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The Everyday Sling might just be the perfect pack for not carrying too much gear, combining comfort with Peak Design's signature modern style.
Although based on the EOS-300 film body the EOS 300D certainly isn't a reuse of an existing body, it is a new design which appears to be a cross between the EOS-300 and the new EOS-3000V. The plastic body has a gloss silver finish (not my cup of tea), the plastic used to construct the camera doesn't feel as robust as that used on the original EOS-D30/D60 (it's a similar grade and finish to that used on the rear of the PowerShot G3). That said build quality is good enough although nobody would expect me to get too excited about that aspect of this camera, it is certainly possible to get a creak out of the hand grip if you squeeze hard enough.
As you can see from the images below the EOS 300D is noticeably smaller than the EOS 10D, it's also an considerable 230 g (8.1 oz) lighter. Indeed the EOS 300D plus the 18 - 55 mm lens is lighter than the EOS 10D without a lens. The primary layout differences between the two cameras are the location of the status LCD panel (rear of EOS 300D, top of EOS 10D) and the mode dial (top right of EOS 300D, top left of EOS 10D). The other noticeable difference is that the EOS 300D doesn't get the EOS 10D's excellent rear command dial, instead users will have to put up with a four way controller.
As you can see from the image below the EOS 300D is actually approximately the same height as Pentax's diminutive *ist D, however it's wider by approximately 13 mm (0.5 in), both cameras have almost exactly the same weight without a lens but with their batteries and a CF card. The EOS 10D is the heaviest of the bunch thanks to its heavier gauge metal body. The advantage of the EF-S lens is demonstrated well here, Canon's EF-S 18 - 55 mm is quite visibly smaller than Pentax's FA J 18 - 35 mm (35 mm lens).
(inc. battery & CF)
|Canon EOS 300D||142 x 99 x 72 mm (5.6 x 3.9 x 2.8 in)||649 g (1.4 lb)|
|Pentax *ist D||129 x 95 x 60 mm (5.0 x 3.7 x 2.3 in)||650 g (1.4 lb)|
|Nikon D100||144 x 116 x 81 mm (5.7 x 4.6 x 3.2 in)||775 g (1.7 lb)|
|Fujifilm S2 Pro||142 x 131 x 80 mm (5.6 x 5.2 x 3.1 in)||870 g (1.9 lb)|
|Canon EOS 10D||150 x 107 x 75 mm (5.9 x 4.2 x 3.0 in)||879 g (1.9 lb)|
Despite its plastic body the EOS 300D does feel comfortable in your hand thanks to its deep rubberized hand grip. The material used on the grip is quite similar to that used on some mobile phones, it's that plastic / rubber mix which doesn't scratch but isn't as sticky as pure rubber. The thumb moulding on the rear of the camera helps grip a lot and in this respect the EOS 300D feels as secure as any other SLR.
The EOS 300D has the same 1.8" 118,000 pixel LCD monitor as the EOS 10D. It's bright and sharp with good color response and a neutral image display gamma. Just like the EOS 10D the EOS 300D provides five levels of brightness adjustment.
The LCD monitor is protected by a plastic screen (which also covers the LCD panel), unfortunately however there is no anti-reflective coating.
The EOS 300D's LCD (status) panel is on the rear of the camera directly above the LCD monitor, it provides detail of both photographic and digital settings. Anyone with experience of the EOS 10D will instantly note that the amount of information displayed is less than that camera, simply because the EOS 300D doesn't provide the same level of control. As such display of settings such as metering and AF mode are not required. Just like the EOS 10D's panel this has a backlight which can be turned on for approximately five seconds by pressing a small button to the right of the panel.
A detailed breakdown of displayed information can be found on the diagram below.
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When the Fujifilm X-T2 arrived, it was more than just a modest upgrade to the already impressive X-T1. While the new X-T3 hasn't changed the overall design of the camera, this model is way more than an upgrade; rather, it's a quantum leap.
The Movie Maker is a compact, motorized slider designed for phones, action cams and small mirrorless cameras. We think it's a fun little kit and a good value proposition for the cost, provided you can work around a few of its weak points.
Nikon's Z7 is the first camera to use the all-new Z-mount, the company's first new full-frame mount since 1959. We've put together our first impressions based on quality shooting time with a pre-production camera - check out what we've found.
What's the best camera for a parent? The best cameras for shooting kids and family must have fast autofocus, good low-light image quality and great video. In this buying guide we've rounded-up several great cameras for parents, and recommended the best.
What's the best camera for shooting landscapes? High resolution, weather-sealed bodies and wide dynamic range are all important. In this buying guide we've rounded-up several great cameras for shooting landscapes, and recommended the best.
What’s the best camera costing over $2000? The best high-end camera costing more than $2000 should have plenty of resolution, exceptional build quality, good 4K video capture and top-notch autofocus for advanced and professional users. In this buying guide we’ve rounded up all the current interchangeable lens cameras costing over $2000 and recommended the best.
|Abstract bokeh by Minas_Eye|
from Your City - Bokeh in the City (Rerun)
|Green Tree Frog by BruceRH|
|Custom Red Roadster by Mitchmeister|
from Car Shows 2018
At Sony's press conference at Photokina the company announced that 12 more E-mount lenses will be arriving over the next two years. In addition, the company is working to utilize artificial intelligence in its technologies, with one application being Eye AF trained to detect animal eyes.
Sigma has said it will create a full-frame Foveon camera and will adopt the Leica L mount for its system. It will be able to adapt or convert SA mount lenses to the L mount, for existing users.
Hasselblad is expanding their X System with their announcement of three new lenses: the XCD 80mm F1.9, XCD 65mm F2.8 and XCD 135mm F2.8, along with a teleconverter. The 80mm F1.9 is the fastest in the system. Get all the details and check out Hasselblad's official sample images here.
Sigma has announced give new lenses at Photokina, including a 'Sport' series 70-200mm F2.8 and a 56mm F1.4 for Micro Four Thirds and Sony E mounts.
Sigma has announced the 28mm F1.4 Art, 40mm F1.4 Art, 70-200mm F2.8 Sport and 60-600mm F4.5-6.3 Sport lenses for several full frame lens mounts, including Canon, Nikon and, in the first two instances, Sony E.
ON1 has announced the impending launch of ON1 Photo RAW 2019. The new version, due out in November, brings a handful of new tools and features in a revamped interface.
Fujifilm has said it is developing a 100MP GFX medium format camera that will include both phase detection autofocus and in-body image stabilization. The 4K-capable camera will sell for around $10,000.
Leica has announced the S3 medium-format camera – an S2 successor with a 64MP sensor capable of 4K video.
The GFX 50R is a 50MP rangefinder-style mirrorless camera. It borrows heavily from the existing 50S model but in a smaller body and at a lower price. How does it differ?
Fujifilm has announced its GFX 50R, a rangefinder-styled version of the company's GFX 50S medium-format camera. The 'guts' of the two cameras are the same, with the difference being the design, weight and Bluetooth, all at a considerably lower price.
In this episode of DPReview TV, we get our hands on Fujifilm's GFX 50R which hides a medium-format sensor in a new, more compact body. Watch to get Chris and Jordan's first impressions on image quality, video and more.
Fujifilm is adding a trio of new medium-format lenses to its G-mount roadmap. GFX owners will soon be able to get their hands on 100-200mm F5.6, 45-100mm F4 and compact 50mm F3.5 lenses. Pricing and availability have not been announced.
Micro Four Thirds users will soon get a super fast, constant aperture wide angle zoom.
Panasonic has announced it is developing two full frame mirrorless cameras: the 47MP S1R and the 24MP S1. We've been shown fairly advanced-looking but non-functional prototype cameras, and have been able to squeeze a few details from Panasonic.
Panasonic is developing a pair of full-frame mirrorless cameras that use Leica's L-mount. The S1R will feature a 47MP sensor, while the S1 will be 24MP. Both cameras will support Dual IS shake reduction 4K/60p video capture and will have XQD and SD card slots.
Leica, Panasonic and Sigma are teaming up. Expect L-mount cameras from Panasonic as well as L-mount glass from Sigma.
Ricoh has announced the development of the GR III enthusiast compact, due to ship in early 2019. The camera gains sensor-shift image stabilization and an updated 24MP sensor with phase-detection. The 28mm equivalent F2.8 lens has also been redesigned and a touchscreen added.
The 'I'm Back' is now available for a range of old film-SLRs, such as Nikon's F-Series, the Olympus OM10 or the Canon AE-1.
IRIX has announced its latest lens, the 150mm F2.8 Macro 1:1. IRIX claims the lens features 'close to zero' distortion and stands out with its 150mm telephoto focal length.
The RF 24-105mm F4L IS USM is one of four lenses to launch with Canon's new full-frame mirrorless system, and it boasts the longest reach of the range. Take a look at some of the samples we've gathered thus far as our EOS R testing continues.
Nikon's Sendai factory in the Tōhoku region North of Japan has been churning out cameras and lenses since 1971. We had the opportunity recently to visit Sendai during events to mark the launch of Nikon's new Z mount.
There's no mistaking the Nikon Coolpix P1000 – with a 24-3000mm equivalent zoom, it really is in a class of its own. It's a conspicuous-looking superzoom with one main job: getting you really close to far away subjects. We've put together a gallery showing the kind of results you can expect from it.
A new report from The Verge claims Instagram is currently testing a feature that allows users to re-share posts to their own account feeds.
GoPro has announced its HERO7 camera lineup. The updated action cameras feature new HyperSmooth and TimeWarp modes, as well as improved video and photo specs.
The latest Samsung midrange smartphone offers a super-wide-angle lens in its triple-camera setup.
The Sony 24mm F1.4 is the latest lens to join the company's premium G Master lineup. We've been shooting with one for a couple of days - here's what you need to know.
Apple released iOS 12 a few days ago and some iPhone X users are less than happy with how the new operating system has made their phones look.
Camera bag manufacturer Lowepro has introduced mark II backpacks for its ProTactic AW range with models that are said to feature an improved handling experience as well as a collection of accessories that can be attached to the outside.
Canon has announced its latest superzoom camera, the PowerShot SX70 HS. Compared to the SX60 that came before it, the SX70 has the same lens but offers a higher resolution EVF, 4K video capture and support for Canon's new CR3 Raw format.
Cosina has announced its eighth lens designed specifically for Sony's E-mount system. The Voigtlander 21mm F3.5 lens is due out October 2018.