Canon EOS 5D Mark II In-depth Review
August 2009 - Updated to reflect the additional manual control over video exposure introduced with firmware 1.10.
Back in August 2005 Canon 'defined a new DSLR category' (their words) with the EOS 5D. Unlike any previous 'full frame' sensor camera, the 5D was the first with a compact body (i.e. not having an integral vertical grip) and has since then proved to be very popular, perhaps because if you wanted a full frame DSLR to use with your Canon lenses and you didn't want the chunky EOS-1D style body then the EOS 5D has been your only choice. Three years on and two competitors have turned up in the shape of the Nikon D700 and Sony DSLR-A900, and Canon clearly believes it's time for a refresh.
So here is the 5D Mark II, which punches high in terms of both resolution and features, headlining: 21 megapixels, 1080p video, 3.0" VGA LCD, Live view, higher capacity battery. In other words, a camera that aims to leapfrog both its direct rivals, either in terms of resolution (in the case of the D700) or features (in the case of the DSLR-A900). Full detail below.
Key features / improvements
- 21 megapixel CMOS sensor (very similar to the sensor in the EOS-1Ds Mark III)
- Sensor dust reduction by vibration of filter
- ISO 100 - 6400 calibrated range, ISO 50 - 25600 expansion (1Ds Mark III & 5D max ISO 3200)
- Auto ISO (100 - 3200) in all modes except manual
- 3.9 frames per second continuous shooting
- DIGIC 4 processor, new menus / interface as per the EOS 50D
- Image processing features:
- Highlight tone priority
- Auto lighting optimizer (4 levels)
- High ISO noise reduction (4 levels)
- Lens peripheral illumination correction (vignetting correction)
- RAW and SRAW1 (10 MP) / SRAW2 (5 MP)
- RAW / JPEG selection made separately
- Permanent display of ISO on both top plate and viewfinder displays
- AF micro adjustment (up to 20 lenses individually)
- Three custom modes on command dial, Creative Auto mode
- Image copyright metadata support
- 98% coverage viewfinder (0.71x magnification)
- 3.0" 920,000 dot LCD monitor with 'Clear View' cover / coatings, 170° viewing angle
- Automatic LCD brightness adjustment (ambient light sensor)
- Live view with three mode auto-focus (including face detection)
- No mirror-flip for exposures in Live View if contrast detect AF selected
- Movie recording in live view (1080p H.264 up to 12 minutes, VGA H.264 up to 24 mins per clip)
- Two mode silent shooting (in live view)
- New jump options in play mode
- HDMI and standard composite (AV) video out
- Full audio support: built-in mic and speaker, mic-in socket, audio-out over AV (although not HDMI)
- IrPort (supports IR remote shutter release using optional RC1 / RC5 controllers)
- UDMA CompactFlash support
- New 1800 mAh battery with improved battery information / logging
- New optional WFT-E4 WiFi / LAN / USB vertical grip
- Water resistance: 10 mm rain in 3 minutes
- 1 Introduction
- 2 Specifications
- 3 What's New
- 4 What's New
- 5 Body & Design
- 6 Body & Design
- 7 Body & Design
- 8 Operation & Controls
- 9 Operation & Controls
- 10 Displays
- 11 Displays
- 12 Menus
- 13 Menus
- 14 Performance
- 15 Features
- 16 Features
- 17 Features
- 18 Features
- 19 Video
- 20 Software & Raw
- 21 Photographic tests (Noise)
- 22 Photographic tests (Noise)
- 23 Photographic tests (Noise)
- 24 Photographic tests (Noise)
- 25 Photographic tests (DR)
- 26 Vignetting/Shading
- 27 Photographic tests
- 28 Compared to
- 29 Compared to (JPEG)
- 30 Compared to (JPEG)
- 31 Compared to (JPEG)
- 32 Compared to (JPEG)
- 33 Compared to (RAW)
- 34 Compared to (RAW)
- 35 Compared to (RAW)
- 36 Compared to (RAW)
- 37 Compared to (sRAW1)
- 38 Compared to (High ISO)
- 39 Compared to (Resolution)
- 40 Conclusion
- 41 Samples
|The Lone Photographer by ed rader|
from My Best Photo of the Week
|Neighbourhood Watch by Stevie Boy Blue|
from Zoo trip ~ Cute...
Fujifilm released a firmware upgrade for its X-T3 mirrorless camera that addresses issues with distortion compensation and the mechanical lock on SD cards.
The app's algorithms have been trained using using 200 million cropping data points from real photographers.
Thanks to a software update, the Loupedeck+ editing console can now be used for video editing.
British photographic engineer MTF Services is claiming the world’s first third-party lens adapters for the new Nikon Z system with a collection of four units designed to allow cinema lenses to be mounted on the mirrorless full frame bodies.
Think Tank Photo has updated its line of heavy-duty rain covers and introduced a new, compact version for emergency situations.
The X-T3 is our first opportunity to analyze what's likely to be Fujifilm's next generation image sensor. Take a look at how it performs next to the competition in our studio test scene.
Canon's new normal is seriously sharp wide open. After shooting with it for a few days, we've prepared a gallery of real-world sample images.
Nikon will cease offering Brazil-based customer service and technical support, though the company stresses that it will still offer technical assistance and warranty repairs for valid warranties.
Two years ago, CatLABS of JP announced a plan to save Packfilm from the dead. Now, it's announced it's giving up its efforts to better focus its resources elsewhere.
The GoPro Fusion is designed to make it easy to capture 360-degree video and stills. We took it out recently on a typically hot Seattle summer day to see what it can do.
We've got our hands on a full-production Nikon Z7 camera and have updated our gallery with additional samples.
A new Kickstarter campaign seeks funding for Chroma Chrono, a programmable RGB camera flash that emits multiple colors during long exposures.
Think Tank Photo has launched a new lineup of six dual-access, water-resistant protective lens cases it calls Lens Case Duo.
Canon and Nikon finally entered the full-frame mirrorless market this summer with the brand-new RF and Z mounts. Now that we've had some time with the cameras, we wanted to revisit our earlier predictions and take stock.
The devices' camera specs look pretty much identical to last year's iPhone X but under the hood a number of important improvements have been made.
Blackmagic Design has announced the public beta of its new Blackmagic RAW video codec. The company says the new format combines the benefits of shooting Raw video with the ease of use and smaller file sizes usually associated with non-Raw video files.
Serif, the company behind the Affinity suite, has announced the latest update for its mobile Photoshop competitor Affinity Photo for iPad.
The Atomos Ninja V external video recorder and monitor will be ready to ship at the end of this month. The 5.2in Ninja V is designed to provide a smaller option, while still offering many of the features of the larger 7-inch models.
Having shot with the camera, spoken to Canon and read the tea leaves, here's what DPR Technical Editor Richard Butler thinks the EOS R tells us about Canon and the RF's mount's future.
After last week's teaser, lighting manufacturer Profoto has announced its 'small big' new product. The B10 is designed to be used as studio flash head but in a very small body, and has a powerful continuous light source for videographers as well.
Konseen has launched Photo Studio, a new light box tent large enough to photograph people, as well as objects.
Seagate has introduced new high-capacity hard drives for Network Attached Storage (NAS) devices: the 14TB IronWolf and 14TB IronWolf Pro HDDs.
The case was first announced earlier this year as a Kickstarter campaign and comes with a range of features aimed at iPhone photographers.
Manfrotto has introduced a new two-in-one tripod to its Befree lineup. Called the Befree 2N1, this new addition is both a tripod and monopod in one and is available with both of Manfrotto's locking mechanisms.
This new high dynamic range editing software comes with an AI-powered Quantum HDR Engine for improved photo merging.
Apple has unveiled the next generation of its iPhone X in the form of three variants: the 5.8" iPhone XS and 6.5" iPhone XS Max with OLED screens, and the 6.1" iPhone XR with an LCD and single rear camera.
Ahead of the launch of the CamRanger II the company has announced a mini version of its wireless remote control system that it says has a longer range than the original in a body half the size.
Lens manufacturer Sigma has announced a trio of fast cinema lenses for full-frame camera systems, that it says will also be available in the future in the LPL mount for Arri’s large format camera system.
LumaPod is a a new tripod being funded on Kickstarter that takes just four seconds to set up and uses patented tension technology to keep your shots steady in a compact design.