Canon EF 100mm F2.8 L IS USM Macro Review
Back in July, Canon took the distinctly unusual step of announcing a new technological development completely in isolation from any products. The subject was a novel 'Hybrid' optical image stabilization system designed to compensate for two distinct types of camera shake. You can read more about it here, but in essence the stabilizer is different from existing systems, which only detect and correct for changes in the angle the lens is pointing, by also compensating for vertical and horizontal shifts in the position of the lens caused by handshake. This has little benefit at long focus distances, but as the subject gets closer it becomes progressively more important, and in principle offers maximum benefit for macro shooting.
In September the company duly introduced the first lens to feature this new technology, and to no great surprise it turned out to be a 100mm macro. The EF 100mm F2.8 L IS USM Macro joins Canon's impressive short-telephoto lineup as a supplement to (rather than a replacement for) the existing EF 100mm F2.8 USM Macro, and at a significantly higher price. Alongside the latest and greatest IS technology it gains all the usual benefits associated with the premium 'L' badge, including robust, weathersealed build and the use of exotic glass for the correction of aberrations. The optical construction is of 15 elements in 12 groups, including a single ultra-low dispersion glass element, and the 1:1 maximum magnification is achieved at a minimum focus distance of 0.3m.
Canon makes some quite specific claims for the effectiveness of its new IS system, and it's worth looking at these in detail. The stabilizer is supposed to give a 4 stop advantage at longer focus distances, dropping to 3 stops at 0.5x magnification and 2 stops at full 1x magnification. The first of these specs is pretty much par for the course for Canon's current IS lenses, but even with the Hybrid system it's clear that the level of stabilization at close distances is expected to be relatively low (this despite Canon's publicity material claiming that it 'enables photographers to capture stunning close-up shots without the need for a tripod'). So the question potential buyers will surely be asking is whether the blend of features offered by the new lens is sufficiently compelling to justify buying it over the older, but well-regarded non-stabilized 100mm macro.
- 100mm fixed focal length; F2.8 maximum aperture
- Macro focusing: 1:1 maximum magnification
- 'Hybrid' image stabilization system for increased effectiveness at close focus distances
- Canon EF mount for full-frame and APS-C DSLRs
Angle of view
The picture below illustrates the lens's angle of view on full frame and APS-C DSLRs (taken from our standard vantage point):
100mm (Full Frame)
100mm (APS-C; 160mm equivalent)
Canon EF 100mm F2.8 L IS USM Macro specifications
|Price|| US: $1050
|Date introduced||September 2009|
|Maximum format size||35mm full frame|
|35mm equivalent focal length (APS-C)||160mm|
|Diagonal angle of view (FF)||27°|
|Diagonal angle of view (APS-C)||17°|
|Lens Construction||• 15 elements / 12 groups
• 1 UD element
|Number of diaphragm blades||9, rounded|
|Minimum focus||• Full: 0.3m / 1.0ft
• Limit: 0.5m / 1.64ft
|AF motor type||• Ring-type Ultrasonic Motor
• Full time manual focus
|Image stabilization||• Hybrid IS
• 4 stops
• 3 stops at 0.5x magnification
• 2 stops at 1.0x magnification
|Filter thread||• 67mm
• Does not rotate on focus
|Supplied accessories*||• Front and rear caps
• ET-73 Lens hood
• Lens case LP1219
|Optional accessories||• Tripod Mount Ring D|
|Weight||625g (22 oz)|
|Dimensions||78mm diameter x 123mm length
(3.1 x 4.8 in)
|Lens Mount||Canon EF|
|Other||Supplies distance information to camera body|
* Supplied accessories may differ in each country or area
YouTube channel Filmmaker IQ has put together a very interesting, technically detailed, and scientifically accurate description of exactly how various image sensors (and photographic film) work. One of the best overview videos we've seen.
In Part 1 of his series on photographing Greenland in winter, landscape photographer Erez Marom shares the freezing details of his arrival on the town of Uummannaq where the temperature was -25°C. Still, he went out shooting.
SmugMug has acquired struggling photography site Flickr for an undisclosed sum, with CEO Don MacAskill promising to give the neglected photo sharing service 'the resources that it deserves'.
The APO-Makro-Plasmat 105mm F2.7 is Meyer Optik's latest Kickstarter lens revival, and it promises "natural sharpness, unbelievable color reproduction, and a glowing bokeh united at every step of the aperture" ... whatever that means.
The update also comes with "post-scan cloud processing," which allows you to render 3D models with 4K resolution textures for better detail and realism.
Chinese accessories brand Meike has announced it will introduce an 85mm F1.8 lens for Canon and Nikon full frame DSLRs that will feature autofocus. This will be the company’s first AF lens.
The World Photo Organization has finally revealed the overall winners for the 2018 Sony World Photography Awards, including the coveted Photographer of the Year, Open Photographer of the Year, Youth Photographer of the Year, and Student Photographer of the Year winners.
Venus Optics has unveiled four new lenses that will ship later this year: a wide-angle zoom for Sony FE, a circular fisheye for Micro Four Thirds, a wide-angle lens for the medium format Fujifilm GFX, and a 2x Ultra Macro for multiple full-frame mounts.
The One Backpack is a 5-in-1 modular backpack that can be used as a camera bag, work & gym pack, suit carry backpack, travel pack or tech-backpack.
This highly-specialized lens is perfect for sports, action and wildlife photography. Check out these first sample images for a taste of what it's capable of.
For KFC Hong Kong’s latest ad campaign, New York City-based advertising agency Ogilvy and Mather used Photoshop to magically morph pieces of flaky fried chicken into fire and smoke in various scenes.
The Android and iOS app from Surpuba AR lets you place animated 3D models in real-world environment using augmented reality technology. You can alter poses and location, insert lighting equipment, and more... right from your phone or tablet.
Under the agreement, the two companies will work together to develop Oppo's smartphone camera roadmap, covering optical zoom, depth mapping and other innovative imaging features that dual cameras allow.
Canon is jumping into the portable printing game with the new IVY Mini Photo Printer: a rechargeable battery-powered printer for creating 2x3 prints and stickers of your smartphone snaps on-the-go.
The program first launched last year, but only as a temporary promotion limited to previous-generation GoPro cameras exchanged for discounts on current-generation models. This time around, GoPro is accepting nearly any digital camera in any condition.
One of the most usable 360° cameras on the market is getting even better. With its latest update, Rylo adds a 180° mode, bluetooth remote capture, and a cinematic motion blur effect for your timelapse shots.
Phase One has released the first major update to its Capture One Pro 11 photo editing program. The update adds support for 8 new cameras and 16 new lenses, and includes several new features and functional improvements that speed up workflow.
We recently got our hands on Samsung's latest and greatest smartphone, the dual camera, variable aperture Galaxy S9+, and took it to mostly sunny Southern California for a long weekend.
It's spring, and that means wedding season is upon us! If you're one of the many photographers planning wedding shoots this year, this is a great time to think about including aerial photography in your plans.
The first firmware update for the Sony a7 III addresses an issue in video mode wherein "blinking pixels" would show up along the base of footage recorded with certain settings.
Researchers with Switzerland's EPFL have developed a soft exoskeleton that enables its wearer to control a drone using their upper body. The human-robot interface is said to offer "natural and intuitive control of drones."
Photokina has released an official list of confirmed exhibitors for the 2018 expo, quieting rumors that major brands like Canon and Profoto might follow in Elinchrom's lead and skip this year's show.
For owners of Sony's a7R III, a9 and the new a7 III, there's now an easy fix for the rare but dreaded 'striping' in backlit shots with lots of flare. Click through to learn more.
The team behind the ubiquitous JPEG format has unveiled an all new image format designed to quickly and efficiently stream content across wired and wireless networks alike. Surprisingly, it actually uses less compression than traditional JPEG.
Canon USA has released a promotional video showcasing its latest CMOS sensor technology. Albeit over daraticized, it’s an interesting overlook at the work it’s continually putting into its camera systems.
The large-format digital LargeSense LS911 is the "world's first 8x10 digital single shot camera for sale." The camera features a 12-megapixel 9x11-inch monochrome CMOS sensor, which translates into massive 75 micron pixels.
Pricing and availability have been announced for Tokina's high-end Fírin 20mm F2 FE AF autofocus lens for Sony E-Mount. If you're curious about this lens, you'll be able to pick up your own starting in June for $950 USD.
It's the copyright lawsuit that refuses to die. In September 2017, PETA finally settled its monkey selfie lawsuit with photographer David Slater, but the request to dismiss the case has since been rejected by the Ninth Circuit Court of Appeals.
As part of his ongoing ‘Good Light’ YouTube series, London-based photographer Sean Tucker has created a simple tutorial on how to find good natural light for portraits.
The 2018 Pulitzer Prizes were announced yesterday, with the photography awards going to photojournalist Ryan Kelly for image of a car plowing into protesters in Virginia, and the entire Reuters photo staff for a series on Rohinga refugees fleeing persecution.