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With its unusual form factor can the Tourbox aid the editing process? Will its price and variety of tactile controls appeal to photo and video editors who would like to streamline their workflow?
Overall performance is roughly the same as the G7, which is generally speaking a good thing - in most respects the G7 was a very speedy camera. That said, I'd hoped Canon would use the G9 upgrade as an opportunity to improve on the slightly under-par shutter lag when using the LCD and to speed up the focus (particularly in low light and at the long end of the zoom). Whilst side by side tests showed that the G9 is marginally faster at finding focus it's still far from class-leading.
The focus speed is perfectly acceptable in undemanding shooting conditions, especially given the huge zoom range, but there are faster cameras on the market - even the S5 IS, with twice the zoom range, consistently beats it at the wide end of the zoom. The G9's autofocus is actually quite slow in low light or macro mode. Shutter lag when using the LCD is also a little disappointing (though to be fair I didn't personally notice any problems when out shooting; I don't really 'do' action). This is down to the lag in the live view itself (which is around 0.07 secs) - the time between pressing the shutter and taking the picture is a very short 0.05 seconds (approx) - so if you need to use the G9 on a 'hair trigger' - don't use the LCD screen. Note that the shutter lag with flash (one the G7's problem areas) has been improved - down from 0.5 seconds to around 0.3 seconds.
The larger files created by the 12MP sensor have also impacted on the continuous shooting speed, which now tops out at around 1.5 frames per second (the G7 managed 2.0 fps), though again this will only be of concern if you shoot a lot of 'action' - and there are plenty of cameras out there better suited than this one to that particular type of photography.
On a more positive note the G9 is one of the only compact camera we've ever used that offers a genuinely usable RAW mode; shot to shot times are 3.0 seconds at worst (including focus time) and you can even shoot continuously at around one shot every 1.1 seconds in RAW mode. That's pretty impressive buffering for a non-SLR camera.
All times calculated as an average of three operations. Unless otherwise stated all timings were made on a 4000 x 3000 Super-Fine JPEG image (approx. 5,300 KB per image). The media used for these tests was a 1.0GB SanDisk Extreme III SD card.
Power: Off to Record
|Power: Off to Play||Image displayed||1.3|
|Power: Record to Off||Lens retracted and all activity ceased||1.6|
|Power: Play to Off||When buffer is empty (lens extended)||1.4|
|Power: Play to Off||When buffer is empty (lens already retracted)||< 0.2|
|Record Review||Image displayed||0.8|
|Mode: Record to Play||1.7|
|Mode: Play to Record||~ 1.3|
|Play: Magnify||To full magnification (10x)||0.9|
|Play: Image to Image||Time to display each saved image (fade effect transition)||~ 0.5|
|Play: Image to Image||Time to display each saved image (no effect) *1||~ 0.3|
|Play: Thumbnail view||3 x 3 thumbnails||0.5|
|Zoom from Wide to Tele||35 to 210 mm (12 x)||1.7|
|Half-press Lag (0->S1)||Wide angle (AiAF or FlexiZone focus)||~ 0.4 *2|
|Half-press Lag (0->S1)||Telephoto (AiAF or FlexiZone focus)||~ 0.5 *2|
|Half to Full-press Lag (S1->S2)||LCD live view||~ 0.12 *3|
|Half to Full-press Lag (S1->S2)||Optical Viewfinder||~ 0.05|
|Full-press Lag (0->S2)||LCD live view, wide angle||~ 0.6|
|Off to Shot Taken||LCD live view||2.7|
|Shot to Shot||Flash off, JPEG Super Fine||2.3|
|Shot to Shot||Flash off, RAW + JPEG||3.0|
|Shot to Shot||Flash on (red-eye reduction off) *4||2.3|
|Shot to Shot||Flash on (red-eye reduction on) *4||2.7|
|*1||You can also hold down the left or right buttons and scroll very quickly through images at approx 5 frames per second.|
|*2||Under ideal conditions. The G9 focus slows down in low light at longer focal lengths and when shooting at or near the closest focus distance.|
|*3||With the flash on the shutter lag extends to around 0.3 seconds|
|*4||In this test the subject distance is only 3 feet (0.9 m) - the recycle time will increase at greater subject distances and after a few consecutive shots.|
|Half-press Lag (0->S1)
Many digital camera users prime the AF and AE systems on their camera by half-pressing the shutter release. This is the amount of time between a half-press of the shutter release and the camera indicating an auto focus & auto exposure lock on the LCD monitor / viewfinder (ready to shoot).
|Half to Full-press Lag (S1->S2)
The amount of time it takes from a full depression of the shutter release button (assuming you have already primed the camera with a half-press) to the image being taken.
(Take shot, AF/AE primed)
|Full-press Lag (0->S2)
The amount of time it takes from a full depression of the shutter release button (without performing a half-press of the shutter release beforehand) to the image being taken. This is more representative of the use of the camera in a spur of the moment 'point and shoot' situation.
(Take shot, AF/AE not primed)
The tables below show the results of our continuous shooting test, indicating the actual frame rate along with maximum number of frames and how long you would have to wait after taking the maximum number of frames before you could take another shot. Media used for these tests was a 1.0GB SanDisk Extreme III SD card. Shutter speed was kept above 1/200 sec during these tests.
The G9 has two continuous shooting modes (standard and AF-continuous), both of which allow you to shoot pretty much indefinitely (we gave up counting after about 70 shots) with a fast card. The Continuous AF mode shows the normal live preview between frames (and attempts to refocus between shots), but the normal Continuous mode only shows a very brief review image after each shot (no live preview), and the focus is fixed after the first shot. It's worth noting that the figures below (and those quoted by Canon) are only for ISO settings of under 400; at higher ISO's the frame rate drops to around half these values.
Frames in a burst *1
|12MP RAW + JPEG *3||Continuous||0.7 fps||No Limit||n/a|
|12MP RAW + JPEG *3||Continuous AF||0.7 fps*4||No Limit||n/a|
|12MP/6MP/4MP Super-Fine||Continuous||1.5 fps||No limit||n/a|
|10MP/6MP/4MP Super-Fine||Continuous AF||0.8 fps *4||No limit||n/a|
|10MP/6MP/4MP Super-Fine||Continuous mode (flash on)||1.1 fps||No limit||n/a|
|*1||In a single "burst" (finger held down on shutter release).|
|*2||With the shutter release held down. With a fast card it is impossible to fill the buffer|
|*3||Average speed - it will slow down if the camera has trouble focusing|
Although the performance is a step down from the G7 it's not a bad showing at all, and the fact you can shoot at a reasonable rate in RAW mode is very impressive - as is the ability to shoot almost indefinitely at 1.1fps with the flash turned on (though this only works at short distances and in fairly good light).
Timings shown below are the time taken for the camera to process and "flush" the image out to the storage card, the timer was started as soon as the shutter release was pressed and stopped when activity indicator went out. This means the timings also include the camera's processing time and as such are more representative of the actual time to "complete the task". The media used for these tests was a 1.0GB SanDisk Extreme III SD card.
Time to store
File size *1
Images on a *2
|12MP RAW||2.5||~0.3||12,500 KB||57|
|12MP RAW + JPEG||2.5||~0.3||15,500 KB *4||47|
|12MP JPEG Super-Fine||~1.2||~0.4||5,300 KB||189|
|12MP JPEG Fine||~1.1||~0.4||3,000 KB||318|
|12MP JPEG Normal||~1.1||~0.2||1,500 KB||658|
|8MP JPEG Super-Fine||~1.3||~0.3||3,200 KB||286|
|5MP JPEG Super-Fine||~1.2||~0.3||2,300 KB||391|
|*1||All file sizes are an average of three files. As is the case with JPEG it's difficult to predict the size of an image because it will vary a fair amount depending on the content of the image (detail and noise).|
|*3||With transition effects turned off|
|*4||Combined size of RAW and JPEG files|
The G9 can process and save a 5MB plus JPEG in around 1.2 seconds, and more impressively a 12.5MB RAW file in under 3.0 seconds, leaving us in no doubt that Canon has not only increased the buffer size, but has beefed up the entire image pipeline, producing performance that, with a fast card, is excellent.
What’s the best camera for under $2000? These capable cameras costing less than $2000 should be solid and well-built, have both speed and focus for capturing fast action and offer professional-level image quality. In this buying guide we’ve rounded up all the current interchangeable lens cameras costing under $2000 and recommended the best.
What’s the best camera costing over $2000? The best high-end camera costing more than $2000 should have plenty of resolution, exceptional build quality, good 4K video capture and top-notch autofocus for advanced and professional users. In this buying guide we’ve rounded up all the current interchangeable lens cameras costing over $2000 and recommended the best.
We've updated our 'best cameras over $2000' buying guide, and the Sony a7R IV is now our favorite mirrorless camera in the $2000-4000 price range. It sits alongside the Nikon D850, which is our choice for those who prefer DSLRs.
If you're looking for a high-quality camera, you don't need to spend a ton of cash, nor do you need to buy the latest and greatest new product on the market. In our latest buying guide we've selected some cameras that might be a bit older but still offer a lot of bang for the buck.
What's the best camera for shooting sports and action? Fast continuous shooting, reliable autofocus and great battery life are just three of the most important factors. In this buying guide we've rounded-up several great cameras for shooting sports and action, and recommended the best.
|It's a dog`s life by SteveWCM|
from The Floor
|Summer night view of the fjord by Kaappo|
from My Best Picture of the Week
|Golden Season by George Veltchev|
|Emotional Anguish by wam7|
from Emotional Pain
|Big fish- is it for me ? by marcin905|
|Whale... by aniltulsi|
from Story of the moment
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