Whether you're filming a camera review or working on your latest vlog, one of the easiest ways to take your video to the next level is to have clever transitions. To help you do just that, Rachel and Daniel of Mango Street have created a video showcasing six in-camera video transitions you can do with little more than a bit of planning.
The video summarizes six different methods in just 120 seconds: through the door, back in shot, whip tilt up and down, below ground, strafe blocking and prism wipe. Each method is detailed with a how-to shot and and a final result shot to show both how to get it done and what the final result looks like.
At the end of the video, all of the techniques are put together to create a seamless flow of footage using all six methods. It's a short, simple video that manages to pack a punch in just under two minutes.
As noted by Mango Street in the description of the video, don't forget, 'focus on the story first. Transitions should only serve to enhance your story.'
It's the only camera with 4K 60p, with DPAF touch screen on the market. Huge chip too. Philip Bloom owns a 1DXII for "4K slo-mo, small size, and great colour SOOC"
I'd have to say these days, because of access (internet) and affordability (lower prices high quality), we tend to see content creation all looking very similar. These types of transitions are pretty much everywhere now just like in commercials the use of 80'/90's look and feel (vhs, 4:3) and ultra saturated colors (red and blue hard lights) are prevalent. It's just the nature of the business I guess. My recommendation as a professional will be to not follow the trends and try to use your time to come up with something new and refreshing (if you're concern is purely a visual language or aesthetic) or even better... just focus on the story you're trying to tell.
I liked this little tutorial. Got me thinking. Those of you complaining don’t have any experience. This was clever.
One upon a time, in a galaxy far far away.....
The director used the special effects generator to transition from scene to scene. It was a Panasonic switcher that just about every small TV station or producer owned. He even used the effects in order. Now, let me see if I can remember his name... oh ya, George Lucas and the film was Star Wars. The same effects have been used in each of the original series movies ever since.
Of course, the movies didn’t do well. It’s been over 40 years and the films are still watched millions of times each day.
Wow, useful, practical content on DPR - and related to video, to boot! What kind of cataclysm might this foretell? :D Seriously, thank you for the video. It’s good stuff for all of us who work with extremely limited resources.
Did you miss the gigantic gimbal? That, right there, is a much better argument for other systems than any sensor considerations. Plus, Canon’s DR is hardly the issue for video recording - it’s the awful crop and massive files in 4K that are troublesome.
I’m kinda new to video, so I find this stuff very helpful. It’s too bad people trash other people’s work. Remember Bambi? “If you can’t say something nice...” thank you for posting. Hope to see more. Gets my juices flowing.
or maybe you just satisfy with these simple overused cheap/amateurish shots
I expect dpreview share some real talents like Sam Kolder / Wolfcrow / Parker Walbeck who consistently give us true professional tips and ideas to our shots
These techniques were heavily used in Children of Men and Birdman. These techniques aren't amateurish just the way they were assembled in this cut was not the best. They were just grossly showing the technique but it's up to us viewers to use those techniques in more creative ways. Refer to the new Forever music video by ASAP Rocky. This technique is used pretty well in that video.
Well, let's say we are seeing things differently. Just because some films applied certain techniques in some shots doesn't mean it's not cliché and tiresome to watch at this moment of time. Film making and videography evolved so much in the past few years that these shots are really boring and look even cheaper day by day. If you find the video helpful and learn something from it, good for you then.
As a total newbie to video, this was very eye-opening.
I have neither the time nor the inclination to become a video pro, and I am quite certain that there are countless better tutorials for more professional techniques than this one. However, I think you'll find it difficult to find any tutorial that crams this much (albeit basic) useful advice in 120 seconds.
"Entry-level tutorials displaying a technique show a simplistic simplistic version and lack subtlety" News at 11.
Srsly. It's a 120 second video with six cut ideas, clearly made for complete amateurs. It's up to you to take these building blocks and make them into something good. All of these simplistic techniques have been successfully used in multimillion dollar productions to great effect.
No Nikon camera we've tested to date balances stills and video capture as well as the Nikon Z7. Though autofocus is less reliable than the D850, Nikon's first full-frame mirrorless gets enough right to earn our recommendation.
Nikon's Coolpix P1000 has moved the zoom needle from 'absurd' to 'ludicrous,' with an equivalent focal length of 24-3000mm. While it's great for lunar and still wildlife photography, we found that it's not suited for much else.
As a stills camera the Fujifilm X-T3 is a pleasant update to one of our favorite APS-C cameras, significantly improving the autofocus. If you're interested in stills and video, though, it's knockout.
The Nikon Z7 is slated as a mirrorless equivalent to the D850, but it can't subject track with the same reliability as its DSLR counterpart. AF performance is otherwise good, except in low light where hunting can lead to missed shots.
The Canon EOS R is the first full frame mirrorless camera to use the new RF mount. We're well underway putting it through our range of standard tests – take a look at how it compares to the competition and our thoughts on using it so far.
What's the best camera for under $500? These entry level cameras should be easy to use, offer good image quality and easily connect with a smartphone for sharing. In this buying guide we've rounded up all the current interchangeable lens cameras costing less than $500 and recommended the best.
Whether you've grown tired of what came with your DSLR, or want to start photographing different subjects, a new lens is probably in order. We've selected our favorite lenses for Sony mirrorlses cameras in several categories to make your decisions easier.
Whether you've grown tired of what came with your DSLR, or want to start photographing different subjects, a new lens is probably in order. We've selected our favorite lenses for Canon DSLRs in several categories to make your decisions easier.
Whether you've grown tired of what came with your DSLR, or want to start photographing different subjects, a new lens is probably in order. We've selected our favorite lenses for Nikon DSLRs in several categories to make your decisions easier.
What’s the best camera for less than $1000? The best cameras for under $1000 should have good ergonomics and controls, great image quality and be capture high-quality video. In this buying guide we’ve rounded up all the current interchangeable lens cameras costing under $1000 and recommended the best.
The New York Times has teamed up with Google to start the process of digitizing more than five million photos stored in a vault nicknamed "the morgue."
Ambitious goals, new challenges and looking ahead to 100 years of the Z mount – we spoke with senior executives and engineers at Nikon about what lies ahead.
After years focused primarily on landscapes, Erez Marom leapt on an opportunity to return to his roots in wildlife photography. A trip to the mountains of Uganda photographing endangered mountain gorillas yielded some stunning photos – and an experience of a lifetime.
Digital cameras have made it incredibly easy to do time-lapse photography, thanks to the ability to take hundreds—or even thousands—of photos without interruption. This week, Chris and Jordan walk us through the process of planning and shooting compelling time-lapse videos.
The Nikon Z6 is the lower-resolution, faster sibling to the Z7, and has already shown impressive results in our preliminary testing. Take a look at how it performs outside of the studio.
Photopea is a free Photoshop alternative that works directly in the browser and offers advanced features including spot removal, clone tool, layers, filters, and masks.
Since publishing our full review, we've continued shooting with the Fujifilm X-T3 here and there – sometimes on assignment, and sometimes because we just like it so darn much. Our sample gallery has been updated with fresh images.
Flickr has announced that it will not delete images from its Creative Commons or Flickr Commons collections and is working hand-in-hand with institutions and non-profits to "keep these photos safe and available for the world to view and enjoy."
The Nikon Z6, paired with the new Nikkor Z 50mm F1.8S produces the sort of result you'd expect from a baby Z7. The lens is consistent across the frame and the sensor looks good but, like the Z7, the PDAF stripes aren't perfectly corrected so can occasionally become visible.
Tokina has listed an announcement on its website detailing an issue wherein the Canon Ef-mount version of the Opera 50mm F1/4 FF lens doesn't properly expose the image on Canon 1DX Mark II cameras.
NASA has shared the first 8K footage filmed from outer space. In addition to streaming on YouTube, you can also download the full-res footage to your computer.
We've created a trio of new Buying Guides, covering lenses for Canon and Nikon DSLRs, as well as Sony mirrorless cameras. If you're thinking of adding to your lens collection, these guides may be just what you're looking for.
Fotolia sent out an email notifying users that, beginning November 2019, they will no longer be able to access their Fotolia accounts and will instead need to transition to Adobe stock or another stock photography service.
Filmmaker Jimmy Chin has worked all over the world, in some of the most remote places on earth. Read about how he used DJI's new Mavic Pro 2 drone on a recent trip to Greenland.
No Nikon camera we've tested to date balances stills and video capture as well as the Nikon Z7. Though autofocus is less reliable than the D850, Nikon's first full-frame mirrorless gets enough right to earn our recommendation.
Comments