Latest sample galleries
Latest in-depth reviews
We reviewed three of the more popular 'pocket printers,' the Canon Ivy, Fujifilm Instax Share and Polaroid ZIP. Here's the one we recommend...
One figure hidden away in every SLR's spec is the size of the viewfinder (often in a format that makes comparison between competing models impossible). The size of the viewfinder is a key factor in usability - the bigger it is, the easier it is to frame and focus your shots, and the more enjoyable and involving process it is.
Because of the way viewfinders are measured (using a fixed lens, rather than a lens of equivalent magnification), you also need to take the sensor size into account, so the numbers in the diagram below are the manufacturer's specified magnifications divided by the respective 'crop factors'.
|The EOS 5D Mark III's viewfinder size has, with its 100% coverage, slightly increased in size over the 5D Mark II's (98%), although magnification stays the same. It's not quite on the same level as the EOS-1D X, but close, and substantially bigger than the viewfinders in APS-C DSLRs such as the Canon EOS 7D. It offers 100% coverage of the final image, with no crop - what you see is what you get.|
The viewfinder in the 5D Mark III has been improved over it predecessor, now offering an approximately 100% coverage, rather than 98%. Magnification remains the same at 0.71X but the viewing angle has been increased and the eye point raised to 21mm.
Set below the prism itself is a translucent LCD that can be used to show different grid lines and to give a clearer understanding of which AF points are active. The focus screen is now fixed, though, so there's no equivalent to the 'S' type screen for more-accurate focusing with fast lenses.
The other advantage to the viewfinder's electronic overlay is the addition of a customizable warning. Depending on how you like to shoot, you can configure the camera to show a warning exclamation mark (!) in a small triangle at the bottom right of the viewfinder. It can be configured to signify one of the following shooting parameters is active:
|Monochrome shooting||ISO Expansion|
|WB Shift||Spot Metering|
|One-touch Quality||Auto Lighting Optimizer|
|At the heart of the 5D Mark III is its newly-developed 22MP 24x36mm CMOS sensor. It offers a standard ISO range of 100-25600, expandable down to ISO 50 (with the loss of a stop of highlight range) and right up to 102,400.|
|The 5D Mark III gains the customizable M-Fn button first seen on the EOS 7D, that's now standard on high-end EOS models. This can be used to activate a range of functions, including the electronic level display in the viewfinder.|
|The mode dial now has a central lock button, and the previous 'green square' full auto and 'Creative Auto' positions are consolidated to a single 'Auto+' mode (as seen previously on the EOS 600D).
Underneath it is a 7D-style power switch, that's now completely separated from the rear dial-lock switch.
|The IR remote control receiver is now on the front of the handgrip, where it's easier to activate when working from behind the camera.
The red lamp beside it is the visual indicator for the self-timer. The 5D Mark III has no built-in AF illuminator.
|Below these is the large depth of field preview button, placed for operation by the third finger of your right hand. It's now much easier to reach when using large lenses or shooting in portrait format.
|As usual there's a hotshoe on top of the pentaprism, that accepts Canon's EX series flash units such as the newly-announced Speedlite 600EX-RT.
Like previous 5D-series cameras, the Mark III doesn't have a built-in flash and therefore can't control external flash units remotely - you need to use the ST-E2 or new ST-E3-RT transmitters (or a controller hotshoe flash).
|The 5D Mark III gains dual SD and CF card slots. It allows the same file management options as 1D-series cameras, so you can duplicate all files to both cards, or record JPEGs to one and RAWs to the other, for example. You can alternatively set the camera to auto-switch to the second card when the first is full.
You can also use Eye-Fi cards in the SD slot.
|The comprehensive bank of connectors adds a headphone jacket for monitoring audio when recording video. Aside from this there are USB and HDMI connectors, a stereo microphone socket, PC studio flash and the familiar E3-type remote control socket.|
|The Q button brings up a context-sensitive Quick Control screen, e.g. to change shooting parameters.
The rear control dial gains a new trick - becoming a touch-sensitive 4-way controller when shooting video (with the 'buttons' placed on the inner rim of the dial). This allows use of the Q menu without jogging the camera, and because it doesn't click, it shouldn't disrupt your soundtrack.
|The microphone is repositioned on the camera's shoulder, and as on the Mark II it is monaural.|
|The 5D Mark III uses the same 7.2V, 1800mAh LP-E6 battery as its predecessor. As with most Canon SLRs, it's housed in the handgrip. The compartment door is sprung, and has foam sealing around it to help prevent water ingress.
The compartment is also sufficiently far from the tripod socket for the battery to be changeable on many heads.
|The tripod socket is positioned in-line with the lens axis, and is surrounded by a decent-size rubber pad for a quick release plate.|
Alongside the 5D Mark III Canon has also introduced a range of accessories, most notably a new wireless flash system that's based on radio, as opposed to infrared communication. Spearheaded by the weather sealed Speedlite 600EX-RT and the WT-E3-RT wireless transmitter, the switch to radio control greatly increases the system's operational range to 30m, removes the requirement for unobstructed line-of-sight communication between Speedlites and the controller, and increases the number of units that can be used to 15 flashes in 5 groups. There's also a hot-shoe-mountable GPS unit, the GP-E2, and a WFT-E7 Wi-Fi transmitter.
Rounding off the story is a new vertical grip for the 5D Mark III, which has an almost-complete set of replicate controls for portrait-format shooting, including the all-important joystick for AF point selection (only a DOF preview button is missing). It can hold a pair of LP-E6 batteries for double the battery life, or run off a cassette full of AAs.
*This video was originally published as part of our Canon EOS 5D Mark III preview
|Body Only, Base|
In stockUsually ships in 2-3 business days
In stockUsually ships in 1-2 business days
In stockUsually ships in 2-3 business days
|Canon EOS 5D Mark III 22.3 MP Full Frame CMOS with 1080p Full-HD Video Mode Digital SLR Camera (Body) with Audio-Technica AT8024 Camera-Mount Microphone||See price on Amazon.com »|
|Canon EOS 5D Mark III 22.3 MP Full Frame CMOS Digital SLR Camera with EF 24-105mm f/4 L IS USM Lens with Audio-Technica AT8024 Camera-Mount Microphone||See price on Amazon.com »|
Lensrentals most-rented gear of 2017 contains a few interesting surprises. Among them: Sony has out-rented Nikon for the first time ever, and a Sony battery somehow took the #6 spot overall.
In the fifth and final part of his series of articles on aerial photography, Erez Marom recaps some of his most formative experiences.
Mount a Canon EOS 5D Mark III to a heavy duty, custom-built drone and you can capture some incredible footage. See video
President Barack Obama's official photographer keeps things light and simple with a trio of go-to lenses and a couple of Canon bodies. Read more
Following testing of the Panasonic Lumix DC-LX100 II, we've added it to our Pocketable Enthusiast Compact Cameras buying guide as joint-winner, alongside Sony's Cyber-shot RX100 VA.
If you're looking for a high-quality camera, you don't need to spend a ton of cash, nor do you need to buy the latest and greatest new product on the market. In our latest buying guide we've selected some cameras that while they're a bit older, still offer a lot of bang for the buck.
What's the best camera for under $500? These entry level cameras should be easy to use, offer good image quality and easily connect with a smartphone for sharing. In this buying guide we've rounded up all the current interchangeable lens cameras costing less than $500 and recommended the best.
Whether you've grown tired of what came with your DSLR, or want to start photographing different subjects, a new lens is probably in order. We've selected our favorite lenses for Sony mirrorlses cameras in several categories to make your decisions easier.
|The Venetian Hotel and Casino, Las Vegas by pajarrett|
from Your City - Hotels
|Red Hot Knife 7501 by vbuhay|
from Macro - Cutlery. Knives, forks, and spoons
|Ditchling Beacon by Swervin Mervin|
from Best Photo of the Week...
|The Train that Crossed the Iron Curtain by cjf2|
The 12th International Garden Photographer of the Year winners have been announced. We've gathered the top photos from each category and rounded them up into a slideshow.
Kosmo Foto has announced the release and opened pre-orders for its new Mono 120 black-and-white film.
Uber software engineer Phillip Wang has created a website that shows a portrait of a person that doesn't actually exist by using AI to merge multiple faces together.
The Atomos Shinobi is a compact, lightweight monitor that features the same display found inside the much more expensive Ninja 5 monitor/recorder.
Want to know more about the Canon EOS RP? Dying to ask a question that hasn't been addressed anywhere else online? Join the editors of DPReview for a live Q&A about this new camera next Tuesday, Feb. 19 on our YouTube channel. Click through for details.
Got a couple of minutes? Then you have all the time you need to learn about Canon's second full-frame mirrorless camera body – and why it's a compelling option for someone stepping into full-frame for the first time.
NASA's Curiosity rover captures a 360 panorama from its Vera Rubin Ridge 'Rock Hall' drill site before moving on to greener...er...redder pastures.
Xiaomi's new flagship Android smartphone is expected to be launched on February 24 at the Mobile World Congress in Barcelona.
A quick glance at the spec sheet doesn't make the Canon EOS RP look that exciting. But having shot with it, we've become oddly fond of this little full framer.
Pixelmator Pro has received an update with new and improved features, including support for Portrait Masks with images captured by the iPhone's Portrait Mode.
Alongside the EOS RP, Canon showed us mockups of the six lenses it says are in development for 2019. There's a distinct high-end flavor to the options in the works.
The new X-T30 may not be Fujifilm's flagship model, but it arrives with some very impressive features and specifications. Chris and Jordan have been shooting it for a few days and share their first impressions, along with a look at an iconic new building in their hometown of Calgary.
We don't often get excited about $900 cameras, but the Fujifilm X-T30 has really impressed us thus far. Find out what's new, what it's like to use and how it compares to its peers in our review in progress.
The Fujifilm X-T30 is equipped with the same 26.1MP X-Trans sensor and X-Processor 4 Quad Core CPU as the X-T3, along with some autofocus improvements. The new camera arrives in March for $900 body-only.
Fujifilm's new XF 16mm F2.8 R WR is a compact, weather-resistant lens that weighs just 155g/5.5oz. It'll be available starting in March for $399.
Fujifilm's XF 16mm F2.8 is one of the widest lenses in the company's lineup of compact primes for its X-series interchangeable lens cameras. We've been up and down the streets of snowy Seattle - a rare sight - to see just what our pre-production copy of this petite prime is capable of.
Firmware version 2.00 brings two new shooting modes and one new setting to its X-T100 and X-A5 camera systems.
Fujifilm has announced its upcoming rugged point-and-shoot, the FinePix XP140.
Get a closer look at Canon's second full-frame mirrorless body and its unique combination of features, capability and price point.
Canon has unveiled its second full-frame mirrorless camera: the entry-level EOS RP. Touting its compact size and approachability for beginners, the RP uses a 26.2MP sensor and will sell for $1300 body-only this March.
A pre-launch event gave us a chance to shoot a sample gallery to show what sort of image quality you can expect from the least-expensive digital full frame camera ever launched.
Nikon has taken the wraps off a new standard zoom lens for mirrorless, the Z 24-70mm F2.8 Z. The new 24-70mm has been on Nikon's Z-series roadmap since the mount was announced last August, and it will ship in spring for $2299.
Canon has announced the development of six RF lenses, including the incredibly compact RF 70-200mm F2.8L IS USM, two variations of an RF 85mm F1.2L USM, plus a 15-35mm F2.8L IS USM, 15-35mm F2.8L IS USM and 24-240mm F4-6.3 IS USM.
Nikon has announced more details of firmware in development for the Z6 and Z7. As previously reported, firmware is being planned that will add Eye-detection AF, CFexpress support and Raw video over HDMI.
Tripod manufacturer Three Legged Thing has developed a new L-bracket designed to fit a wider range of cameras and allow users to mount their camera in a variety of ways.
Some user information, including names, usernames and email addresses was compromised in the incident.
The FAA has announced drones will soon need aerial license plates of sorts to fly their UAVs in the United States.
The new Galaxy S10 front camera will adopt several technologies that are already commonplace on many smartphone main cameras.
The Olympus M.Zuiko Digital ED 12-200mm F3.5-6.3 is a weather-sealed 24-400mm equiv. zoom for Micro Four Thirds and will go on sale in March for $900.
We put a pre-production version of Olympus' versatile new zoom through its paces.