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The Everyday Sling might just be the perfect pack for not carrying too much gear, combining comfort with Peak Design's signature modern style.
While the Powershot A70's startup time is faster than some of the competition it is crippled slightly by the 0.7 'hold' you must make on the power button before the power up sequence starts, if we include this time total startup is identical to the Coolpix 3100. That said the A70's off to shot taken is quite quick as are shot to shot times. Auto focus speed was slightly above average for this level of camera, and just slightly better if you disable AiAF focus (which leaves you with just the center AF point). Playback is noticeably slower than some others because the camera doesn't display anything until it has loaded the full image from the CF card, perhaps it's time Canon employed the use of a lower resolution thumbnail in the image header to speed up playback.
Timing Notes: All times calculated as an average of three operations. Unless otherwise stated all timings were made on a 2048 x 1536 Super-Fine JPEG image (approx. 1,400 KB per image). The media used for these tests was a 256 MB SanDisk Ultra CF card.
|Power: Off to Record *1||Lens extension||2.7|
|Power: Off to Play *1||Image displayed||1.8|
|Power: Record to Off||Lens extended||2.3|
|Power: Play to Off||Lens already retracted||0.7|
|Mode: Record to Play *2||Image displayed||2.2|
|Mode: Play to Record||2.2|
|Play: Magnify||To 10x magnification||1.0|
|Play: Thumbnail view||3x3 index, 9 images||1.0|
|Zoom from Wide to Tele||Full zoom from 35 mm to 105 mm (3 x)||1.6|
|Auto Focus LAG||Wide angle||0.8 - 1.0|
|Auto Focus LAG||Telephoto||1.2 - 1.8|
|Auto Focus LAG||Wide angle, AiAF On||0.9 - 1.0|
|Auto Focus LAG||Telephoto, AiAF On||1.5 - 1.8|
|Shutter Release LAG||Using Viewfinder||<0.1|
|Shutter Release LAG||Using LCD Monitor||0.1|
|Total LAG||Wide angle||0.9|
|Off to Shot Taken||Wide angle (includes 0.7 power button delay)||3.5|
|Shot to Shot||Wide angle||1.7|
|*1||You need to hold the power button for 0.7 seconds before the camera starts to power up. This is to avoid accidental knocks of the power button. The timing shown for this measurement exclude this 0.7 seconds.|
|*2||The A70 appears to buffer an image once displayed in play mode. This means that if you return to play mode for a second time the display time is just half a second, compared to two seconds for the first display of a new image.|
Auto Focus LAG is (roughly) the amount of time it takes the camera to autofocus (a half-press and hold of the shutter release button), this timing is normally the most variable as its affected by the subject matter, current focus position, still or moving subject etc. This timing is an average.
Shutter Release LAG is the amount of time it takes to take the shot from the moment you fully depress the shutter release button, measured both as a time including auto focus and a time assuming you have already pre-focused by holding a half-press of the shutter release.
The table below shows the results of our continuous shooting test, indicating the actual frame rate along with maximum number of frames and how long you would have to wait after taking the maximum number of frames before you could take another shot. The media used for these tests was a 256 MB SanDisk Ultra CF card.
|Image Type||Frames per sec||Max no. of frames *1||
|2048 x 1536 Super-Fine JPEG||1.87 fps||7||1.4 secs|
|2048 x 1536 Fine JPEG||1.88 fps||12||1.6 secs|
|1600 x 1200 Fine JPEG||1.68 fps||19||1.2 secs|
|1024 x 768 Fine JPEG||2.02 fps||42||1.0 secs|
|*1||In a single "burst" (finger held down on shutter release)|
|*2||You can take a frame as soon as there is space in the cameras internal buffer (writing continues "in the background").|
This performance is highly favourable especially considering the A70's price, in the normal '2048 x 1536 Fine JPEG' mode the camera manages a fairly impressive 1.88 frames per second up to 12 frames. At 1600 x 1200 there's obviously a processing hit involved, hence the slower fps time, at 1024 x 768 (exactly half resolution) performance jumps back up again to 2.02 frames per second. Overall an excellent performance for this level of camera.
Timings shown below are the time taken for the camera to process and "flush" the image out to the CF card, the timer was started as soon as the shutter release was pressed and stopped when activity indicator LED beside the viewfinder stopped blinking. This means the timings also include the cameras processing time and as such are more representative of the actual time to "complete the task". The media used for these tests was a 256 MB SanDisk Ultra CF card.
on a *2
256 MB CF
|2048 x 1536 Super-Fine JPEG||2.8||1.4||1,400 KB||154|
|2048 x 1536 Fine JPEG||2.4||1.1||850 KB||276|
|1600 x 1200 Fine JPEG||2.2||0.8||530 KB||440|
|1024 x 768 Fine JPEG||2.0||0.6||250 KB||762|
|*1||All file sizes are an average of three files. As is the case with JPEG it's difficult to predict the size of an image because it will vary a fair amount depending on the content of the image (especially the amount of detail captured). For example, take a photograph of a fairly empty wall and you'll get a small JPEG, take a photograph of a bush with a lot of detail and you'll get a larger image. File sizes here are closer to the later, the larger size of file you should expect.|
Above average write speed for this level of camera, the time taken doesn't affect the next shot as writing continues in the background and the A70 has a good sized buffer.
This test is designed to measure the minimum amount of light under which the camera can still focus. The focus target is our lens distortion test chart (shown here on the right), camera is positioned exactly 2 m (6.6 ft) away.
Light levels are gradually dropped until the camera can no longer focus. This is carried out at both wide angle and telephoto zoom positions (as more light reaches the focusing systems with a larger aperture).
This test target is the optimum type of subject for most "contrast detect" AF systems (as it has a vertical line at its center), you should consider the results below the best you could expect to achieve.
|Lens position||Aperture||Lowest light focus|
|Wide angle (35 mm equiv.)||F2.8||1.4 EV (6.6 Lux, 0.61 foot-candle)|
|Telephoto (105 mm equiv.)||F4.8||1.8 EV (8.7 Lux, 0.81 foot-candle)|
Light intensity (Lux) = 2.5 x 2^EV (@ ISO 100), 10.76391 Lux = 1 foot-candle (fc)
The A70's rather weak 'orange bulb' AF assist lamp casts a very diffused light without very much range. This is reflected in low light AF performance which should have at least managed to focus at wide angle in complete darkness but instead required at least a dim ambient light to achieve AF lock. There are AF assist lamps and there are AF assist lamps, this is not the best.
We ran the camera through our new battery life test. This test is designed to be fair and comparative to each camera and battery type:
Batteries are fully discharged and recharged before the test and all cameras were reset to their factory default settings. Here are the results:
Compact / Ultra compact
|Battery||Power||Battery life||Number of shots|
|Kyocera S3||BP-800S||2.1 Wh||54 mins||95|
|Canon PowerShot S300||NB-1L||2.5 Wh||1 hr 26 mins||155|
|Pentax Optio 430||D-LI2||3.3 Wh||1 hr 33 mins||160|
|Olympus C-40Z||2 x AA NiMH 1600 mAh (GP)||3.6 Wh||1 hr 33 mins||165|
|Nikon Coolpix 3100||2 x AA NiMH 1600 mAh (GP)||3.6 Wh||1 hr 42 mins||175|
|Minolta DiMAGE F100||2 x AA NiMH 1600 mAh (GP)||3.3 Wh||1 hr 42 mins||175|
|Minolta DiMAGE X||NP-200||2.8 Wh||1 hr 45 mins||180|
|Pentax Optio 330||D-LI2||3.3 Wh||1 hr 48 mins||185|
|Canon PowerShot S330||NB-1LH||2.5 Wh||1 hr 48 mins||185|
|Sony DSC-P71||2 x AA NiMH 1600 mAh (GP)||3.6 Wh||1 hr 50 mins||185|
|Kodak DX4900||2 x AA NiMH 1600 mAh (GP)||3.5 Wh||1 hr 51 mins||190|
|Sony DSC-P5||NP-FC10||2.4 Wh||1 hr 51 mins||190|
|Nikon Coolpix 3500||EN-EL2||4.1 Wh||1 hr 54 mins||195|
|Sony DSC-P9||NP-FC10||2.4 Wh||1 hr 59 mins||200|
|Nikon Coolpix SQ||EN-EL2||3.7 Wh||2 hr 03 mins||210|
|Minolta DiMAGE Xt||NP-200||2.8 Wh||2 hr 12 mins||225|
|Canon PowerShot S400||NP-1LH||2.5 Wh||2 hr 17 mins||230|
|HP Photosmart 812||2 x AA NiMH 1600 mAh (GP)||3.6 Wh||2 hr 21 mins||240|
|Nikon Coolpix 885||EN-EL1||4.8 Wh||2 hr 21 mins||240|
|Nikon Coolpix 775||EN-EL1||4.8 Wh||2 hr 27 mins||250|
|Canon PowerShot SD100||NB-3L||2.9 Wh||2 hr 29 mins||250|
|Pentax Optio S||D-LI8||2.6 Wh||2 hr 33 mins||260|
|Nikon Coolpix 2500||EN-EL2||4.1 Wh||2 hr 33 mins||260|
|Fujifilm FinePix F601Z||NP-60||3.7 Wh||2 hr 47 mins||275|
|Casio EXILIM EX-Z3||NP-20||2.5 Wh||2 hr 48 mins||285|
|Casio EXILIM EX-S3||NP-20||2.5 Wh||2 hr 48 mins||285|
|Olympus C-50Z||LI-10B||4.0 Wh||2 hr 54 mins||295|
|HP Photosmart 935||2 x AA NiMH 1600 mAh (GP)||3.6 Wh||3 hr 09 mins||320|
|Canon PowerShot A70||4 x AA NiMH 1600 mAh (GP)||7.7 Wh||5 hr 08 mins||515|
|Other test notes:|
| LCD monitor is left on during
the battery test
The camera is powered off half of the time and left on half of the time (switch every 10 iterations)
There are now higher capacity AA NiMH batteries available, however in the interests of fair
comparison we will continue to use our 1600 mAh test set
Easily the most exhausting battery test we've carried out to date, the A70 kept going for just over five hours, and although not shown on this chart that's half an hour longer than its long lasting bigger brother the G5. A truly impressive performance on a set of four (moderate capacity) AA NiMH batteries. Kudos Canon.
When the Fujifilm X-T2 arrived, it was more than just a modest upgrade to the already impressive X-T1. While the new X-T3 hasn't changed the overall design of the camera, this model is way more than an upgrade; rather, it's a quantum leap.
The Movie Maker is a compact, motorized slider designed for phones, action cams and small mirrorless cameras. We think it's a fun little kit and a good value proposition for the cost, provided you can work around a few of its weak points.
Nikon's Z7 is the first camera to use the all-new Z-mount, the company's first new full-frame mount since 1959. We've put together our first impressions based on quality shooting time with a pre-production camera - check out what we've found.
What's the best camera for a parent? The best cameras for shooting kids and family must have fast autofocus, good low-light image quality and great video. In this buying guide we've rounded-up several great cameras for parents, and recommended the best.
What's the best camera for shooting landscapes? High resolution, weather-sealed bodies and wide dynamic range are all important. In this buying guide we've rounded-up several great cameras for shooting landscapes, and recommended the best.
What’s the best camera costing over $2000? The best high-end camera costing more than $2000 should have plenty of resolution, exceptional build quality, good 4K video capture and top-notch autofocus for advanced and professional users. In this buying guide we’ve rounded up all the current interchangeable lens cameras costing over $2000 and recommended the best.
|Abstract bokeh by Minas_Eye|
from Your City - Bokeh in the City (Rerun)
|Green Tree Frog by BruceRH|
|Custom Red Roadster by Mitchmeister|
from Car Shows 2018
Sigma took the wraps off five new lenses at Photokina this year, and we were there to see (and handle) them for ourselves. Click through for more information, and some early first impressions.
Ricoh has announced the development of a third model in its popular GR lineup: The forthcoming GR III will feature an updated sensor and redesigned lens. We're at Photokina, where we took a quick look earlier at an early sample, behind glass.
It's been a busy old day for news: it's not often you get promised three full-frame cameras by different brands and still have a debate about whether they're the most interesting announcements. To make sure you've not missed anything, we've condensed the day's news down into an easy-to-swallow, er, digest.
At Sony's press conference at Photokina the company announced that 12 more E-mount lenses will be arriving over the next two years. In addition, the company is working to utilize artificial intelligence in its technologies, with one application being Eye AF trained to detect animal eyes.
Sigma has said it will create a full-frame Foveon camera and will adopt the Leica L mount for its system. It will be able to adapt or convert SA mount lenses to the L mount, for existing users.
Hasselblad is expanding their X System with their announcement of three new lenses: the XCD 80mm F1.9, XCD 65mm F2.8 and XCD 135mm F2.8, along with a teleconverter. The 80mm F1.9 is the fastest in the system. Get all the details and check out Hasselblad's official sample images here.
Sigma has announced give new lenses at Photokina, including a 'Sport' series 70-200mm F2.8 and a 56mm F1.4 for Micro Four Thirds and Sony E mounts.
Sigma has announced the 28mm F1.4 Art, 40mm F1.4 Art, 70-200mm F2.8 Sport and 60-600mm F4.5-6.3 Sport lenses for several full frame lens mounts, including Canon, Nikon and, in the first two instances, Sony E.
ON1 has announced the impending launch of ON1 Photo RAW 2019. The new version, due out in November, brings a handful of new tools and features in a revamped interface.
Fujifilm has said it is developing a 100MP GFX medium format camera that will include both phase detection autofocus and in-body image stabilization. The 4K-capable camera will sell for around $10,000.
Leica has announced the S3 medium-format camera – an S2 successor with a 64MP sensor capable of 4K video.
The GFX 50R is a 50MP rangefinder-style mirrorless camera. It borrows heavily from the existing 50S model but in a smaller body and at a lower price. How does it differ?
Fujifilm has announced its GFX 50R, a rangefinder-styled version of the company's GFX 50S medium-format camera. The 'guts' of the two cameras are the same, with the difference being the design, weight and Bluetooth, all at a considerably lower price.
In this episode of DPReview TV, we get our hands on Fujifilm's GFX 50R which hides a medium-format sensor in a new, more compact body. Watch to get Chris and Jordan's first impressions on image quality, video and more.
Fujifilm is adding a trio of new medium-format lenses to its G-mount roadmap. GFX owners will soon be able to get their hands on 100-200mm F5.6, 45-100mm F4 and compact 50mm F3.5 lenses. Pricing and availability have not been announced.
Micro Four Thirds users will soon get a super fast, constant aperture wide angle zoom.
Panasonic has announced it is developing two full frame mirrorless cameras: the 47MP S1R and the 24MP S1. We've been shown fairly advanced-looking but non-functional prototype cameras, and have been able to squeeze a few details from Panasonic.
Panasonic is developing a pair of full-frame mirrorless cameras that use Leica's L-mount. The S1R will feature a 47MP sensor, while the S1 will be 24MP. Both cameras will support Dual IS shake reduction 4K/60p video capture and will have XQD and SD card slots.
Leica, Panasonic and Sigma are teaming up. Expect L-mount cameras from Panasonic as well as L-mount glass from Sigma.
Ricoh has announced the development of the GR III enthusiast compact, due to ship in early 2019. The camera gains sensor-shift image stabilization and an updated 24MP sensor with phase-detection. The 28mm equivalent F2.8 lens has also been redesigned and a touchscreen added.
The 'I'm Back' is now available for a range of old film-SLRs, such as Nikon's F-Series, the Olympus OM10 or the Canon AE-1.
IRIX has announced its latest lens, the 150mm F2.8 Macro 1:1. IRIX claims the lens features 'close to zero' distortion and stands out with its 150mm telephoto focal length.
The RF 24-105mm F4L IS USM is one of four lenses to launch with Canon's new full-frame mirrorless system, and it boasts the longest reach of the range. Take a look at some of the samples we've gathered thus far as our EOS R testing continues.
Nikon's Sendai factory in the Tōhoku region North of Japan has been churning out cameras and lenses since 1971. We had the opportunity recently to visit Sendai during events to mark the launch of Nikon's new Z mount.
There's no mistaking the Nikon Coolpix P1000 – with a 24-3000mm equivalent zoom, it really is in a class of its own. It's a conspicuous-looking superzoom with one main job: getting you really close to far away subjects. We've put together a gallery showing the kind of results you can expect from it.
A new report from The Verge claims Instagram is currently testing a feature that allows users to re-share posts to their own account feeds.
GoPro has announced its HERO7 camera lineup. The updated action cameras feature new HyperSmooth and TimeWarp modes, as well as improved video and photo specs.
The latest Samsung midrange smartphone offers a super-wide-angle lens in its triple-camera setup.
The Sony 24mm F1.4 is the latest lens to join the company's premium G Master lineup. We've been shooting with one for a couple of days - here's what you need to know.
Apple released iOS 12 a few days ago and some iPhone X users are less than happy with how the new operating system has made their phones look.