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The Everyday Sling might just be the perfect pack for not carrying too much gear, combining comfort with Peak Design's signature modern style.
Canon's EOS-1D is the first professional digital SLR from Canon since the EOS-D2000 (introduced in March 1998 which was a collaborative effort with Kodak, also known as the Kodak DCS 520). Indeed, the EOS-1D is the first all Canon professional digital SLR. Canon themselves admit that after the EOS-D2000 they were caught dragging their heels somewhat when Nikon released the D1 but believe that they are coming back strong with the 4 megapixel 8 fps EOS-1D.
The EOS-1D is based on the excellent (and highly praised) EOS-1V professional film SLR. The 1D's body is almost identical to an EOS-1V with the additional powerdrive booster attached. The primary differences are the EOS-1D's battery and vertical grip have now become a moulded part of the camera body, and of course that the back of the camera hosts an LCD monitor with variety of 'digital' controls and buttons.
Here you can see how closely related the EOS-1D is to the the EOS-1V with the powerdrive booster. The entire 'photographic' side of the camera is identical to the 1V, all the controls for exposure mode, AF, ISO, drive, bracketing, metering, exposure compensation, FEL, AF points, AE lock etc. are in the same places. The 1D is slightly thicker and the vertical hand grip now fits flush to the back of the camera (as it is now an integral part of the body). The viewfinder eyecup protrudes further than the 1V and this helps to keep your face away from the LCD screen (avoid 'nose smear'). The final difference is that the 1D is very slightly shorter (vertically).
As you can see the EOS-1D has much smoother, 'professional' lines than the EOS-D30. With the optional battery pack on the D30 the 1D is very slightly taller and wider. Thanks to its solid metal case the 1D is approximately 300 g (11 oz) heavier.
The EOS-1D features a 4.58 megapixel CCD (not made by Canon), this may well be a departure from the CMOS type sensor used in the EOS-D30 but Canon explained that this was simply to do with the CCD sensor's ability to output its image data at high speed and thus keep up with the eight frames per second specified shooting rate. The other detail about the sensor is its size, it's larger (relatively speaking) than the CMOS sensor used in the EOS-D30 and reduces the focal length multiplier (cropping factor) to 1.3x. This means that Canon's new 16 - 35 mm L lens offers a wide 21 - 46 mm equiv. focal length range.
|Effective *1 resolution||Output *2 resolution||Focal length mult.||Effective imager size (mm)||Pixel
|Nikon D1||CCD||2.66||2012 x 1324||2000 x 1312||1.5x||23.7 x 15.6||11.8 x 11.8|
|Canon EOS-D30||CMOS||3.25||2226 x 1460||2160 x 1440||1.6x||22.0 x 14.9||9.9 x 9.9|
|Canon EOS-1D||CCD||4.15||2496 x 1662||2464 x 1648||1.3x||27.0 x 17.8||10.8 x 10.8|
|Nikon D1x||CCD||5.33||4028 x 1324||3008 x 1960||1.5x||23.7 x 15.6||5.9 x 11.7|
|APS-C negative||Film||n/a||n/a||n/a||23.4 x 16.7||n/a|
|35mm negative||Film||n/a||n/a||n/a||35.0 x 23.3||n/a|
|*1||Effective meaning active pixels used to capture image|
|*2||Output resolution being the resolution of the final image|
As you can see the EOS-1D's sensor is larger than an APS-C size negative and that despite the additional resolution the pixel size is approximately the same as the Nikon D1.
Custom / Personal functions - throughout this review you will see small items written in this blue text, these relate to the interaction of one or more of the EOS-1D's custom or personal functions on that particular camera feature.
When the Fujifilm X-T2 arrived, it was more than just a modest upgrade to the already impressive X-T1. While the new X-T3 hasn't changed the overall design of the camera, this model is way more than an upgrade; rather, it's a quantum leap.
The Movie Maker is a compact, motorized slider designed for phones, action cams and small mirrorless cameras. We think it's a fun little kit and a good value proposition for the cost, provided you can work around a few of its weak points.
Nikon's Z7 is the first camera to use the all-new Z-mount, the company's first new full-frame mount since 1959. We've put together our first impressions based on quality shooting time with a pre-production camera - check out what we've found.
What's the best camera for a parent? The best cameras for shooting kids and family must have fast autofocus, good low-light image quality and great video. In this buying guide we've rounded-up several great cameras for parents, and recommended the best.
What's the best camera for shooting landscapes? High resolution, weather-sealed bodies and wide dynamic range are all important. In this buying guide we've rounded-up several great cameras for shooting landscapes, and recommended the best.
What’s the best camera costing over $2000? The best high-end camera costing more than $2000 should have plenty of resolution, exceptional build quality, good 4K video capture and top-notch autofocus for advanced and professional users. In this buying guide we’ve rounded up all the current interchangeable lens cameras costing over $2000 and recommended the best.
|_ERN9064 by ernesto juarez|
from Shoot yourself ! (with your camera)
|walkersons fields by George Veltchev|
from -Waiting for Autumn- (in Full Colours Only)
Nikon's Sendai factory in the Tōhoku region North of Japan has been churning out cameras and lenses since 1971. We had the opportunity recently to visit Sendai during events to mark the launch of Nikon's new Z mount.
There's no mistaking the Nikon Coolpix P1000 – with a 24-3000mm equivalent zoom, it really is in a class of its own. It's a conspicuous-looking superzoom with one main job: getting you really close to far away subjects. We've put together a gallery showing the kind of results you can expect from it.
A new report from The Verge claims Instagram is currently testing a feature that allows users to re-share posts to their own account feeds.
GoPro has announced its HERO7 camera lineup. The updated action cameras feature new HyperSmooth and TimeWarp modes, as well as improved video and photo specs.
The latest Samsung midrange smartphone offers a super-wide-angle lens in its triple-camera setup.
The Sony 24mm F1.4 is the latest lens to join the company's premium G Master lineup. We've been shooting with one for a couple of days - here's what you need to know.
Apple released iOS 12 a few days ago and some iPhone X users are less than happy with how the new operating system has made their phones look.
Camera bag manufacturer Lowepro has introduced mark II backpacks for its ProTactic AW range with models that are said to feature an improved handling experience as well as a collection of accessories that can be attached to the outside.
Canon has announced its latest superzoom camera, the PowerShot SX70 HS. Compared to the SX60 that came before it, the SX70 has the same lens but offers a higher resolution EVF, 4K video capture and support for Canon's new CR3 Raw format.
Cosina has announced its eighth lens designed specifically for Sony's E-mount system. The Voigtlander 21mm F3.5 lens is due out October 2018.
Sony has taken the wraps off of its new 24mm F1.4 GM full-frame lens, which the company claims is the lightest in its class. Despite its fast aperture, the 24mm F1.4 is remarkably light, weighing just 445 grams (15.7 ounces). The lens will set you back $1400 when it ships next month.
In this episode of DPReview TV we take a look at Sony's brand new 24mm F1.4 GM lens, a desirable focal length for many photographers. How does it perform? Chris and Jordan give us their first impressions.
We've had a little time to shoot with Sony's new wide/fast prime, both close to home and on the water in San Francisco. Check out our initial sample images.
Fujifilm released a firmware upgrade for its X-T3 mirrorless camera that addresses issues with distortion compensation and the mechanical lock on SD cards.
The app's algorithms have been trained using using 200 million cropping data points from real photographers.
Thanks to a software update, the Loupedeck+ editing console can now be used for video editing.
British photographic engineer MTF Services is claiming the world’s first third-party lens adapters for the new Nikon Z system with a collection of four units designed to allow cinema lenses to be mounted on the mirrorless full frame bodies.
Think Tank Photo has updated its line of heavy-duty rain covers and introduced a new, compact version for emergency situations.
The X-T3 is our first opportunity to analyze what's likely to be Fujifilm's next generation image sensor. Take a look at how it performs next to the competition in our studio test scene.
Canon's new normal is seriously sharp wide open. After shooting with it for a few days, we've prepared a gallery of real-world sample images.
Nikon will cease offering Brazil-based customer service and technical support, though the company stresses that it will still offer technical assistance and warranty repairs for valid warranties.
Two years ago, CatLABS of JP announced a plan to save Packfilm from the dead. Now, it's announced it's giving up its efforts to better focus its resources elsewhere.
The GoPro Fusion is designed to make it easy to capture 360-degree video and stills. We took it out recently on a typically hot Seattle summer day to see what it can do.
We've got our hands on a full-production Nikon Z7 camera and have updated our gallery with additional samples.
A new Kickstarter campaign seeks funding for Chroma Chrono, a programmable RGB camera flash that emits multiple colors during long exposures.
Think Tank Photo has launched a new lineup of six dual-access, water-resistant protective lens cases it calls Lens Case Duo.
Canon and Nikon finally entered the full-frame mirrorless market this summer with the brand-new RF and Z mounts. Now that we've had some time with the cameras, we wanted to revisit our earlier predictions and take stock.
The devices' camera specs look pretty much identical to last year's iPhone X but under the hood a number of important improvements have been made.
Blackmagic Design has announced the public beta of its new Blackmagic RAW video codec. The company says the new format combines the benefits of shooting Raw video with the ease of use and smaller file sizes usually associated with non-Raw video files.
Serif, the company behind the Affinity suite, has announced the latest update for its mobile Photoshop competitor Affinity Photo for iPad.