|I own it||I want it||I had it|
Although at first sight the K-5 is virtually indistinguishable from its predecessor the K-7, there is more novelty to be found 'under the hood'. Arguably the most notable new component is the 16.3 megapixel CMOS sensor. It brings with it a higher maximum sensitivity (ISO 51200 in expanded mode, the highest on a APS-C camera so far), faster continuous shooting (7.0 fps vs the K-7's 5.2) and a 1080p full HD video mode.
|Body type||Mid-size SLR|
|Max resolution||4928 x 3264|
|Effective pixels||16 megapixels|
|Sensor size||APS-C (23.7 x 15.7 mm)|
|ISO||Auto, 100 to 12800, in 1, 1/2, 1/3 EV steps (80 to 51200 Extended)|
|Lens mount||Pentax KAF2|
|Focal length mult.||1.5×|
|Max shutter speed||1/8000 sec|
|USB||USB 2.0 (480 Mbit/sec)|
|Weight (inc. batteries)||740 g (1.63 lb / 26.10 oz)|
|Dimensions||131 x 97 x 73 mm (5.16 x 3.82 x 2.87″)|
The Pentax K-5's compact, solid body, generally well thought-out ergonomics, comprehensive feature set, and excellent image quality, in both still and movie modes make it one of the best APS-C DSLRs currently on the market.
Good for: enthusiast photographers who need a rugged body and and great low light performance.
Not so good for: shooters who need the quickest possible access to movie mode.
|Fascia walkie talkie building London by ian herridge|
from Abstract Architecture
|Global Reach by cjf2|