Mark your calendars, Sigma fans. Sigma has announced it will be holding a Sigma Stage Online event next week, on February 9, to show off new products.
The event, which Sigma says should last ‘about 30 minutes,’ will take place at JST 21:00 / CET 13:00 / EST 08:00 and will be livestreamed on Sigma’s official YouTube channel via the embedded YouTube video above. No further details are provided at this time, but the plural ‘products’ suggests we can probably expect more than one product to be revealed.
I really do not understand why Sigma does not want to make a new 500MM f4 or 300m F4 lenses and instead, they saturate the market with a bunch of wide angles...
Sigma patented two years ago the design for a 28mm f1.2... This doesn't mean it will necessarily be produced, but I hope so... It would become my ideal lens for environmental portraits... It would also be a lens without any competition...
The main reason I don’t think you see a 28 1.2 is just because it’s so close to the 35 1.2. I had the 35 and it was fantastic except for the weight, I love image quality, but I love light weight more, so eventually I sold it to someone who’s probably really enjoying the fantastic bokeh and sharpness.
I think the 35mm f1.2 wasn't a successful release, because of the weight but also because of the exaggerated distortion... I am therefore hoping for a better (even if unlikely) 28mm f1.2 (i am using the f1.4 for now). Sony proved an f1.2 lens can be light and small... Their 50mm f1.2 GM is tremendous...
If Sigma wants to do continually do cameras, it might make more sense for them to embrace the limited higher end market of the Real rangefinder cameras. They could sell them at the very least, HALF the selling price of those Leica rangefinder cameras an still do very well. IMO.
I own the sigma 56mm f1.4 for my MFT camera maybe best lens I have that includes my Leica M mount and Fuji x mount lenses. If they release this lens for Fuji x bodies I am all in
God, I wish they’d release this lens already. I’d like to know how it compares with Sony from both an optical and weight perspective. We’ll see, I guess.
Canon an or Nikon have plenty of great lens already for their mounts. So I really don't know why I continually see all the posts about why some feel some huge need of something from Sigma especially when most of the releases these Days are Done That, been there already.
Because it's good to have different pricing options. For example, Sigma has a great 14-24mm f2.8 lens around $1299, and the Nikon Z version costs $2399.
So all the folks that actually are buying lens, how many actually need either the Sigma 14-24mm f2.8 lens an or the NIKKOR Z 14-24mm f/2.8 S. I would say the vast majority of buyers, don't.
So continually catering to the smallest segments is one of the many reasons, Cameras/Lens sales have fallen off an cliff over the years. During the next economic downturn, so will the higher cost options not be seen as some good option.
I have had Canon L primes (35/1.4, 50/1.2, 135/2.0) and started using Sigma primes from 2013 with the legendary 35/1.4 Art lens. Later got the 50 and 24 Art lenses.
I must say your comment seems to indicate that you have never purchased a Sigma Art lens? They are simply put much better value for money. My 35/1.4 blew the Canon equivalent away and it was a no brained to go Sigma. I even had money left over after selling the Canon prime and getting Sigma.
I have an EOR R body and don't want to spend, for example, A$3800 on the RF 50/1.2 and much rather wait for the Sigma RF Art version which will likely cost less than half as much at similar performance.
The Nikon Z 14-24 is actually significantly lighter (as in a couple hundred grams) than the Sigma for E mount, and Sigma's small primes have been pretty heavy for f2s and whatnot (in the 325-400g range when comparable Sony/SY options are 225-275g)... The primes have often been (only) $50-100 cheaper than Sony's, whole other story with zooms tho.
All that being said (just nitpicking!), 3rd parties like Sigma do broaden the scope and appeal of any system just based on their price points alone. It seems odd to complain about prices and then somehow suggest that a $1.2K Sigma zoom or the <$1K 100-400 DN are pointless when they're several times cheaper than 1st party alternatives.
Stuff like the 600g 24-70 and the cheap 100-400 DN do draw in buyers to a system IMO, enough so that Nikon thought it was worthwhile to rebadge (and unfortunately mark up) the similar Tamron 28-75 to have it on Z mount.
To the OP, why complain about the fact 3rd party lenses exist? Not only can they be extremely good but they reduce the monopoly of 1st party and help reign in their pricing. Consumer choice and options is paramount these days.
People are underestimating the value of 80,90% of the performance at 1/2 the price. No one expects the Sigmas to focus as fast or be proper weather sealed as native glass, for example not all the glass i have are used where the weather can reach them, some are strictly in controlled situations.
BackToNature should return back to nature under the rock you've been sleeping under. You seem completely unaware of what a revolution the 35 1.4 ART was when it came out. Also, their new DG DN 85mm 1.4 rivals the Sony G-master optically while being significantly lighter and cheaper. Some Sigma lenses are decent alternatives, while some of them are just straight up better than the camera brand's own.
BTN your original comment really was ill conceived. There are plenty of good reasons for third party lenses. For sure Tamron and Sigma have been around a long time. Among others. If there wasn’t a market for them, they would have gone under long ago.
I hope Sigma will shock us and not only release the rumored Fuji X-mount lenses. But also a whole bunch of high quality GFX mount lenses. Come on Sigma, with the new Gfx models selling out, there will definitely be a lot of interested users. Some of your lenses must be able to fully cover that 44x33mm sensor. More options would be excellent for the GFX system.
@dbateman, on the first generation GFX 50 cameras the Tamron SP Di VC line of primes worked very well for me, 35, 45, and 85 were excellent in sharpness and covering the sensor with doable vignetting. The Sigma 135 was a pain to use in regards to autofocus. Resolution and Bokeh are great. After throwing the Viltrox adapter into the trash can, the Steelsring did it for me with the Tamrons but the Sigma 135 was still too difficult to use.
No Fujifilm lenses at all. Not surprised by no Foveon announcement. I gave up on that and bought a used Gfx 50s. However, now that I own it the Foveon announcement should be before the end of the month right? Thats how it usually works.
Release the Sigma fp mark II already! It is the best budget video camera, if Sigma replaces the sensor with faster one which can record 100% sensor horizontal resolution at least as 16:9 CinemaDNG 12-bit 30 fps without extra rolling shutter. It can't be that hard anymore!
It's not possible because the whole world (except Canon) uses Sony sensors. The next fpii will still have cropped 4k60p as it will use the A7iv sensor. It will still have the same bad rolling shutter. Same with how the A7iii sensors is in fp, Z6, Panasonic S1(H) etc.
It is well possible that RF and Z mount lenses have been postponed due to component shortages. Sigma themselves have said they are looking into RF and Z. So rest assure this is going to happen one day one could read out of the mouth of Sigma's CEO.
Personally I still doubt Sigma will release lenses for X-Mount. There is not much to get there any longer and sales of <35mm lenses is in deep decline while lenses for Full Frame are in a lift. Not only in numbers but especially in value and profitability. One can even read out of latest CIPA reports.
Besides a lens for Z is even more easily made as one for the X-Series. They only need to add a single millimeter to the barrel of an e-mount lens and adapt electronics. It would be the least expensive adaption ever. As for Canon RF this is a lot more difficult as the flange range is deepest of all current mirrorless systems and for which they would need to develop a whole new optical formula.
I imagine if they were seriously considering getting into RF or Z they would be designing lenses with the shortest flange distance in mind and then just adapting the design for all other mounts, as they've done in the past between E / EF-M / M4/3...
Regardless, the biggest hurdle is surely the backwards engineering of the AF protocols, it really doesn't seem like manufacturers such as Sigma and Tamron want to go back to those days of cat and mouse games if they can find an alternative (eg Tamron making rebadged lenses like the 28-75 for Nikon)...
Just because someone like Viltrox is willing to play that game doesn't mean they are, Samyang seemingly got burned by it already on RF mount. Putting out a couple of primes and patching stuff is also not quite as complex as the mess Sigma would get into with their zooms and people's raised expectations of them (and of mirrorless AF) these days.
I think it'll happen FWIW, I just wouldn't bet on it happening "any day now".
There is no hurdle in the AF prodocols. Both Tamron and Sigma already have those protocols, otherwise they wouldn't have been able to make their lenses compatible with either RF and Z.
Besides Viltrox already offering lenses with AF for both of these systems. Next to that we also know for sure Tamron has original protocol as they have OEM'ed the 28-75 f2.8 to Nikon.
" Both Tamron and Sigma already have those protocols, otherwise they wouldn't have been able to make their lenses compatible with either RF and Z. " -Francis
What lenses would those be? Getting adapted stuff to talk thru EF/F mount protocols isn't the same thing as full AF/burst support with native designs...
If anything Tamron working directly with Nikon on the 28-75 probably means they've signed an agreement (and do indeed have full access), which may have all sorts of caveats on what they can or can't release (just like it does on E mount actually).
Technically they didn't even release the 28-75, Nikon did, and we don't know who's actually manufacturing (it's not uncommon for these players to just buy the design). The fact that what Nikon is putting out the original 28-75 rather than the improved G2 is probably a good hint that the situation is more complex than we can guess.
@Francis: Releasing X mount lenses has all the sense in the world. All of the big players are leaving the APS-C world more or less. That means that onlh Fujifilm is keeping its system alive and APS-C sales are still a big part of the pie. As Fujifilm has opened its protocol to anyone that wants to pay a fee, Sigma just have to develop a new firmware for its existing lenses and a new mount. I firmly believe they wouldn't have developed the 18-50 if a X mount version wasn't posible.
I don't see any venom in this thread, you might be projecting there... I actually hope Sigma and Tamron and whomever else get on RF/Z sooner rather than later since the competition only benefits the consumer, but I just don't think it's as seamless as you think it's gonna be for all the reasons already discussed.
@Impulses I think you mean "designing lenses with the longest flange distance in mind", not the shortest. Sigma is already doing that, because the L mount has a 20mm flange distance, same as RF. So for E-mount, they just add 2mm at the end of the lens, and for Z-mount, they just need to add 4mm at the end.
DPR would be a bad spot without teasers of planned announcements of road maps of future developments of pre-production products. Even Sony can't announce a new camera six days a week. Of course you don't have to buy into this and spin your wheels speculating.
Nobody is going to support Canon M - It is a dead system even Canon themselves hardly support it. Last EOS M update was near two years ago and that single update could even be considered as a paid firmware update.
16-55 is already a winner since it has better range. The 18-50 might be sharper but I don't expect the difference to be meaningful, as opposed to additional 2mm at the wide end and 5mm at long end.
Fair enough. I don't consider XF 16-55 to be that heavy for its range, but I used to carry big fat primes with full frame dslrs. As for the price, you can easily buy 16-55 on the used market; in general, I recommend buying glass second hand (a year-two of warranty isn't much), but I guess it's just my opinion.
Yes, a modern day 50mm 1.4 for E-Mount with matching AF and world-class flare behaviour please! The Sony 50 1.2 is just too expensive and all 1.4 alternatives I see so far are slow or bad with flare and low contrast in backlight situations.
As there are two very competitive lenses in Sony system, Tamron 70-180 and Sony 70-200 GM II. Both are competitive in optical quality, size and weight.
If people want a budget option, they will go for Tamron. If they want the best, they will go for Sony.
I think Sigma would rather make money than sit on the sidelines while you buy other brands. There have always been three choices for the big three for most of the mainstream lenses. This will be no different.
I can see they are trying to. Aside from the typical Art/Sports lineup, they are developing "I-series" lenses under Comtemporary lineup to attract new consumers.
" 70-200 f2.8 is not likely to happen soon. As there are two very competitive lenses in Sony system " -Jeff
Didn't stop them from making the 28-70 when the Tamron 28-75 and their own 24-70 had already been out for a few years... There's just as much overlap there tbh. I think a 70-200 is inevitable to complete their zoom trio, but they may well be trying to improve their AF before releasing it, since it's been a little lackluster on their other teles (vs Sony's or Tamron VXD).
People that don't like the extending design of the Tamron or the price premium of the GM II could very well default to the Sigma, and OIS could be another point of differentiation there so I think there's plenty of room for anther 70-200 tbh.
The only 70-200 alternative in L mount is the very expensive Panasonic S Pro.
I would suspect Sigma want to get an L mount alternative out, and if they're doing that already then making it for Sony E mount shouldn't be too much more R&D?
"Didn't stop them from making the 28-70 when the Tamron 28-75 and their own 24-70 had already been out for a few years... " - Impulses
I didn't mean Sigma will not introduce their 70-200 2.8 lens. My point is, Sigma need to think out of the box to make their lens competitive and I believe they are working on it. Tamron is the lightest lens of its kind and although it zooms externally, it is only by 2.9 cm (unlike Canon's 70-200). It has very fast and accurate autofocus and it has very good focus breathing. Sony also surprised us by making an internal zoom that weighs 1,070g. So both of these lenses have broken our perception of a traditional 70-200 2.8 lens - large, long and weight is 1.4kg or more. Of course, Sigma can just introduce a traditional 70-200 2.8 lens with half of the price, OIS and similar image quality to the GM. You may like it, but if Sigma does this, I am afraid it will not be competitive against Tamron or Sony in the E-mount system.
Also, bear in mind Sigma will not be compatible with teleconverter on E-mount, so it has one less advantage that the Sony has.
You quoted the example of 24-70/28-70/28-75 category. Well, it's a different story. At that time, Sony has not updated its old 24-70 GM lens; Tamron has had the 28-75 G1 which appears to be weak in optical performance. Also, Sigma has already introduced 24-70. So, by introducing the 28-70 f2.8, Sigma can attract customers who are more interested in budget price and less interested in 24mm. This helps expand their revenue in the market of 24-70/28-70/28-75 range.
@RebeccasPhotos Based on their lens release history, they release only one lens version for both E-mount and L-mount. I believe they consider the situation in both E-mount and L-mount market. Like I've said above, Sigma is facing strong competitors on E-mount so I believe they need and they are thinking of designing a competitive lens in 70-200 class to cater the E-mount user. They could have made a traditional 70-200 2.8 lens with half of the price which would be competitive on L-mount but probably not so on E-mount.
AFAIK it's gonna be a 20mm f2, so smaller than their old 20/1.4 DSLR design but probably a bit larger than some of their other f2 primes, likely around the size of Sony's 20/1.8 G.
I'd be surprised if it's as small as the 24/35/65 f2...
None of the other lenses in their f2 compact i-series were lighter than their closest Sony or Samyang counterparts tho, most were a decent bit heavier (tho at roughly similar sizes), so I wouldn't pin my hopes on it being lighter than the Sony 20G. If they stick to the trend set by all the others it'll also be sealed at the mount only...
Frankly I think the casing of that series is a little overbuilt but I'm sure that has it's fans, for instance the 65/2 tips the scales at just over 400g even tho it's smaller than the 20G (373g). Sigma's 24/2 is 360g and their 35/2 is 325g, most of the Sony/SY primes in that range are <300g (sometimes <250g).
The X mount release is possible since these lens are already available for E mount APSC. Requires new mount and software development. I haven’t heard any rumours about Sigma making a RF mount lens. The last I heard was Sigma is not looking at this in short term.
@Mr Bolton "At least in RF, you can just buy the EF versions"
There aren't any EF versions of the lenses Sigma releases for E & L mount. They used to stick a tube on the end of DSLR lenses to make them work on Sony E mount but they don't do that now and you won't find EF versions of lenses like the 24mm F2 etc.
Nikon has some fiendishly clever patents that make producing autofocus Z-mount lenses essentially impossible without getting sued, as I understand the situation.
Would Nikon allow Sigma to make lenses under licence? Conceivably, but also conceivably not or at least not yet.
Anyway, Nikon users have the least to envy Sigma designs, in my opinion. The Z-mount lenses are optically class-leading, and the stellar f/1.8 primes undercut typical Sigma pricing. Of course Sigma lenses have their own merits, but the lenses are the least of a Nikon user’s problems. They’re a delight and the reason to have a Nikon camera.
Tamron and Viltrox have released lenses for Z mount. Viltrox under its own brand, Tamron's 28-75 rebranded as Nikon at a $300 premium over the E mount version.
Personally I feel like this was the model camera makers should have taken long ago so I'm glad to see it. Of the 3 FF MILC systems out I kind of like Nikon the most so I'm glad to see them embrace the 3rd party lens in a mutually beneficial way.
Samual Diltworth / Snoddas - What a bunch of nonsens. If that would hold any truth to it, than how come Sigma, Tamron and others have released firmware updates to make their lenses compatible with the Z system. Tamron even released a Z mount lens branded Nikon in the form of the 28-75.
Another fact there is already native Z-mount lens support with AF from Viltrox and Tokina.
But I do understand, it would for the both of you be your biggest fears to come true if Sigma would release lenses for RF and Z.
Let me tell you a secret - It is going to happen anyway. Maybe not in this next release, but it is going to happen within the next year or so. Sigma will start to support both RF and Z and Sigma's CEO actually have said so that they will evenentually.
Francis85- relax. There is merit to what he is saying. Yes Tamron has a Z mount lens- but they obviously had to get Nikon's blessing as it was rebranded as a Nikon. Viltrox is a Chinese company and thus may not fear legal action from Nikon. It looks like Viltrox Z lenses are available through US retailers so maybe they reached an agreement as well.
Canon seems much less flexible. Samyang released some RF mount autofocus glass and both were quickly discontinued. It's not clear if either even used the RF AF protocol, or just used EF mount protocol. Either way they were killed swiftly.
FW to enable old SLR glass to work is a different ball game than all new glass. Nikon seems amenable but Canon has locked things down. We will see whose approach is right in time but I def prefer Nikon's approach.
As you say "almost", the Nikon 24, 35 and 85 1.8 are beaten by third-party and Sony GM E-mount lenses. Only 50 1.8 has made to the top three. Christopher Frost has demonstrated that.
@Snoddas "..and at least better than the Sony f1.8:s."
Another false claim. The Sony 20mm F1.8 G is according to Lens Rentals an outstanding lens (the review on DPR is also spectacular "A near-perfect optic") and according to DPR the 35mm F1.8 Nikon is not as sharp as the Sony.
There seems to be this myth going around that every time Nikon releases a new Z lens it's best-in-class and yet the reviews say otherwise. They are great lenses but they aren't automatically the best.
I think it's pretty hard to generalize, specially since Sony has a hodgepodge of f1.8s in different categories and model lines. I think the Sony 20G beats the Nikon equivalent by a hair (see Cameralabs' reviews) while being somewhat smaller and cheaper, but the Nikon 50/1.8 looks far far more appealing than the old 55/1.8 ZA (which is overpriced af).
You can probably split hairs on the 35s (DPR's reviews compared them FWIW), Sony doesn't have an actual 24/1.8 and the 28/2 is long in the tooth... I actually bought the new 24/2.8 G but tbh I would've preferred the design & optical compromises of the Nikon 28/2 (only with the build, features, and sealing of the 24G, heh).
(continued) I like the Nikon 40/2 better than the Sony 40/2.5, specially for the $, but I went with the Samyang 45/1.8 instead... TBH I think both systems are catering to enthusiasts pretty well with their prime lineups.
Sony has some wide f1.4 GMs that are often as damn near as small as some competing f1.8s, but Nikon has a more cohesive f4 zoom lineup (I dig the collapsible designs of the 24-70 & 14-30). I think there's a lot of overlap between what Nikon and Sony + 3rd parties are doing. Canon seems to have gone in a somewhat different direction with their cheaper STM primes.
Anyway, since Viltrox is carrying on with their reverse engineered Z mount stuff and Sanyang got burned on RF it does seem like Nikon is being more tolerant in that regard than Canon, time will tell who else tries their hand at that game...
Nikon's 50 1.8 is definitely best in class. Better than the Zony 55 1.8 even. I honestly don't think Nikon needs any Sigma glass. Ironically Canon does but have locked their system down.
Viltrox is Chinese = fuzzy concept of intellectual property and the rule of law generally. Chinese companies specialise in ripping off foreign companies even today, alas.
Samyang is Korean. That means they can be sued in a court of law that will enforce penalties. Whole different ball game.
Here’s an attempt to describe Nikon’s patent protection of the Z-mount protocol;
Being Korean didn't seem to stop Samyang from gambling on it with E mount... And it's worked out well for them. I could see Nikon sort of turning a blind eye in the same way Sony has if it's (also) to their benefit.
@Snoddas "The Sony 35mm/1.8 has significantly more CA, both long and lat. Differences in sharpness are on an academic level."
So what? The point I was making is that the Z lenses aren't all better than their Sony equivalents. The same obviously applies the other way and while the Sony 35 F1.8 has more CA you don't automatically get CA in every shot but it is the sharper lens wide open.
I hope we see more lenses with aperture rings. This is a good trend by Sigma (and Sony). Hard to beat the speed and intuitive ease of using a ring on the lens for this.
You often find yourself going from f2 to f22 or even using f22 at all?
The most useful aspect of the rings on primes to me is the glance-ability, knowing what you're at without even raising the camera up, followed by the extra utility on bodies that lack the extra thumb control ring like the A7C or any Sony APS-C body.
It only really works for the latter if *all* your primes have some degree of aperture control tho, I didn't start using it on my 20/1.8 G & Samyang 75/1.8 until after I'd gotten the 35GM (was using the 35/1.8 before it).
I make large changes to the f-number often. For example, when moving between indoors and outdoors. Also when working a scene and changing from wide open (for selective focus) to heavily stopped down (for sharpness of everything in the frame).
I also use f/22 (or f/16 depending on the lens) often, even on Micro Four Thirds cameras. For both flare manipulation and max depth of field.
Making large changes with the tiny submerged control dials on most cameras means a lot of repetitive swiping.
And worse is that one click does not reliably equal one interval of change (e.g. 1/3 stop) on these dials. At least on most cameras I’ve used (certainly Sonys). If you swipe too quickly, some clicks aren’t registered. Plus, the lag in response means you’re setting something with a delay in the reported f-number. As with manual focus on fly-by-wire lenses that lack linear response, this throws off your intuition of how far to spin.
Aperture rings (today’s electronic ones) also lag the input, but the lag is immaterial because they do respect the clicks / final position. This respect of position is the same benefit of linear manual-focus response.
I agree that seeing the state of the aperture at a glance, even with the camera off or at waist level or sitting on a table, is another benefit.
And another benefit is being able to control the aperture by motor on a video rig, not that I personally care about that.
There are rumors about the Sigma trio (16,30,56/1.4) for the Fuji X-mount. I guess it'd be logical to also update with this new version the old trinity of primes for other APS-C cameras. The old trio now goes with a $75 discount per lens for L-Mount, Sony E-mount, Canon M-mount, and Micro 4/3.
I have the Sigma 56 mm f/1.4 for Micro Four Thirds. Stunningly even – and high – performance across the frame, low chromatic aberrations, just a very clean look corner to corner.
In a lens of this size and price, that is impressive.
Of course it’s a very long lens on Micro Four Thirds. Arguably more useful on APS-C.
55mm filter threads are a little odd on M4/3 but more common on other systems... I actually like the FL on M4/3, it's not a bad in-between the typical 85mm and the somewhat harder to work with 135mm. I think for a lot of people that aren't working in tight indoor quarters and/or are pairing it with a 25 (50 EFL) the Sigma actually makes more sense than the ever popular 45/1.8 & 42.5/1.7.
I've borrowed a 56/1.4 (and a 60/2.8 before it, I gifted them both to my mom) a few times but decided to stick with the Oly 75/1.8 since the range is a big bonus for how I use it; supposedly that one's a Sigma design too, they just seem to have a knack for teles. Coincidentally I use my SY 75/1.8 in crop mode on my A7R4 often and that ends up being virtually the same as the 56/1.4 on M4/3.
I imagine people that want one from Sigma are probably not wishing for the smallest possible lens, they might even prefer an internal zoom but just don't wanna pay the GM premium.
The GM II is the weight of the RF lens despite being the size of the Lumix (or most other internal 70-200s), it seems both of those figured out how to shed some weight just based off their optical design and lower element count... Meanwhile the Tamron is a svelte 800g thanks to that plus the extending design and lack of OIS.
There's plenty of ways for Sigma to stand out with their own 70-200, maybe cater to people who want an internal zooming lens and/or OIS but don't wanna pay for the GM, etc. It'd be amazing if they worked out a TC agreement with Sony but I don't see that happening.
A foveon sensor ff camera would be great! Even if the readout time is slow. There are not exclusively action shooters around. Of course lenses for Nikon mirrorless would be better news still.
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Sigma's latest 70-200mm F2.8 offering promises to blend solid build, reasonably light weight and impressive image quality into a relatively affordable package. See how it stacks up in our initial impressions.
The Sony a9 III is heralded as a revolutionary camera, but is all the hype warranted? DPReview's Richard Butler and Dale Baskin break down what's actually new and worth paying attention to.
What’s the best camera for around $2000? This price point gives you access to some of the most all-round capable cameras available. Excellent image quality, powerful autofocus and great looking video are the least you can expect. We've picked the models that really stand out.
DJI's Air 3 and Mini 4 Pro are two of the most popular drones on the market, but there are important differences between the two. In this article, we'll help figure out which of these two popular drones is right for you.
The Sony a7C II refreshes the compact full-frame with a 33MP sensor, the addition of a front control dial, a dedicated 'AI' processor, 10-bit 4K/60p video and more. It's a definite improvement, but it helps if you value its compact form.
Above $2500 cameras tend to become increasingly specialized, making it difficult to select a 'best' option. We case our eye over the options costing more than $2500 but less than $4000, to find the best all-rounder.
The iPhone 15 Pro allows users to capture 48MP photos in HEIF or JPEG format in addition to Raw files, while new lens coatings claim to cut down lens flare. How do the cameras in Apple's latest flagship look in everyday circumstances? Check out our gallery to find out.
Global shutters, that can read all their pixels at exactly the same moment have been the valued by videographers for some time, but this approach has benefits for photographers, too.
We had an opportunity to shoot a pre-production a9 III camera with global shutter following Sony's announcement this week. This gallery includes images captured with the new 300mm F2.8 GM OSS telephoto lens and some high-speed flash photos.
The Sony a9 III is a ground-breaking full-frame mirrorless camera that brings global shutter to deliver unforeseen high-speed capture, flash sync and capabilities not seen before. We delve a little further into the a9III to find out what makes it tick.
The "Big Four" Fashion Weeks – New York, London, Milan and Paris - have wrapped for 2023 but it's never too early to start planning for next season. If shooting Fashion Week is on your bucket list, read on. We'll tell you what opportunities are available for photographers and provide some tips to get you started.
Sony has announced the a9 III: the first full-frame camera to use a global shutter sensor. This gives it the ability to shoot at up to 120 fps with flash sync up to 1/80,000 sec and zero rolling shutter.
What’s the best camera for around $1500? These midrange cameras should have capable autofocus systems, lots of direct controls and the latest sensors offering great image quality. We recommend our favorite options.
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