Whether you're filming a camera review or working on your latest vlog, one of the easiest ways to take your video to the next level is to have clever transitions. To help you do just that, Rachel and Daniel of Mango Street have created a video showcasing six in-camera video transitions you can do with little more than a bit of planning.
The video summarizes six different methods in just 120 seconds: through the door, back in shot, whip tilt up and down, below ground, strafe blocking and prism wipe. Each method is detailed with a how-to shot and and a final result shot to show both how to get it done and what the final result looks like.
At the end of the video, all of the techniques are put together to create a seamless flow of footage using all six methods. It's a short, simple video that manages to pack a punch in just under two minutes.
As noted by Mango Street in the description of the video, don't forget, 'focus on the story first. Transitions should only serve to enhance your story.'
It's the only camera with 4K 60p, with DPAF touch screen on the market. Huge chip too. Philip Bloom owns a 1DXII for "4K slo-mo, small size, and great colour SOOC"
I'd have to say these days, because of access (internet) and affordability (lower prices high quality), we tend to see content creation all looking very similar. These types of transitions are pretty much everywhere now just like in commercials the use of 80'/90's look and feel (vhs, 4:3) and ultra saturated colors (red and blue hard lights) are prevalent. It's just the nature of the business I guess. My recommendation as a professional will be to not follow the trends and try to use your time to come up with something new and refreshing (if you're concern is purely a visual language or aesthetic) or even better... just focus on the story you're trying to tell.
I liked this little tutorial. Got me thinking. Those of you complaining don’t have any experience. This was clever.
One upon a time, in a galaxy far far away.....
The director used the special effects generator to transition from scene to scene. It was a Panasonic switcher that just about every small TV station or producer owned. He even used the effects in order. Now, let me see if I can remember his name... oh ya, George Lucas and the film was Star Wars. The same effects have been used in each of the original series movies ever since.
Of course, the movies didn’t do well. It’s been over 40 years and the films are still watched millions of times each day.
Wow, useful, practical content on DPR - and related to video, to boot! What kind of cataclysm might this foretell? :D Seriously, thank you for the video. It’s good stuff for all of us who work with extremely limited resources.
Did you miss the gigantic gimbal? That, right there, is a much better argument for other systems than any sensor considerations. Plus, Canon’s DR is hardly the issue for video recording - it’s the awful crop and massive files in 4K that are troublesome.
I’m kinda new to video, so I find this stuff very helpful. It’s too bad people trash other people’s work. Remember Bambi? “If you can’t say something nice...” thank you for posting. Hope to see more. Gets my juices flowing.
or maybe you just satisfy with these simple overused cheap/amateurish shots
I expect dpreview share some real talents like Sam Kolder / Wolfcrow / Parker Walbeck who consistently give us true professional tips and ideas to our shots
These techniques were heavily used in Children of Men and Birdman. These techniques aren't amateurish just the way they were assembled in this cut was not the best. They were just grossly showing the technique but it's up to us viewers to use those techniques in more creative ways. Refer to the new Forever music video by ASAP Rocky. This technique is used pretty well in that video.
Well, let's say we are seeing things differently. Just because some films applied certain techniques in some shots doesn't mean it's not cliché and tiresome to watch at this moment of time. Film making and videography evolved so much in the past few years that these shots are really boring and look even cheaper day by day. If you find the video helpful and learn something from it, good for you then.
As a total newbie to video, this was very eye-opening.
I have neither the time nor the inclination to become a video pro, and I am quite certain that there are countless better tutorials for more professional techniques than this one. However, I think you'll find it difficult to find any tutorial that crams this much (albeit basic) useful advice in 120 seconds.
"Entry-level tutorials displaying a technique show a simplistic simplistic version and lack subtlety" News at 11.
Srsly. It's a 120 second video with six cut ideas, clearly made for complete amateurs. It's up to you to take these building blocks and make them into something good. All of these simplistic techniques have been successfully used in multimillion dollar productions to great effect.
We're working hard to finish our full review of the new Sony a1, and we've just added our studio image quality analysis. Click through to see how the a1's newly-developed sensor performs.
DJI has officially entered the world of FPV (first-person-view) drones. Combined with long flight time, DJI safety features and OcuSync 3.0, DJI's FPV drone puts you in the driver's seat of a high performance aircraft.
The Panasonic Lumix S 70-300mm F4.5-5.6 Macro O.I.S. is a moderately sized, moderately far-reaching and optically-stabilized telephoto zoom lens for full-frame or APS-C L-mount cameras. Read our review to find out how it performs.
When Olympus released the E-M1X sports camera in late 2019, the company also released a modern editing app called Olympus Workspace. Is it fully featured and fast enough to replace an Adobe-based editing workflow? Let's find out.
Being cooped up inside doesn't mean you have to take a break from photography. If you've got negatives from way back when, what's the best software around to scan them? Check out our in-depth comparison to find out.
Although a lot of people only upload images to Instagram from their smartphones, the app is much more than just a mobile photography platform. In this guide we've chosen a selection of cameras that make it easy to shoot compelling lifestyle images, ideal for sharing on social media.
If you're looking for a high-quality camera, you don't need to spend a ton of cash, nor do you need to buy the latest and greatest new product on the market. In our latest buying guide we've selected some cameras that might be a bit older but still offer a lot of bang for the buck.
Whether you make a living out of taking professional portraits, or are the weekend warrior who knows their way around flashes and reflectors, you'll want a camera with high resolution, exceptional autofocus and a good selection of portrait prime lenses. Click through to see our picks.
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Format has announced Workflow, a new solution to help photographers run their business more efficiently. Workflow includes branded galleries, file transfers, client management tools and more. As part of a limited-time promotion, a Workflow Pro membership is free for the first year.
Phantom cameras have been used for many high-speed applications, from cinematic endeavors to scientific research. The new TMX series, aimed at scientific applications, uses a backside-illuminated CMOS image sensor to record video at up to 1.75M frames per second.
The Fujifilm XF 70-300 F4-5.6 R LM OIS WR is a long tele-zoom lens for X-mount cameras. How does it stack up for optical quality? Chris and Jordan put it to the test to find out.
Chris and Jordan just wrapped up their review of the Fujifilm XF 70-300mm F4-5.6. Check out this gallery of images they shot while testing the lens, including samples captured with 1.4x and 2x teleconverters, and judge its image quality for yourself.
We're working hard to finish our full review of the new Sony a1, and we've just added our studio image quality analysis. Click through to see how the a1's newly-developed sensor performs.
DJI has officially entered the world of FPV (first-person-view) drones. Combined with long flight time, DJI safety features and OcuSync 3.0, DJI's FPV drone puts you in the driver's seat of a high performance aircraft.
Kenko Tokina has announced it will enter a business alliance on April 1 that will see it become the new source for sales and support of Carl Zeiss equipment in Japan.
Laowa didn't waste time at CP+ 2021 to unveil what it's been working on. The company has five new lenses on the way, including three for full-frame camera systems, one for APS-C camera systems and one for Micro Four Thirds camera systems.
Genealogy company MyHeritage has launched a new AI-powered service, Deep Nostalgia. The AI tech, licensed from D-ID, analyzes the faces in photographs and uses deep learning to apply animation sequences.
The Panasonic Lumix S 70-300mm F4.5-5.6 Macro O.I.S. is a moderately sized, moderately far-reaching and optically-stabilized telephoto zoom lens for full-frame or APS-C L-mount cameras. Read our review to find out how it performs.
Chris and Jordan shot this colorful sample gallery with the Sigma 28-70mm F2.8 DG DN while filming their review of the lens for DPReview TV. Check it out and judge image quality for yourself.
When Olympus released the E-M1X sports camera in late 2019, the company also released a modern editing app called Olympus Workspace. Is it fully featured and fast enough to replace an Adobe-based editing workflow? Let's find out.
The Sony FE 28-60mm F4-5.6 is a compact, retractable zoom lens that's bundled with the a7C and is also available separately for $500. Check our sample gallery to see what kind of image quality you can expect.
Last week we published a video about the Blackmagic URSA Mini Pro 12K, and comments came swiftly. We heard your feedback and re-shot the episode to replace some questionable footage. Here's our new and improved version, with Jordan at the helm.
Following the success of the Pentax KP J Limited in 2019, the Japanese camera maker is back with a new J Limited product, this time in the form of the K-1 Mark II J Limited 01. The handcrafted camera is available in four colors and is currently available only in Japan.
FiLMiC, makers of apps including FiLMiC Pro, Double Take and Firstlight, has patented a new image rendering technology, Cubiform. The new tech uses color look-up tables to perform significantly faster editing and rendering.
Yasuhiro Osone, General Manager of the Product Planning Department at Sigma, revealed the news in a mirrorless lens development live stream shared earlier today.
Color slide film can produce images that are brighter and more vibrant than standard color print film, but with far less exposure latitude, there's little room for error. Here's everything you need to know about color slide film.
As we put the final wraps on our Nikon Z7 II review, we couldn't help but take it out for some neighborhood photos during some relatively rare Seattle snow – check out how it performs at ISO values high and low in our gallery update.
A few days after Sony Nordic revealed the details of the 2.00 firmware update for the Sony a7S III, the firmware update is now live and ready to download.
Billed by Sigma as 'a more compact but still high-performing alternative to the existing 24-70mm F2.8 DG DN | Art' its new 28-70mm F2.8 DG DN is indeed considerably smaller and lighter than it's 'Art' series contemporary. Click through for a closer look at Sigma's newest zoom lens.
The sensors in the Phase One XF IQ4 camera system is currently the largest medium-format digital camera sensor on the market, and we've just put the 150MP model in front of our studio test scene. Want detail? You've got it. Check out how our new reference camera fares.
Pentax has released updated versions of three of its prime lenses, adding improved coatings and a more rounded aperture diaphragm for smoother bokeh. The updated 31mm F1.8, 43mm F1.9 and 77mm F1.8 'Limited' lenses will be available in April.
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