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The Everyday Sling might just be the perfect pack for not carrying too much gear, combining comfort with Peak Design's signature modern style.
The EOS 7D now has separate live view and movie modes, selected using a switch next to the viewfinder. The live view mode is much like that seen on the 5D Mark II, offering a variety of views and AF methods. You can opt to use either the conventional phase-detection AF sensor (AF Quick) or the slower contrast detection method that uses the main imaging sensor. This second, 'AF Live' method is potentially more accurate and flexible (not being constrained to the 19 points of the AF sensor).
|No overlay||Shooting settings|
|Full information||Exposure information + histogram|
|A choice of two grids can also be overlaid on the live view image. These are selected using a menu option in the live view/movie tab of the record menu.||The three AF modes (face detect, AF Live and AF Quick) show focus areas in different ways. AF Live shows which region it will focus on while AF Quick shows the active focus point or zone (in gray) and a white rectangle representing the area that can be magnified. These can be selected and moved independently.|
|Pressing the 'Q' button allows you to change the Auto Lighting Optimizer setting and the image size/quality.||All other settings can still be changed via direct-access buttons with full settings screens being overlaid on the live view image.|
Just as in playback mode you can magnify live view by pressing the enlarge button (or back out again with reduce), to reach 5 or 10x magnification. While magnified you can use the multi-controller to move around the live image. Unfortunately as on the 50D you cannot magnify right out to the extreme corners.
|During magnification||Returned to full frame view|
The 7D has two accelerometers to offer a level gauge that shows pitch (up/down tilt) as well as roll (left/right tilt). This can be overlaid onto live view and can even be represented in the viewfinder, using the AF point indicators.
|A bit of a novelty, but one that can be a life saver in some situations, is the digital level gauge, which shows the amount of tilt in two axis on the live view screen when activated. It also appears in the viewfinder, with the AF points indicating the amount of pitch and roll.|
With its magnesium body and environmental sealing, the EOS 7D feels solid and pleasantly chunky but does not come with the bulk of a 'pro' body à la 1D series which many enthusiasts might find a little impractical. The metal and rubberized surfaces leave an impression of quality and the hand grip is very comfortably sized and shaped.
At first sight the 7D looks a lot like the EOS 50D and is unmistakably a member of the EOS family. However, a closer look reveals that on the new model Canon has made a few seemingly subtle changes that nevertheless make a difference in terms of handling and operation. The buttons are larger than on preceding models. The intention is to improve operability when wearing gloves in the cold, but the bigger buttons are very comfortable to use in any condition. There is now also a switch for selecting between live view and movie record mode, and a start/stop button to engage them. This is another step forward in terms of integrating movie recording as a fundamental mode of operation and makes switching between stills and movie recording less cumbersome than on previous models.
The new dedicated 'Q' button makes access to the on-screen quick menu very straightforward and the separation of the control dial lock and the power switch (which has moved under the mode dial) makes things a little less confusing for first-time Canon shooters.
These changes to the control layout, alongside the custom control menu, gives you more than enough options to fairly easily tweak the interface for even the most specialist requirements and applications. The same is true for the new AF system which offers an abundance of AF point selection and focusing options.
All in all the Canon EOS 7D is a camera that is joy to shoot with. The user interface has been noticeably improved over previous Canon DSLRs and its customizability makes sure a variety of users can feel at home on the 7D.
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Taking pictures of wildlife in the jungle isn't easy, which is why a lot of photographers set up 'trap' cameras. But every now and then, you end up attracting the wrong species altogether – and the results can be unpleasant. See video
DPR reader Philip Ewing found he had little time outside of long hours at the office to spend on photography, so he turned his commute into a time to exercise some creativity. Each day he brings his camera along with him on Washington D.C.'s Metrorail system, where he photographs the Brutalist-style architecture, morning rushes and evening light of the Metro subway. Read more
'Whales made me do it' isn't exactly what we expected to hear when we asked DPR reader Raymond Pang how he got started in photography. Then again, he's not really your typical photographer. When he couldn't find an app to help him plan out shoots in advance, he learned iOS app development and created one. Take a look at some of his images and read more in our Q&A. See gallery
The Slow Mo Guys do just what their name implies - record slow motion videos. In a new episode they use a Phantom Flex to capture the Canon 7D's mirror box and shutter mechanism being triggered at a variety of shutter speeds. The results are pretty darn cool. See video
Canon has updated its Digital Photo Professional 4 (DPP) software to version 4.1.50. The update brings support for a couple of new lenses and several camera models, improvements to multiple functions, and compatibility with 64-bit native environments, among other things. The newest version, says Canon, incorporates feedback from both APS-C and older full-frame owners eager for 'the very latest Raw workflow solution'. Read more
When the Fujifilm X-T2 arrived, it was more than just a modest upgrade to the already impressive X-T1. While the new X-T3 hasn't changed the overall design of the camera, this model is way more than an upgrade; rather, it's a quantum leap.
The Movie Maker is a compact, motorized slider designed for phones, action cams and small mirrorless cameras. We think it's a fun little kit and a good value proposition for the cost, provided you can work around a few of its weak points.
Nikon's Z7 is the first camera to use the all-new Z-mount, the company's first new full-frame mount since 1959. We've put together our first impressions based on quality shooting time with a pre-production camera - check out what we've found.
What's the best camera for a parent? The best cameras for shooting kids and family must have fast autofocus, good low-light image quality and great video. In this buying guide we've rounded-up several great cameras for parents, and recommended the best.
What's the best camera for shooting landscapes? High resolution, weather-sealed bodies and wide dynamic range are all important. In this buying guide we've rounded-up several great cameras for shooting landscapes, and recommended the best.
What’s the best camera costing over $2000? The best high-end camera costing more than $2000 should have plenty of resolution, exceptional build quality, good 4K video capture and top-notch autofocus for advanced and professional users. In this buying guide we’ve rounded up all the current interchangeable lens cameras costing over $2000 and recommended the best.
|The Lone Photographer by ed rader|
from My Best Photo of the Week
|Neighbourhood Watch by Stevie Boy Blue|
from Zoo trip ~ Cute...
Fujifilm released a firmware upgrade for its X-T3 mirrorless camera that addresses issues with distortion compensation and the mechanical lock on SD cards.
The app's algorithms have been trained using using 200 million cropping data points from real photographers.
Thanks to a software update, the Loupedeck+ editing console can now be used for video editing.
British photographic engineer MTF Services is claiming the world’s first third-party lens adapters for the new Nikon Z system with a collection of four units designed to allow cinema lenses to be mounted on the mirrorless full frame bodies.
Think Tank Photo has updated its line of heavy-duty rain covers and introduced a new, compact version for emergency situations.
The X-T3 is our first opportunity to analyze what's likely to be Fujifilm's next generation image sensor. Take a look at how it performs next to the competition in our studio test scene.
Canon's new normal is seriously sharp wide open. After shooting with it for a few days, we've prepared a gallery of real-world sample images.
Nikon will cease offering Brazil-based customer service and technical support, though the company stresses that it will still offer technical assistance and warranty repairs for valid warranties.
Two years ago, CatLABS of JP announced a plan to save Packfilm from the dead. Now, it's announced it's giving up its efforts to better focus its resources elsewhere.
The GoPro Fusion is designed to make it easy to capture 360-degree video and stills. We took it out recently on a typically hot Seattle summer day to see what it can do.
We've got our hands on a full-production Nikon Z7 camera and have updated our gallery with additional samples.
A new Kickstarter campaign seeks funding for Chroma Chrono, a programmable RGB camera flash that emits multiple colors during long exposures.
Think Tank Photo has launched a new lineup of six dual-access, water-resistant protective lens cases it calls Lens Case Duo.
Canon and Nikon finally entered the full-frame mirrorless market this summer with the brand-new RF and Z mounts. Now that we've had some time with the cameras, we wanted to revisit our earlier predictions and take stock.
The devices' camera specs look pretty much identical to last year's iPhone X but under the hood a number of important improvements have been made.
Blackmagic Design has announced the public beta of its new Blackmagic RAW video codec. The company says the new format combines the benefits of shooting Raw video with the ease of use and smaller file sizes usually associated with non-Raw video files.
Serif, the company behind the Affinity suite, has announced the latest update for its mobile Photoshop competitor Affinity Photo for iPad.
The Atomos Ninja V external video recorder and monitor will be ready to ship at the end of this month. The 5.2in Ninja V is designed to provide a smaller option, while still offering many of the features of the larger 7-inch models.
Having shot with the camera, spoken to Canon and read the tea leaves, here's what DPR Technical Editor Richard Butler thinks the EOS R tells us about Canon and the RF's mount's future.
After last week's teaser, lighting manufacturer Profoto has announced its 'small big' new product. The B10 is designed to be used as studio flash head but in a very small body, and has a powerful continuous light source for videographers as well.
Konseen has launched Photo Studio, a new light box tent large enough to photograph people, as well as objects.
Seagate has introduced new high-capacity hard drives for Network Attached Storage (NAS) devices: the 14TB IronWolf and 14TB IronWolf Pro HDDs.
The case was first announced earlier this year as a Kickstarter campaign and comes with a range of features aimed at iPhone photographers.
Manfrotto has introduced a new two-in-one tripod to its Befree lineup. Called the Befree 2N1, this new addition is both a tripod and monopod in one and is available with both of Manfrotto's locking mechanisms.
This new high dynamic range editing software comes with an AI-powered Quantum HDR Engine for improved photo merging.
Apple has unveiled the next generation of its iPhone X in the form of three variants: the 5.8" iPhone XS and 6.5" iPhone XS Max with OLED screens, and the 6.1" iPhone XR with an LCD and single rear camera.
Ahead of the launch of the CamRanger II the company has announced a mini version of its wireless remote control system that it says has a longer range than the original in a body half the size.
Lens manufacturer Sigma has announced a trio of fast cinema lenses for full-frame camera systems, that it says will also be available in the future in the LPL mount for Arri’s large format camera system.
LumaPod is a a new tripod being funded on Kickstarter that takes just four seconds to set up and uses patented tension technology to keep your shots steady in a compact design.