Canon EF-M 11-22mm f/4-5.6 IS STM Preview
It's now almost a year since Canon unveiled its first foray into the mirrorless camera sector, the EOS M. The camera was launched with two lenses, the EF-M 18-55mm f/3.5-5.6 IS STM kit zoom and the EF-M 22mm f/2 STM 'pancake' prime. But while most other manufactures have gone out of their way to provide 'roadmaps' of upcoming lens releases in an attempt to convince potential buyers of their commitment to these new systems, Canon has remained stubbornly quiet. But now EOS M owners have a new lens to consider: the EF-M 11-22mm f/4-5.6 IS STM wideangle zoom. Note though that the lens hasn't been officially released in the USA, and we have no indication whether it will ever be sold in this market.
The lens offers a zoom range equivalent to 18-36mm on full frame, which is a little less ambitious than its closest competitor, the Sony E 10-18mm F4 OSS (15-24mm equiv). To an extent this is a trade-off for its relatively compact design; it uses a retracting barrel reminiscent of the Olympus M.Zuiko Digital ED 9-18mm 1:4.0-5.6, and is about the same size as the 18-55mm kit zoom. This means it's much smaller than Canon's EF-S 10-22mm f/4-5.6 USM wideangle zoom for its APS-C SLRs. One oddity is a 55mm filter size that's not shared with any of Canon's other current lenses.
The 11-22mm is Canon's first wide zoom with image stabilisation, which the company claims will allow shooting at shutter speeds three stops slower than usual without the image being degraded by blurring from camera shake. It also includes Canon's 'Dynamic IS', which offers a wider range of correction during movie shooting. Focusing - both auto and manual - is handled by a linear stepper motor, which promises silent operation during movie recording.
Canon is making grand claims for the 11-22mm's optical quality, and saying that its 12 element / 9 group design will offer significantly better image quality than the (already well-regarded) EF-S 10-22mm. The lens we used to prepare this preview wasn't sufficiently finalised for Canon to allow us to shoot sample images, but we'll look at how well it performs just as soon as we can. Until then, read on to find out more about the lens's design and operation.
- 11-22mm focal length range (18-35mm equivalent)
- F4-5.6 maximum aperture
- Optical IS - 3 stops claimed benefit
- Stepper motor for silent focusing in video
- Collapsible barrel design
Canon EF-M 11-22mm f/4-5.6 IS STM specifications
|Recommended retail price|| • UK: £379.99
• EU: €399
• US: n/a
|Maximum format size||APS-C|
|35mm equivalent focal length (APS-C)||18-35mm|
|Diagonal angle of view||102.1° - 63.3°|
|Lens Construction|| • 12 elements in 9 groups
• 2 aspheric elements
|Number of diaphragm blades||7|
|Minimum focus||0.15m / 0.49ft|
|AF motor type|| • Linear stepper motor
• Full time manual focus
|Zoom method||Rotary, extending barrel|
|Image stabilization|| • Yes
• 3 stops
|Filter thread|| • 55mm
• Does not rotate on focus
|Supplied accessories*||• Front and rear caps|
|Optional accessories|| • Lens hood EW-60E
• Lens pouch LP814
|Weight||220g (7.8 oz)|
|Dimensions|| 61mm diameter x 58mm length
(2.4 x 2.3 in)
|Lens Mount||Canon EF-M|
* Supplied accessories may differ in each country or area
Jun 6, 2013
Aug 27, 2015
Jun 6, 2013
Jun 2, 2016
|Hot Air Balloons Over Bagan by User9320321874|
|Yellow Warbler by LeeS|
from A Big Year - birds
|Waiting for the Parade by tcoker1103|
from - La Vida Loca - (Black and White Street Photography+ A Border)
If you're thinking of using Canon's sports glass on the Sony a9, think again. The ultra-fast camera slows way down when you attach off-brand glass.
The Polish town of Katowice is not known as an area of beauty, but as all photographers know, that doesn't mean that beauty can't be found if you know where to look. Mariusz Pietranek used a drone to look down on the colorful sedimentation tanks at an ironworks.
New York Times video journalist Ben Solomon spent a harrowing three weeks accompanying Iraqi Major Sajjad al-Hour as he and his men fought to retake Mosul from I.S. forces.
The 3D VR camera launched through a crowdfunding campaign in 2015 goes on sale beginning June 26.
Noctilucent clouds, a crescent moon and Venus were visible in the pre-dawn sky over Budapest yesterday. Photographer György Soponyai captured NASA's astronomy picture of the day.
Squirming pets won't sit still for photos? A Kickstarter campaign is looking to help.
Find out how Chris Burkard shifted from editorial photography to his true passions: landscapes, conservation and, of course, surfing.
The updated EyeEm app scans your camera roll and picks images that are composed particularly well, have the best quality, or highest chance of selling on EyeEm Market.
It's three years old but still a solid option for a Micro Four Thirds shooter looking for a high-quality, fast, wide-angle prime. Take a look at how we got along with it.
Tamron has announced the longest all-in-one zoom lens currently available, the 18-400mm F3.5-6.3 Di II VC HLD. Designed for Canon and Nikon crop-sensor cameras, the lens will be available in July.
When you're ready to step-up to full-frame from an entry-level or midrange camera, the choices can be overwhelming. Find out which models came out on top in our $1200-2000 enthusiast ILC roundup.
Just a guy wearing a VR headset, smashing invisible Goombas in Central Park.
NASA's Mars Reconnaissance Orbiter captured this gorgeous aerial photo of the Martian landscape. And if you look really close, you can actually see the Mars Curiosity rover in the very middle.
The city of Laguna Beach, California has provided some clarification around the kinds of photography permits it offers.
Later this year, a VR180 camera will be Joining Yi's Halo and 360 VR cameras, which will offer stereo 3D capture, yet be as easy to use and compact as a 2D camera.
Caltech researchers have developed an 'optical phased array' chip that uses time delays instead of a lens to focus the incoming light.
Pricing and shipping have finally been revealed for two highly anticipated lenses from Sigma, announced in February.
These macro photos of clouds of paint billowing through clear water might look like high-quality CGI, but they're real photographs. And photographer Alberto Seveso told us how they were made.
Facebook is testing a feature that prevents people from saving, sharing, or even taking a screenshot of your profile picture.
We've reshot the Sony a9 in our studio. The short story: it's sharper! The long story... well you can read it all here.
The collection will be officially launched during the Europeana Transcribathon Campus Berlin 2017 crowdsourcing event which will be held on 22 and 23 June at the Berlin State Library.
Light gives us some insight into the preparations for the launch of the pre-order shipments of its much anticipated L16 multi-lens camera.
OnePlus co-founder Carl Pei has confirmed in a tweet that the second lens on the back of the OnePlus 5 uses a 1.6x optical zoom and that digital zoom is used to reach the claimed 2x zoom factor.
Fujifilm recently unveiled the second in its series of affordable cine lenses, the MK50-135mm T2.9. We got our hands on it for a couple days and took it for a spin.
Leica's first attempt at an M-series digital rangefinder was rough around the edges, but set a pattern for all of the cameras that came after it. In this week's Throwback Thursday article, Barney remembers the M8.
No stranger to extreme situations, legendary climber and filmmaker Jimmy Chin talks to Outside Magazine about his career, and the challenge of filming Alex Honnold's rope-free solo climb of El Capitain.
A company backed by Android co-founder Andy Rubin is attempting to make video conferencing less terrible.
Rangefinder magazine asked five professional portrait and wedding photographers about posting on Instagram; no surprise, they got five different answers.
This captivating stop motion film was created by stripping away one layer of wood at a time. It's hard to look away.
It will enable users to simulate the presence of the sun, moon and Milky Way and see how they interact with an area's topography.