Canon EOS 5D Mark II In-depth Review

August 2009 - Updated to reflect the additional manual control over video exposure introduced with firmware 1.10.
Back in August 2005 Canon 'defined a new DSLR category' (their words) with the EOS 5D. Unlike any previous 'full frame' sensor camera, the 5D was the first with a compact body (i.e. not having an integral vertical grip) and has since then proved to be very popular, perhaps because if you wanted a full frame DSLR to use with your Canon lenses and you didn't want the chunky EOS-1D style body then the EOS 5D has been your only choice. Three years on and two competitors have turned up in the shape of the Nikon D700 and Sony DSLR-A900, and Canon clearly believes it's time for a refresh.
So here is the 5D Mark II, which punches high in terms of both resolution and features, headlining: 21 megapixels, 1080p video, 3.0" VGA LCD, Live view, higher capacity battery. In other words, a camera that aims to leapfrog both its direct rivals, either in terms of resolution (in the case of the D700) or features (in the case of the DSLR-A900). Full detail below.
Key features / improvements
- 21 megapixel CMOS sensor (very similar to the sensor in the EOS-1Ds Mark III)
- Sensor dust reduction by vibration of filter
- ISO 100 - 6400 calibrated range, ISO 50 - 25600 expansion (1Ds Mark III & 5D max ISO 3200)
- Auto ISO (100 - 3200) in all modes except manual
- 3.9 frames per second continuous shooting
- DIGIC 4 processor, new menus / interface as per the EOS 50D
- Image processing features:
- Highlight tone priority
- Auto lighting optimizer (4 levels)
- High ISO noise reduction (4 levels)
- Lens peripheral illumination correction (vignetting correction)
- RAW and SRAW1 (10 MP) / SRAW2 (5 MP)
- RAW / JPEG selection made separately
- Permanent display of ISO on both top plate and viewfinder displays
- AF micro adjustment (up to 20 lenses individually)
- Three custom modes on command dial, Creative Auto mode
- Image copyright metadata support
- 98% coverage viewfinder (0.71x magnification)
- 3.0" 920,000 dot LCD monitor with 'Clear View' cover / coatings, 170° viewing angle
- Automatic LCD brightness adjustment (ambient light sensor)
- Live view with three mode auto-focus (including face detection)
- No mirror-flip for exposures in Live View if contrast detect AF selected
- Movie recording in live view (1080p H.264 up to 12 minutes, VGA H.264 up to 24 mins per clip)
- Two mode silent shooting (in live view)
- New jump options in play mode
- HDMI and standard composite (AV) video out
- Full audio support: built-in mic and speaker, mic-in socket, audio-out over AV (although not HDMI)
- IrPort (supports IR remote shutter release using optional RC1 / RC5 controllers)
- UDMA CompactFlash support
- New 1800 mAh battery with improved battery information / logging
- New optional WFT-E4 WiFi / LAN / USB vertical grip
- Water resistance: 10 mm rain in 3 minutes
In stock
Usually ships in 1-2 business days
|
|
|
|
|
Feb 13, 2009
|
Dec 1, 2010
|
Oct 10, 2008
|
Sep 17, 2008
|
DPR regular Steve Badger says that there's 'no excuse to be bored' when there's a camera at hand. His love of photography began when he borrowed a friend's superzoom, and eventually invested in a DSLR system. His home on the east coast of Australia provides plenty of spectacular scenery, but he's eager to travel and grow as a photographer. See gallery
Canon has updated its Digital Photo Professional 4 (DPP) software to version 4.1.50. The update brings support for a couple of new lenses and several camera models, improvements to multiple functions, and compatibility with 64-bit native environments, among other things. The newest version, says Canon, incorporates feedback from both APS-C and older full-frame owners eager for 'the very latest Raw workflow solution'. Read more
A multimedia journalist by trade, Tim Matsui's still photography projects have taken him from native Alaskan villages to Brazilian Air Force training facilities. Matsui shares with us his journey in creating his latest documentary work, from its beginnings in still photography to the adaptations he made to turn it into a video production. Learn more about his work on 'The Long Night,' a documentary debuting this week that looks into human trafficking in Seattle. Read our Q&A
'What's in your bag?' is a question we ask a lot of photographers, because, well, we're nosy that way. Asking the very same question, photographer Thom Atkinson posed it (figuratively) to centuries of British soldiers. He's assembled what would have been the belongings and clothing of a dozen combatants, ranging from medieval to modern-day soldiers. Take a look and learn how it all came together in our Q&A. See gallery
George Probst has been fascinated with sharks his whole life, but it wasn't until he found himself newly single with some extra money in savings that his dream of diving with and photographing sharks became a reality. He hopes his photos will inspire others to see sharks in a light unlike their typical portrayal in movies and pop culture. Find out about his process and see his work. See gallery
The Leica Q2 is a fixed-lens, full-frame camera sporting a new 47.3MP sensor and a sharp, stabilized 28mm F1.7 Summilux lens. It's styled like a traditional Leica M rangefinder and replaces the hugely popular original Leica Q (Typ 116), launched in 2015.
Fujifilm's GFX 50R takes the image quality from the existing 50S model and wraps it in a new body with new controls and a lower price of entry. Is that enough to tempt you to pick one up for yourself? Find out how the GFX 50R performs in our full review.
The Mavic Air hits the sweet spot for many drone users, combining compact size with high performance and good image quality. Find out what makes it so useful, and why it might just be the best travel-friendly drone on the market today.
The Fujifilm XF10 is a stylish, compact, well-priced pocket camera that will take great photographs. Unfortunately, the XF10's overall performance may be a let-down, including for those users coming from smartphone cameras.
The EF-M 32mm F1.4 is a welcome addition to Canon's APS-C mirrorless lens lineup. It's a good performer all-around and enjoyable to use on the EOS M50, and we hope to see more like it introduced to the EF-M range.
If you're looking for a high-quality camera, you don't need to spend a ton of cash, nor do you need to buy the latest and greatest new product on the market. In our latest buying guide we've selected some cameras that while they're a bit older, still offer a lot of bang for the buck.
A question frequently asked on the Internet is 'what's the best DSLR?' In this buying guide we've answered that question – but also whether it's the right question to be asking in the first place.
What's the best camera for under $500? These entry level cameras should be easy to use, offer good image quality and easily connect with a smartphone for sharing. In this buying guide we've rounded up all the current interchangeable lens cameras costing less than $500 and recommended the best.
Whether you've grown tired of what came with your DSLR, or want to start photographing different subjects, a new lens is probably in order. We've selected our favorite lenses for Sony mirrorlses cameras in several categories to make your decisions easier.
Whether you've grown tired of what came with your DSLR, or want to start photographing different subjects, a new lens is probably in order. We've selected our favorite lenses for Canon DSLRs in several categories to make your decisions easier.
Comments