Latest sample galleries
Latest in-depth reviews
The DJI Air 2S is exactly what many drone enthusiasts have been asking for: a consumerdrone with a 1"-type camera sensor that's budget-friendly. Does it live up to the hype? In our opinion, yes.
Our Dynamic Range measurement system involves shooting a calibrated Stouffer Step Wedge (13 stops total range) which is backlit using a daylight balanced lamp (98 CRI). A single shot of this produces a gray scale wedge from (the cameras) black to clipped white (example below). Each step of the scale is equivalent to 1/3 EV (a third of a stop), we select one step as 'middle gray' and measure outwards to define the dynamic range. Hence there are 'two sides' to our results, the amount of shadow range (below middle gray) and the amount of highlight range (above middle gray).
To most people highlight range is the first thing they think about when talking about dynamic range, that is the amount of highlight detail above middle gray the camera can capture before it clips to white. Shadow range is more complicated; in our test we stop measuring values below middle gray as soon as the luminance value drops below our defined 'black point' (about 2% luminance) or the signal-to-noise ratio drops below a predefined value (where shadow detail would be swamped by noise), whichever comes first.
As we have seen on previous Canon DSLRs the various Picture Styles use either one of two tone curves, the first more contrasty curve for Standard, Portrait, Landscape and Monochrome Picture Styles and a slightly flatter curve for Neutral and Faithful Picture Styles. Neither curve delivers more dynamic range and they both clip highlights at the same point.
The Highlight Tone Priority feature is designed to deliver more highlight range. It's available via C.Fn II-3 and, once enabled, the usable ISO range becomes ISO 200 - 6400 (ISO 100 and 12800 are no longer available). In this mode the camera must be applying slightly less gain than normal combined with a different tone curve to deliver approximately a stop more highlight range, though as our real world examples later in the review show, don't expect miracles.
Although noise cuts the shadow range at the very highest ISO settings the EOS 7D's JPEG dynamic range is pretty consistent up to ISO 3200. The range - around 8.3 EV - is fairly typical for a camera at this level.
|Sensitivity||Shadow range||Highlight range||Usable range|
|ISO 100||-5.0 EV||3.3 EV||8.3 EV|
|ISO 200||-4.9 EV||3.4 EV||8.3 EV|
|ISO 400||-5.1 EV||3.3 EV||8.2 EV|
|ISO 800||-4.9 EV||3.4 EV||8.3 EV|
|ISO 1600||-4.8 EV||3.4 EV||8.2 EV|
|ISO 3200||-4.3 EV||3.5 EV||7.8 EV|
|ISO 6400||-3.4 EV||3.5 EV||6.9 EV|
|ISO 12800||-3.0 EV||3.5 EV||6.5 EV|
The EOS 7D's overall performance is pretty much in line with the competition in this test. Having said that at 3.3 EV the new Canon delivers slightly less highlight range than the EOS 50D (3.5 EV) and the Nikon D300S (3.8 EV). The Pentax K-7 measures the highest overall dynamic range but at 2.9 EV delivers almost half a stop less highlight range than the EOS 7D, with little rolloff and therefore harsh clipping.
|Camera (base ISO)||
|Canon EOS 7D||-5.0 EV||3.3 EV||8.3 EV|
|Canon EOS 50D||-4.8 EV||3.5 EV||8.3 EV|
|Nikon D300S||-4.6 EV||3.8 EV||8.4 EV|
|Pentax K-7||-5.7 EV||2.9 EV||8.6 EV|
The wedges below are created by our measurement system from the values read from the step wedge, the red lines indicate approximate shadow and highlight range (the dotted line indicating middle gray).
Experience has told us that there is typically around 1 EV (one stop) of extra information available at the highlight end in RAW files and that a negative digital exposure compensation when converting such files can recover detail lost to over-exposure. As with previous reviews we settled on Adobe Camera RAW for conversion to retrieve the maximum dynamic range from our test shots.
As you can see the default Adobe Camera RAW conversion delivers less dynamic range than JPEG from the camera (a more contrasty tone curve). The best we could achieve was just under 10 stops (9.8 EV) of total dynamic range, more importantly just over a stop of that is in highlights. This is pretty much in line with other cameras in this class.
|JPEG Default||8.3 EV|
|ACR Default||7.0 EV|
|ACR Auto||9.6 EV|
|ACR Manual||9.8 EV|
Please note that our version of Adobe ACR (5.6 Beta) had not been fully optimized for the EOS 7D yet which leads to strong color cast when attempting to recover highlights. We have therefore decided to not include any real-life samples at this stage but will update this section once a final version of ACR 5.6 is available.
Nov 6, 2012
Nov 5, 2012
Nov 1, 2012
Aug 7, 2012
Taking pictures of wildlife in the jungle isn't easy, which is why a lot of photographers set up 'trap' cameras. But every now and then, you end up attracting the wrong species altogether – and the results can be unpleasant. See video
DPR reader Philip Ewing found he had little time outside of long hours at the office to spend on photography, so he turned his commute into a time to exercise some creativity. Each day he brings his camera along with him on Washington D.C.'s Metrorail system, where he photographs the Brutalist-style architecture, morning rushes and evening light of the Metro subway. Read more
'Whales made me do it' isn't exactly what we expected to hear when we asked DPR reader Raymond Pang how he got started in photography. Then again, he's not really your typical photographer. When he couldn't find an app to help him plan out shoots in advance, he learned iOS app development and created one. Take a look at some of his images and read more in our Q&A. See gallery
The Slow Mo Guys do just what their name implies - record slow motion videos. In a new episode they use a Phantom Flex to capture the Canon 7D's mirror box and shutter mechanism being triggered at a variety of shutter speeds. The results are pretty darn cool. See video
Canon has updated its Digital Photo Professional 4 (DPP) software to version 4.1.50. The update brings support for a couple of new lenses and several camera models, improvements to multiple functions, and compatibility with 64-bit native environments, among other things. The newest version, says Canon, incorporates feedback from both APS-C and older full-frame owners eager for 'the very latest Raw workflow solution'. Read more
The Sony Alpha 1 is Sony's flagship mirrorless camera for, well, just about anything. With a 50MP sensor, it gives you tons of resolution, but it also lets you fire off burst images at 30 fps for fast action sports. Add in 8K video capture and you have a really impressive package.
There are a lot of photo/video cameras that have found a role as B-cameras on professional productions or A-camera for amateur and independent productions. We've combed through the options and selected our two favorite cameras in this class.
What’s the best camera costing over $2500? The best high-end camera costing more than $2000 should have plenty of resolution, exceptional build quality, good 4K video capture and top-notch autofocus for advanced and professional users. In this buying guide we’ve rounded up all the current interchangeable lens cameras costing over $2500 and recommended the best.
If you want a camera that you can pick up and use without having to page through the manual first, then this guide is for you. We've selected seven cameras ranging from compacts to full-frame, all of which are easy to operate.
Family moments are precious and sometimes you want to capture that time spent with friends or loved-ones in better quality than your phone can manage. We've selected a group of cameras that are easy to keep with you, and that can adapt to take photos wherever and whenever something memorable happens.
If you're looking for a high-quality camera, you don't need to spend a ton of cash, nor do you need to buy the latest and greatest new product on the market. In our latest buying guide we've selected some cameras that might be a bit older but still offer a lot of bang for the buck.
|Shark by PRFoto|
from Vehicles in Urban Environment
|Eat dust 0318 by jetals|
|At the Munich Zoo by gordzam|
from Alpacas and Llamas
|Bullfight by Jorgen K H Knudsen|
from The “can we travel again soon ?” series - Spain -
Why are modern 50mm lenses so complex? Lens designers didn't add all that extra glass just to charge more money and make the diagram look cool, explains Roger Cicala.
Since the dawn of recorded time, Pentax DSLRs has been known for being well-designed, rugged and full-featured. In this episode of DPReview TV, Chris and Jordan share their thoughts about Ricoh's latest DSLR, the Pentax K-3 Mark III.
Surely you've already watched our video review on the Pentax K-3 Mark III. Now it's time to take a closer look at some of the samples from its 25.7MP sensor.
The winning images were selected from more than 10,500 images captured around the world in more than 70 countries.
Apple has teamed up with Incite for many great 'Experiments' videos showcasing the latest iPhone model's camera capabilities including its latest, which shows off the slow-motion and time-lapse performance of iPhone 12.
If camera companies want to truly compete with smartphones for relevance, they need to offer models that are as easy to use as a phone, but offer substantially better image quality.
The lens remains the widest shift lens for full-frame cameras, with the new Leica L and Pentax K mount versions rounding out the Canon EF, Canon RF, Nikon F, Nikon Z and Sony E mount options from launch.
Award-winning videographer Vadim Sherbakov created an aerial film, 'The Noor,' with a DJI Mini 2 in zero degree (-18ºC) temperatures.
The Olympus OM-D E-M10 IV is an entry-level mirrorless camera that's feature-packed, and will appeal to beginners as well as more experienced users. Read about the ins and outs of this image-stabilized, low-priced camera here.
Canon's Larry Thorpe has seen lot of changes over his 60-year career in the industry. We spoke to him after his recent retirement, and in this interview he highlights some of the technological advancements he's seen during his career and discusses the convergence between stills and video.
Nikon's Z6 II is a really pleasant camera to use – so pleasant, in fact, that one of our editors took it on a road trip vacation down the west coast to the California redwoods. Check out some coastal scenes in our updated sample gallery here.
Leica has introduced its Vario-Elmarit-SL 24-70mm F2.8 ASPH lens for full-frame L-mount bodies. The lens has three aspherical elements, a stepping motor for autofocus and an 11-blade aperture. It's now available for $2795.
Days Inn by Wyndham has brought back its 'Sunternship' program for 2021. This August, a selected photographer will be paid $10,000 and have their travel expenses covered during a customizable two-week trip within the United States.
Star Stacker, an astrophotography app available for iOS, allows users to create star trail images and timelapses.
DPReview TV's Jordan Drake thinks the iFootage Cobra 2 is the best monopod ever created in the history of mankind. Find out why he calls it 'the monopod that changed my life'.
Photographer Andy Mumford believes his landscape photography would've progressed faster if he had learned a few key things early on. To help other photographers avoid the same pitfalls, he's shared a new video outlining three things he wishes he'd learned sooner.
We've updated our 'best cameras for videographers' buying guide, with the Panasonic Lumix DC-S1H being our choice for high-end video shooters, and the Sony a7S III selected as the best "run-and-gun" option.
Sony’s three remaining A-mount DSLR cameras have disappeared from its website, suggesting the cameras have been discontinued, rendering the A-mount system all but obsolete.
The update improves autofocus capabilities and adds a collection of new and improved video features to Leica's 24MP full-frame camera system.
Law firm Hagens Berman has filed a suit against Samsung in US District Court. The lawsuit alleges a widespread defect in Galaxy S20 smartphones that causes the glass covering the rear cameras to shatter.
In this video, we head into the heart of wine country in the company of photographer James Joiner and the Fujifilm X-E4. James is meeting vintner Charles Bieler to shoot some imagery for a new wine label.
DJI released a statement today confirming that there are issues with the batteries that power its Mini 2 drone.
The fully-manual lens, which offers roughly a 50mm full-frame equivalent field of view, is available for Canon RF, Fujifilm X, Nikon Z and Sony E mount camera systems.
This 'retro-style' DIY digital camera is built around a Raspberry Pi Zero W connected to a Raspberry Pi High Quality Camera module.
The Panasonic Lumix DC-G100 (G110 in some regions) is a mirrorless camera designed for vlogging. Its 20MP Four Thirds sensor is paired with clever tracking audio technology, but we have our reservations.
Brian Emfinger from Live Storms Media got close to a tornado with his drone before losing it. Here is some footage he managed to pull from the DJI GO 4 app.
The video was captured by a photographer/pilot duo who used an Insta360 Pro 2 attached to a DJI Matrice 600 drone to capture the close-up visuals of Iceland’s Mt. Fagradalsfjall volcano.
Canon's EOS M50 Mark II is a compact, easy-to-use mirrorless camera. Check out our sample gallery for a large selection of tulip photos, with a few other subjects thrown in for good measure.
The Olympus OM-D E-M10 IV is a compact, stylish and low-priced Micro Four Thirds camera with a 20MP sensor and in-body stabilization. Chris and Jordan put it through its paces in the latest episode of DPReview TV.
Our team at DPReview TV just wrapped up their review of the Olympus E-M10 mark IV. As Chris explains, it's now 'third winter' in Canada, so don't be surprised to see some snow in this sample gallery.