Fujifilm FinePix S1 Overview
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| I own it | I want it | I had it |
Manufacturer description: The FinePix S1 is the world’s first “weather resistant” super zoom bridge camera and provides protection against rain and dust. The S1 features a 16MP CMOS sensor, and a bright 50x super zoom 24-1200mm F2.8-5.6 lens with ultra-fast zoom speed and 2x Intelligent Digital Zoom up to 100x. The high resolution and contrast Vari-Angle 3” LCD (920K dot) makes it easy to frame shots from any angle, and the 0.2” EVF (920K dot) is great for difficult shooting conditions. One-touch WiFi connectivity lets you easily share images to your smartphone or tablet – pictures that these devices cannot capture - and remote shooting via smartphone or tablet using the Fujifilm Camera Remote app for unique capture opportunities.
| Body type | SLR-like (bridge) |
|---|---|
| Max resolution | 4608 x 3456 |
| Effective pixels | 16 megapixels |
| Sensor size | 1/2.3" (6.17 x 4.55 mm) |
| Sensor type | BSI-CMOS |
| ISO | Auto, 100 - 12800 |
| Focal length (equiv.) | 24–1200 mm |
| Max aperture | F2.8–5.6 |
| Articulated LCD | Fully articulated |
| Screen size | 3″ |
| Screen dots | 920,000 |
| Max shutter speed | 1/2000 sec |
| Format | H.264 |
| Storage types | SC/SDHC/SDXC, Internal |
| USB | USB 2.0 (480 Mbit/sec) |
| Weight (inc. batteries) | 680 g (1.50 lb / 23.99 oz) |
| Dimensions | 133 x 91 x 110 mm (5.24 x 3.58 x 4.33″) |
| GPS | Optional |
The FinePix S1 is the only weather-sealed superzoom on the market, and it indeed feels better than its competitors. For the more enthusiast crowd it offers Raw support as well as a hot shoe. The camera performs well in most respects, most notably when focusing, and the lens is better-than-average. Unfortunately there are quite a few negatives: image quality is sub-par, video recording is fully automatic, and the electronic viewfinder is not great.
Good for: Outdoorsy people and those who want to maximize image quality via Raw.
Not so good for: Video shooters and those who desire best image quality straight out of the camera.
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