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The Peak Design Travel Backpack 45L is the centerpiece of the brand's new Travel Line - it's pricey but awesome. Other components of the line are pricey and less-awesome.
The EOS 650D/Rebel T4i provides an interesting window into Canon's thinking with regard to the entry-level DSLR market. The Rebel series of cameras is one with long-standing success that predates the digital revolution. And they remain very popular today. So you could imagine that Canon would be reluctant to make overtly radical changes. Why ruin a good thing?
Yet there's no denying that the entry-level DSLR market is under pressure from large sensor mirrorless models, the best of which which offer equivalent image quality in a smaller package. And for many novices with smartphone experience, the ability to easily capture video, as well as manipulate a device via a touchscreen may resonate just as much as more traditional photographic requirements.
The EOS 650D retains a good chunk of what we found compelling about its predecessor, the EOS 600D. Very good image quality from an 18MP CMOS sensor, sensible handling and a wealth of external controls for those who are ready to do more than simply point and shoot all adds up to a very capable little SLR.
What Canon has added, however, is a stunningly good touchscreen interface and a more direct method of activating movie mode. This may not sound like much, but Canon's well-designed and thoroughly-integrated interface transforms the EOS 650D into a camera that is actually fun to operate, something we don't often say about DSLRs at this level. Throw in a shooting rate of 5 fps, in-camera lens corrections, multi-shot noise reduction, stereo microphones and a maximum ISO sensitivity of 25600, and you have a camera that holds strong appeal for both novice and more seasoned DSLR users.
Our biggest disappointment, however, lies in the camera's 'hybrid' AF performance in live view and video modes. Make no mistake, this is an improvement over the EOS 600D, with the 650D focusing nearly twice as fast in well-lit conditions. Yet it is still far behind the better mirrorless models we have seen from the likes of Panasonic and Olympus as well as rival Nikon's 1 series. These disappointing results in live view also raise real concerns for the upcoming EOS M - Canon's first mirrorless camera - which is based largely on the 650D.
The EOD 650D carries on the tradition of high image quality from previous Rebel series cameras. Generally pleasing white balance is matched with well-judged exposures (in all but more extreme backlit situations) to deliver natural looking images with contrast that provides enough 'punch' to give pleasing results without going overboard. In-camera JPEGs display a pleasing balance between image detail and noise suppression at all but perhaps the highest ISO settings, although more advanced users will reap even greater image quality by processing Raw images, whether in Canon's fully-featured Digital Photo Professional software or in a third party offering.
The highlight dynamic range of the 650D lags a bit behind many of its peers, though this can be mitigated by enabling Canon's highlight Tone Priority (HTP) settings. Unfortunately, as on previous models, Canon buries this useful feature in the custom menu, where uninitiated users might never find it.
Video quality is very good. The camera's 1920 x 1080 30p output offers pleasing colors and contrast supported by a metering system that works well in a range of lighting conditions. The ability to manually control exposure as well as sound levels, along with the inherent benefits of shallow depth of field you get with an APS-C sensor, provides many creative opportunities for the budding filmmaker. While we still wish for significantly faster video AF performance - and a wider selection of quieter-focusing lenses, 10x magnification in video mode provides a viable option for manual focus.
The form factor and external control layout of the EOS 650D has changed very little from that of the EOS 600D. And this counts as a positive. We found little fault with the earlier camera's handling and operation. Any owner of a previous Rebel series model will feel right at home with the 650D.
Shifting movie mode from the mode dial to a position on the power switch is a seemingly minor change, but one that actually makes it far easier to toggle between stills and video shooting and to enable manual exposure control in movie mode.
The biggest news with regard to handling and operation is undoubtedly Canon's introduction of a touchscreen interface - the first on any 35mm-style DSLR. Canon clearly put a lot of thought into its implementation, and the EOS 650D sports the most comprehensive and intuitive touchscreen interface we've yet seen in any camera.
Equally as impressive is the fact that you are not forced to use one mode of operation over the other. In adding touchscreen control Canon has taken nothing away from the operational experience of using the external dials and buttons. The camera's eye sensor ensures that you don't accidently activate the screen while looking through the viewfinder. You can ignore - and even completely disable - touchscreen control and operate the 650D via its external controls, exactly as you would any of its predecessors. Or you can use the touchscreen in combination with the 4-way controller and main dial, which for some operations yields the most efficient results.
Taken as a whole, this is a level of efficiency and integration that surpasses anything we've seen from other camera makers; and doubly impressive given this is Canon's first attempt. Other than a minor complaint about menu tabs being a bit difficult to accurately press, we have nothing but praise for such a well-thought out design and successfully executed implementation.
With the EOS 650D, Canon faced the challenge of taking an already successful camera line and finding a way to offer more than a token upgrade without stealing too much thunder from its higher-spec'd DSLRs. By maintaining what has long been very good image quality for both stills and video shooting and addressing operational handling with a remarkably well-executed touchscreen implementation, the latest addition to the Rebel lineup carves out a niche as one of the more enjoyable to use entry level DSLRs on the market.
Where the camera falters, unfortunately, is with AF performance in live view. Canon's new 'hybrid' AF system, while a step forward compared to previous contrast detect attempts, is a long way from what we've seen in other mirrorless models, and from our experience of Sony's SLTs. And while we applaud Canon for attempting continuous AF in movie mode, it too is prone to more focus errors than we'd have liked to see.
For users moving up from compact cameras, the 650D offers a very significant increase in image quality and a comfortable to hold camera wrapped in an interface that accommodates both touchscreen and external control operation. A 5fps shooting speed makes it a useful option for those who want to capture recreational sports or fast action. And for those ready to take more direct control over the imaging process, manual exposure controls (for stills and video), combined with a bundled feature-rich raw converter provide the ability to get the most from your images.
Such solid imaging performance and easy-to-manipulate shooting settings garner the EOS 650D our silver award by a comfortable margin, with disappointingly slow live view AF performance holding it back from earning our highest honor.
Scoring is relative only to the other cameras in the same category.
Click here to learn about the changes to our scoring system and what these numbers mean.
Canon EOS Rebel T4i (EOS 650D / EOS Kiss X6i)
Category: Mid Range Interchangeable Lens Camera / DSLR
Ergonomics & handling
Metering & focus accuracy
Image quality (raw)
Image quality (jpeg)
Low light / high ISO performance
Viewfinder / screen rating
Movie / video mode
The Canon EOS 650D combines very good image quality with easy access to shooting parameters and extensive manual control. Its touchscreen interface brings a new level of operational efficiency to the DSLR market. Added to this is a fast 5 fps shooting rate and quick phase-detection AF.
Aug 10, 2015
Aug 20, 2012
Jun 14, 2013
Aug 15, 2012
Canon has issued a warning to owners of the EOS 650D/Rebel T4i that the rubber hand-grips of some models may turn white, and produce a chemical that can cause an allergic reaction. According to Canon, the chemical, zinc bis (N,N’-dimethyldithiocarbamate), is not used in the production of the camera but is a potential by-product of a chemical reaction between other substances found in the hand-grip. Click through for full details.
Updated: We've had a production sample Canon EOS 650D/Rebel T4i for a few days now, and we've been busy running it through our usual studio and real-world tests, ahead of a full review. We've updated our previously-published preview with a gallery of 27 real-world samples from the production camera, both JPEG and converted Raw, and included some Raw files for you to examine yourselves. We've also added the 650D to our studio comparison database, allowing you to check out how it compares to its peers and predecessors in our standard studio test scene. Click through to see the additional samples.
Just Posted: We've been shooting with Canon's latest entry-level DSLR - the Rebel T4i (EOS 650D), and have prepared an hands-on preview. The T4i shares many of the headline specs (18MP CMOS sensor, 9-point AF system, 1.0M dot flip-out LCD) with its predecessor, the EOS 600D / Rebel T3i, but significant changes have been made to every one of those features. The result is the first touch-screen DSLR and the first EOS to offer continuous AF in movie shooting mode. Read our preview to find out more about the 650D's features and what its 'Hybrid AF' really offers. The preview includes real-world samples and low-light studio shots.
Canon has announced the EOS 650D (known as the Rebel T4i in North America), and 18MP touch-screen DSLR with a sensor-based hybrid AF system for improved focus in movie and live view modes. The camera gains the all-cross-type 9-point AF sensor from the EOS 60D and can now shoot at 5fps. It also adds stereo mics for its Full HD video recording, which is available at 30, 25 and 24fps. The camera will be available from the end of June at a price of $849, body only, $949 will the 18-55mm IS lens or $1199 with the co-announced 18-135mm STM IS lens.
The Peak Design Travel Backpack 45L is the centerpiece of the brand's new Travel Line - it's pricey but awesome. Other components of the line are pricey and less-awesome.
If you're looking for a high-quality camera, you don't need to spend a ton of cash, nor do you need to buy the latest and greatest new product on the market. In our latest buying guide we've selected some cameras that while they're a bit older, still offer a lot of bang for the buck.
What's the best camera for under $500? These entry level cameras should be easy to use, offer good image quality and easily connect with a smartphone for sharing. In this buying guide we've rounded up all the current interchangeable lens cameras costing less than $500 and recommended the best.
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|Lake view night sky by purelightglow|
from Night Landscapes
|LOOKING UP IN THE CITY by tko|
from Your City - B&W Night Picture (rerun)
|Nature's Crowning Acheivment by Domenick Creaco|
The Olympus OM-D E-M1X is a more powerful dual-grip evolution of the E-M1 II. Aimed at sports shooters it promises improved AF, including advanced subject recognition, along with the highest-ever rated image stabilization system.
With a double grip and double batteries, the Olympus E-M1X is the company's largest mirrorless camera to date - and yet, the big story is all on the inside.
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Want to know more about the new Olympus E-M1X camera? DPReview will be hosting a YouTube Live event at 9:00 AM Pacific time with editors Richard Butler and Carey Rose to answer any questions you may have. They will also share their own first impressions of the camera.
Olympus announced the development of a pro-level super-telephoto zoom the M.Zuiko Digital ED 150-400mm F4.5 TC1.25x IS Pro. This hefty lens is equivalent to 300-800mm on Micro Four Thirds bodies without the teleconverter and 375-1000mm with it. The lens will be available in 2020.
Olympus today also announced a 2X teleconverter, which is compatible with its 300mm F4 and 40-150mm F2.8 lenses, as well as the 150-400mm which is under development. The company has also released an updated lens roadmap showing what's to come.
Arriving in late February, the FL-700WR is freezeproof, dustproof and splashproof and offers wireless radio communication to act as commander or receiver.
In addition to a new flashgun, Olympus has introduced new weather-resistant, wireless flash commander and receiver units.
Vitec Imaging Solutions, the company behind Manfrotto, JOBY, Gitzo and others, has announced it's acquiring Syrp, a camera accessory manufacturer that specializes in video motion control products.
Despite viral photographs suggesting otherwise, Instagram claims it's not limiting how many accounts particular posts reach.
Winning images will be seen on and offline across the globe but read the small print to understand what's happening to your images when participating in the contest.
Sony is reportedly forming a subsidiary in Amsterdam in an effort to avoid issues as a result of Brexit, but 'business functions, facilities, departments, sites and location of [Sony employees in the UK] will remain unchanged.'
Announced at CP+ in 2018, the Sigma 28mm F1.4 Art has proven itself to be one heck of a sharp lens in our use so far.
EIZO has released an updated version of its display calibration program ColorNavigator 7 that brings along new features and support.
An incredibly rare contact sheet from the last known photo shoot of Marilyn Monroe has appeared on eBay for $195,000.
After teasing it last autumn, DJI has announced the pricing and availability of the optional Multilink accessory for its Inspire 2 and Cendence controllers
The Live Planet VR System is an all-in-one package designed to simplify the process of creating, storing and sharing immersive video content on-demand with a high-powered 16-camera array at the center of the platform.
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One of three lenses launched alongside the Nikon Z6 and Z7, on the face of it the Z 50mm F1.8 S might appear the most pedestrian of the group, but it might just be the niftiest fifty we've ever seen.
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This week, Sony introduced its newest APS-C camera, the a6400. Of course, Chris and Jordan were on hand to take it for a spin and test out all the new features.
The Sony a6400 is, in many ways, just a refreshed a6300, but its overhauled AF system makes a big difference. We look at how it compares with its rivals in and beyond the E-mount system.
Glove and Boots take a humorous look into the history of photographs and how far technology has come since the days of caveman hand selfies.
We've been shooting with a beta version of the Sony a9's upcoming firmware 5.0. While there's much more analysis to come, we can say it makes for a dead simple AF tracking user experience. Take a look at some of our samples.
A statement following internal investigation by DJI alleges a number of employee were part of an internal corruption scandal that overcharged DJI for parts and materials.