Whether you're filming a camera review or working on your latest vlog, one of the easiest ways to take your video to the next level is to have clever transitions. To help you do just that, Rachel and Daniel of Mango Street have created a video showcasing six in-camera video transitions you can do with little more than a bit of planning.
The video summarizes six different methods in just 120 seconds: through the door, back in shot, whip tilt up and down, below ground, strafe blocking and prism wipe. Each method is detailed with a how-to shot and and a final result shot to show both how to get it done and what the final result looks like.
At the end of the video, all of the techniques are put together to create a seamless flow of footage using all six methods. It's a short, simple video that manages to pack a punch in just under two minutes.
As noted by Mango Street in the description of the video, don't forget, 'focus on the story first. Transitions should only serve to enhance your story.'
It's the only camera with 4K 60p, with DPAF touch screen on the market. Huge chip too. Philip Bloom owns a 1DXII for "4K slo-mo, small size, and great colour SOOC"
I'd have to say these days, because of access (internet) and affordability (lower prices high quality), we tend to see content creation all looking very similar. These types of transitions are pretty much everywhere now just like in commercials the use of 80'/90's look and feel (vhs, 4:3) and ultra saturated colors (red and blue hard lights) are prevalent. It's just the nature of the business I guess. My recommendation as a professional will be to not follow the trends and try to use your time to come up with something new and refreshing (if you're concern is purely a visual language or aesthetic) or even better... just focus on the story you're trying to tell.
I liked this little tutorial. Got me thinking. Those of you complaining don’t have any experience. This was clever.
One upon a time, in a galaxy far far away.....
The director used the special effects generator to transition from scene to scene. It was a Panasonic switcher that just about every small TV station or producer owned. He even used the effects in order. Now, let me see if I can remember his name... oh ya, George Lucas and the film was Star Wars. The same effects have been used in each of the original series movies ever since.
Of course, the movies didn’t do well. It’s been over 40 years and the films are still watched millions of times each day.
Wow, useful, practical content on DPR - and related to video, to boot! What kind of cataclysm might this foretell? :D Seriously, thank you for the video. It’s good stuff for all of us who work with extremely limited resources.
Did you miss the gigantic gimbal? That, right there, is a much better argument for other systems than any sensor considerations. Plus, Canon’s DR is hardly the issue for video recording - it’s the awful crop and massive files in 4K that are troublesome.
I’m kinda new to video, so I find this stuff very helpful. It’s too bad people trash other people’s work. Remember Bambi? “If you can’t say something nice...” thank you for posting. Hope to see more. Gets my juices flowing.
or maybe you just satisfy with these simple overused cheap/amateurish shots
I expect dpreview share some real talents like Sam Kolder / Wolfcrow / Parker Walbeck who consistently give us true professional tips and ideas to our shots
These techniques were heavily used in Children of Men and Birdman. These techniques aren't amateurish just the way they were assembled in this cut was not the best. They were just grossly showing the technique but it's up to us viewers to use those techniques in more creative ways. Refer to the new Forever music video by ASAP Rocky. This technique is used pretty well in that video.
Well, let's say we are seeing things differently. Just because some films applied certain techniques in some shots doesn't mean it's not cliché and tiresome to watch at this moment of time. Film making and videography evolved so much in the past few years that these shots are really boring and look even cheaper day by day. If you find the video helpful and learn something from it, good for you then.
As a total newbie to video, this was very eye-opening.
I have neither the time nor the inclination to become a video pro, and I am quite certain that there are countless better tutorials for more professional techniques than this one. However, I think you'll find it difficult to find any tutorial that crams this much (albeit basic) useful advice in 120 seconds.
"Entry-level tutorials displaying a technique show a simplistic simplistic version and lack subtlety" News at 11.
Srsly. It's a 120 second video with six cut ideas, clearly made for complete amateurs. It's up to you to take these building blocks and make them into something good. All of these simplistic techniques have been successfully used in multimillion dollar productions to great effect.
Being cooped up inside doesn't mean you have to take a break from photography. If you've got negatives from way back when, what's the best software around to scan them? Check out our in-depth comparison to find out.
The Sony Alpha 1 is Sony's flagship mirrorless camera for, well, just about anything. With a 50MP sensor, it gives you tons of resolution, but it also lets you fire off burst images at 30 fps for fast action sports. Add in 8K video capture and you have a really impressive package.
The Tamron 17-70 F2.8 Di III-A VC RXD is a compact general-purpose lens for Sony's APS-C, E-mount mirrorless cameras. So how does it perform? Read our review to find out.
Sony's FE 35mm F1.4 GM is an impressively sharp and long-awaited pro-level 35mm optic for full-frame Sony E-mount cameras. It's well-built and is pretty compact, but it's still not quite perfect. Find out all the details in our field review.
The Sony a7S III is a 12MP full-frame camera primarily designed with video in mind. We take a look beyond the specs to see what it offers to filmmakers.
Although a lot of people only upload images to Instagram from their smartphones, the app is much more than just a mobile photography platform. In this guide we've chosen a selection of cameras that make it easy to shoot compelling lifestyle images, ideal for sharing on social media.
If you're looking for a high-quality camera, you don't need to spend a ton of cash, nor do you need to buy the latest and greatest new product on the market. In our latest buying guide we've selected some cameras that might be a bit older but still offer a lot of bang for the buck.
Whether you make a living out of taking professional portraits, or are the weekend warrior who knows their way around flashes and reflectors, you'll want a camera with high resolution, exceptional autofocus and a good selection of portrait prime lenses. Click through to see our picks.
What's the best camera for shooting landscapes? High resolution, weather-sealed bodies and wide dynamic range are all important. In this buying guide we've rounded-up several great cameras for shooting landscapes, and recommended the best.
What’s the best camera costing over $2500? The best high-end camera costing more than $2000 should have plenty of resolution, exceptional build quality, good 4K video capture and top-notch autofocus for advanced and professional users. In this buying guide we’ve rounded up all the current interchangeable lens cameras costing over $2500 and recommended the best.
Last week we published a video about the Blackmagic URSA Mini Pro 12K, and comments came swiftly. We heard your feedback and re-shot the episode to replace some questionable footage. Here's our new and improved version, with Jordan at the helm.
Following the success of the Pentax KP J Limited in 2019, the Japanese camera maker is back with a new J Limited product, this time in the form of the K-1 Mark II J Limited 01. The handcrafted camera is available in four colors and is currently available only in Japan.
FiLMiC, makers of apps including FiLMiC Pro, Double Take and Firstlight, has patented a new image rendering technology, Cubiform. The new tech uses color look-up tables to perform significantly faster editing and rendering.
Yasuhiro Osone, General Manager of the Product Planning Department at Sigma, revealed the news in a mirrorless lens development live stream shared earlier today.
Color slide film can produce images that are brighter and more vibrant than standard color print film, but with far less exposure latitude, there's little room for error. Here's everything you need to know about color slide film.
As we put the final wraps on our Nikon Z7 II review, we couldn't help but take it out for some neighborhood photos during some relatively rare Seattle snow – check out how it performs at ISO values high and low in our gallery update.
A few days after Sony Nordic revealed the details of the 2.00 firmware update for the Sony a7S III, the firmware update is now live and ready to download.
Billed by Sigma as 'a more compact but still high-performing alternative to the existing 24-70mm F2.8 DG DN | Art' its new 28-70mm F2.8 DG DN is indeed considerably smaller and lighter than it's 'Art' series contemporary. Click through for a closer look at Sigma's newest zoom lens.
The sensors in the Phase One XF IQ4 camera system is currently the largest medium-format digital camera sensor on the market, and we've just put the 150MP model in front of our studio test scene. Want detail? You've got it. Check out how our new reference camera fares.
Pentax has released updated versions of three of its prime lenses, adding improved coatings and a more rounded aperture diaphragm for smoother bokeh. The updated 31mm F1.8, 43mm F1.9 and 77mm F1.8 'Limited' lenses will be available in April.
NASA's Juno spacecraft has been orbiting Jupiter since 2016. A recent image captured by the spacecraft and processed by a citizen scientist gives us a beautiful look at the gas giant.
Last year, Isaac Lowe-Anker, younger brother of photographer Max Lowe graduated from college, but like a whole generation of students in 2020, his graduation was virtual. In this video, Max takes his brother on a celebratory road trip across the Olympic Peninsula.
The GN2 builds upon the foundation Samsung's GN1 sensor offers with new and improved features and capabilities thanks to its Dual Pixel Pro and Smart ISO Pro technologies.
The Sigma 28-70mm F2.8 DG DN is small, but how does it perform optically? Chris has the answers. Meanwhile, Jordan begins his stint filming episodes with the Pentax K-01. Let the fun begin.
The Sigma 28-70mm DG DN F2.8 is a compact standard zoom for full-frame L- and E-mount bodies. We've been shooting with the lens on the Panasonic Lumix DC-S1R so you can get a first look at its image quality.
Sigma has introduced its 28-70mm F2.8 DG DN Contemporary lens for L- and E- mount bodies. This small and light lens has numerous special glass elements, plus weather-sealing, and will be available in March for $899.
After landing on Mars on February 18, Perseverance has been busy. In addition to its first images, Perseverance has captured a 360° view of Mars using its pair of onboard 20MP Navcams.
Rode has released a new Wireless Go II kit, which comes with three units: a dual channel receiver and two transmitters. The updated kit features improved connectivity, onboard audio recording storage and more.
The Sony FX3 is a 'compact cinematography' camera built around a 12MP full-frame BSI CMOS sensor. It shares a lot in common with the a7S III, so what does it do to earn its place in Sony's 'Cinema Line?'
Sony has formally announced the much-leaked FX3 full-frame video camera. The FX3 marks the entry point to the Cinema Line of video cameras, and wears Alpha branding, setting it between the FX6 and the a7S III.
Following the launch of Sony's new Alpha 1 full-frame mirrorless interchangeable lens camera, we sat down (virtually) with Masaaki Oshima, Deputy Senior Manager of Sony's Camera division. Click through to read our in-depth interview.
An email sent by Sony Nordic to newsletter subscribers appears to have let the preverbal cat out of the bag — the a7S III will get Sony’s S-Cinetone color profile in a version 2.00 update.
Huawei's Mate X2 is the Chinese company's latest foldable phone. It incorporates a Leica-branded four camera array, complete with a macro and telephoto camera.
Laowa has expended the mirrorless camera mount options for two of its most popular manual primes: the Laowa 11mm F4.5 FF RL and the Laowa 65mm F2.8 2x Ultra-Macro APO.
Professional wildlife photographer and Olympus Visionary Scott Bourne is one of the best-known names in bird photography. In this interview, he explains his background, and what he thinks of the new M.Zuiko 150-400mm F4.5 TC1.25x IS PRO lens
As we press on with our full review, we've had a chance to shoot more with the Sony a1 and also process some of our Raw images to get an idea of just how much dynamic range it's capable of.
Hasselblad has launched a new video series, 'Hasselblad's Home,' offering a behind-the-scenes look at Hasselblad's headquarters and its products. The first episode focuses on the design philosophy of the X System.
Our intrepid DPRTV team up in Canada has been braving the freezing conditions to bring us a gallery of images from the new Panasonic S 70-300mm F4.5-5.6 Macro OIS. Click through to see how they got on.
The Perseverance rover has successfully landed on Mars. The rover is in Jezero Crater, where it will spend its life exploring and analyzing the surface of Mars. The rover quickly sent back its first images.
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