Canon EF 16-35mm f/2.8L II USM
Announced Feb 22, 2007 •
Wideangle zoom lens | Canon EF | 1910B002
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By: BescPhoto (1 month ago)
Posted to: Sony Alpha Full Frame E-mount Talk
I normally shoot shows with a 28 f2 which has worked great as I've started out but I have recently been looking to upgrade. I just shot a concert tonight with a Metabones IV and a Canon 16-35 f2.8. I had some issues with it and was not impressed but have only heard good things so I'm wondering if I may have done something wrong. I updated the firmware. In some of my shots I had some weird horizontal lines popping up. Especially in the lighting/fog. Also, focusing was very difficult with MF....
Everything I've read so far says that the 4L is sharper - both at bigger apertures and in the corners. 1. Which one is sharper at f 8,11,16? 2. Excuse the amateur question, but what reasons could possibly make me want the 2.8L II over the 4L? My primary intention here is landscapes. Astro isn't of any concern. Thank you.
By: Sebastian Tombs (Jul 19, 2016)
Dear all, I got back into photography after a ten-year hiatus and I am rebuilding my kit. I bought a Canon 5D Mark III and the lens I have dreamed of owning since at least 2001, the 16-35/2.8 USM. My interest lies in doing journalistic work and I love the aesthetics of close-quarters photography, which I came to appreciate first with the work of the founders of VII agency. On the list for the future is the 70-200/2.8 IS USM as a must-have lens for reportage. My dilemma lies in what to get as...
Hello guys , i will be shooting a wedding this month with my friend. I will shooting the tradition part and the stage photos while he will be clicking candid shots. I will be using a 5D Mk iii. I don't understand which lens should i use which will cover both my needs of group photos and nice depth to traditional photos. I'm thinking between canon 24-70 f2.8 and canon 16-35 f2.8. you suggestions and comments on what will be the right choice for me and yes even some other lens will do. Thank you
Hello everyone. Apologies for what is probably a dumb and over asked question..... I'm wanting to get a good quality wide angle. I currently use a 6D but will be upgrading soon to either a 5DSR or possibly a 5D mk IV (whenever it is eventually released etc...) I mistakenly bought a Sigma 12-24 mk ii a month or so ago (I say mistakenly, because I bought it online from Amazon when a little merry after a few glasses of wine). This Sigma, is both too wide for my liking and doesn't produce good...
Hello All, I am currently looking to upgrade my lens Canon EF-S 10-22mm f/3.5-4.5 USM to either: - Canon EF 24-70mm f/2.8L II USM - Canon EF 16-35mm f/2.8L II USM - Canon EF 17-40mm f/4.0L USM Will be using this lens for Landscape and Night Photography, well basically anytime I go out of town, I shall carry this lens. Currently I try to learn more into Night Photography. I did try those three lenses and must say, am getting really confused as am happy with all the results. Therefore I would...
Hi everyone - just wanted to let you know (after the fantastic advice from this forum) that I ended up getting the 5d3 + 24-70mm f/2.8 II USM IS + 70-300mm f/4 - 5.6L IS USM + 16-35mm f2.8 Mark II USM and have travelled extensively with the 1st 2 lenses and handled it fine ! I love the sharpness of the 24-70mm and the 70-300mm has been on my camera ALOT ! Even tho the reach for Africa may have been lacking - but thats OK as I knew that would be the case ! In found in Africa I was taking so...
By: Yousef Abuaisheh (Jan 28, 2015)
Posted to: Canon EOS-1D / 5D / 6D Talk
implanning to buy a tripod for my photography...and too do a bit of videos on occasions........i hav spotted to tripods one with with a ball head and the other with both a ball and pan head...thy are dolica and ravelli respectively.....im quiet bit confused to go with ravelli as im not aware of tat brand before.......but dolica i hav seen their camera bags which are really awesome......... My question is tat whether can i go with tat Ravelli tripod of 65" or shal but another tripod some some...
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