Canon EF 24-70mm f/4 L IS USM Preview
Back in September Canon introduced the EOS 6D, its entry into the nascent 'compact, lightweight' full frame SLR segment. With the launch of the EF 24-70mm f/4L IS USM, Canon has now revealed what's destined to be its 'kit' lens. The newcomer is relatively compact in size to match the ethos of the 6D body design, but sports the company's premium 'L' series designation. However this comes with a price tag that's sure to make more than a few Canon users catch their breath - we've been told the the RRP will be $1499 / £1499.99 / €1459. What remains to be seen, though, is how much it will cost in a kit with the 6D body.
The 24-70mm f/4 includes one relatively unusual feature - a macro mode offering up to 0.7x magnification, which is accessed by pulling forward the zoom lock switch and rotating the zoom ring past the 70mm mark. This is complemented by Canon's 'Hybrid IS' that's specifically designed to give better performance for close-up work than conventional IS systems (which tend to be ineffective for macro work). Overall this should add useful extra capability compared to most other standard zooms.
Aside from that, the specification is much as we'd expect from a premium Canon optic. The lens is dust- and splash-resistant, including a rubber seal around the mount. It incorporates a ring-type ultrasonic motor for fast, silent autofocusing, and offers full-time manual focus. The aperture uses a nine-bladed circular iris for attractive rendition of blurred backgrounds, and the front element has a fingerprint-resistant 'fluorine' coating. On paper at least, this all looks like an attractive package.
- 24-70mm focal length; constant f/4 maximum aperture
- Macro mode with 0.7x magnification
- 'Hybrid IS' optical image stabilization - 4 stops for normal shooting, 2.5 stops for macro
- Dust- and splash-proof design
- EF mount for APS-C and full frame Canon SLRs (and EOS M via Mount adapter EF-EOS M)
Canon EF 24-70mm f/4L IS USM specifications
|Maximum format size||35mm full frame|
|35mm equivalent focal length (APS-C)||38-112mm|
|Diagonal angle of view||84° - 34°|
|Lens Construction|| • 15 elements in 12 groups
• 2 UD glass elements
|Number of diaphragm blades||9, rounded|
|Minimum focus|| • 0.38m / 1.2ft (normal)
• 0.20m / 0.7ft (macro)
|Maximum magnification||• Approx. 0.7x|
|AF motor type||• Ring-type Ultrasonic Motor|
|Zoom method||Rotary, extending barrel|
|Image stabilization|| • Hybrid IS
• 4 stops (normal shooting)
• 2.5 stops (macro mode)
|Filter thread|| • 77mm
• Does not rotate on focus
|Supplied accessories*|| • Front and rear caps
• EW-83L Lens hood
• LP1219 soft pouch
|Weight||600g (21.2 oz)|
|Dimensions|| 83.4mm diameter x 93mm length
(3.3 x 3.7 in)
|Lens Mount||Canon EF|
* Supplied accessories may differ in each country or area
|The Lone Photographer by ed rader|
from My Best Photo of the Week
|Neighbourhood Watch by Stevie Boy Blue|
from Zoo trip ~ Cute...
Voigtlander-Cosina has announced its eighth lens designed specifically for Sony's E-mount system. The 21mm F3.5 lens is due out October 2018.
Sony has taken the wraps off of its new 24mm F1.4 GM full-frame lens, which the company claims is the lightest in its class. Despite its fast aperture, the 24mm F1.4 is remarkably light, weighing just 445 grams (15.7 ounces). The lens will set you back $1400 when it ships next month.
In this episode of DPReview TV we take a look at Sony's brand new 24mm F1.4 GM lens, a desirable focal length for many photographers. How does it perform? Chris and Jordan give us their first impressions.
We've had a little time to shoot with Sony's new wide/fast prime, both close to home and on the water in San Francisco. Check out our initial sample images.
Fujifilm released a firmware upgrade for its X-T3 mirrorless camera that addresses issues with distortion compensation and the mechanical lock on SD cards.
The app's algorithms have been trained using using 200 million cropping data points from real photographers.
Thanks to a software update, the Loupedeck+ editing console can now be used for video editing.
British photographic engineer MTF Services is claiming the world’s first third-party lens adapters for the new Nikon Z system with a collection of four units designed to allow cinema lenses to be mounted on the mirrorless full frame bodies.
Think Tank Photo has updated its line of heavy-duty rain covers and introduced a new, compact version for emergency situations.
The X-T3 is our first opportunity to analyze what's likely to be Fujifilm's next generation image sensor. Take a look at how it performs next to the competition in our studio test scene.
Canon's new normal is seriously sharp wide open. After shooting with it for a few days, we've prepared a gallery of real-world sample images.
Nikon will cease offering Brazil-based customer service and technical support, though the company stresses that it will still offer technical assistance and warranty repairs for valid warranties.
Two years ago, CatLABS of JP announced a plan to save Packfilm from the dead. Now, it's announced it's giving up its efforts to better focus its resources elsewhere.
The GoPro Fusion is designed to make it easy to capture 360-degree video and stills. We took it out recently on a typically hot Seattle summer day to see what it can do.
We've got our hands on a full-production Nikon Z7 camera and have updated our gallery with additional samples.
A new Kickstarter campaign seeks funding for Chroma Chrono, a programmable RGB camera flash that emits multiple colors during long exposures.
Think Tank Photo has launched a new lineup of six dual-access, water-resistant protective lens cases it calls Lens Case Duo.
Canon and Nikon finally entered the full-frame mirrorless market this summer with the brand-new RF and Z mounts. Now that we've had some time with the cameras, we wanted to revisit our earlier predictions and take stock.
The devices' camera specs look pretty much identical to last year's iPhone X but under the hood a number of important improvements have been made.
Blackmagic Design has announced the public beta of its new Blackmagic RAW video codec. The company says the new format combines the benefits of shooting Raw video with the ease of use and smaller file sizes usually associated with non-Raw video files.
Serif, the company behind the Affinity suite, has announced the latest update for its mobile Photoshop competitor Affinity Photo for iPad.
The Atomos Ninja V external video recorder and monitor will be ready to ship at the end of this month. The 5.2in Ninja V is designed to provide a smaller option, while still offering many of the features of the larger 7-inch models.
Having shot with the camera, spoken to Canon and read the tea leaves, here's what DPR Technical Editor Richard Butler thinks the EOS R tells us about Canon and the RF's mount's future.
After last week's teaser, lighting manufacturer Profoto has announced its 'small big' new product. The B10 is designed to be used as studio flash head but in a very small body, and has a powerful continuous light source for videographers as well.
Konseen has launched Photo Studio, a new light box tent large enough to photograph people, as well as objects.
Seagate has introduced new high-capacity hard drives for Network Attached Storage (NAS) devices: the 14TB IronWolf and 14TB IronWolf Pro HDDs.
The case was first announced earlier this year as a Kickstarter campaign and comes with a range of features aimed at iPhone photographers.
Manfrotto has introduced a new two-in-one tripod to its Befree lineup. Called the Befree 2N1, this new addition is both a tripod and monopod in one and is available with both of Manfrotto's locking mechanisms.
This new high dynamic range editing software comes with an AI-powered Quantum HDR Engine for improved photo merging.