The Sony SLT-A65 was launched alongside the SLT-A77 - the long-awaited replacement for the DSLR-A700. Although somewhat overshadowed by its higher-end stablemate at the time of its launch, the cheaper SLT-A65 has more mass-market potential and we believe there's every chance it's the A65 that will have the greater long-term impact. The A65 lacks the A77's magnesium alloy construction and new AF sensor (it uses the same 15-point AF sensor that we saw in the original SLT-A55). It also does without the A77's top-plate LCD, rear control dial and uses a simpler hinge mechanism for the rear display, but importantly, it is built around the same 24MP APS-C CMOS sensor and the same 2.4M dot OLED viewfinder.
Overall the Sony SLT-A65 is an exceptionally well specified camera not only considering its class, but the consumer-level DSLR field as a whole. Quite apart from its 24MP sensor, the A65's OLED EVF, full-time live view system and 10fps continuous shooting mode are unmatched by its more conventional DSLR peers, and when you add the well thought-out ergonomics to that formula you end up with a camera that deserves both your attention, and our highest award.
|Body type||Compact SLR|
|Max resolution||6000 x 4000|
|Effective pixels||24 megapixels|
|Sensor size||APS-C (23.5 x 15.6 mm)|
|ISO||Auto, 100, 200, 400, 800, 1600, 3200, 6400, 12800, (25600 with boost)|
|Lens mount||Sony/Minolta Alpha|
|Focal length mult.||1.5×|
|Articulated LCD||Fully articulated|
|Max shutter speed||1/4000 sec|
|Format||MPEG-4, AVCHD, H.264|
|Storage types||SD/SDHC/SDXC/Memory Stick Pro Duo/ Pro-HG Duo|
|USB||USB 2.0 (480 Mbit/sec)|
|Weight (inc. batteries)||622 g (1.37 lb / 21.94 oz)|
|Dimensions||132 x 97 x 81 mm (5.2 x 3.82 x 3.19″)|
The Sony SLT-A65 is an exceptionally well specified camera for its class. The 24 MP CMOS sensor, the OLED EVF and the 10 fps continuous mode are real stand-out features in the mid-level bracket of the market. Add the well thought-out ergonomics to that and you got yourself a camera that is a pleasure and fun to use in almost any shooting situation.
Good for: Feature-lovers and photographers on a budget who want maximum pixel count
Not so good for: Traditionalists and pixel peepers
|Antz by Deadfisheye|
from Animated Film Title
|The Ladder - Fort Worth Museum of Modern Art by RJD13|
from Lookin' Up!