Casio EXILIM EX-Z3 Review
Timings & File Sizes
The EXILIM EX-Z3 is a surprisingly fast digital camera. Power on times are very quick, taking just over two seconds from the instant you press the power button. The camera's auto focus should also be praised it was very quick, especially if the subject distance was approximately similar to the last shot, in this instance AF takes around half a second. This gives the EX-Z3 a much more instant feel than most digital cameras, anyone switching from compact film to the EX-Z3 would notice no appreciable difference in shutter lag.
Timing Notes: All times calculated as an average of three operations. Unless otherwise stated all timings were made on a 2048 x 1536 Fine JPEG image (approx. 1,500 KB per image). The media used for these tests was a 128 MB SanDisk SD card.
|Power: Off to Record||Lens extension||2.1|
|Power: Off to Play||Image displayed||1.5|
|Power: Record to Off||Lens extended||1.9|
|Power: Play to Off||Lens already retracted||1.0|
|Mode: Record to Play||Image displayed||0.7|
|Mode: Play to Record||Lens extended||0.5|
|Play: Magnify||To first magnification step||2.2|
|Play: Thumbnail view||Nine image displayed (3x3)||0.9|
|Zoom from Wide to Tele||Full zoom from 35 mm to 105 mm (3 x)||1.5|
|Auto Focus LAG||Wide angle||0.5 - 0.8|
|Auto Focus LAG||Telephoto||0.5 - 0.8|
|Shutter Release LAG||Using Viewfinder||<0.1|
|Shutter Release LAG||Using LCD Monitor||0.1|
|Total LAG||Wide angle||0.5|
|Off to Shot Taken||Wide angle||2.8|
|Shot to Shot *1||Wide angle, 2048 x 1536 Fine JPEG||3.2|
|Shot to Shot *1||Wide angle, 1600 x 1200 Normal JPEG||2.6|
|*1||As noted earlier in this review the EX-Z3 does not allow you to take another shot until the last shot has been fully written to the SD card. This is a poor implementation of buffering. This Shot to Shot timing is therefore dependent on the size of the image stored.|
Auto Focus LAG is (roughly) the amount of time it takes the camera to autofocus (a half-press and hold of the shutter release button), this timing is normally the most variable as its affected by the subject matter, current focus position, still or moving subject etc. This timing is an average.
Shutter Release LAG is the amount of time it takes to take the shot from the moment you fully depress the shutter release button, measured both as a time including auto focus and a time assuming you have already pre-focused by holding a half-press of the shutter release.
File Write / Display and Sizes
Timings shown below are the time taken for the camera to process and "flush" the image out to the SD card, the timer was started as soon as the shutter release was pressed and stopped when activity indicator LED beside the viewfinder stopped blinking. This means the timings also include the cameras processing time and as such are more representative of the actual time to "complete the task". The media used for these tests was a 128 MB SanDisk SD card.
on a *2
128 MB SD
|2048 x 1536 Fine JPEG||3.6||<0.5||1,500 KB||69|
|2048 x 1536 Normal JPEG||2.8||<0.5||1,100 KB||92|
|1600 x 1200 Normal JPEG||2.5||<0.5||650 KB||160|
|1280 x 960 Normal JPEG||1.9||<0.5||400 KB||255|
|*1||All file sizes are an average of three files. As is the case with JPEG it's difficult to predict the size of an image because it will vary a fair amount depending on the content of the image (especially the amount of detail captured). For example, take a photograph of a fairly empty wall and you'll get a small JPEG, take a photograph of a bush with a lot of detail and you'll get a larger image. File sizes here are closer to the later, the larger size of file you should expect.|
The EX-Z3's 'Fine JPEG' mode generates fairly large files considering the three megapixel resolution. These larger files cost the performance of the camera from a write speed point of view, because it doesn't provide a 'next shot' shooting buffer you have to wait approximately four seconds before you can take the next shot. Take compression up to 'Normal JPEG' and that delay is reduced to approximately three seconds, which is acceptable for an ultra-compact. Playback is instant, indeed if you hold down the left or right buttons on the 4-way controller the camera scrolls through images at about 3 frames per second.
Low Light Auto Focus
This test is designed to measure the minimum amount of light under which the camera can still focus. The focus target is our lens distortion test chart (shown here on the right), camera is positioned exactly 2 m (6.6 ft) away.
Light levels are gradually dropped until the camera can no longer focus. This is carried out at both wide angle and telephoto zoom positions (as more light reaches the focusing systems with a larger aperture).
This test target is the optimum type of subject for most "contrast detect" AF systems (as it has a vertical line at its center), you should consider the results below the best you could expect to achieve.
|Lens position||Aperture||Lowest light focus|
|Wide angle (35 mm)||F2.6||1.4 EV (6.6 Lux, 0.61 foot-candle)|
|Telephoto (105 mm)||F4.8||1.4 EV (6.6 Lux, 0.61 foot-candle)|
Light intensity (Lux) = 2.5 x 2^EV (@ ISO 100), 10.76391 Lux = 1 foot-candle (fc)
Rather surprisingly the EX-Z3 focused at both wide and telephoto focal lengths at the same light levels, despite the smaller aperture (thus less light) at telephoto. For a camera without an AF assist lamp this was a good performance, especially at the telephoto end of zoom.
We ran the camera through our new battery life test. This test is designed to be fair and comparative to each camera and battery type:
- Take 4 shots without flash
- Wait 2 minutes (50% of the time powering the camera off)
- Take 1 shot with flash
- Wait 1 minute
Batteries are fully discharged and recharged before the test and all cameras were reset to their factory default settings. Here are the results:
Compact / Ultra compact
|Battery||Power||Battery life||Number of shots|
|Kyocera S3||BP-800S||2.1 Wh||54 mins||95|
|Canon PowerShot S300||NB-1L||2.5 Wh||1 hr 26 mins||155|
|Pentax Optio 430||D-LI2||3.3 Wh||1 hr 33 mins||160|
|Olympus C-40Z||2 x AA NiMH 1600 mAh (GP)||3.6 Wh||1 hr 33 mins||165|
|Nikon Coolpix 3100||2 x AA NiMH 1600 mAh (GP)||3.6 Wh||1 hr 42 mins||175|
|Minolta DiMAGE F100||2 x AA NiMH 1600 mAh (GP)||3.3 Wh||1 hr 42 mins||175|
|Minolta DiMAGE X||NP-200||2.8 Wh||1 hr 45 mins||180|
|Pentax Optio 330||D-LI2||3.3 Wh||1 hr 48 mins||185|
|Canon PowerShot S330||NB-1LH||2.5 Wh||1 hr 48 mins||185|
|Sony DSC-P71||2 x AA NiMH 1600 mAh (GP)||3.6 Wh||1 hr 50 mins||185|
|Kodak DX4900||2 x AA NiMH 1600 mAh (GP)||3.5 Wh||1 hr 51 mins||190|
|Sony DSC-P5||NP-FC10||2.4 Wh||1 hr 51 mins||190|
|Nikon Coolpix 3500||EN-EL2||4.1 Wh||1 hr 54 mins||195|
|Sony DSC-P9||NP-FC10||2.4 Wh||1 hr 59 mins||200|
|Nikon Coolpix SQ||EN-EL2||3.7 Wh||2 hr 03 mins||210|
|Minolta DiMAGE Xt||NP-200||2.8 Wh||2 hr 12 mins||225|
|Canon PowerShot S400||NP-1LH||2.5 Wh||2 hr 17 mins||230|
|HP Photosmart 812||2 x AA NiMH 1600 mAh (GP)||3.6 Wh||2 hr 21 mins||240|
|Nikon Coolpix 885||EN-EL1||4.8 Wh||2 hr 21 mins||240|
|Nikon Coolpix 775||EN-EL1||4.8 Wh||2 hr 27 mins||250|
|Canon PowerShot SD100||NB-3L||2.9 Wh||2 hr 29 mins||250|
|Pentax Optio S||D-LI8||2.6 Wh||2 hr 33 mins||260|
|Nikon Coolpix 2500||EN-EL2||4.1 Wh||2 hr 33 mins||260|
|Fujifilm FinePix F601Z||NP-60||3.7 Wh||2 hr 47 mins||275|
|Casio EXILIM EX-Z3||NP-20||2.5 Wh||2 hr 48 mins||285|
|Casio EXILIM EX-S3||NP-20||2.5 Wh||2 hr 48 mins||285|
|Olympus C-50Z||LI-10B||4.0 Wh||2 hr 54 mins||295|
|HP Photosmart 935||2 x AA NiMH 1600 mAh (GP)||3.6 Wh||3 hr 09 mins||320|
|Canon PowerShot A70||4 x AA NiMH 1600 mAh (GP)||7.7 Wh||5 hr 08 mins||515|
|Other test notes:|
| LCD monitor is left on during
the battery test
The camera is powered off half of the time and left on half of the time (switch every 10 iterations)
There are now higher capacity AA NiMH batteries available, however in the interests of fair
comparison we will continue to use our 1600 mAh test set
The Casio EXILIM EX-Z3 takes the prize for the longest lasting camera on a 2.5/2.6 Wh capacity battery. The camera lasted an amazing 2 hours and 48 minutes in our battery life test notching up no less than 285 shots, this is a truly superb performance the only similarly powered camera anywhere near it is the Pentax Optio S.
|Rocks at Dawn by phucthang|
from The Rock
|Sarlat, France by poppyjk|
from Your City - Dinertime!
|Double Eagle by herbymel|
|Great White Egret vs Lizard by jose garcia|
from Strong - Weak
NASA's Mars Reconnaissance Orbiter captured this gorgeous aerial photo of the Martian landscape. And if you look really close, you can actually see the Mars Curiosity rover in the very middle.
The city of Laguna Beach, California has provided some clarification around the kinds of photography permits it offers.
Later this year, a VR180 camera will be Joining Yi's Halo and 360 VR cameras, which will offer stereo 3D capture, yet be as easy to use and compact as a 2D camera.
Caltech researchers have developed an 'optical phased array' chip that uses time delays instead of a lens to focus the incoming light.
Pricing and shipping have finally been revealed for two highly anticipated lenses from Sigma, announced in February.
These macro photos of clouds of paint billowing through clear water might look like high-quality CGI, but they're real photographs. And photographer Alberto Seveso told us how they were made.
Facebook is testing a feature that prevents people from saving, sharing, or even taking a screenshot of your profile picture.
We've reshot the Sony a9 in our studio. The short story: it's sharper! The long story... well you can read it all here.
The collection will be officially launched during the Europeana Transcribathon Campus Berlin 2017 crowdsourcing event which will be held on 22 and 23 June at the Berlin State Library.
Light gives us some insight into the preparations for the launch of the pre-order shipments of its much anticipated L16 multi-lens camera.
OnePlus co-founder Carl Pei has confirmed in a tweet that the second lens on the back of the OnePlus 5 uses a 1.6x optical zoom and that digital zoom is used to reach the claimed 2x zoom factor.
Fujifilm recently unveiled the second in its series of affordable cine lenses, the MK50-135mm T2.9. We got our hands on it for a couple days and took it for a spin.
Leica's first attempt at an M-series digital rangefinder was rough around the edges, but set a pattern for all of the cameras that came after it. In this week's Throwback Thursday article, Barney remembers the M8.
No stranger to extreme situations, legendary climber and filmmaker Jimmy Chin talks to Outside Magazine about his career, and the challenge of filming Alex Honnold's rope-free solo climb of El Capitain.
A company backed by Android co-founder Andy Rubin is attempting to make video conferencing less terrible.
Rangefinder magazine asked five professional portrait and wedding photographers about posting on Instagram; no surprise, they got five different answers.
This captivating stop motion film was created by stripping away one layer of wood at a time. It's hard to look away.
It will enable users to simulate the presence of the sun, moon and Milky Way and see how they interact with an area's topography.
Since its introduction in November last year Instagram's live streaming feature has been used by millions, but videos could not be archived for watching at a later stage. A new update has now added the capability.
CopyTrack's study also found that the second most-stolen image is a woman wearing painted jeans. That's apparently a thing.
Forget expensive lenses with fancy coatings and special lens elements – photographer Robin de Puy took these portraits using just a water drop for a lens.
Adobe reports a record quarterly revenue of $1.77 billion for the second quarter fiscal year 2017 ended June 2, 2017.
Zeiss says its new lens is particularly suited for portrait photography but also a good all-rounder and can be used in video applications.
We present to you the top photos from the Kennel Club's 2017 Dog Photographer of the Year photo contest – take a look at 10 of the award-winning puppers.
In case you were looking for any more inspiration to go fly one.
Following a couple of successful Kickstarter campaigns, Videre 35mm's creator has re-tooled the camera with sturdier components and a simpler user assembly process.
The two hour long video covers everything an aspiring drone pilot needs to know.
This is what happens when a Canon 17-85mm F4-5.6 lens meets 60,000 PSI of water pressure. Spoiler Alert: the water jet always wins.
Andrew Harnik discusses the challenges – and rewarding moments – of a career making images for the Associated Press in his native DC.
The VMic Pro, VMic Recorder and VMic microphones are targeted at DSLR users who want to record high-quality audio.