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We reviewed three of the more popular 'pocket printers,' the Canon Ivy, Fujifilm Instax Share and Polaroid ZIP. Here's the one we recommend...
Less than a week after arch-rival Nikon grabbed headlines with the D600, Canon responded with an announcement of its own price-conscious full frame DSLR, the EOS 6D. And just like that, a new market segment was born: the mid-range full frame DSLR. It was only a decade ago that full frame DSLR performance was limited to those with pockets deep enough to spend $7999 on the 11MP Canon EOS 1Ds. And while the barrier to entry has dropped considerably since then, for many potential buyers, the most-talked about feature of the EOS 6D may well be its price. It debuts at $1400 less than the company's standout EOS 5D Mark III.
As the full frame DSLR market grows ever-more crowded though - Canon, Nikon and Sony each offer at least two full frame models - the appeal of the 6D may well rest on things like handling and feature set. While Canon obviously needs to maintain clear distinctions between the 6D and the pricier 5D Mark III, the challenge is to offer enough incentive for current EOS owners who lack a substantial lens investment to resist the similarly priced and slightly higher-resolution Nikon D600.
And as is Canon's wont, they have opted for the allure of familiarity and consistency. The EOS 6D is perhaps best understood as a full frame version of the popular EOS 60D - indeed it's very similar in both control layout and dimensions. While slimmer front-to-back, and lighter than the Nikon D600, the 6D primarily seeks to distinguish itself on the spec sheet with built-in Wi-Fi and GPS, a 'silent' shutter mechanism and, according to Canon, unprecedented low-light focusing sensitivity. Whether this combination will be enough to satisfy enthusiasts who'd appreciate the D600's distinctly higher spec'ed autofocus system, dual card slots and built-in flash remains to be seen.
The EOS 6D is built around a new Canon CMOS sensor, which offers a pixel count of 20.2MP (compared to the Nikon D600 and Sony SLT-A99's 24MP, and the 5D Mark III's 22MP). In concert with the DIGIC 5+ processor it offers a standard ISO range of 100-25600, expandable down to 50 and up to 102,400. The AF system has 11 points, but only the central one is cross-type (sensitive to both vertical and horizontal detail). However, the 6D's trump card is the ability to focus in extremely low light levels; right down to a claimed -3 EV – a full stop dimmer than the 5D Mark III. This figure might not mean much to you, but for reference, -3 EV is roughly equivalent to the light cast by a full moon.
Notable additions include integrated GPS and Wi-Fi - with the latter offering the ability to control the camera remotely via your smartphone. The 6D also benefits from some features we saw in the EOS 5D Mark III, like Canon's silent shutter mode, which offers quieter, more discreet shooting. It also inherits in-camera HDR and Multiple Exposure modes, but disappointingly implements these as JPEG only options, unlike on the 5D Mark III which also records Raw files.
The 6D omits some of the more interesting goodies Canon introduced on the EOS 650D, too. There's no on-chip phase-detection to aid autofocus in live view or movie mode, nor does Canon's superb touchscreen interface make an appearance. As usual for a full frame DSLR - the Sony SLT-A99 being the sole exception - the rear screen itself is fixed, rather than articulated as it is on the EOS 60D. Canon says this is for maximum durability and to keep the camera's size down.
In the table below we see how some of the EOS 6D's key specs measure up against its more expensive big brother, the 5D Mark III, and its main rival the Nikon D600.
Canon EOS 6D
Canon EOS 5D Mark III
|Effective Pixels||• 20.2 MP||• 22.3 MP||• 24.3 MP|
|ISO Range|| • 100-25600 standard
• 50-102800 expanded
| • 100-25600 standard
• 50-102800 expanded
| • 100-6400 standard
• 50-25600 expanded
|No of AF points||• 11||• 61||• 39|
|Screen|| • 3"
• 1,040,000 dots
| • 3.2"
• 1,040,000 dots
| • 3.2"
• 921,000 dots
|Viewfinder|| • 97% coverage
• 0.71x magnification
| • 100% coverage
• 0.71x magnification
| • 100% coverage
• 0.7x magnification
|Built-in flash||• No||• No||• Yes|
|Continuous drive||• 4.5 fps||• 6 fps||• 5.5 fps|
|Storage||• SD|| • Compact flash
| • SD
• 2 slots
|• 770g (1.7 lb)||• 950g (2.1 lb)||• 850g (1.9 lb)|
|Dimensions|| • 145 x 111 x 71 mm
(5.7 x 4.4 x 2.8")
| • 152 x 116 x 76 mm
(6.0 x 4.6 x 3.0")
| • 141 x 113 x 82 mm
(5.6 x 4.5 x 3.2")
|Wi-Fi + GPS||• Built-in||• Optional||• Optional|
DPReview community member and award-winning photographer Peter Alessandria shares his secrets behind his incredible moon photos. Read more
Born and raised in New Zealand, DPR reader Sarnim Dean has been surrounded his whole life by wildlife and landscapes many of us only dream of visiting. He explores the country on his mountain bike and with his camera. Take a look at some of his images and find out more about him in our Q&A. See gallery
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Following testing of the Panasonic Lumix DC-LX100 II, we've added it to our Pocketable Enthusiast Compact Cameras buying guide as joint-winner, alongside Sony's Cyber-shot RX100 VA.
If you're looking for a high-quality camera, you don't need to spend a ton of cash, nor do you need to buy the latest and greatest new product on the market. In our latest buying guide we've selected some cameras that while they're a bit older, still offer a lot of bang for the buck.
What's the best camera for under $500? These entry level cameras should be easy to use, offer good image quality and easily connect with a smartphone for sharing. In this buying guide we've rounded up all the current interchangeable lens cameras costing less than $500 and recommended the best.
Whether you've grown tired of what came with your DSLR, or want to start photographing different subjects, a new lens is probably in order. We've selected our favorite lenses for Sony mirrorlses cameras in several categories to make your decisions easier.
|Precious Past Dreams by Domenick Creaco|
from Your City - Industrial Landmark (rerun)
|Cold rock by jr|
Roger and his team at Lensrentals have switched things up and decided to build a lens rather than tearing it apart.
George Mendonsa, the gentleman kissing a woman believed to be Greta Zimmer Friedman in Alfred Eisenstaedt's iconic image titled 'V-J Day in Times Square,' has passed away at the age of 95.
Want to know more about the Canon EOS RP? We conducted a live Q&A that you can watch here. We'll be trying to address those comments we didn't get to in the comments.
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Until now, the word 'bokeh' has been a noun. But that may very well change with the help of Apple's recent video advertisement.
The EF-M 32mm F1.4 is a welcome addition to Canon's APS-C mirrorless lens lineup. It's a good performer all-around and enjoyable to use on the EOS M50, and we hope to see more like it introduced to the EF-M range.
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Camera Rescue, a Finnish organization determined to rescue more than 100K analog, has already saved 46,000 cameras and plans to more than double that number by 2020.
Independent lens manufacturer Sigma has announced that its new 28mm T1.5 cine lens for full frame sensor cameras will be available from the middle of March.
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At Dubai's recent Gulf Photo Plus event, Fujifilm showed off several of its early concept mockups for GFX cameras that (sadly) never made it into production. We took a closer look.
Panasonic is well known for including impressive video features on its cameras. In this article, professional cinematographer Jack Lam explains one killer feature the company could add to its S series that would shake up the industry – and it all comes down to manual focus.
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