are Samsung's latest flagship smartphones and were launched at the Mobile World Congress in March. Apart from the curved screen edges of the S6 Edge they come with identical specifications and use the same camera hardware and software. A 16MP BSI CMOS sensor is combined with a very fast F1.9 lens and an optical image stabilization system. The camera features subject tracking and is always in stand-by mode which means it can be launched in under one second by double-tapping the home button. DxOMark used an S6 Edge for its testing but due to the identical camera specifications results are valid for both the S6 and S6 models.
With a DxOMark Mobile score of 86 the Samsung Galaxy S6 Edge is the new number one in the DxOMark smartphone rankings, relegating its stablemate Galaxy Note 4 to the number two spot. The DxOMark team reports the Galaxy S6 Edge images show "very fine detail and low noise levels in bright light conditions" and "good color and white balance in all outdoor conditions". Exposure is good and the autofocus performs swiftly. The images also show "good detail preservation in low light" and when using the flash with no other light source. On the downside, "slight noise is noticeable in low light conditions", images show "slight color fringing" and when "using the flash mixed with tungsten illuminant white balance turns slightly yellow/green".
When shooting in the Samsung Galaxy S6 Edge's video mode footage shows "fine detail with low noise in bright and low light conditions, good exposure, white balance and color rendering". However, "a strong jello effect is noticeable". There is also a "slight flare in sunny scenes" and "slight color shading under indoor conditions".
Color, Exposure and Contrast
The DxOMark team found that on the Samsung Galaxy S6 exposure was good and that "outdoors white balance and colors are nice in all conditions". However, "in low tungsten light the white balance turns yellow" and "very slight color shading is visible in low light conditions".
Overall DxOMark awarded the Samsung Galaxy S6 scores of:
- 4.6 out of 5 for Exposure
- 4.6 out of 5 for White Balance accuracy
- 4.3 out of 5 for Color shading in low light*
- 4.4 out of 5 for Color shading in bright light*
- 3.0 out of 5 for Color Rendering in low light
- 4.5 out of 5 for Color Rendering in bright light
*Color Shading is the nasty habit cellphone cameras have of rendering different areas of the frame with different color shifts, resulting in pictures with, for example, pinkish centers and greenish corners.
Noise and Details
DxOMark's engineers reported that on the Samsung Galaxy S6 outdoor images show "very fine detail and low noise levels" and that "detail is still visible in low light". On the downside "slight noise is noticeable in low light although noise reduction is efficient".
Texture acutance is a way of measuring the ability of a camera to capture images that preserve fine details, particularly the kind of low contrast detail (such as fine foliage, hair or fur) that can be blurred away by noise reduction or obliterated by excessive sharpening.
Sharpness is an important part of the quality of an image, but while it's easy to look at an image and decide visually whether it's sharp or not, the objective measurement of sharpness is less straightforward.
An image can be defined as "sharp" if edges are sharp and if fine details are visible. In-camera processing means that it's possible to have one of these (sharp edges) but not the other (fine details). Conventional MTF measurements tell us how sharp an edge is, but have drawbacks when it comes to measuring fine detail preservation. Image processing algorithms can detect edges and enhance their sharpness, but they can also find homogeneous areas and smooth them out to reduce noise.
Texture acutance, on the other hand, can qualify sharpness in terms of preservation of fine details, without being fooled by edge enhancement algorithms.
At first sight, the images from these two cameras may appear equally sharp. A sharpness measurement on edges will indeed confirm this impression, and will even show that the second camera is sharper. But a closer examination of low contrasted textures shows that the first camera has better preservation of fine details than the second. The purpose of the texture acutance measurement is to qualify this difference.
Visual noise is a value designed to assess the noise in an image as perceived by the human visual system, depending on the viewing condition (size of image, size of screen or print, viewing distance). The measurements have no units and can be simply viewed as the weighted average of noise standard deviation for each channel in the CIE L*a*b* color space. The lower the measurement, the less noise in the image.
Noise and Detail Perceptual scoring
- Texture (bright light): 4.8 out of 5
- Texture (low light): 3.6 out of 5
- Noise (bright light): 4.1 out of 5
- Noise (low light) 3.7 out of 5
Phone cameras, like entry-level compact cameras, tend to suffer from artifacts such as sharpening halos, color fringing, vignetting (shading) and distortion, which can have an impact on the visual appeal of the end result. DxOMark engineers measure and analyze a range of artifacts. Their findings after testing the Samsung Galaxy S6 are shown below:
- Slight sharpness drop-off toward the corners
- Slight color fringing
- Sharpness 3.8 out of 5
- Color fringing 3.5 out of 5
- Ringing center 11.8%
- Ringing corner 7.3%
- Max geometric distortion -0.4%
- Luminance shading 10.5%
Distortion and Chromatic Aberrations
DxOMark also tests autofocus accuracy and reliability by measuring how much the acutance - or sharpness - varies with each shot over a series of 30 exposures (defocusing then using the autofocus for each one). As with other tests these results are dependent on the viewing conditions (a little bit out of focus matters a lot less with a small web image than a full 8MP shot viewed at 100%). Using the 8MP equivalent setting, the Samsung Galaxy S6 performs very well. The overall score is 96/100 in bright light and 92/100 in low light.
- Fast and precise autofocus
- Focus slows down with some overshooting in low light.
DxOMark scored the Samsung Galaxy S6 87/100 overall for its flash performance which one point higher than the Galaxy Note 4 and three points higher then the iPhone 6 Plus.
- Good detail, low noise levels, accurate white balance and color without any additional light sources
- Under a tungsten illuminant (20 lux), flash white balance turns yellow/green.
Overall DxOMark Mobile Score for Photo: 88 / 100
DxOMark engineers put phone cameras through a similarly grueling set of video tests, and you can read their full findings on the DxOMark website here. Overall DxOMark found the Samsung Galaxy S6's video performance to be excellent, with good detail and exposure. However, the stabilization system can create noticeable distortion.
- Good texture and low noise in all light conditions
- Videos are well exposed
- Good white balance and color rendering
- Stabilization creates strong distortion
- Slight flare when recording sunny scenes
- Slight color shading
Overall DxOMark Mobile Score for Video: 84 / 100
DXOMark Image Quality Assessment
The Galaxy S6 and Galaxy S6 Edge are Samsung's latest flagship smartphones and jointly succeed last year's Galaxy S5. With a 16MP BSI CMOS sensor, F1.9 aperture and optical image stabilization the new models share an improved imaging specification that translates into real-world results.
In the DxOMark testing the Galaxy S6 Edge performed very well and with a score of 86 points is the new number one in the DxOMark smartphone rankings, relegating its stablemate Galaxy Note 4 and the iPhone 6 Plus to the number two and three spots respectively. The Galaxy S6 Edge captures good detail in all light conditions, color and white balance are reliable and the AF works swiftly. Some noise is visible in low light and when using the flash you can end up with a color cast under tungsten light, but those issues are shared with many other smartphones.
The Galaxy S6 Edge performs equally well in video mode. Detail, exposure and white balance are good. On the downside "rolling shutter" effect is noticeable and under artificial light color casts can occur. For a more detailed analysis, visit www.dxomark.com.
Sony has added a 12-24mm F2.8 to its top-shelf 'G Master' series of lenses. It's the widest constant F2.8 zoom currently offered for full-frame, with a hefty price tag to match: it will sell for $3000 when it ships in mid-August.
Take a look at the view from Sony's new ultra-wide F2.8 zoom – we paired it with the a7R IV for some initial shooting.
Canon's EOS-1D X Mark III is one of the best DSLRs ever made. With fast burst speeds, great video quality and impressive autofocus, the 1D X III is equal parts cinema rig and sports shooter. Find out how it fares against steep competition in our full review.
Nikon Rumors is reporting that Nikon will announce successors to its Z6 and Z7 camera systems by the end of the calendar year.
Canon says the event, set to take place at 14:00 CEST in two days on July 9, will be its 'biggest product launch yet.'
The Verge Video Director, Becca Farsace, shows how she built a custom Raspberry Pi camera with effectively zero coding knowledge over the course of just three days.
The EOS R5 has been in the works for some time, and Canon has published a handful of specifications, but there's still plenty we don't know. What are you hoping to see from Canon's forthcoming flagship camera?
Canon's CE-SAT-IB satellite camera was destroyed alongside six other satellites during Rocket Lab's ironically-named 'Pics or It Didn't Happen Mission.'
This sample gallery includes images from our recent review of the Tamron 28-200mm F2.8-5.6 Di III RXD zoom lens. Check out these photos to see how it performs, from wide-angle to telephoto and everything in between.
The Tamron 28-200mm F2.8-5.6 Di III RXD provides a wide zoom range in compact, weather-sealed design. Find out why it's Chris and Jordan's new favorite travel lens.
Kodak Portra 800 is a wonderful and versatile color film. And any rumors of it being discontinued, we're pleased to report, are simply untrue. That's a good thing, because it's capable of producing lovely results in all sorts of conditions.
Boering has left the World Press Photo without much of an explanation from either him or the organization, but he tells DPReview the COVID-19 pandemic is forcing the WPP to change the way it makes money.
The standard-size deck of playing cards features unique photography-oriented artwork and act as cheat sheets for photographers.
The Sony ZV-1 and Panasonic Lumix DC-G100 are the first cameras we've seen that are overtly designed with vlogging in mind – and the changes they represent could have implications for the future of all cameras.
The utility allows the E-M1X, E-M1, E-M1 Mark II, E-M1 Mark III and E-M5 Mark II cameras to be used with video conferencing apps over USB.
Olympus is showing final images of its under-development 150-400mm F4.5, which it says will arrive this winter. An unspecified macro and 8-25mm F4 Pro have also been added to the lens roadmap, and the E-M1X's AF gains bird detection.
The scam, which involves sending fake copyright violation notices, has been circulating on the social media platform since at least June 9.
Fujifilm is one of just two producers of tape media (the other being Sony) and it is hard at work on a breakthrough that will allow single tape storage drives to offer 400TB capacities in the coming years.
The National Parks Service says it's investigating the incident, which took place just two days after the park opened following a shutdown due to the COVID-19 pandemic.
Professional full frame lenses are usually large and have fast apertures. In this episode of DPReview TV, Chris and Jordan argue that there's a need for slow professional lenses – inspired by some of their favorite Micro Four Thirds lenses.
The camera maker joins Olympus, Fujifilm and others is a legal tussle over US digital camera technology patents held by DigiMedia Tech.
NASA's Solar Dynamics Observatory (SDO) photographs the sun every 0.75 seconds. In its first decade in space, the SDO has captured more than 425 million images of the sun. NASA has compiled these images into an amazing time lapse, come check it out.
The lens is available for Leica M, Sony FE, Nikon Z and L-mount camera systems, and now holds the title as the world's widest rectilinear lens for full-frame camera systems.
Tamron's new 28-200mm F2.8-5.6 is a versatile zoom lens for Sony E-mount. Well-suited for travel photography, it's compact, lightweight, and fast/quiet to focus.
Fujifilm has announced that its GF 30mm F3.5 R WR wide-angle lens for its medium format cameras will ship in late July or early August.
Fujifilm's latest lens is a sharp, reasonably compact and well-built wide-angle for the company's GFX medium-format cameras. We took it out and about in the warm Seattle summer with the company's 50 and 100 Megapixel camera bodies to see what it can do.
Fujifilm has issued firmware updates to the GFX 100 and GFX 50 models, with the 100MP camera gaining the most significant improvements.
Although the channel is still growing, it currently has nine videos that offer concise overviews of just a few of the cameras Japan Camera Hunter founder Bellamy Hunt has sitting around his Japanese storefront.
ON1 has launched ON1 360, the latest version of ON1 Photo RAW 2020 with ON1's new Photo Mobile application for iOS, iPadOS and Android mobile devices. The new solution syncs raw processing between your mobile device and computer.
Switching screw-on filters between lenses of different thread sizes is much quicker with the Revoring adjustable step-up ring. It uses a sprung iris that expands to fit a range of filter thread sizes, so a single filter can be used on multiple lenses