The Nikon D800E, at low ISOs and optimum lens apertures, offers slightly higher resolution than its less expensive sibling, the D800. Its raw files respond impressively to a moderately aggressive sharpening routine, while avoiding visible artifacts. As with the D800, it offers the (somewhat clunky) option to output uncompressed video, but is noticeably susceptible to color moiré in video mode.
Photographers with medium format experience and expectations who place a premium on obtaining the highest resolution currently available in a 35mm form factor camera. Videographers who can make use of uncompressed video.
Professional sports shooters who demand faster frame rates. Videographers for whom moiré removal in post is not a viable option.
- Canon EOS M58.8%
- Panasonic G85/G803.3%
- Panasonic FZ2500/FZ20001.9%
- Panasonic LX10/LX151.2%
- Panasonic GH5 development3.6%
- Sony a99 II15.9%
- Nikon KeyMission 170 and 801.0%
- Fujifilm GFX 50S development28.3%
- Olympus E-M1 II development18.7%
- Olympus E-PL80.1%
- Olympus 25mm F1.2 Pro1.5%
- Olympus 12-100mm F4 IS Pro1.9%
- Olympus 30mm F3.5 Macro0.1%
- Sigma 85mm F1.4 Art3.6%
- Sigma 12-24mm F4 Art2.6%
- Sigma 500mm F4 DG OS HSM Sport2.4%
- YI M12.2%
- GoPro Hero50.8%
- GoPro Karma drone2.2%
|Flower in flower by atdigit|
from Random Items Challenge 26
|Surface tension by atdigit|
from Right in the middle
|A Normal Dat at Thomas's Clap 2016-9379 by Andrew Maltzoff|
from Show us SCHOOL!