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The Everyday Sling might just be the perfect pack for not carrying too much gear, combining comfort with Peak Design's signature modern style.
Note: We've used European (EOS 100D) and North American (Rebel SL1) versions of this camera. Most of the product photos are of the 100D version, but we'll refer to the camera primarily as the Rebel SL throughout this review. There are no functional differences.
Canon has long hinted that another path to competing with mirrorless entries from Nikon, Sony, Olympus and Panasonic lay in the miniaturization of its familiar SLR design. With the announcement of the EOS 100D / Rebel SL1, Canon has laid its cards on the table. Billed as 'the world's smallest, lightest APS-C DSLR', the Rebel SL1 unabashedly merges the Rebel-series' DSLR operational hallmarks with an impressively small body.
Thanks to a downsizing of internal components that has resulted in a smaller shutter mechanism, thinner sensor module and smaller-footprint circuit board, the Rebel SL1 is significantly smaller and lighter than the co-announced Rebel T5i, while offering the same 18MP resolution, DIGIC 5 processor and, presumably image quality. The Rebel SL1 is, in fact, comfortably the smallest DSLR we've yet seen, and not so far off 'SLR-style' mirrorless models such as the Panasonic Lumix DMC-G5.
As attention-grabbing as the Rebel SL1's small footprint undoubtedly is, what's equally impressive is that Canon has been able to retain most of the controls and features typically found on a Rebel-series camera. A front dial and dedicated ISO, exposure compensation and AF/AE lock buttons are among the controls that will be familiar to any Canon DSLR user. Its touchscreen is identical in resolution to that on the Rebel T4i and T5i, but is fixed, rather than articulated.
The Rebel SL1 introduces version two of Canon's Hybrid CMOS AF system, originally seen in the Rebel T4i. While Canon is making no claims about focus speed improvements of its hybrid phase/contrast detect system, the new version covers a significantly greater portion of the live view area (80% of the area). This should make it a significantly more useful option than the version found on the EOS M and T4i.
|This front view shows that the EOS 100D / Rebel SL1 is substantially smaller than the co-announced EOS 700D / Rebel T5i - itself not exactly a giant.|
|However, the Rebel SL1 retains the majority of the external controls found on the larger camera. Although both cameras feature the same rear touchscreen, the Rebel SL1's screen is fixed, not articulated.|
|The top-plate controls are essentially the same too, but the Rebel SL1 only has space for a mono microphone on the top left shoulder. The offset shutter button may look odd, but works well.|
The Rebel SL1 achieves its notable size reduction without sacrificing much in the way of external control compared to the Rebel T5i. On the SL1 the button at the center of the 4-way controller does double-duty as both the Q menu and Set button, and the surrounding buttons have lost their dedicated functions. The SL1 has a lower capacity flash, with a guide number of 9m (versus 13mm on the 650D) and houses a mono versus stereo microphone, though it does retain a stereo mic input. And while the handgrip is not as deep as the one on its larger sibling, the SL1 still provides a distinctly DSLR handling experience.
Introduced alongside the EOS Rebel SL1 was the EF-S 18-55mm F3.5-5.6 IS STM lens. This is the standard kit zoom for the SL1 and brings the total number of EF-S STM lenses to three, with a 40mm pancake and 18-135mm (both shown below) also on offer. Canon's STM lenses are designed to take full advantage of the Hybrid AF system found in the Rebel T4i, T5i and SL1. They offer quiet autofocus, helpful when shooting video, and full time manual focus. The 18-55mm lens has a close focusing distance of 0.25m and a circular seven-bladed aperture. An internal focusing motor means the lens does not extend while turning the focus ring.
|The Rebel SL1's Hybrid AF II system is designed to work optimally with Canon's three-lens STM lineup which consists of an 18-55mm, 18-135mm and fixed 40mm pancake lens.|
|Compared to the previous EF-S 18-55mm f/3.5-5.6 IS II lens, the STM version is slightly longer to accommodate the internal focus system, and has a 'proper' manual focus ring at the front of the barrel that drive the focus group electronically. As with the older design it's physically shortest in the middle of its zoom range, and extends on zooming either to 18mm or 55mm (click here for a comparison at 55mm).|
The STM focus motor is extremely quiet and, when using the optical viewfinder, impressively fast, offering a noticeable improvement over its predecessor. But switch the camera to live view and, just like the 18-135mm f/3.5-5.6 IS STM, it slows down significantly. This is unfortunate - Canon's live view AF system still distinctly lags behind the competition.
|The filter thread on the STM lens remains 58mm. The inner-focus design means it doesn't rotate on autofocus, and allows the use of an optional EW-63C petal-type lens hood (rather than the relatively ineffective bowl-type hood of its predecessor).||As we'd expect at this level, the lens mount is plastic. This is an EF-S lens, so only fits on Canon's APS-C cameras.|
Jun 29, 2016
May 26, 2015
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Jan 6, 2015
In a collaboration with fashion designer Stella McCartney, Canon UK is to offer a run of 1000 EOS 100D kits that come packaged in a tote bag created specifically for the white bodied version of the camera. Called Linda, after the designer's photographer mother Linda McCartney, the bag adheres to its namesake's vegetarian ethics by using 'cruelty-free' Eco Alter Nappa leather alternative material finished with a natural vegetable oil coating. Read more
After being introduced in Japan and Europe, the white Canon EOS Rebel SL1 (EOS 100D) has made it to American shores. To avoid color clash, Canon also includes a matching EF-S 18-55mm F3.5-5.6 STM lens along with this compact DSLR. The white EOS Rebel SL1 will be available in June for $749.
Recently, editor Barnaby Britton had the opportunity to interview senior figures at Canon Inc. on two occasions, in Japan. The first meetings were held in late 2013 at Canon's headquarters in Tokyo, and a follow-up interview was arranged at the recent CP+ show in Yokohama. Topics covered include the future of Canon's mirrorless system, how Canon is innovating in its DSLRs and what 4K video means for photographers. Click through for the full interview.
Several new DSLRs were announced in 2013, even as mirrorless cameras nipped at their heels in the entry-level and enthusiast segment of the market. Among the new DSLRs released this year were a handful of iterative updates to existing models, but also some all-new contenders, including Canon's high-tech EOS 70D and Nikon's entirely unconventional (or perhaps that should be entirely traditional) Df. Click through to check out the selection, and cast your vote.
The holidays are a great time to take pictures — and they're a great time to get a camera for yourself or for a loved one. With more than 50 cameras going through the hands of the DPReview team over the year, we've seen it all (or so we think). Based on our collective knowledge we hope this guide will help you make an informed decision on which camera will fit your needs. In this final part, we look at entry-level mirrorless cameras
When the Fujifilm X-T2 arrived, it was more than just a modest upgrade to the already impressive X-T1. While the new X-T3 hasn't changed the overall design of the camera, this model is way more than an upgrade; rather, it's a quantum leap.
The Movie Maker is a compact, motorized slider designed for phones, action cams and small mirrorless cameras. We think it's a fun little kit and a good value proposition for the cost, provided you can work around a few of its weak points.
Nikon's Z7 is the first camera to use the all-new Z-mount, the company's first new full-frame mount since 1959. We've put together our first impressions based on quality shooting time with a pre-production camera - check out what we've found.
What's the best camera for a parent? The best cameras for shooting kids and family must have fast autofocus, good low-light image quality and great video. In this buying guide we've rounded-up several great cameras for parents, and recommended the best.
What's the best camera for shooting landscapes? High resolution, weather-sealed bodies and wide dynamic range are all important. In this buying guide we've rounded-up several great cameras for shooting landscapes, and recommended the best.
What’s the best camera costing over $2000? The best high-end camera costing more than $2000 should have plenty of resolution, exceptional build quality, good 4K video capture and top-notch autofocus for advanced and professional users. In this buying guide we’ve rounded up all the current interchangeable lens cameras costing over $2000 and recommended the best.
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Nikon will cease offering Brazil-based customer service and technical support, though the company stresses that it will still offer technical assistance and warranty repairs for valid warranties.
Two years ago, CatLABS of JP announced a plan to save Packfilm from the dead. Now, it's announced it's giving up its efforts to better focus its resources elsewhere.
The GoPro Fusion is designed to make it easy to capture 360-degree video and stills. We took it out recently on a typically hot Seattle summer day to see what it can do.
We've got our hands on a full-production Nikon Z7 camera and have updated our gallery with additional samples.
A new Kickstarter campaign seeks funding for Chroma Chrono, a programmable RGB camera flash that emits multiple colors during long exposures.
Think Tank Photo has launched a new lineup of six dual-access, water-resistant protective lens cases it calls Lens Case Duo.
Canon and Nikon finally entered the full-frame mirrorless market this summer with the brand-new RF and Z mounts. Now that we've had some time with the cameras, we wanted to revisit our earlier predictions and take stock.
The devices' camera specs look pretty much identical to last year's iPhone X but under the hood a number of important improvements have been made.
Blackmagic Design has announced the public beta of its new Blackmagic RAW video codec. The company says the new format combines the benefits of shooting Raw video with the ease of use and smaller file sizes usually associated with non-Raw video files.
Serif, the company behind the Affinity suite, has announced the latest update for its mobile Photoshop competitor Affinity Photo for iPad.
The Atomos Ninja V external video recorder and monitor will be ready to ship at the end of this month. The 5.2in Ninja V is designed to provide a smaller option, while still offering many of the features of the larger 7-inch models.
Having shot with the camera, spoken to Canon and read the tea leaves, here's what DPR Technical Editor Richard Butler thinks the EOS R tells us about Canon and the RF's mount's future.
After last week's teaser, lighting manufacturer Profoto has announced its 'small big' new product. The B10 is designed to be used as studio flash head but in a very small body, and has a powerful continuous light source for videographers as well.
Konseen has launched Photo Studio, a new light box tent large enough to photograph people, as well as objects.
Seagate has introduced new high-capacity hard drives for Network Attached Storage (NAS) devices: the 14TB IronWolf and 14TB IronWolf Pro HDDs.
The case was first announced earlier this year as a Kickstarter campaign and comes with a range of features aimed at iPhone photographers.
Manfrotto has introduced a new two-in-one tripod to its Befree lineup. Called the Befree 2N1, this new addition is both a tripod and monopod in one and is available with both of Manfrotto's locking mechanisms.
This new high dynamic range editing software comes with an AI-powered Quantum HDR Engine for improved photo merging.
Apple has unveiled the next generation of its iPhone X in the form of three variants: the 5.8" iPhone XS and 6.5" iPhone XS Max with OLED screens, and the 6.1" iPhone XR with an LCD and single rear camera.
Ahead of the launch of the CamRanger II the company has announced a mini version of its wireless remote control system that it says has a longer range than the original in a body half the size.
Lens manufacturer Sigma has announced a trio of fast cinema lenses for full-frame camera systems, that it says will also be available in the future in the LPL mount for Arri’s large format camera system.
LumaPod is a a new tripod being funded on Kickstarter that takes just four seconds to set up and uses patented tension technology to keep your shots steady in a compact design.
X-Rite ColorChecker Video XL is an oversized color target for wide-angle, long distance, and aerial shooting.
ExperimentalOptics has launched a Kickstarter campaign to fund its second lens design, a 35mm F2.7 lens it claims is the world's 'smallest fastest pancake lens.'
The new XF 8-16mm F2.8 R LM WR and XF 200mm F2 R LM OIS WR are aimed at enthusiasts and professionals, and add considerable versatility to Fujifilm's growing XF lens lineup. We've been taking a look.
The Getty family is working to regain control of stock photo agency Getty Images, according to multiple reports published late last week.
The Phoneslinger line, a modular bag system for mobile photographers, has been launched on the Indiegogo crowdfunding platform.
CamRanger has announced the impending arrival of its CamRanger 2 wireless tethering and trigger system, complete with redesigned apps, updated wireless features, and support for select Sony and Fujifilm systems.
As well as high-resolution stills, the new Nikon Z7 also shoots 4K video and 120p HD video. We recently spent two days with director Chris Hershman, shooting a music video on the Z7 for pop artist Emily Blue.