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The Everyday Sling might just be the perfect pack for not carrying too much gear, combining comfort with Peak Design's signature modern style.
The greatest Rebel yet. That's a phrase we mutter about once a year. This time, we really mean it, and by a factor of two. The Canon EOS Rebel T6s, as well as its companion, the T6i (known as the 760D and 750D outside of the US) both feature a new 24.2MP APS-C CMOS sensor (up from 18MP on the T5i / 700D) coupled with a new 7560 pixel RGB + IR metering sensor for more accurate metering. Although both cameras are very simiar there are also distinct differences, so each will get its own review. You can read about the T6i here.
Canon's new Hybrid CMOS AF III uses sensor-based phase detection points for increased focus speed and accuracy in live view. It also permits for Servo AF in live view, which lets you track moving subjects when shooting in live view. Canon claims that the performance of Hybrid CMOS III should be close to that of Dual Pixel AF (found in the EOS 70D and 7D II).
With the mirror down, the Rebels T6s uses the same 19-point phase detection AF as the 70D, which represents a vast improvement over the 9-point AF system in the T5i. The ISO range remains the same as its predecessor, 100-12800, expandable up to 25600.
Other advancements come in the form of built-in Wi-Fi with NFC - a first in the EOS DSLRs range - and Flicker detection, first seen in the Canon EOS 7D Mark II, which also makes its way into both models.
The camera also retains several features from the Rebel T5i, including a fully articulating 3" touchscreen LCD, 5 fps continuous shooting, and 1080/30p video.
While the T6s shares many core features with the T6i, the user experience on the T6s/760D is aimed toward more advanced users. The T6s will cost $100/£50/€60 more than the T6i, and offer users a nice list of features to make that extra money spent worth it. These include a a top LCD screen - the first on any Rebel - a Quick Control dial on the back, and an eye sensor to shut off the LCD panel when you're shooting with the viewfinder. The T6s also offers Servo AF in Live View which allows for continuous AF in burst mode. The final advantage is the T6s' ability to record HDR movies in real time, a potentially nifty feature for budding film makers.
Before we get to those differences in detail, let's see how the the T6s compares with the T6i, as well as the Rebel T5i (700D) that is now the low-end model in Canon's DSLR lineup.
100 - 12800 (expandable to 25600)
Hybrid CMOS AF
Hybrid CMOS AF III
7560 pixel RGB+IR
|Info screen on top plate||
|Quick control dial||
|Servo AF in live view||
Yes (with NFC)
Probably the biggest difference between the T6s and the T5i is the sensor. It's no secret that Canon has been using the same (or very similar) 18 Megapixel sensor since the Rebel T2i (EOS 550D). The new 24.2MP sensor catches up with the latest DSLRs from Nikon, Pentax, and Sony.
The other major addition is Wi-Fi with 'active' NFC. If you're using an NFC-equipped phone (iPhone 6's don't count) then you can tap it against the camera to pair. If you don't, it's not terribly difficult. Once that's done you can remotely control the camera from your phone, transfer photos, and then share them with friends and family. If you set up Canon's Image Gateway service you can choose where photos go (and add comments) right on the camera.
|The T6s (right) offers several things over the T6i, including an LCD info display, locking mode dial, and quick control dial (not pictured).|
The Rebel T6s (760D) is priced at $849/£649/€859 body only and $1199 bundled with an 18-135mm STM lens.
Available accessories include a battery grip (BG-E18), numerous viewfinder knick-knacks, and wired and wireless remotes. Both cameras will be available in April.
Canon's EOS Rebel T6s (760D) is easily the most advanced model yet to enter the company's beginner-friendly DSLR lineup. It offers a new 24.2MP sensor and improved AF and metering systems compared to its predecessor. Its top plate LCD display, quick control dial and continuous AF in live view elevate it above its near-twin, the T6i, while Wi-Fi/NFC round out a solid set of features. We put its improvements to the test in our lab and in the real world. Read review
Canon's external GPS receiver GP-E2 gets an update today to firmware 2.0, adding support for the Canon EOS Rebel T6s/T6i (760D/750D) and EOS 5DS/5DS R. The firmware update also fixes a couple of bugs related to the signal acquisition indicator light and the unit's built-in memory. Read more
We've finished putting the Canon EOS Rebel T6s and T6i (760D and 750D) through our battery of image quality tests, and have updated our First Impressions Review with these results, along with explanations of what you might expect out of Canon's latest 24.2MP APS-C sensors. Curious about their dynamic range? Read our updated First Impressions to learn more
We'd expect image quality from Canon's EOS Rebel T6s and T6i (760D and 750D) to be very similar, and so far the 24.2MP APS-C DSLRs haven't surprised us in our studio tests. The real differences between these two models is in the user experience, as the T6s provides advanced touches like a top-panel LCD and rear quick control dial for easier access to exposure settings. We delve into what it's like using each of these cameras in our shooting experience. Read more
The Canon EOS Rebel T6s and T6i (760D and 750D) have been in our hands long enough to put together a couple of real-world sample galleries, and now we've added the cameras to our studio test scene comparison tool. The new 24.2MP APS-C CMOS sensor that these cameras share represents a step forward for Canon's Rebel lineup, which had been using an 18MP chip since the T2i. Read more
When the Fujifilm X-T2 arrived, it was more than just a modest upgrade to the already impressive X-T1. While the new X-T3 hasn't changed the overall design of the camera, this model is way more than an upgrade; rather, it's a quantum leap.
The Movie Maker is a compact, motorized slider designed for phones, action cams and small mirrorless cameras. We think it's a fun little kit and a good value proposition for the cost, provided you can work around a few of its weak points.
Nikon's Z7 is the first camera to use the all-new Z-mount, the company's first new full-frame mount since 1959. We've put together our first impressions based on quality shooting time with a pre-production camera - check out what we've found.
What's the best camera for a parent? The best cameras for shooting kids and family must have fast autofocus, good low-light image quality and great video. In this buying guide we've rounded-up several great cameras for parents, and recommended the best.
What's the best camera for shooting landscapes? High resolution, weather-sealed bodies and wide dynamic range are all important. In this buying guide we've rounded-up several great cameras for shooting landscapes, and recommended the best.
What’s the best camera costing over $2000? The best high-end camera costing more than $2000 should have plenty of resolution, exceptional build quality, good 4K video capture and top-notch autofocus for advanced and professional users. In this buying guide we’ve rounded up all the current interchangeable lens cameras costing over $2000 and recommended the best.
|Llyod's Building Elevators by Jonathan Shapiro|
from Your City - Elevators
|Fire Lake by bbadgett|
|Tail Fins...1961 Cadillac Sedan DeVille by J Warren|
from Car Shows 2018
Nikon will cease offering Brazil-based customer service and technical support, though the company stresses that it will still offer technical assistance and warranty repairs for valid warranties.
Two years ago, CatLABS of JP announced a plan to save Packfilm from the dead. Now, it's announced it's giving up its efforts to better focus its resources elsewhere.
The GoPro Fusion is designed to make it easy to capture 360-degree video and stills. We took it out recently on a typically hot Seattle summer day to see what it can do.
We've got our hands on a full-production Nikon Z7 camera and have updated our gallery with additional samples.
A new Kickstarter campaign seeks funding for Chroma Chrono, a programmable RGB camera flash that emits multiple colors during long exposures.
Think Tank Photo has launched a new lineup of six dual-access, water-resistant protective lens cases it calls Lens Case Duo.
Canon and Nikon finally entered the full-frame mirrorless market this summer with the brand-new RF and Z mounts. Now that we've had some time with the cameras, we wanted to revisit our earlier predictions and take stock.
The devices' camera specs look pretty much identical to last year's iPhone X but under the hood a number of important improvements have been made.
Blackmagic Design has announced the public beta of its new Blackmagic RAW video codec. The company says the new format combines the benefits of shooting Raw video with the ease of use and smaller file sizes usually associated with non-Raw video files.
Serif, the company behind the Affinity suite, has announced the latest update for its mobile Photoshop competitor Affinity Photo for iPad.
The Atomos Ninja V external video recorder and monitor will be ready to ship at the end of this month. The 5.2in Ninja V is designed to provide a smaller option, while still offering many of the features of the larger 7-inch models.
Having shot with the camera, spoken to Canon and read the tea leaves, here's what DPR Technical Editor Richard Butler thinks the EOS R tells us about Canon and the RF's mount's future.
After last week's teaser, lighting manufacturer Profoto has announced its 'small big' new product. The B10 is designed to be used as studio flash head but in a very small body, and has a powerful continuous light source for videographers as well.
Konseen has launched Photo Studio, a new light box tent large enough to photograph people, as well as objects.
Seagate has introduced new high-capacity hard drives for Network Attached Storage (NAS) devices: the 14TB IronWolf and 14TB IronWolf Pro HDDs.
The case was first announced earlier this year as a Kickstarter campaign and comes with a range of features aimed at iPhone photographers.
Manfrotto has introduced a new two-in-one tripod to its Befree lineup. Called the Befree 2N1, this new addition is both a tripod and monopod in one and is available with both of Manfrotto's locking mechanisms.
This new high dynamic range editing software comes with an AI-powered Quantum HDR Engine for improved photo merging.
Apple has unveiled the next generation of its iPhone X in the form of three variants: the 5.8" iPhone XS and 6.5" iPhone XS Max with OLED screens, and the 6.1" iPhone XR with an LCD and single rear camera.
Ahead of the launch of the CamRanger II the company has announced a mini version of its wireless remote control system that it says has a longer range than the original in a body half the size.
Lens manufacturer Sigma has announced a trio of fast cinema lenses for full-frame camera systems, that it says will also be available in the future in the LPL mount for Arri’s large format camera system.
LumaPod is a a new tripod being funded on Kickstarter that takes just four seconds to set up and uses patented tension technology to keep your shots steady in a compact design.
X-Rite ColorChecker Video XL is an oversized color target for wide-angle, long distance, and aerial shooting.
ExperimentalOptics has launched a Kickstarter campaign to fund its second lens design, a 35mm F2.7 lens it claims is the world's 'smallest fastest pancake lens.'
The new XF 8-16mm F2.8 R LM WR and XF 200mm F2 R LM OIS WR are aimed at enthusiasts and professionals, and add considerable versatility to Fujifilm's growing XF lens lineup. We've been taking a look.
The Getty family is working to regain control of stock photo agency Getty Images, according to multiple reports published late last week.
The Phoneslinger line, a modular bag system for mobile photographers, has been launched on the Indiegogo crowdfunding platform.
CamRanger has announced the impending arrival of its CamRanger 2 wireless tethering and trigger system, complete with redesigned apps, updated wireless features, and support for select Sony and Fujifilm systems.
As well as high-resolution stills, the new Nikon Z7 also shoots 4K video and 120p HD video. We recently spent two days with director Chris Hershman, shooting a music video on the Z7 for pop artist Emily Blue.