Latest sample galleries
Latest in-depth reviews
The Everyday Sling might just be the perfect pack for not carrying too much gear, combining comfort with Peak Design's signature modern style.
Olympus has announced 17mm and 45mm F1.2 Pro primes, offering high-end fast 35mm and 90mm equivalent lenses. The lenses use the same 62mm filters that the existing 25mm F1.2 Pro uses and, like that lens both are weather sealed and dust proof.
The two lenses expand the company's series of F1.2 lenses, which are equivalent to 35 and 90mm F2.4 lenses for full frame. This allows Micro Four Thirds users to achieve very shallow levels of depth-of-field at the focal lengths where they need this capability. The lenses are designed to be consistent in size with one another.
Olympus says it's focused the design not just on achieving sharpness but also on providing attractive bokeh. It says its research showed that bokeh with a soft edge produces the most attractive result, producing a smooth transition from in-focus to out-of-focus regions, and with minimal risks of interference patterns occurring in backgrounds.
To achieve this, both lenses are designed so that spherical aberration is not fully corrected (that would give completely uniform bokeh). Instead it focuses peripheral light rays slightly in front of the plane of focus, giving a soft roll-off to the edges of the bokeh. This, they say, is how many much-loved 'classic' lenses gave desirable, '3D' rendering.
The 17mm lens includes a unique ED-DSA element, which has dual aspherical lenses formed from soft and hard-to-work extra low dispersion glass. They claim to be the only company currently able to do this.
The company also highlights that its cameras should be able to achieve very high levels of focus precision even with off-center points. Both lenses also have the snap-back focus clutch system, so that videographers can manual focus with a linear focus response.
Olympus mentions that there's been a trend towards bokeh-optimized primes in recent years but says its design approach gives attractive bokeh without any of the light loss causes by the use of apodization filters in Fujifilm's APD or Sony's STF lenses.
Each lens will cost $1200. The 45mm will go on sale in late November, and the 17mm will be available in late January 2018.
M.ZUIKO Digital ED 17mm F1.2 PRO and M.ZUIKO® Digital ED 45mm F1.2 PRO Offer Smooth Feathered Bokeh and High Resolution at the Brightest Aperture
CENTER VALLEY, PA., October 25, 2017 — Olympus expands its M.ZUIKO F1.2 PRO prime lens lineup with the new M.ZUIKO Digital ED 17mm F1.2 PRO (34mm focal length in 35mm equivalent) and the M.ZUIKO Digital ED 45mm F1.2 PRO (90mm focal length in 35mm equivalent). These Micro Four Thirds® system lenses join the currently available M.ZUIKO Digital ED 25mm F1.2 PRO (50mm focal length in 35mm equivalent) to deliver outstanding resolution and beautiful feathered bokeh at a maximum aperture of F1.2.
The M.ZUIKO Digital ED 17mm F1.2 PRO and M.ZUIKO Digital ED 45mm F1.2 PRO give M.ZUIKO PRO lens users more flexibility in low-light environments as well as an extraordinarily shallow depth-of-field. Each is designed to achieve a new level of depictive performance, delivering three-dimensional images that represent subjects as they appear in the real world through a combination of feathered bokeh and sharp resolution.
By focusing not only on the bokeh’s size but also its quality, each lens produces a feathered bokeh effect that better emphasizes the main subject and allows it to stand out within the image. The shallower depth of field produced at F1.2 is especially ideal for portrait photographers.
The newly developed ED-DSA lens, which possesses the characteristics of both an ED (Extra-low Dispersion) lens element and a DSA (Dual Super Aspherical) lens element, is incorporated in the M.ZUIKO Digital ED 17mm F1.2 PRO. The ED-DSA lens compensates for common wide-angle lens issues, including chromatic aberrations, distortion and color bleeding on the image periphery.
Like other lenses in the M.ZUIKO PRO series, the M.ZUIKO Digital ED 17mm F1.2 PRO and M.ZUIKO Digital ED 45mm F1.2 PRO feature compact, lightweight construction and a dustproof, splashproof, freezeproof (to 14°F/-10°C) design, giving photo enthusiasts and professionals the ability to capture brilliant images in a variety of shooting conditions.
U.S. Pricing and Availability
The M.ZUIKO Digital ED 45mm F1.2 PRO will be available late November 2017, while the M.ZUIKO Digital ED 17mm F1.2 PRO will be available late January 2018. Both lenses will have an estimated street price of $1,199.99 USD/$1,499.99 CAD. For a complete list of specifications for the M.ZUIKO Digital ED 45mm F1.2 PRO, visit the Olympus website: http://getolympus.com/lenses/m-zuiko-ed-45mm-f1-2-pro.html, and for the M.ZUIKO Digital ED 17mm F1.2 PRO lens, visit http://getolympus.com/lenses/m-zuiko-ed-17mm-f1-2-pro.html.
1. Depictive performance that delivers feathered bokeh and outstanding resolution
Feathered bokeh provides an ultra smooth transition from the sharp to the defocused areas of the image to provide an overall softer background. This results in a subject that stands out with lifelike dimensionality.
In the M.ZUIKO Digital ED 17mm F1.2 PRO, there are 15 elements in 11 groups, including specialized lens elements like the newly developed ED-DSA lens. The ED-DSA lens element, which possesses the characteristics of both an ED (Extra-low Dispersion) lens and DSA (Dual Super Aspherical) lens, reduces the overall weight and the number of lens elements. This design effectively compensates for various types of aberrations that tend to occur in wide-angle lenses, such as chromatic aberration, distortion and color bleeding on the image periphery (magnification chromatic aberration).
The M.ZUIKO Digital ED 45mm F1.2 PRO contains three optimally placed and bonded lens elements, including one ED lens, which compensate for typical problems on wide-aperture lenses like out-of-focus color bleeding (axial chromatic aberration) and peripheral color bleeding (magnification chromatic aberration). The extensive use of special lenses incorporated into 14 elements in 10 groups results in superb optical performance and feathered bokeh effects, even at the widest aperture setting.
Both lenses use the same Z Coating Nano technology as the M.ZUIKO Digital ED 25mm F1.2 PRO for sharp, clear image quality that significantly reduces ghosts and flares that tend to occur in backlit images.
2. Fast, high-precision AF
Both lenses are equipped with the MSC (Movie- and Still-Compatible) autofocus mechanism that provides virtually silent and smooth high-speed focusing performance, even when using the maximum aperture of F1.2. Additionally, there are no AF point limitations, even at the widest aperture, due to the On-Chip AF system in all Olympus OM-D® and PEN® cameras.
Using Face Priority or Eye Priority AF, two modes which are highly regarded by professional portrait photographers, brings out the true power of these large-aperture lenses.
3. Compact, lightweight construction and dustproof, splashproof and freezeproof (14°F/-10°C) performance
The M.ZUIKO PRO F1.2 prime lens lineup is exceptionally compact, lightweight and provides unrivaled mobility, dustproof, splashproof and freezeproof (14°F/-10°C) performance consistent with the M.ZUIKO PRO series. A uniform lens filter diameter across the three F1.2 lenses allows for use of the same lens filters, such as protection filters and PL filters.
Lens Cap, LC-62F (bundled): This lens cap is designed for quick and easy removal from lenses with a filter diameter of φ62mm, and can be used even when the lens hood is still attached.
Lens Case, LSC-0811 (bundled): A purse-string-type lens case with three-layer construction thatsecurely protects the lens. The lens can be stored in the case with the lens cap, protection filterand lens hood (stored) attached to the lens.
Lens Hood, LH-66C (bundled): A lens hood specifically designed for the M.ZUIKO Digital ED 17mm F1.2 PRO lens to reduce the amount of unnecessary light entering the lens when shooting in backlit conditions. The hood release lock button features a nonprotruding design that prevents the hood from accidental detachment.
Lens Hood, LH-66B (bundled): A lens hood for use with the M.ZUIKO Digital ED 25mm F1.2 PRO and the M.ZUIKO Digital ED 45mm F1.2 PRO lenses to reduce the amount of unnecessary light entering the lens when shooting in backlit conditions. The hood release lock button features a nonprotruding design that prevents the hood from accidental detachment.
Protection Filter, PRF-ZD62 PRO (sold separately): This protection filter maximizes the abilities of M.ZUIKO PRO lenses bearing the Zuiko name. It features ZERO coating, which cuts reflection by approximately one-half compared to conventional multicoating, black-edged glass, and a satin-finished black alumite aluminum frame for a matte surface that suppresses reflections.
Sales Outline for Separately Available Accessories
Planned Launch Date
Lens Cap, LC-62F
Lens Case, LSC-0811
Lens Hood, LH-66B
Protection Filter, PRF-ZD62 PRO
|Olympus M.Zuiko Digital ED 17mm F1.2 Pro||Olympus M.Zuiko Digital ED 45mm F1.2 Pro|
|Lens type||Prime lens|
|Max Format size||FourThirds|
|Focal length||17 mm||45 mm|
|Lens mount||Micro Four Thirds|
|Number of diaphragm blades||9|
|Special elements / coatings||1 Super ED, 3 ED, 1 ED-DSA, 1 EDA, 1 Super HR, 1 aspherical||1 ED, 4 HR, 1 aspherical|
|Minimum focus||0.20 m (7.87″)||0.50 m (19.69″)|
|Motor type||Stepper motor|
|Full time manual||Yes|
|Weight||390 g (0.86 lb)||410 g (0.90 lb)|
|Diameter||68 mm (2.68″)||70 mm (2.76″)|
|Length||87 mm (3.43″)||85 mm (3.35″)|
|Filter thread||62 mm|
|Hood product code||LH-66C||LH-66B|
Oct 25, 2017
Dec 12, 2017
Dec 10, 2017
Dec 31, 2017
The Everyday Sling might just be the perfect pack for not carrying too much gear, combining comfort with Peak Design's signature modern style.
When the Fujifilm X-T2 arrived, it was more than just a modest upgrade to the already impressive X-T1. While the new X-T3 hasn't changed the overall design of the camera, this model is way more than an upgrade; rather, it's a quantum leap.
The Movie Maker is a compact, motorized slider designed for phones, action cams and small mirrorless cameras. We think it's a fun little kit and a good value proposition for the cost, provided you can work around a few of its weak points.
Nikon's Z7 is the first camera to use the all-new Z-mount, the company's first new full-frame mount since 1959. We've put together our first impressions based on quality shooting time with a pre-production camera - check out what we've found.
What's the best camera for a parent? The best cameras for shooting kids and family must have fast autofocus, good low-light image quality and great video. In this buying guide we've rounded-up several great cameras for parents, and recommended the best.
What's the best camera for shooting landscapes? High resolution, weather-sealed bodies and wide dynamic range are all important. In this buying guide we've rounded-up several great cameras for shooting landscapes, and recommended the best.
What’s the best camera costing over $2000? The best high-end camera costing more than $2000 should have plenty of resolution, exceptional build quality, good 4K video capture and top-notch autofocus for advanced and professional users. In this buying guide we’ve rounded up all the current interchangeable lens cameras costing over $2000 and recommended the best.
|Abstract bokeh by Minas_Eye|
from Your City - Bokeh in the City (Rerun)
|Green Tree Frog by BruceRH|
|Custom Red Roadster by Mitchmeister|
from Car Shows 2018
At Sony's press conference at Photokina the company announced that 12 more E-mount lenses will be arriving over the next two years. In addition, the company is working to utilize artificial intelligence in its technologies, with one application being Eye AF trained to detect animal eyes.
Sigma has said it will create a full-frame Foveon camera and will adopt the Leica L mount for its system. It will be able to adapt or convert SA mount lenses to the L mount, for existing users.
Hasselblad is expanding their X System with their announcement of three new lenses: the XCD 80mm F1.9, XCD 65mm F2.8 and XCD 135mm F2.8, along with a teleconverter. The 80mm F1.9 is the fastest in the system. Get all the details and check out Hasselblad's official sample images here.
Sigma has announced give new lenses at Photokina, including a 'Sport' series 70-200mm F2.8 and a 56mm F1.4 for Micro Four Thirds and Sony E mounts.
Sigma has announced the 28mm F1.4 Art, 40mm F1.4 Art, 70-200mm F2.8 Sport and 60-600mm F4.5-6.3 Sport lenses for several full frame lens mounts, including Canon, Nikon and, in the first two instances, Sony E.
ON1 has announced the impending launch of ON1 Photo RAW 2019. The new version, due out in November, brings a handful of new tools and features in a revamped interface.
Fujifilm has said it is developing a 100MP GFX medium format camera that will include both phase detection autofocus and in-body image stabilization. The 4K-capable camera will sell for around $10,000.
Leica has announced the S3 medium-format camera – an S2 successor with a 64MP sensor capable of 4K video.
The GFX 50R is a 50MP rangefinder-style mirrorless camera. It borrows heavily from the existing 50S model but in a smaller body and at a lower price. How does it differ?
Fujifilm has announced its GFX 50R, a rangefinder-styled version of the company's GFX 50S medium-format camera. The 'guts' of the two cameras are the same, with the difference being the design, weight and Bluetooth, all at a considerably lower price.
In this episode of DPReview TV, we get our hands on Fujifilm's GFX 50R which hides a medium-format sensor in a new, more compact body. Watch to get Chris and Jordan's first impressions on image quality, video and more.
Fujifilm is adding a trio of new medium-format lenses to its G-mount roadmap. GFX owners will soon be able to get their hands on 100-200mm F5.6, 45-100mm F4 and compact 50mm F3.5 lenses. Pricing and availability have not been announced.
Micro Four Thirds users will soon get a super fast, constant aperture wide angle zoom.
Panasonic has announced it is developing two full frame mirrorless cameras: the 47MP S1R and the 24MP S1. We've been shown fairly advanced-looking but non-functional prototype cameras, and have been able to squeeze a few details from Panasonic.
Panasonic is developing a pair of full-frame mirrorless cameras that use Leica's L-mount. The S1R will feature a 47MP sensor, while the S1 will be 24MP. Both cameras will support Dual IS shake reduction 4K/60p video capture and will have XQD and SD card slots.
Leica, Panasonic and Sigma are teaming up. Expect L-mount cameras from Panasonic as well as L-mount glass from Sigma.
Ricoh has announced the development of the GR III enthusiast compact, due to ship in early 2019. The camera gains sensor-shift image stabilization and an updated 24MP sensor with phase-detection. The 28mm equivalent F2.8 lens has also been redesigned and a touchscreen added.
The 'I'm Back' is now available for a range of old film-SLRs, such as Nikon's F-Series, the Olympus OM10 or the Canon AE-1.
IRIX has announced its latest lens, the 150mm F2.8 Macro 1:1. IRIX claims the lens features 'close to zero' distortion and stands out with its 150mm telephoto focal length.
The RF 24-105mm F4L IS USM is one of four lenses to launch with Canon's new full-frame mirrorless system, and it boasts the longest reach of the range. Take a look at some of the samples we've gathered thus far as our EOS R testing continues.
Nikon's Sendai factory in the Tōhoku region North of Japan has been churning out cameras and lenses since 1971. We had the opportunity recently to visit Sendai during events to mark the launch of Nikon's new Z mount.
There's no mistaking the Nikon Coolpix P1000 – with a 24-3000mm equivalent zoom, it really is in a class of its own. It's a conspicuous-looking superzoom with one main job: getting you really close to far away subjects. We've put together a gallery showing the kind of results you can expect from it.
A new report from The Verge claims Instagram is currently testing a feature that allows users to re-share posts to their own account feeds.
GoPro has announced its HERO7 camera lineup. The updated action cameras feature new HyperSmooth and TimeWarp modes, as well as improved video and photo specs.
The latest Samsung midrange smartphone offers a super-wide-angle lens in its triple-camera setup.
The Sony 24mm F1.4 is the latest lens to join the company's premium G Master lineup. We've been shooting with one for a couple of days - here's what you need to know.
Apple released iOS 12 a few days ago and some iPhone X users are less than happy with how the new operating system has made their phones look.
Camera bag manufacturer Lowepro has introduced mark II backpacks for its ProTactic AW range with models that are said to feature an improved handling experience as well as a collection of accessories that can be attached to the outside.
Canon has announced its latest superzoom camera, the PowerShot SX70 HS. Compared to the SX60 that came before it, the SX70 has the same lens but offers a higher resolution EVF, 4K video capture and support for Canon's new CR3 Raw format.
Cosina has announced its eighth lens designed specifically for Sony's E-mount system. The Voigtlander 21mm F3.5 lens is due out October 2018.