The EOS 30D provides control for image sharpening, contrast, color saturation and color tone. You can also select output in sRGB or Adobe RGB color space. The EOS 30D features the now standard "Picture Style" parameter presets, these are slightly different than found on other digital SLR's as the Picture Style used can affect both the contrast curve and color map.
Image parameter adjustments
- Picture Style: Standard, Portrait, Landscape, Neutral, Faithful, Monochrome, User def 1 - 3
- Color space: sRGB, Adobe RGB
- Image parameter adjustments
- Sharpness: 0 to 7
- Contrast: -4 to +4
- Saturation: -4 to +4
- Color tone: -4 to +4
Each Picture Style can be thought of as being similar to different types of 'film', each one is made up of a tone curve, color map and default sharpness. The camera comes with six programmed Picture Styles but you can download other styles from Canon. The disappointing aspect of Picture Style is that the tone curve and color map are not revealed to the user, you have to experiment to understand the effect of each Picture Style. An approximate summary of the available Picture Styles are as follows:
|Picture Style||Canon description||Tone curve||Color|
|Standard||Vivid, crisp general setting usable for variety of conditions.||Type 1
|Slightly more saturation|
|Portrait||Produces a soft texture and beautiful expression of skin color.||Type 1
|Medium saturation, skin tones get a pink hue|
|Landscape||Sharp expression with particularly vivid results for blues skies and green hues.||Type 1
|High saturation, blue and green emphasis, hue chg.|
|Neutral||With post-processing in mind, saturation and contrast are low.||Type 2
|Low saturation, neutral hues|
|Faithful||Faithful production of the subject's colors, with no exaggeration.||Type 2
|Low saturation, colormetrically accurate|
|Monochrome||Monochrome expression in black & white, sepia, etc.||Type 1
|B&W, can use filters (red, green, orange, etc.)|
For a reference of how each of these Picture Styles relate to older EOS digital camera parameter settings please refer to the chart at the bottom of this page on canon.co.jp.
Picture Style default parameters
Pictures Styles compared
Place your mouse over the label to see a ColorChecker chart shot in the respective mode. The differences in both color response and tone are fairly easy to make out in this comparison. You can see that Standard and Neutral have similar color responses apart from saturation and contrast, portrait is designed to enhance skin tones and landscape for bluer skies and more natural looking greens.
Picture Styles 'real life' example
Below are six images in different Picture Styles produced from the same RAW image. Each was saved at a reduced size to aid full size display / download speed (in these examples we're only interested in tone and color).
|Neutral||Faithful||Monochrome (red filter)|
Picture Style variances, DPP vs. RIT, RAW
We first spotted this potential issue in our EOS 5D review and it still stands true for the EOS 30D and the latest versions of Canon's RAW converters (RAW Image Task 2.3 in ZoomBrowser EX and Digital Photo Professional 2.1).
RAW Image Task (in Zoombrowser) is essentially a 'DSP emulator', that is it emulates the image pipeline in the camera to deliver results from RAW which are identical to the camera. Digital Photo Professional however has always been the 'outsider' using its own RAW conversion it has a different 'look' to its images (often preferable).
Picture Styles now pose a little bit of a problem for Canon, because obviously they are supposed to be a 'standard look' that you will expect to be the same from the camera and through whichever RAW converter. I'm fairly comfortable accepting some variance between RIT (same as camera) and DPP but to be frank the difference is more stark than that.
Color / tone difference
Detail / brightness difference (100% crops)
* Note that by default Neutral would have a sharpness setting of zero (0) but when changing Picture Style in DPP the sharpness setting does not change, hence remains at level three (3) when switching from Standard to Neutral. For comparison we also set sharpness to level three (3) in RIT.
|Steamin' Mad by ahrensjt|
from Angered Subjects (Street Photography)
|Smile by Olymguy|
from Ultra Asian Indian Female Faces
|Space Shuttle Cockpit- by vbuhay|
from Aircraft Control Stick
The Polish town of Katowice is not known as an area of beauty, but as all photographers know, that doesn't mean that beauty can't be found if you know where to look. Mariusz Pietranek used a drone to look down on the colorful sedimentation tanks at an ironworks.
New York Times video journalist Ben Solomon spent a harrowing three weeks accompanying Iraqi Major Sajjad al-Hour as he and his men fought to retake Mosul from I.S. forces.
The 3D VR camera launched through a crowdfunding campaign in 2015 goes on sale beginning June 26.
Noctilucent clouds, a crescent moon and Venus were visible in the pre-dawn sky over Budapest yesterday. Photographer György Soponyai captured NASA's astronomy picture of the day.
Squirming pets won't sit still for photos? A Kickstarter campaign is looking to help.
Find out how Chris Burkard shifted from editorial photography to his true passions: landscapes, conservation and, of course, surfing.
The updated EyeEm app scans your camera roll and picks images that are composed particularly well, have the best quality, or highest chance of selling on EyeEm Market.
It's three years old but still a solid option for a Micro Four Thirds shooter looking for a high-quality, fast, wide-angle prime. Take a look at how we got along with it.
Tamron has announced the longest all-in-one zoom lens currently available, the 18-400mm F3.5-6.3 Di II VC HLD. Designed for Canon and Nikon crop-sensor cameras, the lens will be available in July.
When you're ready to step-up to full-frame from an entry-level or midrange camera, the choices can be overwhelming. Find out which models came out on top in our $1200-2000 enthusiast ILC roundup.
Just a guy wearing a VR headset, smashing invisible Goombas in Central Park.
NASA's Mars Reconnaissance Orbiter captured this gorgeous aerial photo of the Martian landscape. And if you look really close, you can actually see the Mars Curiosity rover in the very middle.
The city of Laguna Beach, California has provided some clarification around the kinds of photography permits it offers.
Later this year, a VR180 camera will be Joining Yi's Halo and 360 VR cameras, which will offer stereo 3D capture, yet be as easy to use and compact as a 2D camera.
Caltech researchers have developed an 'optical phased array' chip that uses time delays instead of a lens to focus the incoming light.
Pricing and shipping have finally been revealed for two highly anticipated lenses from Sigma, announced in February.
These macro photos of clouds of paint billowing through clear water might look like high-quality CGI, but they're real photographs. And photographer Alberto Seveso told us how they were made.
Facebook is testing a feature that prevents people from saving, sharing, or even taking a screenshot of your profile picture.
We've reshot the Sony a9 in our studio. The short story: it's sharper! The long story... well you can read it all here.
The collection will be officially launched during the Europeana Transcribathon Campus Berlin 2017 crowdsourcing event which will be held on 22 and 23 June at the Berlin State Library.
Light gives us some insight into the preparations for the launch of the pre-order shipments of its much anticipated L16 multi-lens camera.
OnePlus co-founder Carl Pei has confirmed in a tweet that the second lens on the back of the OnePlus 5 uses a 1.6x optical zoom and that digital zoom is used to reach the claimed 2x zoom factor.
Fujifilm recently unveiled the second in its series of affordable cine lenses, the MK50-135mm T2.9. We got our hands on it for a couple days and took it for a spin.
Leica's first attempt at an M-series digital rangefinder was rough around the edges, but set a pattern for all of the cameras that came after it. In this week's Throwback Thursday article, Barney remembers the M8.
No stranger to extreme situations, legendary climber and filmmaker Jimmy Chin talks to Outside Magazine about his career, and the challenge of filming Alex Honnold's rope-free solo climb of El Capitain.
A company backed by Android co-founder Andy Rubin is attempting to make video conferencing less terrible.
Rangefinder magazine asked five professional portrait and wedding photographers about posting on Instagram; no surprise, they got five different answers.
This captivating stop motion film was created by stripping away one layer of wood at a time. It's hard to look away.
It will enable users to simulate the presence of the sun, moon and Milky Way and see how they interact with an area's topography.
Since its introduction in November last year Instagram's live streaming feature has been used by millions, but videos could not be archived for watching at a later stage. A new update has now added the capability.