Camera Menus
The structure of the 7D's menus will be immediately familiar to anyone who has shot an EOS DSLR before, with camera settings separated across a series of sensibly ordered, color-coded tabs. As usual, the really fine-level camera customization is defined in the Custom Functions tab, with the 7D including a 1D-series-esque 27 custom functions, defining almost every aspect of the camera's behavior in minute detail.
The menus are also context sensitive, with different menu options provided depending on which shooting mode you're in. As with previous EOSs there is a simplified menu structure if you shoot in the more automated modes - in this instance that means the Creative Auto and Auto modes. However, as a sign of the increasingly integrated nature of video on 7D, the fourth Record tab also changes depending on whether the camera's mode switch is set to movie or live view.
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| Full menu (P, Tv, Av, M, A-DEP, C1-3) |
Limited menu (Auto and CA) |
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| Movie tab |
Live view tab |
Shooting section (red)
Picture Style
The Picture Styles are a range of pre-programmed image parameter sets intended to deliver the best results in different situations. Each Picture Style has its own preset mapping for tone and color response as well as providing the ability to tune sharpness, contrast, saturation and color tone for each. For instance the default sharpening for the Standard Picture Style is level 3, if you prefer less strong you can just adjust it downwards. Sharpness has 8 levels, contrast, saturation and color tone all have have 9 levels.
Playback Section (Blue)
Setup Section (Yellow)
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Nov 6, 2012
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Nov 5, 2012
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Aug 7, 2012
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Taking pictures of wildlife in the jungle isn't easy, which is why a lot of photographers set up 'trap' cameras. But every now and then, you end up attracting the wrong species altogether – and the results can be unpleasant. See video
DPR reader Philip Ewing found he had little time outside of long hours at the office to spend on photography, so he turned his commute into a time to exercise some creativity. Each day he brings his camera along with him on Washington D.C.'s Metrorail system, where he photographs the Brutalist-style architecture, morning rushes and evening light of the Metro subway. Read more
'Whales made me do it' isn't exactly what we expected to hear when we asked DPR reader Raymond Pang how he got started in photography. Then again, he's not really your typical photographer. When he couldn't find an app to help him plan out shoots in advance, he learned iOS app development and created one. Take a look at some of his images and read more in our Q&A. See gallery
The Slow Mo Guys do just what their name implies - record slow motion videos. In a new episode they use a Phantom Flex to capture the Canon 7D's mirror box and shutter mechanism being triggered at a variety of shutter speeds. The results are pretty darn cool. See video
Canon has updated its Digital Photo Professional 4 (DPP) software to version 4.1.50. The update brings support for a couple of new lenses and several camera models, improvements to multiple functions, and compatibility with 64-bit native environments, among other things. The newest version, says Canon, incorporates feedback from both APS-C and older full-frame owners eager for 'the very latest Raw workflow solution'. Read more
Canon's EOS R, the company's first full-frame mirrorless camera, impresses us with its image quality and color rendition. But it also comes with quirky ergonomics, uninspiring video features and a number of other shortcomings. Read our full review to see how the EOS R stacks up in today's full-frame mirrorless market.
No Nikon camera we've tested to date balances stills and video capture as well as the Nikon Z7. Though autofocus is less reliable than the D850, Nikon's first full-frame mirrorless gets enough right to earn our recommendation.
Nikon's Coolpix P1000 has moved the zoom needle from 'absurd' to 'ludicrous,' with an equivalent focal length of 24-3000mm. While it's great for lunar and still wildlife photography, we found that it's not suited for much else.
As a stills camera the Fujifilm X-T3 is a pleasant update to one of our favorite APS-C cameras, significantly improving the autofocus. If you're interested in stills and video, though, it's knockout.
The Nikon Z7 is slated as a mirrorless equivalent to the D850, but it can't subject track with the same reliability as its DSLR counterpart. AF performance is otherwise good, except in low light where hunting can lead to missed shots.
What's the best camera for under $500? These entry level cameras should be easy to use, offer good image quality and easily connect with a smartphone for sharing. In this buying guide we've rounded up all the current interchangeable lens cameras costing less than $500 and recommended the best.
Whether you've grown tired of what came with your DSLR, or want to start photographing different subjects, a new lens is probably in order. We've selected our favorite lenses for Sony mirrorlses cameras in several categories to make your decisions easier.
Whether you've grown tired of what came with your DSLR, or want to start photographing different subjects, a new lens is probably in order. We've selected our favorite lenses for Canon DSLRs in several categories to make your decisions easier.
Whether you've grown tired of what came with your DSLR, or want to start photographing different subjects, a new lens is probably in order. We've selected our favorite lenses for Nikon DSLRs in several categories to make your decisions easier.
What’s the best camera for less than $1000? The best cameras for under $1000 should have good ergonomics and controls, great image quality and be capture high-quality video. In this buying guide we’ve rounded up all the current interchangeable lens cameras costing under $1000 and recommended the best.
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