Canon EF 100mm F2.8 L IS USM Macro Review
Back in July, Canon took the distinctly unusual step of announcing a new technological development completely in isolation from any products. The subject was a novel 'Hybrid' optical image stabilization system designed to compensate for two distinct types of camera shake. You can read more about it here, but in essence the stabilizer is different from existing systems, which only detect and correct for changes in the angle the lens is pointing, by also compensating for vertical and horizontal shifts in the position of the lens caused by handshake. This has little benefit at long focus distances, but as the subject gets closer it becomes progressively more important, and in principle offers maximum benefit for macro shooting.
In September the company duly introduced the first lens to feature this new technology, and to no great surprise it turned out to be a 100mm macro. The EF 100mm F2.8 L IS USM Macro joins Canon's impressive short-telephoto lineup as a supplement to (rather than a replacement for) the existing EF 100mm F2.8 USM Macro, and at a significantly higher price. Alongside the latest and greatest IS technology it gains all the usual benefits associated with the premium 'L' badge, including robust, weathersealed build and the use of exotic glass for the correction of aberrations. The optical construction is of 15 elements in 12 groups, including a single ultra-low dispersion glass element, and the 1:1 maximum magnification is achieved at a minimum focus distance of 0.3m.
Canon makes some quite specific claims for the effectiveness of its new IS system, and it's worth looking at these in detail. The stabilizer is supposed to give a 4 stop advantage at longer focus distances, dropping to 3 stops at 0.5x magnification and 2 stops at full 1x magnification. The first of these specs is pretty much par for the course for Canon's current IS lenses, but even with the Hybrid system it's clear that the level of stabilization at close distances is expected to be relatively low (this despite Canon's publicity material claiming that it 'enables photographers to capture stunning close-up shots without the need for a tripod'). So the question potential buyers will surely be asking is whether the blend of features offered by the new lens is sufficiently compelling to justify buying it over the older, but well-regarded non-stabilized 100mm macro.
- 100mm fixed focal length; F2.8 maximum aperture
- Macro focusing: 1:1 maximum magnification
- 'Hybrid' image stabilization system for increased effectiveness at close focus distances
- Canon EF mount for full-frame and APS-C DSLRs
Angle of view
The picture below illustrates the lens's angle of view on full frame and APS-C DSLRs (taken from our standard vantage point):
100mm (Full Frame)
100mm (APS-C; 160mm equivalent)
Canon EF 100mm F2.8 L IS USM Macro specifications
|Price|| US: $1050
|Date introduced||September 2009|
|Maximum format size||35mm full frame|
|35mm equivalent focal length (APS-C)||160mm|
|Diagonal angle of view (FF)||27°|
|Diagonal angle of view (APS-C)||17°|
|Lens Construction||• 15 elements / 12 groups
• 1 UD element
|Number of diaphragm blades||9, rounded|
|Minimum focus||• Full: 0.3m / 1.0ft
• Limit: 0.5m / 1.64ft
|AF motor type||• Ring-type Ultrasonic Motor
• Full time manual focus
|Image stabilization||• Hybrid IS
• 4 stops
• 3 stops at 0.5x magnification
• 2 stops at 1.0x magnification
|Filter thread||• 67mm
• Does not rotate on focus
|Supplied accessories*||• Front and rear caps
• ET-73 Lens hood
• Lens case LP1219
|Optional accessories||• Tripod Mount Ring D|
|Weight||625g (22 oz)|
|Dimensions||78mm diameter x 123mm length
(3.1 x 4.8 in)
|Lens Mount||Canon EF|
|Other||Supplies distance information to camera body|
* Supplied accessories may differ in each country or area
|Street Food 2017 by ziggyzag|
from Your City - Fast Food
|Running free by LassiM|
|1969 Oldsmobile 442 Resto-Mod by J Warren|
from O is for...
A report from the National Endowment for the Arts shows that photography and photo-finishing services contributed $10.2 billion to the US economy in 2015.
According to unnamed sources, Google will acquire Lytro's technology and patents, with Lytro employees already having left the company.
Our review of the Sony a7 III is well underway and, as part of this, we're publishing our studio test scene. We'll be building out the review in the coming weeks as we test and shoot the camera in a series of situations.
The new ExaDrive offers a three times higher capacity than the previous largest SSD, a 30TB model by Samsung.
A pair of images show what may be the upcoming DJI Phantom 5 drone featuring an interchangeable lens camera. While nothing is confirmed, it wouldn't be outside the realm of possibility given the company's recent experience with camera system development.
We were saddened to hear of the death last week of Chuck Westfall, a 35-year veteran of Canon USA, and a legend in the photography industry.
Nikon looks to be positioning its D850 as a serious video rig with today's announcement of its D850 Filmmaker's Kit. The kit includes the body, 20/35/85mm F1.8G lenses, an Atomos Ninja Flame external recorder, two microphones and an extra battery.
Photographers shopping around for Lightroom alternatives have likely encountered Alien Skin's Exposure X3. Here's an overview of its organization and editing controls, and how they differ from the competition.
Alien Skin has released a significant update for its Exposure X3 image editor, adding greater precision to adjustment tools and more printing capabilities, among other improvements.
The FAA has ordered helicopter pilots and operators to halt certain doors-off flights in the wake of a tragedy that killed five passengers.
Analysts TechInsights have torn down a Samsung Galaxy S9 Plus to have a closer look at the device's internal components and their cost.
Oppo's new high-end phones bear an uncanny resemblance to the iPhone X, with features like face unlock to a portrait lighting mode.
Recently we visited the 2018 CP+ show in Yokohama, Japan and as usual, we booked interviews with senior executives from several major manufacturers, including Sigma.
At this year's CP+ show in Yokohama, we sat down with senior executives from several major manufacturers, including Canon. Topics of conversation included Canon's ambitions for high-end mirrorless cameras, and the importance of responding to the demands of the smartphone generation.
We were recently able to follow local frame builder Max Kullaway as he created one of his AirLandSea bikes. Here are our picks of the photos we got, as the project progressed from bare tubes all the way to rideable bicycle.
On paper, the Sony a7 III is a tempting option for photographers who've been considering a switch to full-frame mirrorless. But how does its image quality stack up? We compare it to the Mark II and a few of its other peers.
Erez Marom shares the details behind this beautiful aurora photograph, captured on Haukland Beach in the Lofoten Islands, Arctic Norway, on a moonless evening.
Google Lens uses artificial intelligence and 'computer vision' to identify and provide information about businesses, landmarks and other objects using your phone's camera. And now it's available for iPhone users, too.
The company posted a record quarterly revenue of $2.08 billion for the first quarter of the 2018 fiscal year. That represents incredibly healthy year-over-year growth of 24 percent.
In the job posting, the Times' describes this role as "one of the most important and high-profile jobs in visual journalism." If you're looking for a high profile job in photojournalism, you could do a lot worse than being Photo Director at The Gray Lady.
According to a recent report out of South Korea, Samsung is increasing production of its ISOCELL image sensors in a bid towards market leadership for image sensors. To reach this goal, Samsung will have to dethrone current market leader Sony... no small task.
In this video, large format photographer Ben Horne shows off the incredible resolving power of 8x10 slide film by pixel peeping a massive 709.6-megapixel drum scan of one of his landscape shots. And you thought 100MP medium format was big...
Photographer Wendy Teal tells the heart-breaking story of a wedding she shot at a hospital on just 24-hours notice. The mother of the bride had been given one week to live, and Wendy responded to the couple's desperate social media plea for someone to capture their special day.
This tiny little plug-and-play VR/AR camera for Android phones uses a pair of greater-than-180° FOV fisheye lenses to offer both 360° video/photo capture and 360° livestreaming at 1440p resolution.
Syrp has announced the Magic Carpet Pro: a slider that offers filmmakers an 'infinitely extendable' range thanks to built-in track levers that let you connect lengths of track without the use of tools.
At CP+ we sat down with executives from several major manufacturers. Among them was Kenji Tanaka, of Sony, who talked to us about the a7 III as well as its plans to attract more pro shooters – without ignoring APS-C and entry-level customers.
How do you shoot macro photography on an 18x24cm large format wet plate camera? You 'connect' two large format cameras together! That's how wet plate photographer Markus Hofstaetter did it, and you can read about the whole process in this article.
The Fujifilm X-H1 is a top-of-the-range 24MP mirrorless camera with in-body stabilization and the company's most advanced array of video capabilities. We've tested the X-T2's big brother extensively to see how it performs.
Motorsports photojournalist Jamey Price recently flew to Canada with Lamborghini for the car company's Winter Accademia 2018, where clients get to drive the latest Lamborghini supercars on snow and ice. Yes... it is exactly as awesome as it sounds.
For the Pixel 2 smartphone's Motion Photos feature, Google built on its existing Motion Stills technology by adding advanced stabilization that combines software and hardware capabilities to optimize trimming and stabilization.