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The Everyday Sling might just be the perfect pack for not carrying too much gear, combining comfort with Peak Design's signature modern style.
Until the arrival of the G7 last September the majority of observers had written off Canon's 'prosumer' G range, presuming that the arrival of affordable digital SLRs had effectively killed the market for high-end compacts such as this. Barely a year later the G7 has been replaced by the G9, a relatively minor update that increases the pixel count from 10MP to 12MP and the screen size from 2.5 to 3.0 inches and - more importantly given the outcry caused by its omission from the G7 - the return of raw shooting capabilities. Other minor tweaks include a better grip and the addition of wireless flash capabilities. Everything else; the 6x stabilized zoom, flash hot shoe, classic all-metal design and solid build, expansive feature set and extensive manual control system is carried over from the G7.
The G7 receive very mixed responses upon its arrival last year, though as we noted at the time, much of this was because it suffered in comparison to its predecessors (such as the G6) - the lack of defining features such as raw mode, remote control, info panel and rotating LCD made the G7 feel very much like a glorified A series model rather than the flagship it was obviously intended to be. Although there's still no vari-angle screen Canon has addressed a couple of the main complaints about the G7 (the lack of raw and difficulty of shooting single-handed due to lack of grip), and the price - around $500 - has stayed the same. So is it enough to return the G series to its former glory? Let's find out.
Note that some sections of this review (feature descriptions where nothing has changed) are reproduced from the G7 review.
The G9 is an incremental upgrade in the truest sense; externally the body is almost identical, and there are only three really key changes; the raw mode, the screen and the sensor.
|Street price|| US: $480
|Sensor||• 1/1.7" Type CCD
• 12.1 million effective pixels
|Image sizes||• 4000 x 3000
• 3264 x 2448
• 2592 x 1944
• 1600 x 1200
• 640 x 480
• 4000 x 2248 (16:9)
|Movie clips||• 1024 x 768 @ 15fps
• 640 x 480 @ 30 / 15fps
• 320 x 240 @ 30 / 15fps
• 160 x 120 @ 15fps
• AVI Motion JPEG with WAVE monaural audio
• 35-210mm (35mm equiv)
• Center-weighted average
• Spot (Linked to center or selected AF point)
|Aperture|| F2.8-F8.0 (wide)
|Shooting mode||• Auto
• Program AE
• Shutter Priority AE
• Aperture Priority AE
• Custom (2 modes)
• Stitch Assist
• Special Scene
• High ISO Auto
• ISO 80
• ISO 100
• ISO 200
• ISO 400
• ISO 800
• ISO 1600
|White Balance||• Auto
• Fluorescent H
|Image parameters||My Colors (My Colors Off, Vivid, Neutral, Sepia, B&W, Positive Film, Lighter Skin Tone, Darker Skin Tone, Vivid Blue, Vivid Green, Vivid Red, Custom Color)|
|Continuous||• Normal: approx 2fps
• AF: approx 0.8fps
|Flash||• Auto, Manual Flash On / Off, Slow Sync, Red-eye reduction
• Second curtain sync
• Range: 30cm - 4.0m (wide) / 2.5m (tele)
• Hot shoe
|Storage||• SD / SDHC / MMC card compatible
• 32 MB card supplied
|Viewfinder||• Real-image zoom
• Dioptre correction
|LCD monitor||• 3.0-inch P-Si TFT
• 230,000 pixels
• Adjustable Brightness
|Connectivity|| USB 2.0 High speed
A/V out (NTSC/PAL switchable)
|Power||• Rechargeable Li-ion battery NB-2LH/NB-2L
• Charger included
• Optional AC adapter kit
|Optional accessories|| Speedlite 220EX/ 430EX/ 580EX
Tele-converter (2.0x) TC-DC58C
Wide-converter (0.75x) WC-DC58B
Lens adapter/Hood set LA-DC58H
Waterproof Case WP-DC11
Waterproof Case Weight WW-DC1
Soft Case DCC-600
High Power Flash HF-DC1
AC Adapter Kit ACK-DC20
Rechargeable Li-ION battery pack NB-2LH
Car Battery Charger CBC-NB2
|Weight (no batt)||320 g (11.3 oz)|
|Dimensions||106.4 x 71.9 x 42.5 mm
(4.2 x 2.8 x 1.7 in)
* Supplied accessories may differ in each country or area
When the Fujifilm X-T2 arrived, it was more than just a modest upgrade to the already impressive X-T1. While the new X-T3 hasn't changed the overall design of the camera, this model is way more than an upgrade; rather, it's a quantum leap.
The Movie Maker is a compact, motorized slider designed for phones, action cams and small mirrorless cameras. We think it's a fun little kit and a good value proposition for the cost, provided you can work around a few of its weak points.
Nikon's Z7 is the first camera to use the all-new Z-mount, the company's first new full-frame mount since 1959. We've put together our first impressions based on quality shooting time with a pre-production camera - check out what we've found.
What's the best camera for a parent? The best cameras for shooting kids and family must have fast autofocus, good low-light image quality and great video. In this buying guide we've rounded-up several great cameras for parents, and recommended the best.
What's the best camera for shooting landscapes? High resolution, weather-sealed bodies and wide dynamic range are all important. In this buying guide we've rounded-up several great cameras for shooting landscapes, and recommended the best.
What’s the best camera costing over $2000? The best high-end camera costing more than $2000 should have plenty of resolution, exceptional build quality, good 4K video capture and top-notch autofocus for advanced and professional users. In this buying guide we’ve rounded up all the current interchangeable lens cameras costing over $2000 and recommended the best.
|The Lone Photographer by ed rader|
from My Best Photo of the Week
|Neighbourhood Watch by Stevie Boy Blue|
from Zoo trip ~ Cute...
Voigtlander-Cosina has announced its eighth lens designed specifically for Sony's E-mount system. The 21mm F3.5 lens is due out October 2018.
Sony has taken the wraps off of its new 24mm F1.4 GM full-frame lens, which the company claims is the lightest in its class. Despite its fast aperture, the 24mm F1.4 is remarkably light, weighing just 445 grams (15.7 ounces). The lens will set you back $1400 when it ships next month.
In this episode of DPReview TV we take a look at Sony's brand new 24mm F1.4 GM lens, a desirable focal length for many photographers. How does it perform? Chris and Jordan give us their first impressions.
We've had a little time to shoot with Sony's new wide/fast prime, both close to home and on the water in San Francisco. Check out our initial sample images.
Fujifilm released a firmware upgrade for its X-T3 mirrorless camera that addresses issues with distortion compensation and the mechanical lock on SD cards.
The app's algorithms have been trained using using 200 million cropping data points from real photographers.
Thanks to a software update, the Loupedeck+ editing console can now be used for video editing.
British photographic engineer MTF Services is claiming the world’s first third-party lens adapters for the new Nikon Z system with a collection of four units designed to allow cinema lenses to be mounted on the mirrorless full frame bodies.
Think Tank Photo has updated its line of heavy-duty rain covers and introduced a new, compact version for emergency situations.
The X-T3 is our first opportunity to analyze what's likely to be Fujifilm's next generation image sensor. Take a look at how it performs next to the competition in our studio test scene.
Canon's new normal is seriously sharp wide open. After shooting with it for a few days, we've prepared a gallery of real-world sample images.
Nikon will cease offering Brazil-based customer service and technical support, though the company stresses that it will still offer technical assistance and warranty repairs for valid warranties.
Two years ago, CatLABS of JP announced a plan to save Packfilm from the dead. Now, it's announced it's giving up its efforts to better focus its resources elsewhere.
The GoPro Fusion is designed to make it easy to capture 360-degree video and stills. We took it out recently on a typically hot Seattle summer day to see what it can do.
We've got our hands on a full-production Nikon Z7 camera and have updated our gallery with additional samples.
A new Kickstarter campaign seeks funding for Chroma Chrono, a programmable RGB camera flash that emits multiple colors during long exposures.
Think Tank Photo has launched a new lineup of six dual-access, water-resistant protective lens cases it calls Lens Case Duo.
Canon and Nikon finally entered the full-frame mirrorless market this summer with the brand-new RF and Z mounts. Now that we've had some time with the cameras, we wanted to revisit our earlier predictions and take stock.
The devices' camera specs look pretty much identical to last year's iPhone X but under the hood a number of important improvements have been made.
Blackmagic Design has announced the public beta of its new Blackmagic RAW video codec. The company says the new format combines the benefits of shooting Raw video with the ease of use and smaller file sizes usually associated with non-Raw video files.
Serif, the company behind the Affinity suite, has announced the latest update for its mobile Photoshop competitor Affinity Photo for iPad.
The Atomos Ninja V external video recorder and monitor will be ready to ship at the end of this month. The 5.2in Ninja V is designed to provide a smaller option, while still offering many of the features of the larger 7-inch models.
Having shot with the camera, spoken to Canon and read the tea leaves, here's what DPR Technical Editor Richard Butler thinks the EOS R tells us about Canon and the RF's mount's future.
After last week's teaser, lighting manufacturer Profoto has announced its 'small big' new product. The B10 is designed to be used as studio flash head but in a very small body, and has a powerful continuous light source for videographers as well.
Konseen has launched Photo Studio, a new light box tent large enough to photograph people, as well as objects.
Seagate has introduced new high-capacity hard drives for Network Attached Storage (NAS) devices: the 14TB IronWolf and 14TB IronWolf Pro HDDs.
The case was first announced earlier this year as a Kickstarter campaign and comes with a range of features aimed at iPhone photographers.
Manfrotto has introduced a new two-in-one tripod to its Befree lineup. Called the Befree 2N1, this new addition is both a tripod and monopod in one and is available with both of Manfrotto's locking mechanisms.
This new high dynamic range editing software comes with an AI-powered Quantum HDR Engine for improved photo merging.