Canon EOS 700D/Rebel T5i In-Depth Review
Conclusion - Pros
- Comprehensive touchscreen interface that is intuitive and efficient
- High image quality with good balance between detail and noise reduction in JPEG output
- Good subject tracking AF in viewfinder shooting mode (compared to mirrorless competition)
- 5 fps with ample buffering in JPEG-only mode
- Very responsive operation, with menu access available even when buffer is full
- Good-looking video output with manual exposure and audio controls
- Built-in lens correction for vignetting and CA
- Effective HDR, lowlight and noise reduction multi-exposure modes
- Wireless strobe triggering via built-in flash
- Eye sensor to toggle LCD on and off
- Built-in stereo mics
- External microphone socket
- Updated LCD screen minimizes fingerprint smudges from touchscreen use
- High quality raw converter in software bundle
Conclusion - Cons
- Slow 'hybrid AF' performance in live view and video modes (compared to mirrorless competition)
- Slightly higher noise levels than its peers
- Default dynamic range lags a bit behind its peers
- Using flash with Auto ISO enabled results in ISO 400 even in bright light conditions
- Cannot configure common live view and movie mode options independently
- AF illuminator integrated into flash (must have flash engaged to use it)
- Shorter battery life than other DSLRs in its class
The entry-level DSLR market is under continual pressure from large sensor mirrorless models, the best of which offer equivalent image quality in a smaller package. And for many novices with smartphone experience, the ability to easily capture video, as well as manipulate a device via a touchscreen may resonate just as much as more traditional photographic requirements. Canon's challenge with the EOS 700D / Rebel T5i, then is to offer the traditional features of a DSLR with an interface that is intuitive for first-time owners.
The EOS 700D retains a good chunk of what we found compelling about its 'true' predecessor, the EOS 600D. Very good image quality from an 18MP CMOS sensor, sensible handling and a wealth of external controls for those who are ready to do more than simply point and shoot all adds up to a very capable little SLR.
What Canon added, however, in the 650D and which is carried over into the 700D is a stunningly good touchscreen interface and a more direct method of activating movie mode. This may not sound like much, but Canon's well-designed and thoroughly-integrated interface means that the EOS 700D into a camera that is actually fun to operate, something we don't often say about DSLRs at this level. Throw in a shooting rate of 5 fps, in-camera lens corrections, multi-shot noise reduction, stereo microphones and a maximum ISO sensitivity of 25600, and you have a camera that holds strong appeal for both novice and more seasoned DSLR users.
Our biggest disappointment, however, lies in the camera's 'hybrid' AF performance in live view and video modes. Make no mistake, this is an improvement over the EOS 600D, with the 700D focusing nearly twice as fast in well-lit conditions. And the arrival of an 18-55mm STM kit lens provides an upgrade in video performance over the non-STM kit lens offered with the EOS 650D. Yet its AF speed it is still far behind the better mirrorless models we have seen from the likes of Panasonic and Olympus as well as rival Nikon's 1 series.
The EOD 700D carries on the tradition of high image quality from previous Rebel series cameras. Generally pleasing white balance is matched with well-judged exposures (in all but more extreme backlit situations) to deliver natural looking images with contrast that provides enough 'punch' to give pleasing results without going overboard. In-camera JPEGs display a pleasing balance between image detail and noise suppression at all but perhaps the highest ISO settings, although more advanced users will reap even greater image quality by processing Raw images, whether in Canon's fully-featured Digital Photo Professional software or in a third party offering.
The highlight dynamic range of the 700D lags a bit behind many of its peers, though this can be mitigated by enabling Canon's highlight Tone Priority (HTP) settings. Unfortunately, as on previous models, Canon buries this useful feature in the custom menu, where uninitiated users might never find it.
Video quality is very good. The camera's 1920 x 1080 30p output offers pleasing colors and contrast supported by a metering system that works well in a range of lighting conditions. The ability to manually control exposure as well as sound levels, along with the inherent benefits of shallow depth of field you get with an APS-C sensor, provides many creative opportunities for the budding filmmaker. While we still wish for significantly faster video AF performance, the bundled 18-55mm STM lens provides an additional and welcome option for quiet autofocus performance.
The form factor and external control layout of the EOS 700D has changed very little from that of the EOS 600D. And this counts as a positive. We found little fault with the earlier camera's handling and operation. Any owner of a previous Rebel series model will feel right at home with the 700D.
Shifting movie mode from the mode dial to a position on the power switch is a seemingly minor change, but one that actually makes it far easier to toggle between stills and video shooting and to enable manual exposure control in movie mode.
The biggest plus point where handling and operation are concerned is undoubtedly Canon's use of a touchscreen interface. Canon clearly put a lot of thought into its implementation, and the EOS 700D sports a comprehensive and intuitive touchscreen interface that we'd love to see implemented by its rivals.
Equally as impressive is the fact that you are not forced to use one mode of operation over the other. In adding touchscreen control Canon has taken nothing away from the operational experience of using the external dials and buttons. The camera's eye sensor ensures that you don't accidently activate the screen while looking through the viewfinder. You can ignore - and even completely disable - touchscreen control and operate the 700D via its external controls, exactly as you would any of its predecessors. Or you can use the touchscreen in combination with the 4-way controller and main dial, which for some operations yields the most efficient results.
Taken as a whole, this is a level of efficiency and integration that surpasses anything we've seen from other camera makers. Other than a minor complaint about menu tabs being a bit difficult to accurately press, we have nothing but praise for such a well-thought out design and successfully executed implementation.
The Final Word
With the EOS 700D, Canon continues its tradition of very good image quality for both stills and video shooting and provides a well-executed touchscreen implementation that makes this one of the more enjoyable to use novice-oriented DSLRs on the market.
Where the camera falters, unfortunately, is with AF performance in live view. Canon's 'hybrid' AF system, while a step forward compared to contrast detect attempts of a couple of years ago, is still a long way from what we've seen in other mirrorless models, and from our experience of Sony's SLTs. And while we applaud Canon for attempting continuous AF in movie mode, it too is prone to more focus errors than we'd have liked to see.
For users moving up from compact cameras, the 700D offers a very significant increase in image quality and a comfortable to hold camera wrapped in an interface that accommodates both touchscreen and external control operation. A 5fps shooting speed makes it a useful option for those who want to capture recreational sports or fast action. And for those ready to take more direct control over the imaging process, manual exposure controls (for stills and video), combined with a bundled feature-rich raw converter provide the ability to get the most from your images.
Such solid imaging performance and easy-to-manipulate shooting settings garner the EOS 700D our silver award, with disappointingly slow live view AF performance holding it back from earning our highest honor And in case you hadn't guessed - no, owners of the EOS 650D / Rebel T4i need not consider upgrading.
Scoring is relative only to the other cameras in the same category.
Click here to learn about the changes to our scoring system and what these numbers mean.
Canon EOS 700D (EOS Rebel T5i / EOS Kiss X7i)
Category: Mid Range Interchangeable Lens Camera / DSLR
Ergonomics & handling
Metering & focus accuracy
Image quality (raw)
Image quality (jpeg)
Low light / high ISO performance
Viewfinder / screen rating
Movie / video mode
The Canon EOS 700D / Rebel T5i is an upgrade to the 650D almost in name only, but still combines very good image quality with a comprehensive, well-designed touchscreen interface. AF performance in live view mode and video is an improvement over early Rebel DSLRs, but still lags behind mirrorless options.
- Nikon D5200 review
- Canon AF performance article (Roger Cicala)
- Canon EOS M preview
- Panasonic Lumix DMC-G5 preview
- Pentax K-30 review
- Olympus E-M5 review
- Sony SLT-A65 review
|Devil Rock (Stuttgart, Germany) by cornissimo|
from Neon Signs
|Carla... by lickity split|
from Beautiful caucasian female faces
|Lunar New Year Fireworks by Michael L NYC 99|
|Vatican Basilica by wam7|
from Street lights
DPReview staffer Carey Rose has taken the Panasonic Leica DG 15mm F1.7 along for everything from a city-side boat ride to a bachelor party across the mountains. Find out how the little Leica fared.
Canon just unveiled the largest 12-ink printer on the market. The new imagePROGRAF PRO-6000 printer can make prints from 17 all the way up to 60 inches wide.
"Standing in one of the holiest places on earth, I felt uneasy," writes Wired's Jason Parham. "Most of my fellow visitors, I realized with a brief bloom of nausea, were taking selfies."
Christopher Nolan's Dunkirk has been receiving great reviews, but it's a challenge to see it in its full glory. This handy infographic reveals the aspect ratio chaos that is wrought as the industry retreats from film.
Anti-bullying organization Ditch the Label's Annual Bullying Survey 2017 reveals yet again that Instagram, more so than any other social network, has a the worst effect on youth mental health.
It's been a crazy day for innovative patent news. Apparently Sony is thinking of developing a medium format curved sensor camera.
An update to the Silkypix Raw converter fixes some bugs and adds support for several popular new cameras.
This crazy custom-built underwater camera shoots 8x10 large format film. It's supposedly "the first successful underwater 8x10 ever made," and it can be yours for $5,800... plus shipping.
Blackmagic just reveled a new accessory for their Cintel Film Scanner. The Cintel Audio and KeyKode Reader can capture KeyKode data and high-quality audio from film in real-time as it is being scanned.
A new Nikon patent shows a lens designed for a curved full-frame sensor. Could this be the high-end Nikon mirrorless camera people are hoping for?
The ability to shoot images at 1,000 fps first appeared in a Sony smartphone sensor. Now the Japanese manufacturer is using the same feature for industrial applications.
Astronomy expert and photographer Dr. Tyler Nordgren thinks you should "see your first eclipse, photograph your second." But if you do plan on taking photos this August, here are a few tips from someone who's been there.
How confident are you that you can spot a manipulated photo? A recent study at the University of Warwick shows that many people are pretty bad at it.
If you purchased a Leica TL2, do NOT attach Leica's Visoflex electronic viewfinder. Leica is working on a fix, but for now, it's possible the viewfinder will break your camera.
Google just released Motion Stills for Android. Unlike the iOS version, the Android app uses a redesigned video processing pipeline that processes each frame of a video as it is being recorded, creating instant results.
A huge copyright lawsuit between photography firm VHT and Zillow Group is heating up again, as both sides appeal a court ruling that granted VHT $4 million in damages.
European Space Agency astronaut Thomas Pesquet spent 6 months on board the International Space Station where he worked with Google capturing spheric panorama images that are now available in Street View.
It's official. PDN has confirmed with parent company Aurelius that 94-year-old lighting company Bowens is indeed going out of business.
The newly launched firmware version 1.06 fixes AF-issues that can occur with some lenses that are not officially compatible with the MC-11 converter.
Voyager is a waterproof smart light stick you can control entirely from your phone. The light has already blown past its $300K funding goal on Indiegogo.
2018 is the last year Photokina will take place during the traditional end-of-September dates. In 2019, Photokina will take place from the 8th to the 11th of May.
The Canon IXUS 50 (known as the SD400 Digital ELPH in North America) was one of a string of high-performing, pocketable PowerShots of the mid-2000s. In this week's throwback Thursday, Barney casts his mind back to 2005.
A close look at the EOS 6D II's Raw files suggest its dynamic range has taken a significant step backwards compared with the company's recent DSLRs. We look at how much difference this might make for your photos.
With a full-production review unit in our hands, we've got over 100 production samples from the new Canon EOS 6D Mark II to share.
Need a break from your day? Kick back and watch the making of a somewhat unconventional mojito filmed on Canon's new EOS 6D Mark II.
The Bonfoton Camera Obscura Room Lens can turn any room into a camera obscura, projecting the view from your window onto the walls of your room.
Adobe just released version 2015.12 of Lightroom CC, adding support for several new cameras and lenses, and baking in several important bug fixes while they were at it.
In this interview, Chiara Marinai, photo editor for VanityFair.com, explains exactly what she looks for in new photographers and photo submissions. Take notes.
Massive corporation P&G is being sued by a Cincinnati photographer for serious copyright violations. If the courts rules against P&G, the company could pay as much as $75 million in damages.
Snapchat's camera-equipped 'Spectacles' aren't so difficult to get anymore. You can now pick up a pair through Amazon for $130.