Canon PowerShot S2 IS Review

Fujifilm's latest prime, the XF 18mm F1.4 R LM WR, is a solidly built lens that we've really enjoyed shooting with. It's also a big departure from Fujifilm's previous 18mm F2 prime lens – get a sense of how it handles right here.

The new Fujifilm XF 18mm F1.4 R LM WR provides a 27mm-equivalent focal length for Fujifilm's X-mount cameras. Find out why Chris and Jordan like this fast, sharp 18mm lens.

We've been shooting with a pre-production copy of Fujifilm's new XF 18mm F1.4 R LM WR lens for a few days, which offers a 27mm full-frame equivalent field of view, and optically, we're impressed.

Fujifilm has announced its lightweight (370g/13oz) XF 18mm F1.4 R LM WR wide-angle prime. This 27mm-equivalent lens offers numerous special elements and a linear focus motor, and is also weather-sealed.

Take it with a grain of salt, but recent reports suggest that Samsung may be collaborating with an established camera brand on upcoming smartphones.

DxO has just released PureRaw, a simple, standalone program that can automatically apply its high-quality lens corrections and impressive noise-reduction algorithms to your Raw files, and then pass those Raw files off to your favorite editing app. We're pretty impressed by it – find out why in our review.

Canon has just announced a native RF-mount contemporary to its popular EF 100mm F2.8L Macro lens. The RF 100mm F2.8L Macro IS USM is an all-new design, and we've been digging into its feature set. Click through to learn more.

Sony's Xperia 1 and 5 Mark III smartphones introduce a variable 70-105mm telephoto optic, 120Hz OLED displays, and are the first cameras ever to shoot 20 fps with temporal noise reduction. Read on for an in-depth look.

Canon has just announced the development of what will be the highest-speed RF-mount camera yet, the EOS R3. It looks like a really interesting camera, but the R3 also points toward something else coming in the future; something even more capable. Here's what we know.

In today's episode of DPReview TV, Chris and Jordan answer the question everyone is asking: what do they think about Canon's EOS R3 development announcement?

Canon's new RF 100mm F2.8L IS USM offers a minimum focus distance of 26cm (10"), up to 8 stops of shake reduction, and the ability to adjust bokeh and softness by turning its 'spherical aberration' dial.

Canon has announced two new super-telephoto primes for RF-mount: the 400mm F2.8L IS USM and 600mm F4L IS USM. Both lenses share the same optics as their EF-mount counterparts, and will arrive in July priced at $12,000 and $13,000, respectively.

Canon has announced that it is developing the EOS R3, a high-end full-frame mirrorless camera. It will feature a Stacked CMOS Dual Pixel sensor and be able to shoot at up to 30 fps.

The winning images of the inaugural Storm Photo/Photographer of the Year contest have been revealed.

Adobe has released the April 2021 versions of its popular video-editing applications, Premiere Rush and Premiere Pro.

Adobe's latest addition to Camera Raw is a Super Resolution feature, which quadruples the pixel count of your Raw files and, in theory, doubles their linear resolution. Does that mean that you really don't need more than 12 or 16 megapixels anymore? We've put it to the test.

Originally limited to Leica M mount camera systems, the 21mm F1.5 lens is now offered in Nikon Z and Sony E mounts for $245.

Tokina's atx-m 33mm F1.4 X is an affordable fast prime for Fujifilm's X-mount cameras that offers autofocus and solid image quality. Check out what it can do and our impressions of its image quality right here.

Following complaints in the U.K. and oversight from the Advertising Standards Authority, Apple has adjusted its Pro Display XDR marketing material in the UK, removing a claim about HDR performance and adjusting its materials regarding color space.

Researchers from Virginia Tech have shared a video showing what happens when a DJI Osmo 2 Pro drone hits a car windshield at 100km/h (62.5mph).

The three-axis pocket camera can record 4K video at up to 60 frames per second and features a 2.45" articulating screen for composing and reviewing images.

In a wide-ranging interview, Aki Murata of OM Digital Solutions updated us on the transition from Olympus to 'OMDS', the future of the Olympus brand and why he believes Four Thirds still has advantages over other sensor formats.

We recently took delivery of Leica's new APO-Summicron-M 35mm F2 ASPH, and in the short time between its arrival and when it had to be sent back, we prepared a preliminary sample gallery in and around sunny Seattle.

Tokina's 23mm F1.4 is one of two of the company's new primes available for Fujifilm X-mount shooters. With a 35mm full-frame equivalent focal length, this lens is perfect for casual, candid, and street photography, even in low light.

Panasonic has given its DC-S1 and DC-S1H full-frame mirrorless cameras some big improvements via recent firmware updates. Chris and Jordan take a look at what's been added and how the two cameras compare in 2021.

A month after first discovering an issue, Sigma says it has fixed the problem and is replacing affected units through authorized Sigma repair centers.

Photographer Markus Stark has adapted a Leica APO-Telyt-R 400mm F2.8 lens and teleconverters to his Panasonic GH4 to shoot a super-detailed video of the moon.

The AF 24mm F1.8 lens features a unique ‘Astrophotography Mode’ that helps to lock focus at infinity for night sky photographs

Shot using a 4x5 large format field camera, David Dee Delgado's project, On My Block, is a homage to the people and places that make his home, New York City, so special.

Chinese company Player One Astronomy makes sophisticated astronomical observation equipment, including planetary cameras. The cameras include different image sensors well-suited to photographing different planets, including Neptune and Mars.