Handy Photo offers editing tools with complex controls. The Magic Crop tool extends your image with a quick swipe, you can see it filling in the black space above. The tool seemed to work fairly well for uncomplicated portions of the scene above, such as the sand and sky, but had a harder time with the palm trees at the top of the image.
Released yesterday, Handy Photo offers some heavy duty editing features for mobile devices.
During our quick play with the app we were impressed by the Magic Crop tool which easily allows you to expand an image, increasing your background in any direction with the swipe of a finger. The same tool also allows for straightening of a horizon line without reducing image size as the Magic Crop tool fills in parts of the background that would have been cropped out.
The Magic Crop tool lets you adjust a horizon line by rotating your image, and automatically fills in portions of the image that would be cropped by copying the nearby pixel patterns.
We also appreciated that the Clone Stamp tool gives significant control over the stamp pattern, smoothness, size and more. Handy Photo also lists the history of all your changes as you make them, allowing you to selectively go back in time in much the same way as you would use the history window in Photoshop.
There's plenty more tools we're eager to explore, including the app's Retouch and Move Me tools; we look forward to putting Handy Photo through further testing.
Handy Photo is now available for both Android and iOS for $1.99.
I checked out this app after seeing this post. I really didn't want to buy yet another redundant app, but the demo video looked promising.
Have to give it up for this app. What it does, it does better than any other app I have. It beats Touch ReTouch and Anti-Crop as well.
Would like to use my own textures, and some layer functions would be nice. Other than that, I think this is now one of my top 3 editing apps. I tested it out on an iPad and haven't tried the iPhone version yet.
I don't understand this comment. It's an app, and an interesting one, which is why we are covering it here. Nobody claims it's a Photoshop replacement but it does some things really well and actually quicker than you could do them in a desktop application...and while you're out and about. is that a bad thing?
No, being able to snap a shot on your phone and then edit it on a 4.5" screen is not a "bad" thing. It just seems that there is an endless number of these apps... and again that's not a bad thing either because choice is very valuable (since this one is getting horrific, bug-filled reviews so far). I just happen to see humor in all the efforts put into these post processing progs, when you're using a tool that has a small, fixed, wide angle lens.... no control over aperture (or most other things)... and moves every time you push the shutter button. ;)
I realize filters are there to cover up for the fact that a shot is blurry, boring, or poorly exposed... and did I say blurry?.... but this is more than just filters. It seems many of these programs are designed solely to help you get past (cover up) the fact that you're using a cameraphone.
(edit: reviews on Google Play, wouldn't know about Apple)
I currently shoot with a Nikon D700, a Sony RX100, and a recently acquired iPhone 5. Until I began using some of the apps for iPhone, I held the whole cellphone app thing in contempt just as you do, but... I have found that the iPhone really is capable of great photos and in combination with apps such as Hipstamatic, many creative doors can be opened. Plus - I am having more fun with photography than I have ever had!
@Wingnut I don't mean it to come off as "contempt", I just don't see it as a great tool creating great images. I know... so why comment on "Connect" then, right? lol. I see these headlines when I'm in the Camera portion of DPR and I sometimes click on them.
If it's fun, then by all means let's support it. But we see so many stories here of someone "shooting 50 weddings with their phone!"... "photojournalist uses camera phone!"... as if this is some groundbreaking, state of the art technology. I hate using my phone and my camera is excellent (along with my 5" 1080p 441 pixels per inch screen... perfect for those that like phonetography).
@ Matt All those do is reinforce my comments about filters.
I don't use Presets, but the answer to that is no... filters aren't much different.
What IS different is the amount of detail, color spectrum, DR, control of DOF, Shutter speed, ISO, etc, etc.
The first link, girl on the broom, is a nice shot, and the only one that isn't obviously taken with a phone, aside from the lack of details below her. The water landscape is ok... and the blurry water looks nice (luckily), because you had no choice. But the middle shot of the water/hand is definitely filtered. Or else it's just washed out and has that odd, faded, vertical banding.
Composition is one thing, you can compose using a camera, a phone, canvas or a stone & chisel. People with a good eye can take good pics with anything. Like this woman: http://instagram.com/marielleg/
But if you wanted to control your depth of field, show more detail in things like water or darker areas, or enlarge any of your shots to a 24x36 wall mount.... now what?
Thanks for taking the time to reply. The shot of the water on the hand isn't filtered, but I did use Photoshop Touch to increase the mid-tones a lot. It was a really dark image using ISO of 50, & a shutter speed of nearly 10k. The white line is a lens flare/refraction from the sun.
Agree with you on the limitations of the phone completely. This year's mobile camera gen. is really improving on the last, & we can expect some great results as they encroach more into replacing the point & shooters.
My ears perked up, with your original comments about trying to make a phone, something that it isn't, & you're quite right. The phone isn't a camera, but, it's becoming one. There are many, unlike yourself, that believe it should be replacing (& already has) their point n shoot. Belief in change, regardless of restriction, is where we find innovation & fresh thought. I love to try to push the boandaries of mobile tech, just to see where it takes us, & I love my big lens cam too.
When the Fujifilm X-T2 arrived, it was more than just a modest upgrade to the already impressive X-T1. While the new X-T3 hasn't changed the overall design of the camera, this model is way more than an upgrade; rather, it's a quantum leap.
The Movie Maker is a compact, motorized slider designed for phones, action cams and small mirrorless cameras. We think it's a fun little kit and a good value proposition for the cost, provided you can work around a few of its weak points.
Nikon's Z7 is the first camera to use the all-new Z-mount, the company's first new full-frame mount since 1959. We've put together our first impressions based on quality shooting time with a pre-production camera - check out what we've found.
We got some hands-on time with a pre-production LX100 II to get a better feel for the improvements Panasonic's brought to the table. Here's a rundown of what's new – and what we think.
The instant camera market is heating up, and with four formats and 15+ cameras to choose from, we felt it was high time to examine them all and pick our favorite.
Whether you're hitting the beach in the Northern Hemisphere or the ski slopes in the Southern, a rugged compact camera makes a great companion. In this buying guide we've taken a look at seven current models and chosen our favorites.
What's the best camera for a parent? The best cameras for shooting kids and family must have fast autofocus, good low-light image quality and great video. In this buying guide we've rounded-up several great cameras for parents, and recommended the best.
What's the best camera for shooting landscapes? High resolution, weather-sealed bodies and wide dynamic range are all important. In this buying guide we've rounded-up several great cameras for shooting landscapes, and recommended the best.
What’s the best camera costing over $2000? The best high-end camera costing more than $2000 should have plenty of resolution, exceptional build quality, good 4K video capture and top-notch autofocus for advanced and professional users. In this buying guide we’ve rounded up all the current interchangeable lens cameras costing over $2000 and recommended the best.
Nikon's Sendai factory in the TÅhoku region North of Japan has been churning out cameras and lenses since 1971. We had the opportunity recently to visit Sendai during events to mark the launch of Nikon's new Z mount.
There's no mistaking the Nikon Coolpix P1000 – with a 24-3000mm equivalent zoom, it really is in a class of its own. It's a conspicuous-looking superzoom with one main job: getting you really close to far away subjects. We've put together a gallery showing the kind of results you can expect from it.
GoPro has announced its HERO7 camera lineup. The updated action cameras feature new HyperSmooth and TimeWarp modes, as well as improved video and photo specs.
The Sony 24mm F1.4 is the latest lens to join the company's premium G Master lineup. We've been shooting with one for a couple of days - here's what you need to know.
Camera bag manufacturer Lowepro has introduced mark II backpacks for its ProTactic AW range with models that are said to feature an improved handling experience as well as a collection of accessories that can be attached to the outside.
Canon has announced its latest superzoom camera, the PowerShot SX70 HS. Compared to the SX60 that came before it, the SX70 has the same lens but offers a higher resolution EVF, 4K video capture and support for Canon's new CR3 Raw format.
Sony has taken the wraps off of its new 24mm F1.4 GM full-frame lens, which the company claims is the lightest in its class. Despite its fast aperture, the 24mm F1.4 is remarkably light, weighing just 445 grams (15.7 ounces). The lens will set you back $1400 when it ships next month.
In this episode of DPReview TV we take a look at Sony's brand new 24mm F1.4 GM lens, a desirable focal length for many photographers. How does it perform? Chris and Jordan give us their first impressions.
We've had a little time to shoot with Sony's new wide/fast prime, both close to home and on the water in San Francisco. Check out our initial sample images.
Fujifilm released a firmware upgrade for its X-T3 mirrorless camera that addresses issues with distortion compensation and the mechanical lock on SD cards.
British photographic engineer MTF Services is claiming the world’s first third-party lens adapters for the new Nikon Z system with a collection of four units designed to allow cinema lenses to be mounted on the mirrorless full frame bodies.
The X-T3 is our first opportunity to analyze what's likely to be Fujifilm's next generation image sensor. Take a look at how it performs next to the competition in our studio test scene.
Nikon will cease offering Brazil-based customer service and technical support, though the company stresses that it will still offer technical assistance and warranty repairs for valid warranties.
Two years ago, CatLABS of JP announced a plan to save Packfilm from the dead. Now, it's announced it's giving up its efforts to better focus its resources elsewhere.
The GoPro Fusion is designed to make it easy to capture 360-degree video and stills. We took it out recently on a typically hot Seattle summer day to see what it can do.
Canon and Nikon finally entered the full-frame mirrorless market this summer with the brand-new RF and Z mounts. Now that we've had some time with the cameras, we wanted to revisit our earlier predictions and take stock.
Blackmagic Design has announced the public beta of its new Blackmagic RAW video codec. The company says the new format combines the benefits of shooting Raw video with the ease of use and smaller file sizes usually associated with non-Raw video files.
Comments