Output image file quality / JPEG artifacts
Standard Test Scene
Below you will find 200% magnified crops of the same 240 x 100 portion of the center of a sequence of images taken at full size but different output settings. The RAW file was converted to a TIFF using Canon RAW Image Task 2.2 (via Zoombrowser EX).
|4368 x 2912 RAW - 13,996 KB .CR2 (not for download) (VGA TIFF crop)|
|4368 x 2912 (L) JPEG Fine - 4,916 KB .JPG|
|4368 x 2912 (L) JPEG Normal - 2,450 KB .JPG|
|3168 x 2112 (M) JPEG Fine - 2,859 KB .JPG|
|2496 x 1664 (S) JPEG Fine - 2,008 KB .JPG|
You would be very hard pressed to notice any difference between the RAW converted image and JPEG Large/Fine, a relatively low compression level combined with a quality JPEG encoder. Even at the Normal setting artifacts don't really jump out of the image, you can detect some around fine detail if you look closely but it's safe to say that if your CF card is near full switching to Normal will gain you twice as many more shots with little downside.
The EOS 5D provides the independent selection of output color space, you can select from sRGB or Adobe RGB directly from the record menu (just above the selection for Picture Style). Images taken in the Adobe RGB color space have their filename prefixed with an underscore (_) this complies with DCF 2.0 (Exif 2.21), which makes it difficult to keep images in order if you shoot a mix.
Place your mouse over the label to see a ColorChecker chart shot in the respective mode. As you can see in this comparison rather than producing an identical result using Adobe RGB mode will deliver noticeably more vivid (and likely more accurate thanks to its wider gamut) color than sRGB. This is a bigger swing of saturation than we have seen from previous Canon digital SLRs.
|sRGB||Adobe RGB (converted to sRGB)|
Color space: CIE u'v' Color Distribution chart
Note that in these samples the Adobe RGB image has not been converted to sRGB and so to view it correctly you will have to load it into a color space aware photo application and assign the Adobe RGB color space. Below each sample is the CIE u'v' Color Distribution chart; larger gray triangle approximately represents the range of color which the human eye can resolve, the inner triangle the available gamut in each color space (sRGB or Adobe RGB).
|Canon EOS 5D Mark III Black SLR Digital Camera Body Only||$2499.00|
|Canon EOS 5D Mark III 22.3 MP Full Frame CMOS Digital SLR Camera Body Super Bundle||$2849.00|
|Canon EOS 5D Mark III DSLR Camera Body + Pro 100 Printer / Paper / Gadget Bag||$2849.00|
- Canon EOS M58.8%
- Panasonic G85/G803.3%
- Panasonic FZ2500/FZ20001.9%
- Panasonic LX10/LX151.2%
- Panasonic GH5 development3.6%
- Sony a99 II15.9%
- Nikon KeyMission 170 and 801.0%
- Fujifilm GFX 50S development28.3%
- Olympus E-M1 II development18.7%
- Olympus E-PL80.1%
- Olympus 25mm F1.2 Pro1.5%
- Olympus 12-100mm F4 IS Pro1.9%
- Olympus 30mm F3.5 Macro0.1%
- Sigma 85mm F1.4 Art3.6%
- Sigma 12-24mm F4 Art2.6%
- Sigma 500mm F4 DG OS HSM Sport2.4%
- YI M12.2%
- GoPro Hero50.8%
- GoPro Karma drone2.2%
|Sadiqur_Rahman by Sadiqur Rahman|
from Ain't Going to Work on Maggie's Farm no More
|Airborne by John Beavin|
from - How to respect the Flag and Anthem - (Portrait in Full Colours + A Border)