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The Everyday Sling might just be the perfect pack for not carrying too much gear, combining comfort with Peak Design's signature modern style.
During the early days of digital SLRs, Canon was pretty much the undisputed leader in CMOS image sensor technology. Almost every new EOS model came with an increase in resolution and high ISO range, and when the EOS 7D appeared in late 2009, the company had progressed from 3MP to 18MP, and ISO 1600 to ISO 12800, in just over nine years. But since then Canon's APS-C cameras have all sported variants on the same basic sensor design, to the extent that you could be forgiven for wondering what on earth their engineers were doing all day. Now we know.
The EOS 70D is a mid-range SLR for enthusiast photographers that from the outside looks like a sensible, indeed desirable upgrade to the EOS 60D. It borrows many of the best bits from Canon's existing SLRs, including the autofocus sensor from the EOS 7D, the fully articulated touchscreen from the EOS 700D (Rebel T5i), and built-in Wi-Fi from the EOS 6D. But on the inside it sports an entirely new sensor that is, potentially, revolutionary. It offers 20.2MP resolution, but uses a 'Dual Pixel CMOS AF' design in which every single pixel is split into two separately-readable photodiodes, facing left and right. This means that in principle they are all capable of phase detection autofocus in live view and movie mode.
On-chip phase detection is nothing new - we first saw it in the Fujifilm F300EXR back in 2010. Since then it's been adopted in one form or another by most manufacturers, with arguably its most successful implementation coming in Nikon's 1 System mirrorless models. But because until now it's used relatively few active pixels scattered sparsely across the sensor, it's had practical limitations, often only covering a restricted area of the frame and struggling once the light drops below outdoor daylight levels. Canon says that its Dual Pixel AF system, in contrast, works across an area 80% of the frame width and height, in light levels as low as 0 EV, and at apertures down to F11. This means it could well be the most capable live view autofocus system we've yet seen on any type of camera.
We'll look at the technology behind the EOS 70D's live view AF in more detail later, but let's not forget that it has to work as a conventional SLR too. To this end it uses the same 19-point AF sensor as the EOS 7D for viewfinder shooting, but with slightly simplified control options in firmware. It can rattle shots off at 7fps for up to 65 frames in JPEG or 16 in Raw, and its standard ISO range covers 100-12800, with ISO 25600 as an expanded option. Image processing is via the DIGIC 5+ processor first seen in the EOS 5D Mark III.
In terms of control layout the EOS 70D is a logical evolution of the EOS 60D, adopting many of Canon's intervening updates and improvements. So it offers a full set of external controls to operate most key functions, and Canon's well-designed Quick Control screen to cover pretty much everything else. It also adopts the superb touchscreen interface that debuted on the EOS 650D (Rebel T4i), which we've found to be more useful than you might at first think. The 70D also regains an array of features that disappeared between the EOS 50D and 60D, such as AF microadjustment.
In the table below we see how some of the EOS 70D's key specs measure up against its more expensive big brother, the EOS 7D, and its main rival, the Nikon D7100. What's interesting here is just how close the 70D is to the 7D in terms of spec - in much the same way as Nikon's D7000 made the D300S look almost redundant, it's quite difficult to see why most Canon users would now choose the top-end APS-C model.
Canon EOS 70D
Canon EOS 7D
|Effective Pixels||• 20.2 MP||• 18.0 MP||• 24.1 MP|
|ISO Range|| • 100-12800 standard
• 25600 expanded
| • 100-6400 standard
• 12800 expanded
| • 100-6400 standard
• 50-25600 expanded
|No of AF points||• 19||• 19||• 51|
|AF in live view||• Phase detection||• Contrast detection||• Contrast detection|
|Screen|| • 3.0" 3:2
• 1,040,000 dots
• Touch sensitive
| • 3.0" 4:3
• 920,000 dots
| • 3.2" 4:3
• 1,228,800 dots
|Viewfinder|| • 98% coverage
• 0.95x magnification
| • 100% coverage
• 1.0x magnification
| • 100% coverage
• 0.94x magnification
|Continuous drive||• 7 fps||• 8 fps||• 6 fps|
|Storage||• SD/SDHC/SDXC||• Compact flash|| • SD/SDHC/SDXC
• 2 slots
|• 755g (1.7 lb)||• 860g (1.9 lb)||• 765g (1.7 lb)|
|Dimensions|| • 139 x 104 x 79 mm
(5.5 x 4.1 x 3.1")
| • 148 x 111 x 74 mm
(5.8 x 4.4 x 2.9")
| • 136 x 107 x 76 mm
(5.4 x 4.2 x 3.0")
|Wi-Fi||• Built-in||• Optional||• Optional|
The EOS 70D directly replaces the EOS 60D in Canon's range, and is very similar in terms of size and design. It's a bit smaller though, and has a sensibly-updated control layout. Here we take a more-detailed look at the two cameras side-by-side.
|From the front the EOS 70D looks almost identical to the 60D. But it's slimmed down a bit, being fractionally narrower. Look a little closer and you can also see that the 60D's front-facing mono microphone has gone (replaced by stereo mics on the top plate).|
|The two cameras are pretty similar from the back too, with the 70D retaining the same basic layout. It gains Canon's improved live view/movie mode controller, and has a physical switch to lock the rear dial against accidental operation rather than a button. Other than that it uses all the same buttons, just not necessarily in the same order.|
|From the top, again the 70D is very much a sensible evolution. The mode dial is simplified and now rotates continuously rather than having hard end stops, and there's a new AF area expansion button next to the shutter release. But the rest of the controls are all essentially the same.|
The EOS 70D will be sold body-only for £1079 / $1199 / €1099, as a kit with the EF-S 18-55mm f/3.5-5.6 IS STM for £1199.99 / $1340 / €1249, or with the EF-S 18-135mm f/3.5-5.6 IS STM lens for £1399.99 $1549 / €1499. The BG-E14 battery grip will cost £229.99 / $270 / €215.
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Born and raised in New Zealand, DPR reader Sarnim Dean has been surrounded his whole life by wildlife and landscapes many of us only dream of visiting. He explores the country on his mountain bike and with his camera. Take a look at some of his images and find out more about him in our Q&A. See gallery
A team of five photographers has created what they describe as the world's highest resolution panoramic photograph by stitching 70,000 digital images together to create a 365 gigapixel photograph. Recorded using a Canon EOS 70D with the EF 400mm f/2.8L IS II USM lens on a 2x converter, the picture took 35 hours of shooting over the course of 15 days just to capture. Read more
Recently, editor Barnaby Britton had the opportunity to interview senior figures at Canon Inc. on two occasions, in Japan. The first meetings were held in late 2013 at Canon's headquarters in Tokyo, and a follow-up interview was arranged at the recent CP+ show in Yokohama. Topics covered include the future of Canon's mirrorless system, how Canon is innovating in its DSLRs and what 4K video means for photographers. Click through for the full interview.
Canon has a large stand at this year's CP+ show in Yokohama, Japan, showcasing its current range of DSLRs, compact cameras and Cinema EOS video lineup. We're at the show, and stopped by earlier today for a look at what's on offer. Click through for our stand report, which we'll be updating over the next couple of days.
When the Fujifilm X-T2 arrived, it was more than just a modest upgrade to the already impressive X-T1. While the new X-T3 hasn't changed the overall design of the camera, this model is way more than an upgrade; rather, it's a quantum leap.
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Nikon's Z7 is the first camera to use the all-new Z-mount, the company's first new full-frame mount since 1959. We've put together our first impressions based on quality shooting time with a pre-production camera - check out what we've found.
What's the best camera for a parent? The best cameras for shooting kids and family must have fast autofocus, good low-light image quality and great video. In this buying guide we've rounded-up several great cameras for parents, and recommended the best.
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|My Garden by Mitchmeister|
from The Secret Garden
|Crowded Skies by Rushlin|
from Seven types of aircraft - lighter than air
Sigma has said it will create a full-frame Foveon camera and will adopt the Leica L mount for its system. It will be able to adapt and convert SA mount lenses to the L mount, for existing users.
Hasselblad is expanding their X System with their announcement of three new lenses: the XCD 80mm F1.9, XCD 65mm F2.8 and XCD 135mm F2.8, along with a teleconverter. The 80mm F1.9 is the fastest in the system. Get all the details and check out Hasselblad's official sample images here.
Sigma has announced the 56mm F1.4 DC DN lens for Micro Four Thirds and Sony E mounts. The compact 56mm lens becomes the sixth DN lens for mirrorless cameras and will make a handy portrait lens on both systems.
Sigma has announced the 28mm F1.4 Art, 40mm F1.4 Art, 70-200mm F2.8 Sport and 60-600mm F4.5-6.3 Sport lenses for several full frame lens mounts, including Canon, Nikon and, in the first two instances, Sony E.
ON1 has announced the impending launch of ON1 Photo RAW 2019. The new version, due out in November, brings a handful of new tools and features in a revamped interface.
Fujifilm has said it is developing a 100MP GFX medium format camera that will include both phase detection autofocus and in-body image stabilization. The 4K-capable camera will sell for around $10,000.
Leica has announced the S3 medium-format camera – an S2 successor with a 64MP sensor capable of 4K video.
The GFX 50R is a 50MP rangefinder-style mirrorless camera. It borrows heavily from the existing 50S model but in a smaller body and at a lower price. How does it differ?
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Micro Four Thirds users will soon get a super fast, constant aperture wide angle zoom.
Panasonic has announced it is developing two full frame mirrorless cameras: the 47MP S1R and the 24MP S1. We've been shown fairly advanced-looking but non-functional prototype cameras, and have been able to squeeze a few details from Panasonic.
Panasonic is developing a pair of full-frame mirrorless cameras that use Leica's L-mount. The S1R will feature a 47MP sensor, while the S1 will be 24MP. Both cameras will support Dual IS shake reduction 4K/60p video capture and will have XQD and SD card slots.
Leica, Panasonic and Sigma are teaming up. Expect L-mount cameras from Panasonic as well as L-mount glass from Sigma.
Ricoh has announced the development of the GR III enthusiast compact, due to ship in early 2019. The camera gains sensor-shift image stabilization and an updated 24MP sensor with phase-detection. The 28mm equivalent F2.8 lens has also been redesigned and a touchscreen added.
The 'I'm Back' is now available for a range of old film-SLRs, such as Nikon's F-Series, the Olympus OM10 or the Canon AE-1.
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Canon has announced its latest superzoom camera, the PowerShot SX70 HS. Compared to the SX60 that came before it, the SX70 has the same lens but offers a higher resolution EVF, 4K video capture and support for Canon's new CR3 Raw format.
Cosina has announced its eighth lens designed specifically for Sony's E-mount system. The Voigtlander 21mm F3.5 lens is due out October 2018.
Sony has taken the wraps off of its new 24mm F1.4 GM full-frame lens, which the company claims is the lightest in its class. Despite its fast aperture, the 24mm F1.4 is remarkably light, weighing just 445 grams (15.7 ounces). The lens will set you back $1400 when it ships next month.