Canon EF 50mm F1.8 II review
The Canon EF 50mm F1.8 II is the least expensive lens currently available for the EOS system, and has been in the lineup since late 1990. It's a simplified version of the original EF 50mm F1.8 of 1987 (often referred to as the 'Mark I') which was supplied as standard with some of Canon's earliest 35mm EOS SLRs; however it can trace its lineage back a lot further than that, as the company has been making 50mm F1.8 standard lenses since 1959. Like its predecessor, it uses simple symmetric Gaussian optics with six elements in five groups, in a well-proven formula which is known to offer excellent correction of aberrations.
Although designed as a 'standard' lens for 35mm film, these days the 50mm F1.8 is far more likely to be seen doing service on APS-C format DSLRs, on which it behaves like a short telephoto portrait lens (80mm equivalent). With its remarkably low (sub-$100) price, it tends to attract the interest of Canon SLR users looking to start experimenting with fast lenses for low light and shallow depth of field work, or simply hoping to get sharper results than those which can be provided by the kit lens bundled with the camera body. It's also a potential option for those seeking a near-disposable lens to use in adverse conditions.
Of course this isn't the only lens of its focal length in Canon's lineup, and potential buyers will often also be tempted by the EF 50mm F1.4 USM which we reviewed recently, despite its significantly higher price tag. So the question we'll be asking in this review is whether the slower lens offers such compelling value for money that it's an unmissable bargain, or if instead the inevitable compromises involved in hitting such a low price point are too much to tolerate.
- 50mm focal length
- Fast F1.8 maximum aperture
Angle of view
The pictures below illustrate the angles of view on 35mm full frame and APS-C camera bodies:
|50mm (35mm full-frame)||50mm (APS-C; 80mm equivalent)|
Canon EF 50mm F1.8 II specifications
|Street price||• $90 (US)
• £90 (UK)
|Date introduced||December 1990|
|Maximum format size||35mm full frame|
|35mm equivalent focal length (APS-C)||80mm|
|Diagonal Angle of view (FF)||47º|
|Diagonal Angle of view (APS-C)||31º|
|Lens Construction||• 6 elements / 5 groups|
|Number of diaphragm blades||5|
|Minimum focus||0.45m (1.5 ft)|
|AF motor type||DC Micro Motor|
|Focus method||Unit focus|
|Image stabilization||• None|
|Filter thread||• 52mm
• Does not rotate on focus
|Supplied accessories||Front and rear caps|
|Optional accessories||ES-62 hood|
|Weight||130g (4.6 oz)|
|Dimensions||68.2mm diameter x 50.5mm length
(2.7 x 2.0 in)
|Lens Mount||Canon EF only|
* Supplied accessories may differ in each country or area
|Peruvian sweetness by VickyGo|
from street life
|Floating Dice by TX Photo Doc|
|Nautilus Sliced by Buzz Lightyear|
The Nikon Museum in Shinagawa, Tokyo has an exhibition showing off some of the most rare and unique prototype lenses Nikon ever developed.
VSCO has announced it will stop selling its film emulation presets for desktop programs March 1st, 2019.
On their latest models the two smartphone manufacturers have replaced the dreaded display notch by a design that features a circular hole for the front camera in the display.
With the latest version, Adobe Camera now lets you import Raw files from the newest iPhones, Pixel devices, the Samsung Galaxy Note 9 and Nikon Z6 among others.
The Nikon Z6 may not offer the incredible resolution of its sibling, the Z7, but its 24MP resolution is more than enough for most people, and the money saved can buy a lot of glass. Find out what's new and notable about the Z6 in our First Impressions Review.
Sigma says its 70-200mm F2.8 DG OS HSM Sport lens is set to hit shelves by the end of December 2018 at a retail price of $1,499.
DxO PhotoLab 2.1 brings a collection of new features to MacOS and Windows users alike.
The new 'Elegant' lens series includes entirely manual F2.4 lenses in 24mm, 35mm, 50mm, 75mm and 90mm focal lengths.
A feature alerts pilots visually and/or verbally when their drone is approaching airspace that is unsafe or areas where drone flying is not permitted.
GoPro announced Monday morning that it plans to move production of United States-bound cameras out of China, citing tariffs concerns.
The Sigma 56mm F1.4 combines a sensible sub-$500 price tag and excellent performance, providing a portrait-friendly 85mm equiv. view on Sony's APS-C mirrorless cameras.
Azriel Knight of the YouTube channel This Old Camera explains the history of DX encoding.
The 250mm F4 is Fujifilm's longest lens for its medium-format system. It's equivalent to about 200mm on a GFX camera, and we put it to work on some portraits as well as some scenes around Seattle's waterfront – take a look.
Sony has removed the ability to download firmware version 2.0 for its a7 III and a7R III mirrorless cameras from its website.
Handing out awards for the best gear of the year is a big job, so we called in some reinforcements from Calgary to help us.
A new patent from Canon lays out the schematics for a speedbooster-style adapter for mounting Canon EF lenses onto EOS M cameras, but with a variable baffle to reduce the risk of flare.
The Jackson Hole Travel and Tourism Board has started a campaign asking visitors to stop geotagging their specific locations when visiting Wyoming's national parks.
Film simulation app Filmborn has been updated with new presets, features, and overall improved support on Apple's latest mobile operating system and devices.
The Colorado Tripod Company has introduced what it claims is the world’s first titanium tripod system, with a funding campaign on Kickstarter.
We've been shooting with the LX100 II both in and out of the studio, as part of our ongoing review. We're pretty impressed, so far, with the revised JPEG color and addition of a touchscreen both noticeable improvements.
An upcoming Xiaomi smartphone might use a 48MP sensor for pixel-binning, high-quality digital zooming and other algorithm-powered imaging features.
It's not cheap, but you may soon be able to get your hands on peel apart film once again thanks to ONE INSTANT.
Skylum's Luminar 3 arrives on December 18 with the long-awaited ability to manage your photo library. However, it won't be a full DAM (digital asset manager); the company plans to roll out features throughout 2019 and won't charge for updates from Luminar 2018 during that time.
Hasselblad has released an update to its Phocus post-production software that brings new and updated tools, as well as updated native lens support.
Nikon's IPTC Preset Manager, a tool for creating predetermined sets of metadata, has received an update. Version 1.1.0 no longer uses Microsoft Silverlight, sheds the network connection requirement, adds extended language support, updates support for Windows 8.1 and Windows 10, and ends support for Windows Vista and Windows XP.
Insta360 has launched a software update for its One X 360-degree camera and announced a camera bundle exclusively available on Apple.com.
Xiaomi has laid out the details for its new AI-powered image processing platform DeepExposure.
The Qualcomm Snapdragon 855 chipset is expected to power most 2019 high-end Android phones, including the Samsung Galaxy S10.
Camera app developer Hipstamatic says it has found a way to use the depth data generated by the iPhone X to improve the way its TinType app works out which areas of a picture to render out of focus.